In The Lordship of the Isles, twelve specialists offer new insights on the rise and fall of the MacDonalds of Islay and the greatest Gaelic lordship of later medieval Scotland. Portrayed most often as either the independently-minded last great patrons of Scottish Gaelic culture or as dangerous rivals to the Stewart kings for mastery of Scotland, this collection navigates through such opposed perspectives to re-examine the politics, culture, society and connections of Highland and Hebridean Scotland from the fourteenth to sixteenth centuries. It delivers a compelling account of a land and people caught literally and figuratively between two worlds, those of the Atlantic and mainland Scotland, and of Gaelic and Anglophone culture. Contributors are David Caldwell, Sonja Cameron, Alastair Campbell, Alison Cathcart, Colin Martin, Tom McNeill, Lachlan Nicholson, Richard Oram, Michael Penman, Alasdair Ross, Geoffrey Stell and Sarah Thomas.

Late Medieval and Early Modern Fight Books offers insights into the cultural and historical transmission and practices of martial arts, based on the corpus of the Fight Books (Fechtbucher) in 14th- to 17th-century Europe. The first part of the book deals with methodological and specific issues for the studies of this emerging interdisciplinary field of research. The second section offers an overview of the corpus based on geographical areas. The final part offers some relevant case studies. This is the first book proposing a comprehensive state of research and an overview of Historical European Martial Arts Studies. One of its major strengths lies in its association of interdisciplinary scholars with practitioners of martial arts. Contributors are Sydney Anglo, Matthias Johannes Bauer, Eric Burkart, Marco Cavina, Franck Cinato, John Clements, Timothy Dawson, Olivier Dupuis, Bert Gevaert, Dierk Hagedorn, Daniel Jaquet, Rachel E. Kellet, Jens Peter Kleinau, Ken Mondschein, Reinier van Noort, B. Ann Tlusty, Manuel Valle Ortiz, Karin Verelst, and Paul Wagner.

In this last collection of his vital, controversial, and accessible writings, Heiko A. Oberman seeks to liberate and broaden our understanding of the European Reformation, from its origins in medieval philosophy and theology through the Puritan settlers who brought Calvin's vision to the New World. Ranging over many topics, Oberman finds fascinating connections between aspects of the Reformation and twentieth-century history and thought-most notably the connection to Nazism and the Holocaust. He revisits his earlier work on the history of anti-Semitism, rejects the notion of an unbroken line from Luther to Hitler to the Holocaust, and offers a new perspective on the Christian legacy of anti-Semitism and its murderous result in the twentieth century. Oberman demonstrates how the simplifications and rigidities of modern historiography have obscured the existential spirits of such great figures as Luther and Calvin. He explores the debt of both Luther and Calvin to medieval religious thought and the impact of diverse features of "the long fifteenth century"-including the Black Death, nominalism, humanism, and the Conciliar Movement-on the Reformation.

Saints and their Communities offers a new approach to the study of lay religion as evidenced in collections of miracle narratives in twelfth-century England. There are a number of problems associated with the interpretation of this hagiographical genre and an extended introduction discusses these. The first issue is the tendency to read these narratives as transparent accounts of lay religion as if it were something susceptible to static, 'ethnographic' treatment in isolation from wider social and political activities. The second issue is the challenge of explaining the miraculous as a credible part of cultural experience, without appealing to reductionist notions of a 'medieval mindset'. The third issue is the problem of how to take full account of the fact that these sources are representations of lay experience by monastic authors. The author argues that miracle narratives were the product of and helped to foster lay notions of Christian practice and identity centred on the spiritual patronage of certain enshrined saints.
The six main chapters provide fully contextualized studies of selected miracle collections. Yarrow looks at when these collections were made, who wrote them, the kinds of audiences they are likely to have reached, and the messages they were intended to convey. He shows how these texts served to represent specific cults in terms that articulated the values and interests of the institutions acting as custodians of the relics; and how alongside other programmes of textual production, these collections of stories can be linked to occasions of uncertainty or need in the life of these institutions. A concluding chapter argues the case for miracle collections asevidence of the attempt by traditional monasteries to reach out to the relatively affluent peasantry, and to urban communities in society, and their rural hinterlands with offers of protection and opportunities for them to express their social status with reference to tomb-centred sanctity.

This book aims to analyze the genesis and evolution of late Gothic painting in the Crown of Aragon and the rest of the Hispanic kingdoms, examining this phenomenon in relation to the whole context of Europe in the second half of the fifteenth century. The authors consider the influence of the Flemish primitive movement on the art produced by their Spanish colleagues, the artistic relations and interchanges with the Netherlands and other countries, and the introduction and development of the Flemish language in the Spanish lands. The book also examines altarpieces, considering topics such as changes in shape and structure and liturgical links, along with offering stylistic analyses supported by new technologies. Contributors are Joan Aliaga, Maria Antonia Argelich, Marc Balleste, Judith Berg Sobre, Carme Berlabe, Eduardo Carrero, Ximo Company, Francesca Espanol, Francesc Fite, Montserrat Jardi, Nicola Jennings, Fernando Marias, Didier Martens, Isidre Puig, Nuria Ramon, Pedro Jose Respaldiza, Stefania Rusconi, Tina Sabater, Albert Sierra, Pilar Silva, Lluisa Tolosa, Alberto Velasco, and Joaquin Yarza ().

This is the eagerly-awaited first volume of the definitive History of the British Coal Industry. Well before 1700 Britain had become heavily dependent upon coal for its fuel, and coal mining had taken its place among the nation's staple industries. John Hatcher traces the production and trade of coal from the intermittent small-scale activity which prevailed in the Middle Ages to the rapid expansion and rising importance which characterized the early modern era. Thoroughly grounded in a formidable range of sources, the book explores the economics and management of mining, the productivity and profitability of colliery enterprise, and the progress of technology. Dr Hatcher examines the owners and operators of collieries and the sources of mining capital, as well as the colliers themselves, their working conditions and earnings. He argues that the spectacular growth of coal output in this period was achieved more through evolutionary than revolutionary processes. This is a scholarly, detailed, and comprehensive study, which will be an essential source for all historians of the medieval and early modern economy, and fascinating reading for anyone with an interest in the British coal industry.

This unique resource describes and evaluates ten of the most important events in British history between the Norman Conquest of 1066 and the Glorious Revolution of 1689 and its aftermath. A full chapter is devoted to each event, and each chapter includes an introduction presenting factual information in a clear, chronological order. Longer, interpretive essays explore the short-term and far-reaching ramifications of the events. Coverage for each event also includes an annotated bibliography of works suitable for students and a full-page illustration. A glossary of terms, a timeline of British history up to 1714, and a chronological list of ruling houses and monarchs help students to better understand the major developments in modern British history, along with their significance and long-term impact.

With his Letter of 1493 to the court of Spain, Christopher Columbus heralded his first voyage to the present-day Americas, creating visions that seduced the European imagination and birthing a fascination with those "new" lands and their inhabitants that continues today. Columbus's epistolary announcement travelled from country to country in a late-medieval media event -- and the rest, as has been observed, is history. The Letter has long been the object of speculation concerning its authorship and intention: British historian Cecil Jane questions whether Columbus could read and write prior to the first voyage while Demetrio Ramos argues that King Ferdinand and a minister composed the Letter and had it printed in the Spanish folio. The Letter has figured in studies of Spanish Imperialism and of Discovery and Colonial period history, but it also offers insights into Columbus's passions and motives as he reinvents himself and retails his vision of Peter Martyr's Novus orbis to men and women for whom Columbus was as unknown as the places he claimed to have visited. The central feature of the book is its annotated variorum edition of the Spanish Letter, together with an annotated English translation and word and name glossaries. A list of terms from early print-period and manuscript cultures supports those critical discussions. In the context of her text-based reading, the author addresses earlier critical perspectives on the Letter, explores foundational questions about its composition, publication and aims, and proposes a theory of authorship grounded in text, linguistics, discourse, and culture.

This is the first comprehensive English-language collection of sources yet to treat the city of Naples from late antiquity to the beginning of the Renaissance. Sources are drawn from its historical, economic, literary, artistic, religious and cultural life from the fall of Rome through the Byzantine, ducal, Norman, Hohenstaufen and Angevin periods. The Introduction offers a comprehensive survey of the periods covered, with a discussion of the historiography and of important research and interpretive issues. These include the material development of the city from late antiquity through the end of the Angevin period, the condition and use of the available primary sources and archaeological evidence, with particular attention given to the wide variety of recent excavations and of archival materials, the question of the ruralization and recovery of its urban core through the little known ducal period, Naples' importance as a commercial and political capital, its developing economic and material base, and the issue of its relationship to its hinterland on the one hand and to broader Mediterranean contexts on the other. It also surveys changes in Naples' urban plan, its walls, fortifications and port and its commercial and residential development. For the later Middle Ages, Musto traces Naples' intellectual life and the complex historiography of what he terms the "black legend of the Angevins" and its continued impact on perceptions of Naples and the Italian South. Documents include chronicles and histories; archival materials, accounts, financial and commercial records, contracts, wills, notarial and legislative documents; poetry, romances, biographies, letters, travelers' accounts and legends; liturgical and hagiographical texts; as well as examples of manuscript production and illustration, painting and architecture. 460 pages. Preface, introduction, notes and bibliography; appendices, including the Tavola Strozzi with key, Map of Medieval Naples with thumbnail key; index. 82 readings, 74 b&w figures, plus 60 thumbnail images. Links to online resources from A Documentary History of Naples, including image galleries with over 460 additional images in full color; and to full bibliographies with ongoing supplements.

A biography of the 15th century Prince of Romania, Vlad Dracula, on whom Stoker based his fictional character. It covers his career as ruler of Wallachia, terrorizer of Transylvania and crusader against the Turks, and examines how closely he compares to his fictional counterpart. This biography shows "Vlad the Impaler" to be a man as extraordinary in his political and crusading abilities as he was in his evil. He was considered a hero by the Pope and by Romanians whom he liberated from the Turks, and generations of Russian Turks studied accounts of his political genius and used his regime as a model for their own. Yet Vlad is remembered first for his crimes, excessive in both nature and number. He kept a vastly superior Turkish force from attacking his capital by constructing an infamous "forest of the impaled". Only in the context of his times - times of plague, of the beginning of the Renaissance, of literally cut-throat politics and conflict between East and West - can one understand fully the many faces of Dracula. In this book the authors offer a view of Dracula and his influential era.

Modern historiography has become accustomed to portraying the emperor Theophilos of Byzantium (829-842) in a favourable light, taking at face value the legendary account that makes of him a righteous and learned ruler, and excusing as ill fortune his apparent military failures against the Muslims. The present book considers events of the period that are crucial to our understanding of the reign and argues for a more balanced assessment of it. The focus lies on the impact of Oriental politics on the reign of Theophilos, the last iconoclast emperor. After introductory chapters, setting out the context in which he came to power, separate sections are devoted to the influence of Armenians at the court, the enrolment of Persian rebels against the caliphate in the Byzantine army, the continuous warfare with the Arabs and the cultural exchange with Baghdad, the Khazar problem, and the attitude of the Christian Melkites towards the iconoclast emperor. The final chapter reassesses the image of the emperor as a good ruler, building on the conclusions of the previous sections. The book reinterprets major events of the period and their chronology, and sets in a new light the role played by figures like Thomas the Slav, Manuel the Armenian or the Persian Theophobos, whose identity is established from a better understanding of the sources.

Before it fell to Muslim armies in AD 635-6 Damascus had a long and prestigious history as a center of Christianity. How did the city, which became capital of the Islamic Empire, and its people, negotiate the transition from a late antique, or early Byzantine world to an Islamic culture? In this innovative study, Nancy Khalek demonstrates that the changes that took place in Syria during the formative period of Islamic life were not a matter of the replacement of one civilization by another as a result of military conquest, but rather of shifting relationships and practices in a multi-faceted social and cultural setting. Even as late antique forms of religion and culture persisted, the formation of Islamic identity was effected by the people who constructed, lived in, and narrated the history of their city. Khalek draws on the evidence of architecture, and the testimony of pilgrims, biographers, geographers, and historians to shed light on this process of identity formation. Offering a fresh approach to the early Islamic period, she moves the study of Islamic origins beyond a focus on issues of authenticity and textual criticism, and initiates an interdisciplinary discourse on narrative, story-telling, and the interpretations of material culture.

The Religious Polemics of the Muslims of Late Medieval Christian Iberia examines the corpus of polemical literature against the Christians and the Jews of the protected Muslims (Mudejars). Commonly portrayed as communities in cultural and religious decay, Monica Colominas convincingly proves that the discourses against the Christians and the Jews in Mudejar treatises provided authoritative frameworks of Islamic normativity which helped to legitimize the residence of their communities in the Christian territories. Colominas argues that, while the primary aim of the polemics was to refute the views of their religious opponents, Mudejar treatises were also a tool used to advance Islamic knowledge and to strengthen the government and social cohesion of their communities.

Though many historians date the practice of diplomacy to the Renaissance, Pierre Chaplais shows that medieval kings relied on a network of diplomats and special envoys to conduct international relations. War, peace, marriage agreements, ransoms, trade and many other matters all had to be negotiated. To do this a remarkably sophisticated system of diplomacy developed during the Middle Ages. Chaplais describes how diplomacy worked in practice: how ambassadors and other envoys were chosen, how and where they traveled, and how the authenticity of their messages was known in a world before passports and photographs.

A new kind of songbook emerged in the later fifteenth century: personalized, portable, and lavishly decorated. Five closely related chansonniers, copied in the Loire Valley region of central France c. 1465-c. 1475, are the earliest surviving examples of this new genre.
The Loire Valley Chansonniers preserve the music of such renowned composers as Guillaume Du Fay, Johannes Ockeghem, and Antoine Busnoys. But their importance as musical sources has overshadowed the significance of these manuscripts as artifacts in their own right.
This book places the physical objects at center, investigating the means by which they were produced and the broader culture in which they circulated. Jane Alden performs a codicological autopsy upon the manuscripts and reveals the hitherto unrecognized role of scribes in shaping the transmission and reception of the chanson repertory. Alden also challenges the long-held belief that the Loire Valley Chansonniers were intended for royal or noble patrons. Instead, she argues that a rising class of bureaucrats--notaries, secretaries, and other court officials--commissioned these exquisite objects. Active as writers and participants in poetry competitions, these individuals may even have written some of the chansons' texts.
The unique integration of image, text, and music found in chansonniers extends their appeal to a broad readership. But for the nineteenth-century scholars who rediscovered these manuscripts, the larger literary and visual resonances were not of primary interest. Alden documents the tangle of motivations--national identity, populist politics, and the rise of the musical masterwork--that informed the earliest writings on these books. Only now is their multifaceted structure the inspiration for a new generation of readers.

This Handbook is intended to show the links between the philosophy written in the Middle Ages and that being done today. Essays by over twenty medieval specialists, who are also familiar with contemporary discussions, explore areas in logic and philosophy of language, metaphysics, epistemology, moral psychology ethics, aesthetics, political philosophy and philosophy of religion. Each topic has been chosen because it is of present philosophical interest, but a more or less similar set of questions was also discussed in the Middle Ages. No party-line has been set about the extent of the similarity. Some writers (e.g. Panaccio on Universals; Cesalli on States of Affairs) argue that there are the closest continuities. Others (e.g. Thom on Logical Form; Pink on Freedom of the Will) stress the differences. All, however, share the aim of providing new analyses of medieval texts and of writing in a manner that is clear and comprehensible to philosophers who are not medieval specialists. The Handbook begins with eleven chapters looking at the history of medieval philosophy period by period, and region by region. They constitute the fullest, most wide-ranging and up-to-date chronological survey of medieval philosophy available. All four traditions - Greek, Latin, Islamic and Jewish (in Arabic, and in Hebrew) - are considered, and the Latin tradition is traced from late antiquity through to the seventeenth century and beyond.

The seventy years of late Stuart and early Hanoverian Britain following 1680 were a crucial period in British politics and society, seeing the growth both of political parties and of stability. This collection of original essays provides a coherent account of Britain in the 'First Age of Party'.

In Entombed Epigraphy and Commemorative Culture Timothy M. Davis presents a history of early muzhiming-the most versatile and persistent commemorative form employed in the elite burials of pre-modern China. While previous scholars have largely overlooked the contemporary religious, social, and cultural functions of these epigraphic objects, this study directly addresses these areas of concern, answering such basic questions as: Why were muzhiming buried in tombs? What distinguishes commemorative biography from dynastic history biography? And why did muzhiming develop into an essential commemorative genre esteemed by the upper classes? Furthermore, this study reveals how aspiring families used muzhiming to satisfy their obligations to deceased ancestors, establish a multi-generational sense of corporate identity, and strengthen their claims to elite status.

The study of pastoral care in the middle ages has seen a resurgence in recent years. Scholars are now approaching this subject less from their respective ecclesiastical or parochial biases and more out of an effort to understand the significant role pastors (secular and religious) had in the shaping of medieval society at large. This book explores some of the new ways scholars are approaching this topic. Using a variety of sources and disciplinary angles: theology, preaching, catechesis, confessional literature, visitation records, monastic cartularies and the like, these studies show the many and varied ways in which pastoral care came to play such an important role in the day to day lives of medieval people. Contributors include: C. Colt Anderson, Michelle Armstrong-Partida, Beth Allison Barr, Sabrina Corbellini, Alexandra da Costa, Laura Michele Diener, William Dohar, James Ginther, Joe Goering, Ann M. Hutchison, Greg Peters, C. Matthew Phillips, Andrew Reeves, Ronald J. Stansbury, Susan M.B. Steuer, Mathilde van Dijk, and Anne T. Thayer.

Robert Couzin's Right and Left in Early Christian and Medieval Art is the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century. Heretofore largely unnoticed or ignored, the pre-eminence of the right and lapses or intentional departures from that norm in medieval imagery are relevant to such major themes as iconography, visuality, reception, narrative, form, gender, production, and patronage. The author's investigation of right and left in visual culture is informed by modern experimental research on laterality and contextualized within prevailing theological doctrines and socio-cultural practices. Illustrations in the text are complemented by hundreds more made available on Brill's Arkyves platform here. See inside the book.