Bringing together the work of scholars from disparate fields of enquiry, this volume provides a timely and stimulating exploration of the themes of transmission and translation, charting developments, adaptations and exchanges - textual, visual, material and conceptual - that reverberated across the medieval world, within wide-ranging temporal and geographical contexts. Such transactions generated a multiplicity of fusions expressed in diverse and often startling ways - architecturally, textually and through peoples' lived experiences - that informed attitudes of selfhood and 'otherness', senses of belonging and ownership, and concepts of regionality, that have been further embraced in modern and contemporary arenas of political and cultural discourse. Contributors are Tarren Andrews, Edel Bhreathnach, Cher Casey, Katherine Cross, Amanda Doviak, Elisa Foster, Matthias Friedrich, Jane Hawkes, Megan Henvey, Aideen Ireland, Alison Killilea, Ross McIntire, Lesley Milner, John Mitchell, Nino Simonishvili, and Rachael Vause.

Religious figures of remembrance served to consolidate first dynastic rule and later nation-state legitimacy and community. This book explains the interweaving of (Eastern) Roman, medieval Serbian and Bulgarian contexts as well as Ottoman and Western European national discourses or reinvented traditions. We can distinguish a secularization and nationalization of the religious contexts in the 19th century within historicism, followed by a nationalization of God and a sacralization of the nation until the end of WWII. Contrary to the national views, the origins of the modern content of these discourses lie only to a very limited extent in the Middle Ages or in the Early Modern period, as this study shows. Please note, this is volume 2 of a 2-volume set. Click here to see volume 1.

This is the first biography of Barbara of Cilli (1392-1451), Hungarian, Roman-German and Bohemian queen through her marriage to King and later Emperor Sigismund of Luxembourg (1368-1437). While Emperor Sigismund has enjoyed substantial historical attention, Barbara has remained in his shadow, despite her significant political, economic, and cultural influence. Barbara's image is still preserved today as the "Black Queen" or the "German Messalina". She has been transformed into a mystical or even demonic figure in folklore - a prime example of the creation and functioning of historical stereotypes - yet as a historical figure she emerges as an influential and exceptional queen.

This volume places the satirical works of the Middle Byzantine period in a wider political and socio-cultural context, exploring not only their various forms but also their functions and meanings. The volume is divided into four parts. The first part provides the backgrounds of the authors and texts discussed in the volume. The second concerns the manifold functions and appearances of Byzantine satirical texts. Part three offers detailed analyses of three largely unexplored texts (the Charidemos, the Philopatris, and the Anacharsis). The last section moves from the individual texts to the larger picture of satirical modes in Middle Byzantium. Contributors are Baukje van den Berg, Floris Bernard, Stavroula Constantinou, Eric Cullhed, Janek Kucharski, Marketa Kulhankova, Paul Magdalino, Henry Maguire, Przemyslaw Marciniak, Charis Messis, Ingela Nilsson, Emilie van Opstall, Panagiotis Roilos, and Nikos Zagklas. See inside the book.

The encounter between Muslim and Hindu remains one of the defining issues of South Asian society today. This encounter began as early as the 8th century, and the first Muslim kingdom in India would be established at the end of the 12th century. This powerful kingdom, the Sultanate of Delhi, eventually reduced to vassalage almost every independent kingdom on the subcontinent. In Love's Subtle Magic, a remarkable and deeply original book, Aditya Behl uses a little-understood genre of Sufi literature to paint an entirely new picture of the evolution of Indian culture during the earliest period of Muslim domination. These curious romantic tales transmit a deeply serious religious message through the medium of lighthearted stories of love. Although composed in the Muslim courts, they are written in a vernacular Indian language. Until now, they have defied analysis, and been mostly ignored by scholars east and west. Behl shows that the Sufi authors of these charming tales purposely sought to convey an Islamic vision via an Indian idiom. They thus constitute the earliest attempt at the indigenization of Islamic literature in an Indian setting. More important, however, Behl's analysis brilliantly illuminates the cosmopolitan and composite culture of the Sultanate India in which they were composed. This in turn compels us completely to rethink the standard of the opposition between Indian Hindu and foreign Muslim and recognize that the Indo-Islamic culture of this era was already significantly Indian in many important ways.

In Scandinavia the study of disputes is still a relatively new topic: The papers offered here discuss how conflicts were handled in Scandinavian societies in the Middle Ages before the emergence of strong centralized states. What strategies did people use to contest power, property, rights, honour, and other kinds of material or symbolic assets? Seven essays by Scandinavian scholars are supplemented by contributions from Stephen White, John Hudson and Gerd Althoff, to provide a new baseline for discussing both the strategies pursued in the political game and those used to settle local disputes. Using practice and process as key analytical concepts, these authors explore formal law and litigation in conjunction with non-formal legal proceedings such as out-of-court mediation, rituals, emotional posturing, and feuding. Their insights place the Northern medieval world in a European context of dispute studies. With introductory sections on social structure, sources materials, and the historiography of Scandinavian dispute studies. Contributors are Gerd Althoff, Catharina Andersson, Kim Esmark, Lars Ivar Hansen, Lars Hermanson, John Hudson, Audur G. Magnusdottir, Hans Jacob Orning, Helle Vogt and Stephen D. White.

The Umayyad caliphate, ruling over much of what is now the modern Middle East after the death of the Prophet Muhammad, governe from Damascus from 661 to750CE, when they were expelled by the Abbasids. Here, Mohammad Rihan sheds light on the tribal system of this empir, by looking at one of its Syrian tribes; the 'Amila, based around today's Jabal 'Amil in southern Lebanon. Using this tribe as a lens through which to examine the wider Umayyad world, he looks at the political structures and conflicts that prevailed at the time, seeking to nuance the understanding of the relationship between the tribes and the ruling elite. For Rihan, early Islamic political history can only be understood in the context of the tribal history. This book thus illustrates how the political and social milieu of the 'Amila tribe sheds light on the wider history of the Umayyad world. Utilizing a wide range of sources, from the books of genealogies to poetry, Rihan expertly portrays Umayyad political life. First providing a background on 'Amila's tribal structure and its functions and dynamics, Rihan then presents the pre-Islamic past of the tribe. Building on this, he then investigates the role the 'Amila played in the emergence of the Umayyad state to understand the ways in which political life developed for the tribes and their relations with those holding political power in the region. By exploring the literature, culture, kinship structures and the socio-political conditions of the tribe, this book highlights the ways in which alliances and divisions shifted and were used by caliphs of the period and offers new insights into the Middle East at a pivotal point in its early and medieval history. This historical analysis thus not only illuminates the political condition of the Umayyad world, but also investigates the ever-important relationship between tribal political structures and state-based rule.

Uncovering the Germanic Past brings to light an unexpected side-effect of France's nineteenth-century Industrial Revolution. While laying tracks for new rail lines, quarrying for stone, and expanding lands under cultivation, French labourers uncovered bones and artefacts from long-forgotten cemeteries. Although their original owners were unknown, research by a growing number of amateur archaeologists of the bourgeois class determined that these were the graves of Germanic 'warriors', and their work, presented in provincial learned societies across France, documented evidence for significant numbers of Franks, Burgundians, and Visigoths in late Roman Gaul. They thus challenged prevailing views in France of the population's exclusively Gallic ancestry, contradicting the influential writings of Parisian historians like Augustin Thierry and Numa-Denis Fustel de Coulanges. Although some scholars drew on this material evidence to refine their understanding of the early ancestors of the French, most ignored, at their peril, inconvenient finds that challenged the centrality of the ancient Gauls as the forebears of France. Crossing the boundaries of the fields of medieval archaeology and history, nineteenth-century French history, and the history of science, Effros suggests how the slow progress and professionalization of Merovingian (or early medieval) archaeology, a sub-discipline in the larger field of national archaeology in France, was in part a consequence of the undesirable evidence it brought to light.

In Imago Mortis: Mediating Images of Death in Late Medieval Culture, Ashby Kinch argues for the affirmative quality of late medieval death art and literature, providing a new, interdisciplinary approach to a well-known body of material. He demonstrates the surprising and effective ways that late medieval artists appropriated images of death and dying as a means to affirm their artistic, social, and political identities. The book dedicates each of its three sections to a pairing of a visual convention (deathbed scenes, the Three Living and Three Dead, and the Dance of Death) and a Middle English literary text (Hoccleve's Lerne for to die, Audelay's Three Dead Kings, and Lydgate's Dance of Death).

This study argues that, in early medieval South India, it was in the literary arena that religious ideals and values were publicly contested. While Tamil-speaking South India is today celebrated for its preservation of Hindu tradition, non-Hindu religious communities have played a significant role in shaping the religious history of the region. Among the least understood of such non-Hindu contributions is that of the Buddhists, who are little understood because of the scarcity of remnants of Tamil-speaking Buddhist culture. However, the two exant Buddhist texts in Tamil that are complete - a sixth-century poetic narrative known as the Manimekalai and an eleventh-century treatise on grammar and postics, the Viracoliyam - reveal a wealth of information about their textual communities and their vision of Buddhist life in a diverse and competitive religious milieu. By focusing on these texts, Monius sheds light on their role of literature and literary culture in the information, articulation, and evolution of religious identity and community.

The collection Migration, Integration and Connectivity on the Southeastern Frontier of the Carolingian Empire offers insights into the Carolingian southeastern frontier-zone from historical, art-historical and archaeological perspectives. Chapters in this volume discuss the significance of the early medieval period for scholarly and public discourses in the Western Balkans and Central Europe, and the transfer of knowledge between local scholarship and macro-narratives of Mediterranean and Western history. Other essays explore the ways local communities around the Adriatic (Istria, Dalmatia, Dalmatian hinterland, southern Pannonia) established and maintained social networks and integrated foreign cultural templates into their existing cultural habitus. Contributors are Mladen Ancic, Ivan Basic, Goran Bilogrivic, Neven Budak, Florin Curta, Danijel Dzino, Kresimir Filipec, Richard Hodges, Nikola Jaksic, Miljenko Jurkovic, Ante Milosevic, Marko Petrak, Peter Stih, Trpimir Vedris.

The Monastic Constitutions of Lanfranc, archbishop of Canterbury between 1070 and 1089, has long been recognized as one of the most important historical sources for medieval monastic life. In this major new revision of Dom David Knowles's classic editions of 1951 and 1967, C. N. L. Brooke incorporates the historical scholarship of the last generation to offer further insight into and illumination of Lanfranc and the monastic world of the eleventh century.

In medieval Europe hostages were given, not taken. They were a means of guarantee used to secure transactions ranging from treaties to wartime commitments to financial transactions. In principle, the force of the guarantee lay in the threat to the life of the hostage if the agreement were broken but, while violation of agreements was common, execution of hostages was a rarity. Medieval hostages are thus best understood not as simple pledges, but as a political institution characteristic of the medieval millennium, embedded in its changing historical contexts. In the Early Middle Ages, hostageship was principally seen in warfare and diplomacy, operating within structures of kinship and practices of alliance characteristic of elite political society. From the eleventh century, hostageship diversified, despite the spread of a legal and financial culture that would seem to have made it superfluous. Hostages in the Middle Ages traces the development of this institution from Late Antiquity through the period of the Hundred Years War, across Europe and the Mediterranean World. It explores the logic of agreements, the identity of hostages, and the conditions of their confinement, while shedding light on a wide range of subjects, from sieges and treaties, to captivity and ransom, to the Peace of God and the Crusades, to the rise of towns and representation, to political communication and shifting gender dynamics. The book closes by examining the reasons for the decline of hostageship in the Early Modern era, and the rise the modern variety of hostageship that was addressed by the Nuremberg tribunals and the United Nations in the twentieth century.

Today medievalism is increasingly intelligible as a cultural lingua franca, produced in trans- and international contexts with a view to reaching popular international audiences, some of mass scope. This book offers new perspectives on international relations and how global concerns are made available through contemporary medievalist texts. It questions how research in medievalism may help us rethink the terms of internationalism and globalism within popular cultures, ideologies, and political formations. It investigates how the diverse media of medievalism (print; film and television; arts and crafts; fashion; digital media; clubs and fandom) affect its cultural meaning and circulation, and its social function, and engage questions of desire, gender and identity construction. As a whole, International Medievalism and Popular Culture differs from those studies which have concentrated on imaginative appropriations of the middle ages for domestic cultural contexts. It investigates rather how contemporary cultures engage with medievalism to map and model ideas of the international, the trans-national, the cosmopolitan and the global. This book includes examples from Europe, Britain, North America, Australia and the Arab world. It discusses the formation and the impact of popular medievalism in the globalised worlds of Braveheart, Disney and Harry Potter, but it also explores how the contemporary medieval imaginary generates international cultural perspectives, for example in considering Middle Eastern reception of Ridley Scott's Kingdom of Heaven, the Byzantinism of Julia Kristeva, and Hedley Bull's postnationalist 'new medievalism'. International Medievalism in Popular Culture is an important contribution to medieval studies, cultural studies, and historical studies. It will be of value to undergraduate, postgraduate and academic readers, as well as to all interested in popular culture or medievalism.

In War, Entrepreneurs, and the State, Jeff Fynn-Paul (Leiden) assembles an internationally acclaimed selection of authors to push forward the debate on the role of entrepreneurs in making war and building states in Europe and the Ottoman Empire. Topics covered include logistics, supply, recruitment, and the finance of war. Chapters have been carefully commissioned with an eye towards complementarity. In an introduction co-written with Marjolein 't Hart and Griet Vermeesch, Fynn-Paul challenges existing discourses of military entrepreneurialism. A new benchmark is proposed: did states choose to work with entrepreneurs, or to restrict their activities and subvert the market? From the introduction and the individual chapters, a new more expansive vision of the military entrepreneur emerges. Contributors are: Carlos Alvarez-Nogal, Pepijn Brandon, William Caferro, Stephen Conway, Thomas Goossens, Aaron Graham, Rhoads Murphey, David Parrott, Helen Paul, Guy Rowlands, Kahraman Sakul, Marjolein 't Hart, Andrea Thiele, and Rafael Torres Sanchez.

Volume XXI/2 of History of Universities contains the customary mix of learned articles, book reviews, conference reports, and bibliographical information, which makes this publication such an indispensable tool for the historian of higher education. Its contributions range widely geographically, chronologically, and in subject-matter. The volume is, as always, a lively combination of original research and invaluable reference material.

Gender in Medieval Culture provides a detailed examination of medieval society's views on both gender and sexuality, and shows how they are inextricably linked. Sex roles were clearly defined in the medieval world although there were exceptions to the rules, and this book examines both the commonplace world view and the exceptions to it. The volume looks not only at the social and economic considerations of gender but also the religious and legal implications, arguing that both ecclesiastical and secular laws governed behaviour. The book covers key topics, including femininity and masculinity and how medieval society constructed these terms; sexuality and sex; transgressive sexualities such as homosexuality, adultery and chastity; and the gendered body of Christ, including the idea of Jesus as mother and affective spirituality. Using a clear chapter structure for easy navigation and categorisation, as well as chapter summaries and a glossary of terms, the book will be a vital resource for students of medieval history.

Reading Medieval Sources is an exciting new series which leads scholars and students into some of the most challenging and rewarding sources from the European Middle Ages, and introduces the most important approaches to understanding them. Written by an international team of twelve leading scholars, this volume Money and Coinage in the Middle Ages presents a set of fresh and insightful perspectives that demonstrate the rich potential of this source material to all scholars of medieval history and culture. It includes coverage of major developments in monetary history, set into their economic and political context, as well as innovative and interdisciplinary perspectives that address money and coinage in relation to archaeology, anthropology and medieval literature. Contributors are Nanouschka Myrberg Burstroem, Elizabeth Edwards, Gaspar Feliu, Anna Gannon, Richard Kelleher, Bill Maurer, Nick Mayhew, Rory Naismith, Philipp Robinson Roessner, Alessia Rovelli, Lucia Travaini, and Andrew Woods.

This book's concern is with notoriously obscure ancient poets-riddlers, whom it argues to have been an essential, albeit necessarily marginal, element of the literary landscape of Antiquity, which, in addition, exerted subtle yet lasting influence on European culture. The three first essays in this book trace a direct line of influence between the early Hellenistic scholar-poet Simias of Rhodes, the late Republican Roman experimentalist Laevius and Constantine the Great's virtuoso panegyrist Optatian Porfyry, whereas the fourth essay discusses the preservation and transformation of the model invented by Simias in Byzantium. The Appendix reflects on the triumph of this intellectual paradigm in Neo-Latin Jesuit education by investigating the case of a peripheral yet highly influential Central European college at the turn of the sixteenth and seventeenth centuries. This book is at once a contribution to the scholarship on the reception of Hellenistic poetry and to the study of ancient 'technopaegnia' (i.e. playful poetry) and their cultural influence in Antiquity, Byzantium and post-mediaeval Europe.

This biography presents a remarkable vision of Spanish society at the beginning of the 13th century by exploring the life of Berenguela of Castile (1180-1246), a queen who dominated public life for over forty years. Born at a time when the centers of Christian power were formed, Berenguela provided royal leadership in a crucial period of Iberian history. Within the context of contemporary studies of female power throughout history, Salvador Martinez brings to life Berenguela, a queen who, through her wisdom and resolve, transformed the Iberian political and cultural scene for years to come.