The Great, the Pious, the Fair; the Wise, the Lame, the Mad. Imprisoned, deposed, exiled. Excommunicated, assassinated; devout, debauched; loved, loathed - the Middle Ages produced a fascinating array of monarchs. From Britain to Russia, from Scandinavia to Sicily, from the 9th century CE to the completion of the Reconquista of Spain in 1492, Kings & Queens of the Medieval World explores the captivating stories of monarchs from all across Europe. Arranged thematically, the book groups the kings and queens by their achievements - military leaders, law-makers, religious reformers, patrons of the arts. These are stories of monarchs leading their armies into battle to expand or defend their territory, and of kings - and queens - going on crusade - both within Europe and to the Holy Land. These, too, are stories of, on the one hand, countries united by marriage, and, on the other, sons scheming against fathers in an effort to gain - and maintain - power. And yet these are also the stories of the people who constructed beautiful cathedrals, who founded universities and supported artists, of religious kings who were later canonised, of kings who created more just legal systems, established parliaments and permanent armies, and laid the foundations for more modern governments and societies. Featuring the major European dynasties, Kings & Queens of the Medieval World is a lively account of monarchs from Charlemagne to Alexander Nevsky to Ferdinand and Isabella. Illustrated with 180 colour and black-and-white artworks, photographs and maps, this is a colourful, accessible history.

This unique examination of medieval medicine as detailed in physician's manuals of the period reveals a more sophisticated approach to the medical arts than expected for the time. Far from the primitive and barbaric practices the Middle Ages may conjure up in our minds, doctors during that time combined knowledge, tradition, innovation, and intuition to create a humane, holistic approach to understanding and treating every known disease. In fact, a singularly authoritative medical source of the period, Lily of Medicine, continued to provide crucial study for students and practitioners of medicine almost four centuries after its completion in 1305. This unprecedented book investigates the extensive capabilities of physicians who relied on practice, observation, and imagination before the supremacy of mechanistic views and technological aids. Medieval Medicine: The Art of Healing, from Head to Toe is a comprehensive look at diseases as they were described, classified, explained, assessed, and treated by doctors of the age. The author methodically compares a dozen encyclopedic manuals in which both the fundamental understanding of healthy functions and the specific response to diseases were summarized, viewing the information through a medieval perspective rather than based upon modern criteria. Includes translations, available for the first time in English, of original comments and illustrations by physicians of the day Contains a plethora of additional resources for learning, including 20 black-and-white plates with full references, 5 tables, a glossary of unusual words, a chronology and list of the consulted sources, and an extensive bibliography Reveals how medieval medical manuals influenced literary, historical, and medical study

A major new biography of the Black Prince. 'A clear-eyed and thrilling vision of the man behind the legend' DAN JONES. 'Pacy, vivid and extremely readable' TLS. In 1346, at the age of sixteen, he won his spurs at Crecy; nine years later he conducted a brutal raid across Languedoc; in 1356 he captured the king of France at Poitiers; as lord of Aquitaine he ruled a vast swathe of southwestern France. He was Edward of Woodstock, eldest son of Edward III, but better known to posterity as 'the Black Prince'. Michael Jones tells the remarkable story of a great warrior-prince - and paints an unforgettable portrait of warfare and chivalry in the late Middle Ages.

WINNER YOUNG QUILLS AWARD BEST HISTORICAL FICTION 2021 12-year-old Ada is a laundress of little consequence but the new castle commander Brian de Berclay has his evil eye on her. Perhaps she shouldn't have secretly fed the young prisoner in the tower. But when the King of England crosses the border with an army of over 3000 strong, Ada, her friend Godfrey and all at Caerlaverock suddenly find themselves under attack, with only 60 men for protection. Soon, rocks and flaming arrows rain from the sky over Castle Caerlaverock - and Ada has a dangerous choice to make.

Between the age of St. Augustine and the sixteenth century reformations magic continued to be both a matter of popular practice and of learned inquiry. This volume deals with its use in such contexts as healing and divination and as an aspect of the knowledge of nature's occult virtues and secrets.

A TIMES AND SUNDAY TIMES BEST BOOK OF 2021 SHORTLISTED FOR THE ELIZABETH LONGFORD PRIZE FOR HISTORICAL BIOGRAPHY 'The Red Prince announces Helen Carr as one of the most exciting new voices in narrative history.' Dan Jones Son of Edward III, brother to the Black Prince, father to Henry IV and the sire of all the Tudors. Always close to the English throne, John of Gaunt left a complex legacy. Too rich, too powerful, too haughty... did he have his eye on his nephew's throne? Why was he such a focus of hate in the Peasants' Revolt? In examining the life of a pivotal medieval figure, Helen Carr paints a revealing portrait of a man who held the levers of power on the English and European stage, passionately upheld chivalric values, pressed for the Bible to be translated into English, patronised the arts, ran huge risks to pursue the woman he loved... and, according to Shakespeare, gave the most beautiful of all speeches on England.

In Cattle Lords and Clansmen, Nerys Patterson provides an analysis of the social structure of medieval Ireland, focusing on the pre-Norman period. By combining difficult, often fragmentary primary sources with sociological and anthropological methods, Patterson produces a unique approach to the study of early Ireland-one that challenges previous scholarship. The second edition includes a chapter on seasonal rhythm, material derived from Patterson's post-1991 publications, and an updated bibliography.

Bound Fast with Letters brings together in one volume many of the significant contributions that Richard H. Rouse and Mary A. Rouse have made over the past forty years to the study of medieval manuscripts through the prism of textual transmission and manuscript production. The eighteen essays collected here address medieval authors, craftsmen, book producers, and patrons of manuscripts from different epochs in the Middle Ages, extending from late antiquity to the early Renaissance, and ranging from North Africa to northern England. Their investigations reveal valuable information about the history of texts and their transmission, and their careful scrutiny of texts and of the physical manuscripts that convey them illuminate the societies that created, read, and preserved these objects. The book begins in Part I with articles on writers from the patristic era through the twelfth century who experimented with, and mastered, various physical forms of presenting ideas in writing. Part II contains essays on patronage and patrons, including Richard de Fournival, Jean de Brienne, Watriquet de Couvin, Pope Clement V, the Counts of Saint-Pol, and Christine de Pizan. Part III, on manuscript producers, discusses the questions, for whom? and by whom? were manuscripts made. The four essays in this section each reflect on a different part of the process of book-making. Throughout, Bound Fast with Letters focuses on the close ties between the physical remains of literate culture-from the wax tablets of the patristic era to the vernacular literature of the wealthy laity of the late Middle Ages-and their social and economic context.

Louis IX, king of France from 1226 to 1270 and twice crusader, was canonized in 1297. He was the last king canonized during the medieval period, and was both one of the most important saints and one of the most important kings of the later Middle Ages. In Blessed Louis, the Most Glorious of Kings: Texts Relating to the Cult of Saint Louis of France, M. Cecilia Gaposchkin presents six previously untranslated texts that informed medieval views of St. Louis IX: two little-known but early and important vitae of Saint Louis; two unedited sermons by the Parisian preacher Jacob of Lausanne (d. 1322); and a liturgical office and proper mass in his honor-the most commonly used liturgical texts composed for Louis' feast day-which were widely copied, read, and disseminated in the Middle Ages. Gaposchkin's aim is to present to a diverse readership the Louis as he was known and experienced in the Middle Ages: a saint celebrated by the faithful for his virtue and his deeds. She offers for the first time to English readers a typical hagiographical view of Saint Louis, one in counterbalance to that set forth in Jean of Joinville's Life of Saint Louis. Although Joinville's Life has dominated our views of Louis, Joinville's famous account was virtually unknown beyond the French royal court in the Middle Ages and was not printed until the sixteenth century. His portrayal of Louis as an individual and deeply charismatic personality is remarkable, but it is fundamentally unrepresentative of the medieval understanding of Louis. The texts that Gaposchkin translates give immediate access to the reasons why medieval Christians took Louis to be a saint; the texts, and the image of Saint Louis presented in them, she argues, must be understood within the context of the developing history of sanctity and sainthood at the end of the Middle Ages.