This title considers the Jews of medieval England as victims of violence (notably the Clifford's Tower massacre) and as an isolated people. In July 1290, Edward I issued writs to the Sheriffs of the English counties ordering them to enforce a decree to expel all Jews from England before All Saints' Day of that year. England became the first country to expel a Jewish minority from its borders. They were allowed to take their portable property but their houses were confiscated by the king. In a highly readable account, Robin Mundill considers the Jews of medieval England as victims of violence (notably the massacre of Shabbat haGadol when York's Jewish community perished at Clifford's Tower) and as a people apart, isolated amidst a hostile environment. The origins of the business world are considered including the fact that the medieval English Jew perfected modern business methods many centuries before its recognised time. What emerges is a picture of a lost society which had much to contribute and yet was turned away in 1290.

Anglo-Danish Empire is an interdisciplinary handbook for the Danish conquest of England in 1016 and the subsequent reign of King Cnut the Great. Bringing together scholars from the fields of history, literature, archaeology, and manuscript studies, the volume offers comprehensive analysis of England's shift from Anglo-Saxon to Danish rule. It follows the history of this complicated transition, from the closing years of the reign of King AEthelred II and the Anglo-Danish wars, to Cnut's accession to the throne of England and his consolidation of power at home and abroad. Ruling from 1016 to 1035, Cnut drew England into a Scandinavian empire that stretched from Ireland to the Baltic. His reign rewrote the place of Denmark and England within Europe, altering the political and cultural landscapes of both countries for decades to come.

Author portraits are the most common type of figural illustration in Greek manuscripts. The vast majority of them depict the evangelists Matthew, Mark, Luke, and John. Being readily comparable to one another, such images illustrate the stylistic development of Byzantine painting. In addition, they often contain details which throw light on elements of Byzantine material culture such as writing utensils, lamps, domestic furniture, etc. This corpus offers catalogue descriptions of all evangelist portraits that survived from the Middle Byzantine period, i.e. from the mid-ninth to mid-thirteenth century. Items are arranged in roughly chronological order and are grouped according to common compositional types: readers will thus be able to trace iconographic similarities by going through a series of adjacent entries and to distinguish period styles by browsing through larger blocks of entries. The book thus provides, in effect, a selective survey of middle-Byzantine painting. A surprisingly large number of Byzantine evangelists portraits remain unpublished: seventy-five of the miniatures reproduced in this volume have never appeared in print before.

Travel narratives and historical works shaped the perception of Muslims and the East in the Victorian and post-Victorian periods. Analyzing the discourses on Muslims which originated in the European Middle Ages, the first part of the book discusses the troubled legacy of the encounters between the East and the West and locates the nineteenth-century texts concerning the Saracens and their lands in the liminal space between history and fiction. Drawing on the nineteenth-century models, the second part of the book looks at fictional and non-fictional works of the late twentieth and early twenty-first century which re-established the "Oriental obsession," stimulating dread and resentment, and even more strongly setting the Civilized West against the Barbaric East. Here medieval metaphorical enemies of Mankind - the World, the Flesh and the Devil - reappear in different contexts: the world of immigration, of white women desiring Muslim men, and the present-day "freedom fighters."

Since the publication of the first edition of The Crusades: A Reader, interest in the Crusades has increased dramatically, fueled in part by current global interactions between the Muslim world and Western nations. The second edition features an intriguing new chapter on perceptions of the Crusades in the modern period, from David Hume and William Wordsworth to World War I political cartoons and crusading rhetoric circulating after 9/11. Islamic accounts of the treatment of prisoners have been added, as well as sources detailing the homecoming of those who had ventured to the Holy Land-including a newly translated reading on a woman crusader, Margaret of Beverly. The book contains sixteen images, study questions for each reading, and an index.

In The Medieval Islamic Republic of Letters: Arabic Knowledge Construction, Muhsin J. al-Musawi offers a groundbreaking study of literary heritage in the medieval and premodern Islamic period. Al-Musawi challenges the paradigm that considers the period from the fall of Baghdad in 1258 to the collapse of the Ottoman Empire in 1919 as an "Age of Decay" followed by an "Awakening" (al-nahdah). His sweeping synthesis debunks this view by carefully documenting a "republic of letters" in the Islamic Near East and South Asia that was vibrant and dynamic, one varying considerably from the generally accepted image of a centuries-long period of intellectual and literary stagnation. Al-Musawi argues that the massive cultural production of the period was not a random enterprise: instead, it arose due to an emerging and growing body of readers across Islamic lands who needed compendiums, lexicons, and commentaries to engage with scholars and writers. Scholars, too, developed their own networks to respond to each other and to their readers. Rather than addressing only the elite, this culture industry supported a common readership that enlarged the creative space and audience for prose and poetry in standard and colloquial Arabic. Works by craftsmen, artisans, and women appeared side by side with those by distinguished scholars and poets. Through careful exploration of these networks, The Medieval Islamic Republic of Letters makes use of relevant theoretical frameworks to situate this culture in the ongoing discussion of non-Islamic and European efforts. Thorough, theoretically rigorous, and nuanced, al-Musawi's book is an original contribution to a range of fields in Arabic and Islamic cultural history of the twelfth to eighteenth centuries.