Elected pope in the wake of a rebellion, Eugenius III came to power as a relative unknown during a time of crisis. This book examines the controversial developments in papal justice and theological debate during his pontificate, his treatment of Cistercian monasteries, his relationships with France, Spain, and Rome, his work in the papal states, and the crusades. It offers a new view of an under-appreciated pope and the place of the church in a rapidly changing European society.

Richard II, son of the Black Prince, had a dramatic and contentious kingship. At fourteen he faced down the ringleaders of the Peasant Revolt of 1381; only to reach the nadir of his royal authority in 1388 with the Merciless Parliament. Yet in only a decade, his rule was being referred to as `the tyranny'. This collection of essays by leading historians aims to re-evaluate the frequently biased evidence and create a rounded portrait of this fascinating and much-maligned figure.

This book brings together a team of scholars representing a broad range of interests and new approaches in medieval studies to explore the interactions of secular power and sacral authority in central and southeastern Europe in the period. Contributors present new research on the region's political and legal history, nobility and government institutions, war and diplomacy, literature and literacy, sacred and secular art, archaeological research, heritage studies, and much more.

France, Spain and Italy were the scene of almost constant warfare during the second half of the fourteenth century. By that time the armies of the kings, princes and city republics were raised by contract and paid. With the cessation of hostilities between England and France in 1360, many captains maintained their retinues to serve other employers, failing which they combined together to make war on their own account.

This first volume deals with the activities, mainly in France and Spain, of a large number of the soldiers who were demobilized after the conclusion of peace, and who came together to form the 'Great Companies'. The author places their activities in the political and diplomatic framework of the times, highlighting their ambitions and those of the rulers who employed them.

Historical Works from Medieval Wales is the fourth volume in The Library of Medieval Welsh Literature series. It introduces readers to the genre of medieval Welsh historical texts on the basis of a broad selection of annotated passages, which range from an account of the legendary origin of Britain to the fall of the last native prince. Each passage is preceded by an introductory paragraph indicating the source and relating it to its wider historical and literary context. The selections are accompanied by a substantial introduction, extensive linguistic notes, and a full glossary. The introduction discusses gemeral features of medieval historiography, as well as the manuscripts and edited works from which the excerpts have been taken. The second part of the introduction contains a detailed description of the language (orthography, morphology and syntax) employed in the selected passages. The volume aims to make Middle Welsh historical texts accessible to third level students whose first language is not Welsh, but can also be used and enjoyed by native speakers of Welsh, students and interested readers, who are interested in an overall view of historical texts from medieval Wales. Patricia Williams is a retired lecturer in Welsh language and literature at the University of Manchester.

Nature and Illusion is the first extended treament of the portrayal of nature in Byzantine art and literature. In this richly illustrated study, Henry Maguire shows how the Byzantines embraced terrestrial creation in the decoration of their churches during the fifth to seventh centuries but then adopted a much more cautious attitude toward the depiction of animals and plants in the middle ages, after the iconoclastic dispute of the eighth and ninth centuries. In the medieval period, the art of Byzantine churches became more anthropocentric and less accepting of natural images. The danger that the latter might be put to idolatrous use created a constant state of tension between worldliness, represented by nature, and otherworldliness, represented by the portrait icons of the saints. The book discusses the role of iconoclasm in affecting this fundamental change in Byzantine art, as both sides in the controversy accused the other of "worshipping the creature rather than the Creator." An important theme is the asymmetrical relationship between Byzantine art and literature with respect to the portrayal of nature. A series of vivid texts described seasons, landscapes, gardens, and animals, but these were more sparingly illustrated in medieval art. Maguire concludes by discussing the abstraction of nature in the form of marble floors and revetments and with a consideration of the role of architectural backgrounds in medieval Byzantine art. Throughout Nature and Illusion, medieval Byzantine art is compared with that of Western Europe, where different conceptions of religious imagery allowed a closer engagement with nature.

Thirteen of the most important critical essays on the Italian Renaissance are brought together in this volume. Designed to introduce readers to both recent and classical interpretations, the collection provides an ideal starting point for study of this period.

Topics covered include the structures of power, urban life and values, gender, family and society, the power of knowledge, and patronage and art. Taken together, the readings illuminate the origins, course and outcome of the Italian Renaissance.

Editorial introductions and annotations to each essay provide a helpful framework for students engaging with critical aspects of the subject for the first time. An overall introduction discusses the themes and approaches that have dominated the recent historiography of the Renaissance, as well as the debates about how to define the Renaissance and its relationship to Italy; it also considers different approaches to the 'end' of the Renaissance.

Anonymous' and Stephanus' commentaries, written in the 12th century AD, are the first surviving commentaries on Aristotle's Rhetoric. Their study, including the environment in which they were written and the philosophical ideas expressed in them, provides a better understanding of the reception of Aristotle's Rhetoric in Byzantium, the Byzantine practice of commenting on classical texts, and what can be called "Byzantine philosophy". For the first time, this book explores the context of production of the commentaries, discusses the identity and features of their authors, and reveals their philosophical and philological significance. In particular, I examine the main topics discussed by Aristotle in the Rhetoric as contributing to persuasion, namely valid and fallacious rhetorical arguments, ethical notions, emotional response and style, and I analyse the commentators' interpretations of these topics. In this analysis, I focus on highlighting the value of the philosophical views expressed, and on creating a discussion between the Byzantine and the modern interpretations of the treatise. Conclusively, the two commentators need to be considered as independent thinkers, who aimed primarily at integrating the treatise within the Aristotelian philosophical system.

While historians of Christianity have generally acknowledged some degree of Germanic influence in the development of early medieval Christianity, Russell goes further, arguing for a fundamental Germanic transformation of Christianity. This first full-scale treatment of the subject follows a truly interdisciplinary approach, applying to the early medieval period a sociohistorical method similar to that which has already proven fruitful in explicating the history of Early Christianity and Late Antiquity. The encounter of the Germanic peoples with Christianity is studied from within the larger context of the encounter of a predominantly "world-accepting" Indo-European folk-religiosity with predominantly "world-rejecting" religious movements. While the first part of the book develops a general model of religious transformation for such encounters, the second part applies this model to the Germano-Christian scenario. Russell shows how a Christian missionary policy of temporary accommodation inadvertently contributed to a reciprocal Germanization of Christianity. Applying insights from the behavioral sciences and Indo-European studies to analyze this pivotal transformation of the West, this book will interest students and scholars of religion, history, sociology, and social psychology, as well as those who wish to further their understanding of the history of Christianity and of Western civilization.

For a long time it was thought that there were no Middle Dutch sermons dating from the thirteenth century. It was only after J.P. Gumbert had redated the manuscript from The Hague containing the "Limburg Sermons" that its contents could be assigned to that century. Most of the "Limburg Sermons" appear to be translations of the Middle High German "St. Georgen sermons," But sixteen of these texts are known only in Middle Dutch, and among these is to be found material drawn from the works of Hadewijch and Beatrijs van Nazareth. Thus the "Limburg Sermons" emerge to take their place in the famous tradition of Brabantine mysticism.

Social identity - how people define and categorize themselves - is constructed and expressed through cultural practices, cultural production and corporeality. This text takes a theoretical approach in viewing social identity as an intricate "warp and weft" in which "we-identities" are more than mere agglomerations of single threads or collectives of individual "self-identities", such as ethnicity or gender. This is important for medieval Britain prior to the 11th century due to the ways in which aspects of identity have been used as defining criteria in both modern scholarship and in contemporary historical texts.

This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the disconcerting physical and emotional effects of watching cinema. Moreover, cinematic spectatorship affords, at times, a (more or less) secular experience of visionary transcendence: an 'agape-ic encounter'. The medieval saint's visions of God are but one pole of a spectrum of visual experience which extends into our present multi-media moment. We too conjure godly visions: on our smartphones, on the silver screen, and on our TVs and laptops. This book places contemporary pop-culture media - such as blockbuster movie The Dark Knight, Kim Kardashian West's social media feeds, and the outputs of online role-players in Second Life - in dialogue with a corpus of thirteenth-century Latin biographies, 'Holy Women of Liege'. In these texts, holy women see God, and see God often. Their experiences fundamentally orient their life, and offer the women new routes to knowledge, agency, and belonging. For the holy visionaries of Liege, as with us modern 'seers', visions are physically intimate, ideologically overloaded spaces. Through theoretically informed close readings, Medieval Saints and Modern Screens reveals the interconnection of decidedly 'old' media - medieval textualities - and artefacts of our 'new media' ecology, which all serve as spaces in which altogether human concerns are brought before the contemporary culture's eyes.

In Alliances and Treaties between Frankish and Muslim Rulers Michael Koehler presents a fully integrated study of Frankish-Muslim diplomacy in the period from the First Crusade through to the thirteenth century. It is a ground-breaking study that challenges preconceived notions of the relations between Frankish and Muslim rulers in the Middle East. Commonly portrayed as an era of conflict, the period appears here as one in which conventions of diplomatic cooperation were commonplace. This book is one of the few works in the fields of Crusader Studies and Middle Eastern Studies that draws to the same extent on Arabic and Western sources; two textual traditions that have usually been studied in isolation from each other.

The essays collected in The Five Senses in Medieval and Early Modern England examine the interrelationships between sense perception and secular and Christian cultures in England from the medieval into the early modern periods. They address canonical texts and writers in the fields of poetry, drama, homiletics, martyrology and early scientific writing, and they espouse methods associated with the fields of corpus linguistics, disability studies, translation studies, art history and archaeology, as well as approaches derived from traditional literary studies. Together, these papers constitute a major contribution to the growing field of sensorial research that will be of interest to historians of perception and cognition as well as to historians with more generalist interests in medieval and early modern England. Contributors include: Dieter Bitterli, Beatrix Busse, Rory Critten, Javier Diaz-Vera, Tobias Gabel, Jens Martin Gurr, Katherine Hindley, Farah Karim-Cooper, Annette Kern-Stahler, Richard Newhauser, Sean Otto, Virginia Richter, Elizabeth Robertson, and Kathrin Scheuchzer

Gregory VII ranks among the very greatest popes of all time, and as an outstanding figure of European and even world history. The letters in his Register, of which this is the first complete modern translation, shed penetrating light on his personality, purposes, and actions, and especially on his often dramatic dealings with the kings and kingdoms of Europe in the late eleventh century.

The Sufi thinker 'Abd al-Karim al-Jili (d. 1408) is best-known for his treatment of the idea of the Perfect Human, yet his masterpiece, al-Insan al-kamil (The Perfect Human), is in fact a wide-ranging compendium of Sufi metaphysical thought in the Ibn 'Arabian tradition. One of the major topics treated in that work is sacred history, the story of God's revelation of the truth to humanity through His prophets and scriptures. Fitzroy Morrissey provides here the first in-depth study of this important section of al-Jili's major work and the key ideas contained within it. Through a translation and analysis of the key passages on the Qur'an, Torah, Psalms and Gospel, it shows how al-Jili's view of sacred history is conditioned by his Ibn 'Arabian Sufi metaphysics, whereby the phenomenal world is viewed as a manifestation of God, and the prophets and scriptures as special places where the divine attributes appear more completely. It also looks at how this idea influences al-Jili's understanding of the hierarchy of prophets, scriptures and religions. The book argues that, contrary to common assumptions, al-Jili's Sufi metaphysical view of sacred history is in keeping with the common medieval Muslim view of sacred history, whereby the Qur'an is viewed as the best of scriptures, Muhammad as the best of prophets, and Islam as the best religion. The book therefore not only gives an insight into a key text within medieval Sufi thought, but also has ramifications for our understanding of medieval Sufi views on the relationship between Islam and other religions.

The Council of Piacenza is among the most important moments of the Reform that was sweeping through the Western Church at the end of the eleventh century. It is often regarded as a launching pad for the First Crusade, though the matter is obscure and serves only to hide the assembly's true significance as a turning point in the papal schism between Popes Gregory VII/Urban II and the so-called anti-pope Clement III. The canons promulgated at Piacenza became landmarks not only for the eleventh- and twelfth-century Reform, but more broadly for the Church of the High Middle Ages and even beyond.
Robert Somerville situates Piacenza in historical context, discusses the sources, the attendance, and the need for a new edition of the legislation. The official canons are lost, but several dozen twelfth-century manuscripts were consulted for a new edition of these provisions. The account finishes with a commentary on Piacenza's legislation and a discussion of the subsequent legislation of Urban II's synods. Somerville completes the picture of what can be known about the papal synods of one of the most influential Roman pontiffs of the Middle Ages.

In Sugar in the Social Life of Medieval Islam Tsugitaka Sato explores the actual day-to-day life in medieval Muslim societies through different aspects of sugar. Drawing from a wealth of historical sources - chronicles, geographies, travel accounts, biographies, medical and pharmacological texts, and more - he describes sugarcane cultivation, sugar production, the sugar trade, and sugar's use as a sweetener, a medicine, and a symbol of power. He gives us a new perspective on the history of the Middle East, as well as the history of sugar across the world. This book is a posthumous work by a leading scholar of Middle Eastern and Islamic studies in Japan who made many contributions to this field.

In the historiography of trade in the Middle Ages, there is a wide current of theoretical consideration referring to the ways contemporaries perceived trade. The present work pays specific attention to how trade functioned within the range of the influence of the Ottonian Empire and Byzantium, from the 10th to 12th centuries. This book attempts to verify these concepts in the extensive available source. The manner of circulation of goods and the phenomenon of accumulating goods is a significant product of the present book, demonstrating how imperial influences that perceived through the prism of generative centres on the peripheries of Europe. This volume is the English translation of Handel interregionalny od X do XII wieku. Europa Srodkowa, Srodkowo-Wschodnia, Polwysep Skandynawski i Polwysep Balkanski. Studium Porownawcze (Wydawnictwo Naukowe Uniwersytetu Mikolaja Kopernika,Torun 2016).

This book explores the Merovingian kingdoms in Gaul within a broader Mediterranean context. Their politics and culture have mostly been interpreted in the past through a narrow local perspective, but as the papers in this volume clearly demonstrate, the Merovingian kingdoms had complicated and multi-layered political, religious, and socio-cultural relations with their Mediterranean counterparts, from Visigothic Spain in the West to the Byzantine Empire in the East, and from Anglo-Saxon England in the North to North-Africa in the South. The papers collected here provide new insights into the history of the Merovingian kingdoms by examining various relevant issues, ranging from identity formation to the shape and rules of diplomatic relations, cultural transformation, as well as voiced attitudes towards the "other". Each of the papers begins with a short excerpt from a primary source, which serves as a stimulus for the discussion of broader issues. The various sources' point of view and their contextualization stand at the heart of the analysis, thus ensuring that discussions are accessible to students and non-specialists, without jeopardizing the high academic standard of the debate.

New approaches to the political culture of the fourteenth and fifteenth centuries, considering its complex relation to monarchy and state. The essays collected here celebrate mark the distinguished career of Professor W. Mark Ormrod, reflecting the vibrancy and range of his scholarship on the structures, personalities and culture of ruling late medieval England. Encompassing political, administrative, Church and social history, the volume focusses on three main themes: monarchy, state and political culture. For the first, it explores Edward III's reactions to the deaths of his kinfolk and cases of political defamation across the fourteenth century. The workings of the "state" are examined through studies of tax and ecclesiastical records, the Court of Chivalry, fifteenth-century legislation, and the working practicesof the privy seal clerk, Thomas Hoccleve. Finally, separate discussions of collegiate statutes and the household ordinances of Cecily, duchess of York consider the political culture of regulation and code-making.

The Ruthwell Cross is one of the finest Anglo-Saxon high crosses that have come down to us. The longest epigraphic text in the Old English Runes Corpus is inscribed on two sides of the monument: it forms an alliterative poem, in which the Cross itself narrates the crucifixion episode. Parts of the inscription are irrevocably lost. This study establishes a historico-cultural context for the Ruthwell Cross's texts and sculptures. It shows that The Ruthwell Crucifixion Poem is an integral part of a Christian artefact but also an independent text. Although its verses match closely with lines of The Dream of the Rood in the Vercelli Book, a comparative analysis gives new insight into their complex relationship. An annotated transliteration of the runes offers intriguing information for runologists. Detailed linguistic and metrical analyses finally yield a new reconstruction of the lost runes. All in all, this study takes a fresh look at the Ruthwell Cross and provides the first scholarly edition of the reconstructed Ruthwell Crucifixion Poem-one of the earliest religious poems of Anglo-Saxon England. It will be of interest to scholars and students of historical linguistics, medieval English literature and culture, art history, and archaeology.