There is a vigorous debate on the exact beginnings of the Crusades, as well as a growing conviction that some practices of crusading may have been in existence, at least in part, long before they were identified as such. The Prehistory of the Crusades explores how the Crusades came to be seen as the use of aggressive warfare to Christianise pagan lands and peoples. Reynolds focuses on the Baltic, or Northern, Crusades, an aspect of the Crusades that has been little documented, thus bringing a new perspective to their historical and ideological origins. Baltic Crusades were distinctive because they were not directed at the Holy Land, and they were not against Muslim opponents, but rather against pagan peoples. From the Emperor Charlemagne's wars against the Saxons in the 8th and 9th centuries to the Baltic Crusades of the 12th century, this book explores the sanctification of war in creating the ideal of crusade. In so doing, it shows how crusading ultimately developed in the 12th and 13th centuries. The Prehistory of the Crusades provides a valuable insight into the topic for students of medieval history and the Crusades.

There may not be a more fascinating a historical period than the late fourteenth century in Europe. The Hundred Years' War ravaged the continent, yet gallantry, chivalry, and literary brilliance flourished in the courts of England and elsewhere. It was a world in transition, soon to be replaced by the Renaissance and the Age of Exploration -- and John of Gaunt was its central figure.In today's terms, John of Gaunt was a multibillionaire with a brand name equal to Rockefeller. He fought in the Hundred Years' War, sponsored Chaucer and proto-Protestant religious thinkers, and survived the dramatic Peasants' Revolt, during which his sumptuous London residence was burned to the ground. As head of the Lancastrian branch of the Plantagenet family, Gaunt was the unknowing father of the War of the Roses; after his death, his son usurped the crown from his nephew, Richard II. Gaunt's adventures represent the culture and mores of the Middle Ages as those of few others do, and his death is portrayed in The Last Knight as the end of that enthralling period.

Since the dawn of history people have used charms and spells to try to control their environment, and forms of divination to try to foresee the otherwise unpredictable chances of life. Many of these techniques were called "superstitious" by educated elites.
For centuries religious believers used "superstition" as a term of abuse to denounce another religion that they thought inferior, or to criticize their fellow-believers for practising their faith "wrongly." From the Middle Ages to the Enlightenment, scholars argued over what 'superstition' was, how to identify it, and how to persuade people to avoid it. Learned believers in demons and witchcraft, in their treatises and sermons, tried to make 'rational' sense of popular superstitions by blaming them on the deceptive tricks of seductive demons.
Every major movement in Christian thought, from rival schools of medieval theology through to the Renaissance, the Reformation, and the Enlightenment, added new twists to the debates over superstition. Protestants saw Catholics as superstitious, and vice versa. Enlightened philosophers mocked traditional cults as superstitions. Eventually, the learned lost their worry about popular belief, and turned instead to chronicling and preserving 'superstitious' customs as folklore and ethnic heritage.
Enchanted Europe offers the first comprehensive, integrated account of western Europe's long, complex dialogue with its own folklore and popular beliefs. Drawing on many little-known and rarely used texts, Euan Cameron constructs a compelling narrative of the rise, diversification, and decline of popular 'superstition' in the European mind.

A series which is a model of its kind. Edmund King, History This year's volume continues to demonstrate the vitality of scholarship in this area, across a variety of disciplines. There is a particular focus on the material culture of the Norman Conquest of England and its aftermath, from study of horses and knights to its archaeologies to castle construction and the representation of a chanson de geste on an Italian church facade. The volume also includes papers on royal and private authority in Anglo-SaxonEngland; the relationship between Anglo-Norman rulers and their neighbours; intellectual history; priests' wives; and noble lepers. Contributors: Sabina Flanagan, Hazel Freestone, Sally Harvey, Tom Lambert, Aleksandra McClain, Nicholas Paul, Charlotte Pickard, David Pratt, Richard Purkiss, David Roffe, Nicolas Ruffini-Ronzani, Lucia Sinisi, Linda Stone, Naomi Sykes

It may seem astonishing to some that there is a need for reprinting a 14-year old dissertation, but the fact is that the book is exactly as relevant to scholars today as it was in 1993. It still represents the world's largest database to compare the responsories of the Office of the Dead in more than 2,000 sources. Since the order of these responsories differed from church to church, this order can be used to localize medieval and Renaissance liturgical books. The book is therefore an absolute necessity for everyone who conducts research on the area it covers. Put differently, the book reveals 'the geography of the concept of death' in Europe from the 9th-16th centuries from a theological, liturgical, ecclesiastical, musical and political perspective - seen from one particular liturgical office: The Office of the Dead.

Guillaume de Machaut is the most important poet and composer of late medieval France. His unique and inventive output is the subject of this edition of Machaut's poetry. Le Jugement Du Roy De Behaigne and Remede De Fortune was published in collaboration with the Chaucer Library. These two works are among de Machaut's most important artistically in terms of their formal innovations and their influence on contemporaries, notably Geoffrey Chaucer, and the associated Lay de plour, presented here with its music. This volume includes the French originals and facing English translations.

Heresy was the most feared crime in the medieval moral universe. It was seen as a social disease capable of poisoning the body politic and shattering the unity of the church. The study of heresy in late medieval England has, to date, focused largely on the heretics. In consequence, we know very little about how this crime was defined by the churchmen who passed authoritative judgement on it.
By examining the drafting, publicizing, and implementing of new laws against heresy in the fourteenth and fifteenth centuries, using published and unpublished judicial records, this book presents the first general study of inquisition in medieval England. In it Ian Forrest argues that because heresy was a problem simultaneously national and local, detection relied upon collaboration between rulers and the ruled. While involvement in detection brought local society into contact with the apparatus of government, uneducated laymen still had to be kept at arm's length, because judgements about heresy were deemed too subtle and important to be left to them. Detection required bishops and inquisitors to balance reported suspicions against canonical proof, and threats to public safety against the rights of the suspect and the deficiencies of human justice.
At present, the character and significance of heresy in late medieval England is the subject of much debate. Ian Forrest believes that this debate has to be informed by a greater awareness of the legal and social contexts within which heresy took on its many real and imagined attributes.

The Vita Edwardi Secundi is the best and most readable of the chronicles of the reign of Edward II, and throws a fascinating light on the world of high politics. The anonymous author was close to the centre of politics, probably a royal clerk, and possibly John Walwayn (or someone with a similar career). His focus is largely on domestic politics and the relationship of the king and his barons, and he records the clashes and reconciliations of the period 1311-22 in valuable detail. He also has much to say on the Scottish war, the appointment of bishops, and the outbreak of the French war. The work ends in the winter of 1325/6 with Queen Isabella's refusal to return from France while Despenser remained with the king.
The work is much more than a simple chronicle. The author consciously wrote history and so commented extensively on personalities, and also on causation, motivation, and the vices of his age. He was generous to Gaveston despite his pride, more condemning of the Despensers' greed, and lamented Lancaster's wasted gifts. His reports on the arguments of both sides in the clashes between the king and his opponents are particularly enlightening, and show how serious were the threats to the king's authority, especially those voiced in 1321. The author's fear of civil war and attempts to define the fine line dividing resistance and treason probably reflect the concerns of many close to the court at that time.
Recent research has emphasized that the Vita should be seen as a 'journal' rather than a 'memoir', and this enhances its value further, allowing historians to chart the changing views of a well-placed observer during the dramatic events of Edward's reign.
The Vitahas been edited three times before, once in each century since its discovery in 1728, but the last edition of 1957 has long been out of print. This new edition revises the Latin text and translation, provides a completely new introduction and historical notes to take account of recent scholarship, and includes a new and full apparatus and indices.

A comprehensive treatment of Ismaili medieval history in its entirety. It will have great appeal to all scholars of medieval Islam. Farhad Daftary is one of the world's leading authorities on Ismaili history and literature. This important book, by an internationally acknowledged expert in Ismaili studies, introduces Ismaili history and thought in medieval times. Discussing the different phases in Ismaili history, it describes both the early Ismailis as well as the contributions of the later Ismailis to Islamic culture. A number of chapters deal with key Ismaili individuals such as Hasan-i Sabbah. Other chapters contextualise the Ismailis within the early Muslim societies, in addition to investigating the Ismaili-Crusader relations and the resulting legends on the Ismaili secret practices. Over the course of the work, it becomes clear that Ismaili historiography, and the perception of the Ismailis by others (in both Muslim and Christian milieus), have had a fascinating evolution. During their long history the Ismailis have often been accused of various heretical teachings and practices and - at the same time - a multitude of myths and misconceptions have ciculated about them. Farhad Daftary here separates myth from fact, propaganda from actuality, in a work characterised by his customary mastery of the sources and literature.

According to Augustine's doctrine of original sin, Adam's progeny share a collective guilt which, like an infection, spreads through wayward sexual desires, passing from parent to child. But is it fair to blame sinners if they inherit evil like a disease? Stricken by Sin clarifies the logic and illogic of the controversial views about human agency Augustine defended in his later years. The first half of the book examines why Augustine believed we are trapped by evil, and why only Christ can save us. Couenhoven focuses on Augustine's debates with the Pelagians about whether we control our personal identities, what we should be held culpable for, and whether freedom is compatible with necessity. The second half of the book offers a philosophically and scientifically astute retrieval of some of Augustine's most divisive claims. Couenhoven makes a case for the surprising thesis that a carefully formulated doctrine of original sin is profoundly humane. The claim that sin is original takes seriously our dependence on one another for essential aspects of character and personality, our ownership of cognitive and volitional states that are not simply products of voluntary choices, and our status as personal agents of evil. Attending to these aspects of our lives challenges the idea that each individual's moral and spiritual standing is up to her or him, and drives us to ponder not only the shape of the freedom we seek and the nature of our responsibility, but also the need for grace we all share.

The Umayyad caliphate, ruling over much of what is now the modern Middle East after the death of the Prophet Muhammad, governe from Damascus from 661 to750CE, when they were expelled by the Abbasids. Here, Mohammad Rihan sheds light on the tribal system of this empir, by looking at one of its Syrian tribes; the 'Amila, based around today's Jabal 'Amil in southern Lebanon. Using this tribe as a lens through which to examine the wider Umayyad world, he looks at the political structures and conflicts that prevailed at the time, seeking to nuance the understanding of the relationship between the tribes and the ruling elite. For Rihan, early Islamic political history can only be understood in the context of the tribal history. This book thus illustrates how the political and social milieu of the 'Amila tribe sheds light on the wider history of the Umayyad world. Utilizing a wide range of sources, from the books of genealogies to poetry, Rihan expertly portrays Umayyad political life. First providing a background on 'Amila's tribal structure and its functions and dynamics, Rihan then presents the pre-Islamic past of the tribe. Building on this, he then investigates the role the 'Amila played in the emergence of the Umayyad state to understand the ways in which political life developed for the tribes and their relations with those holding political power in the region. By exploring the literature, culture, kinship structures and the socio-political conditions of the tribe, this book highlights the ways in which alliances and divisions shifted and were used by caliphs of the period and offers new insights into the Middle East at a pivotal point in its early and medieval history. This historical analysis thus not only illuminates the political condition of the Umayyad world, but also investigates the ever-important relationship between tribal political structures and state-based rule.

The encounter between Muslim and Hindu remains one of the defining issues of South Asian society today. This encounter began as early as the 8th century, and the first Muslim kingdom in India would be established at the end of the 12th century. This powerful kingdom, the Sultanate of Delhi, eventually reduced to vassalage almost every independent kingdom on the subcontinent. In Love's Subtle Magic, a remarkable and deeply original book, Aditya Behl uses a little-understood genre of Sufi literature to paint an entirely new picture of the evolution of Indian culture during the earliest period of Muslim domination. These curious romantic tales transmit a deeply serious religious message through the medium of lighthearted stories of love. Although composed in the Muslim courts, they are written in a vernacular Indian language. Until now, they have defied analysis, and been mostly ignored by scholars east and west. Behl shows that the Sufi authors of these charming tales purposely sought to convey an Islamic vision via an Indian idiom. They thus constitute the earliest attempt at the indigenization of Islamic literature in an Indian setting. More important, however, Behl's analysis brilliantly illuminates the cosmopolitan and composite culture of the Sultanate India in which they were composed. This in turn compels us completely to rethink the standard of the opposition between Indian Hindu and foreign Muslim and recognize that the Indo-Islamic culture of this era was already significantly Indian in many important ways.

Karl Valentin once asked: "How can it be that only as much happens as fits into the newspaper the next day?" He focussed on the problem that information of the past has to be organised, arranged and above all: selected and put into form in order to be perceived as a whole. In this sense, the process of selection must be seen as the fundamental moment - the "Urszene" - of making History. This book shows selection as highly creative act. With the richness of early medieval material it can be demonstrated that creative selection was omnipresent and took place even in unexpected text genres. The book demonstrates the variety how premodern authors dealt with "unimportant", unpleasant or unwanted past. It provides a general overview for regions and text genres in early medieval Europe.

Uncovering the Germanic Past brings to light an unexpected side-effect of France's nineteenth-century Industrial Revolution. While laying tracks for new rail lines, quarrying for stone, and expanding lands under cultivation, French labourers uncovered bones and artefacts from long-forgotten cemeteries. Although their original owners were unknown, research by a growing number of amateur archaeologists of the bourgeois class determined that these were the graves of Germanic 'warriors', and their work, presented in provincial learned societies across France, documented evidence for significant numbers of Franks, Burgundians, and Visigoths in late Roman Gaul. They thus challenged prevailing views in France of the population's exclusively Gallic ancestry, contradicting the influential writings of Parisian historians like Augustin Thierry and Numa-Denis Fustel de Coulanges. Although some scholars drew on this material evidence to refine their understanding of the early ancestors of the French, most ignored, at their peril, inconvenient finds that challenged the centrality of the ancient Gauls as the forebears of France. Crossing the boundaries of the fields of medieval archaeology and history, nineteenth-century French history, and the history of science, Effros suggests how the slow progress and professionalization of Merovingian (or early medieval) archaeology, a sub-discipline in the larger field of national archaeology in France, was in part a consequence of the undesirable evidence it brought to light.

This study argues that, in early medieval South India, it was in the literary arena that religious ideals and values were publicly contested. While Tamil-speaking South India is today celebrated for its preservation of Hindu tradition, non-Hindu religious communities have played a significant role in shaping the religious history of the region. Among the least understood of such non-Hindu contributions is that of the Buddhists, who are little understood because of the scarcity of remnants of Tamil-speaking Buddhist culture. However, the two exant Buddhist texts in Tamil that are complete - a sixth-century poetic narrative known as the Manimekalai and an eleventh-century treatise on grammar and postics, the Viracoliyam - reveal a wealth of information about their textual communities and their vision of Buddhist life in a diverse and competitive religious milieu. By focusing on these texts, Monius sheds light on their role of literature and literary culture in the information, articulation, and evolution of religious identity and community.

The volume offers a timely (re-)appraisal of Seleukid cultural dynamics. While the engagement of Seleukid kings with local populations and the issue of "Hellenization" are still debated, a movement away from the Greco-centric approach to the study of the sources has gained pace. Increasingly textual sources are read alongside archaeological and numismatic evidence, and relevant near-eastern records are consulted. Our study of Seleukid kingship adheres to two game-changing principles: 1. We are not interested in judging the Seleukids as "strong" or "weak" whether in their interactions with other Hellenistic kingdoms or with the populations they ruled. 2. While appreciating the value of the social imaginaries approach (Stavrianopoulou, 2013), we argue that the use of ethnic identity in antiquity remains problematic. Through a pluralistic approach, in line with the complex cultural considerations that informed Seleukid royal agendas, we examine the concept of kingship and its gender aspects; tensions between centre and periphery; the level of "acculturation" intended and achieved under the Seleukids; the Seleukid-Ptolemaic interrelations. As rulers of a multi-cultural empire, the Seleukids were deeply aware of cultural politics.

The Monastic Constitutions of Lanfranc, archbishop of Canterbury between 1070 and 1089, has long been recognized as one of the most important historical sources for medieval monastic life. In this major new revision of Dom David Knowles's classic editions of 1951 and 1967, C. N. L. Brooke incorporates the historical scholarship of the last generation to offer further insight into and illumination of Lanfranc and the monastic world of the eleventh century.

The conflict between England and France in the 14th and 15th centuries never ceases to fascinate. This stimulating edited collection, inspired by the Problems in Focus volume originally published in 1971, provides a fresh and accessible insight into the key aspects of The Hundred Years War. With chapters written by leading experts in the field, based on new methodologies and recent advances in scholarship, this book places the Anglo-French wars into a range of wider contexts, such as politics, the home front, the church, and chivalry. Adopting a sustained comparative approach, with attention paid to both England and France, The Hundred Years War Revisited provides a clear and comprehensive synthesis of the major trends in research on the Hundred Years War. Concise and thought-provoking, this is essential reading for undergraduate and postgraduate students of medieval history.

In medieval Europe hostages were given, not taken. They were a means of guarantee used to secure transactions ranging from treaties to wartime commitments to financial transactions. In principle, the force of the guarantee lay in the threat to the life of the hostage if the agreement were broken but, while violation of agreements was common, execution of hostages was a rarity. Medieval hostages are thus best understood not as simple pledges, but as a political institution characteristic of the medieval millennium, embedded in its changing historical contexts. In the Early Middle Ages, hostageship was principally seen in warfare and diplomacy, operating within structures of kinship and practices of alliance characteristic of elite political society. From the eleventh century, hostageship diversified, despite the spread of a legal and financial culture that would seem to have made it superfluous. Hostages in the Middle Ages traces the development of this institution from Late Antiquity through the period of the Hundred Years War, across Europe and the Mediterranean World. It explores the logic of agreements, the identity of hostages, and the conditions of their confinement, while shedding light on a wide range of subjects, from sieges and treaties, to captivity and ransom, to the Peace of God and the Crusades, to the rise of towns and representation, to political communication and shifting gender dynamics. The book closes by examining the reasons for the decline of hostageship in the Early Modern era, and the rise the modern variety of hostageship that was addressed by the Nuremberg tribunals and the United Nations in the twentieth century.

Today medievalism is increasingly intelligible as a cultural lingua franca, produced in trans- and international contexts with a view to reaching popular international audiences, some of mass scope. This book offers new perspectives on international relations and how global concerns are made available through contemporary medievalist texts. It questions how research in medievalism may help us rethink the terms of internationalism and globalism within popular cultures, ideologies, and political formations. It investigates how the diverse media of medievalism (print; film and television; arts and crafts; fashion; digital media; clubs and fandom) affect its cultural meaning and circulation, and its social function, and engage questions of desire, gender and identity construction. As a whole, International Medievalism and Popular Culture differs from those studies which have concentrated on imaginative appropriations of the middle ages for domestic cultural contexts. It investigates rather how contemporary cultures engage with medievalism to map and model ideas of the international, the trans-national, the cosmopolitan and the global. This book includes examples from Europe, Britain, North America, Australia and the Arab world. It discusses the formation and the impact of popular medievalism in the globalised worlds of Braveheart, Disney and Harry Potter, but it also explores how the contemporary medieval imaginary generates international cultural perspectives, for example in considering Middle Eastern reception of Ridley Scott's Kingdom of Heaven, the Byzantinism of Julia Kristeva, and Hedley Bull's postnationalist 'new medievalism'. International Medievalism in Popular Culture is an important contribution to medieval studies, cultural studies, and historical studies. It will be of value to undergraduate, postgraduate and academic readers, as well as to all interested in popular culture or medievalism.