First published in 1570, Joachim Meyer's _The Art of Comba__t_ is among the most important texts in the rich corpus of German martial arts treatises of the Middle Ages and Renaissance. Meyer is unique in offering full recommendations on how to train for various weapons forms. He divides his book into five parts by weapon types: longsword; dusack (a practice weapon analogous to a sabre); rapier; dagger; and staff weapons. For each weapon, Meyer lays out the principles of its use and the vocabulary of techniques, and then describes a range of specific 'devices', attack combinations for use in combat. This rational approach, along with Meyer's famous and profuse woodcut illustrations, make this a crucial source for understanding the history and techniques of medieval and Renaissance martial arts. In the first ever English translation of this important work, Jeffrey Forgeng has sought to improve accessibility of the text. His Introduction is the first substantial account to be published in English of the German Fechtbuch corpus, and the Glossary likewise is the first of its kind to be published in English.

The present volume is a Festschrift in honor of the distinguished scholar in Late Byzantine, post-Byzantine and Cretan Renaissance studies I. Mavromatis. The title Kalligraphos is indicative of the foundations of his scholarship, which lie in the fields of paleography and early printing. With manuscripts and early printed books as the primary material of his studies, Professor Mavromatis has produced several major works in the fields of Byzantine philology, Cretan Renaissance literature (especially Erotorcritos) and late Byzantine vernacular poetry. This volume includes a short preface and twenty-four articles by senior and younger scholars, former colleagues, collaborators, and students of Professor Mavromatis. The articles are loosely arranged in chronological order of their subject matter and treat issues ranging from Byzantine historiography going back to the 4th century CE to post-Byzantine Cretan poetry of the 17th century. This philological kaleidoscope features new editions and interpretations of hitherto unknown or little-known poems and texts. The volume is intended for scholars, graduate and undergraduate students and the general readership interested in Byzantine and post-Byzantine literature.

Between the age of St. Augustine and the sixteenth century reformations magic continued to be both a matter of popular practice and of learned inquiry. This volume deals with its use in such contexts as healing and divination and as an aspect of the knowledge of nature's occult virtues and secrets.