First published as a special issue of the journal Medieval Encounters (vol. 23, 2017), this volume, edited by Josefina Rodriguez-Arribas, Charles Burnett, Silke Ackermann, and Ryan Szpiech, brings together fifteen studies on various aspects of the astrolabe in medieval cultures. The astrolabe, developed in antiquity and elaborated throughout the Middle Ages, was used for calculation, teaching, and observation, and also served astrological and medical purposes. It was the most popular and prestigious of the mathematical instruments, and was found equally among practitioners of various sciences and arts as among princes in royal courts. By considering sources and instruments from Muslim, Christian, and Jewish contexts, this volume provides state-of-the-art research on the history and use of the astrolabe throughout the Middle Ages. Contributors are Silke Ackermann, Emilia Calvo, John Davis, Laura Fernandez Fernandez, Miquel Forcada, Azucena Hernandez, David A. King, Taro Mimura, Gunther Oestmann, Josefina Rodriguez-Arribas, Sreeramula Rajeswara Sarma, Petra G. Schmidl, Giorgio Strano, Flora Vafea, and Johannes Thomann.

This study contributes to the history of social changes in Iran during the Abbasid Caliphate (AH 132-656, AD 750-1258) by foregrounding the perspective of Persian language historians - from Abu Ali Bal'ami (AH 363, AD 974), the first known Persian historian, to Atamelak Joveyni (AH 623-681, AD 1226-1283), the great historian of the Mongol Era. By applying the insights of Anthony Giddens and the theory of structuration to address the interactions of social agents and structures, this book provides a coherent narrative of social transformation in medieval Iran.

The Uses of the Bible in Crusader Sources sets out to understand the ideology and spirituality of crusading by exploring the biblical imagery and exegetical interpretations which formed its philosophical basis. Medieval authors frequently drew upon scripture when seeking to justify, praise, or censure the deeds of crusading warriors on many frontiers. After all, as the fundamental written manifestation of God's will for mankind, the Bible was the ultimate authority for contemporary writers when advancing their ideas and framing their world view. This volume explores a broad spectrum of biblically-derived themes surrounding crusading and, by doing so, seeks to better comprehend a thought world in which lethal violence could be deemed justifiable according to Christian theology. Contributors are: Jessalynn Bird, Adam M. Bishop, John D. Cotts, Sini Kangas, Thomas Lecaque, T. J. H. McCarthy, Nicholas Morton, Torben Kjersgaard Nielsen, Luigi Russo, Uri Shachar, Iris Shagrir, Kristin Skottki, Katherine Allen Smith, Thomas W. Smith, Carol Sweetenham, Miriam Rita Tessera, Jan Vandeburie, Julian J. T. Yolles, and Lydia Marie Walker.

How did people of the past prepare for death, and how were their preparations affected by religious beliefs or social and economic responsibilities? Dying Prepared in Medieval and Early Modern Northern Europe analyses the various ways in which people made preparations for death in medieval and early modern Northern Europe, adapting religious teachings to local circumstances. The articles span the period from the Middle Ages to Early Modernity allowing an analysis over centuries of religious change that are too often artificially separated in historical study. Contributors are Dominika Burdzy, Otfried Czaika, Kirsi Kanerva, Mia Korpiola, Anu Lahtinen, Riikka Miettinen, Bertil Nilsson, and Cindy Wood.

The replacement of the Roman Empire in the West with emerging kingdoms like Visigothic Spain and Merovingian Gaul resulted in new societies, but without major population displacement. Societies changed because identities shifted and new points of cohesion formed under different leaders and leadership structures. This volume examines two kingdoms in the post-Roman west to understand how this process took shape. Though exhibiting striking continuities with the Roman past, Gaul and Spain emerged as distinctive, but not isolated, political entities that forged different strategies and drew upon different resources to strengthen their unity, shape social ties, and consolidate their political status.

Ma?berot Immanuel is a collection of twenty-eight chapters in Hebrew of rhymed prose and poetry written by the poet and amateur philosopher Immanuel of Rome during an era of rapid political change in late medieval Italy. The final chapter, Mah?beret Ha-Tofet Ve-ha-'Eden (A Tale of Heaven and Hell), like Dante's Commedia, depicts Immanuel's visits to hell and heaven. Bridging Worlds focuses on the interrelation of Immanuel's belletristic work and biblical exegesis to advance a comprehensive and original reading of this final chapter. By reading Immanuel's philosophical commentaries and literary works together, Dana Fishkin demonstrates that Immanuel's narrative made complex philosophical ideas about the soul's quest for immortality accessible to an educated populace. Throughout this work, she explains the many ways Mah?beret Ha-Tofet Ve-ha-'Eden serves as a site of cultural negotiation and translation. Bridging Worlds broadens our understanding of the tensions inherent in the world of late medieval Jewish people who were deeply enmeshed in Italian culture and literature, negotiating two cultures whose values may have overlapped but also sometimes clashed. Fishkin puts forth a valuable and refreshing perspective alongside previously unknown sources to breathe new life into this extremely rich and culturally valuable medieval work.

This volume brings together scholarship from many disciplines, including history, heritage studies, archaeology, geography, and political science to provide a nuanced view of life in medieval Ireland and after. Primarily contributing to the fields of settlement and landscape studies, each essay considers the influence of Terence B. Barry of Trinity College Dublin within Ireland and internationally. Barry's long career changed the direction of castle studies and brought the archaeology of medieval Ireland to wider knowledge. These essays, authored by an international team of fifteen scholars, develop many of his original research questions to provide timely and insightful reappraisals of material culture and the built and natural environments. Contributors (in order of appearance) are Robin Glasscock, Kieran O'Conor, Thomas Finan, James G. Schryver, Oliver Creighton, Robert Higham, Mary A. Valante, Margaret Murphy, John Soderberg, Conleth Manning, Victoria McAlister, Jennifer L. Immich, Calder Walton, Christiaan Corlett, Stephen H. Harrison, and Raghnall O Floinn.

This volume explores some of the many different meanings of community across medieval Eurasia. How did the three 'universal' religions, Christianity, Islam and Buddhism, frame the emergence of various types of community under their sway? The studies assembled here in thematic clusters address the terminology of community; genealogies; urban communities; and monasteries or 'enclaves of learning': in particular in early medieval Europe, medieval South Arabia and Tibet, and late medieval Central Europe and Dalmatia. It includes work by medieval historians, social anthropologists, and Asian Studies scholars. The volume present the results of in-depth comparative research from the Visions of Community project in Vienna, and of a dialogue with guests, offering new and exciting perspectives on the emerging field of comparative medieval history. Contributors are (in order within the volume) Walter Pohl, Gerda Heydemann, Eirik Hovden, Johann Heiss, Rudiger Lohlker, Elisabeth Gruber, Oliver Schmitt, Daniel Mahoney, Christian Opitz, Birgit Kellner, Rutger Kramer, Pascale Hugon, Christina Lutter, Diarmuid O Riain, Mathias Fermer, Steven Vanderputten, Jonathan Lyon and Andre Gingrich.

In this book Jukka Korpela offers an analysis of the trade in kidnapped Finns and Karelians into slavery in Eastern Europe. Blond slaves from the north of Europe were rare luxury items in Black Sea and Caspian markets, and the high prices they commanded stimulated and sustained a long-distance trade based on kidnapping in special robbery missions and war expeditions. Captives were sold into the Volga slave trade and transported through market webs further south. This business differed and was separate from the large-scale raids carried out on Crimeans for enslavement in Eastern Europe, or the mass kidnappings characteristic of Mediterranean slavery. The trade in Finns and Karelians provides new perspectives on the formation of the Russian state as well as the economic networks of official and unofficial markets in Eastern Europe.

The sudden appearance of portolan charts, realistic nautical charts of the Mediterranean and Black Sea, at the end of the thirteenth century is one of the most significant occurrences in the history of cartography. Using geodetic and statistical analysis techniques these charts are shown to be mosaics of partial charts that are considerably more accurate than has been assumed. Their accuracy exceeds medieval mapping capabilities. These sub-charts show a remarkably good agreement with the Mercator map projection. It is demonstrated that this map projection can only have been an intentional feature of the charts' construction. Through geodetic analysis the author eliminates the possibility that the charts are original products of a medieval Mediterranean nautical culture, which until now they have been widely believed to be.

Composed in early thirteenth-century Iberia, the Libro de Alexandre was Spain's first vernacular version of the Romance of Alexander and the first poem in the corpus now known as the mester de clerecia. These learned works, written by clergy and connected with both school and court, were also tools for the articulation of sovereignty in an era of prolonged military and political expansion. In The Task of the Cleric, Simone Pinet considers the composition of the Libro de Alexandre in the context of cartography, political economy, and translation. Her discussion sheds light on how clerics perceived themselves and on the connections between literature and these other activities. Drawing on an extensive collection of early cartographic materials, much of it rarely considered in conjunction with the romance, Pinet offers an original and insightful view of the mester de clerecia and the changing role of knowledge and the clergy in thirteenth-century Iberia.

Scholarship on early medieval England has seen an exponential increase in scholarly work by and about women over the past twenty years, but the field has remained peculiarly resistant to the transformative potential of feminist critique. Since 2016, Medieval Studies has been rocked by conversations about the state of the field, shifting from #MeToo to #WhiteFeminism to the purposeful rethinking of the label "Anglo-Saxonist." This volume takes a step toward decentering the traditional scholarly conversation with thirteen new essays by American, Canadian, European, and UK professors, along with independent scholars and early career researchers from a range of disciplinary perspectives. Topics range from virginity, women's literacy, and medical discourse to affect, medievalism, and masculinity. The theoretical and political commitments of this volume comprise one strand of a multivalent effort to rethink the parameters of the discipline and to create a scholarly community that is innovative, inclusive, and diverse.

Saying that horses shaped the medieval world - and the way we see it today - is hardly an exaggeration. Why else do we imagine a medieval knight - or a nomadic warrior - on horseback? Why do we use such metaphors as "unbridled" or "bearing a yoke" in our daily language? Studies of medieval horses and horsemanship are increasingly popular, but they often focus on a single aspect of equestrianism or a single culture. In this book, you will find information about both elite and humble working equines, about the ideology and practicalities of medieval horsemanship across different countries, from Iceland to China. Contributors are Gloria Allaire, Luise Borek, Gail Brownrigg, Agnes Carayon, Gavina Cherchi, John C. Ford, Lois Forster, Jurg Gassmann, Rebecca Henderson, Anna-Lena Lange, Romain Lefebvre, Rena Maguire, Ana Maria S. A. Rodrigues, and Alexia-Foteini Stamouli.

What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? Performing the Sacred: Christian Representation and the Arts explores both the meaning of re-presentation and the role of performance within the Christian tradition between arts and drama. The essays in this book demonstrate that the idea of performance was central to Christian theology and that-from the Middle Ages to the Early Modern era-it became a device through which people saw, prayed, preached, wrote, imagined, officiated rites, celebrated cults, and practiced devotions. Seen that performance is a habitus within Christianity, performing the sacred does not just mean representing it, but rather enacting it in a tangible, visible and involved way.

AEthelflaed, eldest daughter of Alfred the Great, has gone down in history as an enigmatic and almost legendary figure. To the popular imagination, she is the archetypal warrior queen, a Medieval Boudicca, renowned for her heroic struggle against the Danes and her independent rule of the Saxon Kingdom of Mercia. In fiction, however, she has also been cast as the mistreated wife who seeks a Viking lover, and struggles to be accepted as a female ruler in a patriarchal society. The sources from her own time, and later, reveal a more complex, nuanced and fascinating image of the 'Lady of the Mercians'. A skilled diplomat who forged alliances with neighbouring territories, she was a shrewd and even ruthless leader willing to resort to deception and force to maintain her power. Yet she was also a patron of learning, who used poetic tradition and written history to shape her reputation as a Christian maiden engaged in an epic struggle against the heathen foe. The real AEthelflaed emerges as a remarkable political and military leader, admired in her own time, and a model of female leadership for writers of later generations.