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Books > Humanities > Archaeology
In recent years, there has been a growing interest in the use of
experimental approaches to the study of media histories and their
cultures. Doing media archaeological experiments, such as
historical re-enactments and hands-on simulations with media
historical objects, helps us to explore and better understand the
workings of past media technologies and their practices of use. By
systematically refl ecting on the methodological underpinnings of
experimental media archaeology as a relatively new approach in
media historical research and teaching, this book aims to serve as
a practical handbook for doing media archaeological experiments.
Doing Experimental Media Archaeology: Practice is the twin volume
to Doing Experimental Media Archaeology: Theory, authored by
Andreas Fickers and Annie van den Oever.
In the past few decades, sustained and overwhelming research
attention has been given to EAL (English as an Additional Language)
scholars’ English writing and publishing. While this line of
research has shed important light on the scene of global knowledge
production and dissemination, it tends to overlook the less
Anglicized and more locally bound disciplines located at the
academic periphery. This book aimed to fill the gap by examining
the academic enculturation experiences of Chinese archaeologists
through the lens of their disciplinary writing. Consisting of a
situated genre analysis and a multi-case study, the textographic
study disclosed the immense complexity of archaeologists’ texts,
practices and identities. Important implications were generated for
writing researchers and teachers as well as archaeologists and
other HSS (the humanities and social sciences) scholars. This book
would make a valuable reading for researchers and students of
disciplinary/academic writing, second language writing and literacy
studies.
The Power of Cities focuses on Iberian cities during the lengthy
transition from the late Roman to the early modern period, with a
particular interest in the change from early Christianity to the
Islamic period, and on to the restoration of Christianity. Drawing
on case studies from cities such as Toledo, Cordoba, and Seville,
it collects for the first time recent research in urban studies
using both archaeological and historical sources. Against the
common portrayal of these cities characterized by discontinuities
due to decadence, decline and invasions, it is instead continuity -
that is, a gradual transformation - which emerges as the defining
characteristic. The volume argues for a fresh interpretation of
Iberian cities across this period, seen as a continuum of
structural changes across time, and proposes a new history of the
Iberian Peninsula, written from the perspective of the cities.
Contributors are Javier Arce, Maria Asenjo Gonzalez, Antonio
Irigoyen Lopez, Alberto Leon Munoz, Matthias Maser, Sabine Panzram,
Gisela Ripoll, Torsten dos Santos Arnold, Isabel Toral-Niehoff,
Fernando Valdes Fernandez, and Klaus Weber.
This book offers a plea to take the materiality of media
technologies and the sensorial and tacit dimensions of media use
into account in the writing of the histories of media and
technology. In short, it is a bold attempt to question media
history from the perspective of an experimental media archaeology
approach. It offers a systematic reflection on the value and
function of hands-on experimentation in research and teaching.
Doing Experimental Media Archaeology: Theory is the twin volume to
Doing Experimental Media Archaeology: Practice, authored by Tim van
der Heijden and Aleksander Kolkowski.
Analysis of the scroll fragments of the Qumran Aramaic scrolls has
been plentiful to date. Their shared characteristics of being
written in Aramaic, the common language of the region, not focused
on the Qumran Community, and dating from the 3rd century BCE to the
1st century CE have enabled the creation of a shared identity,
distinguishing them from other fragments found in the same place at
the same time. This classification, however, could yet be too
simplistic as here, for the first time, John Starr applies
sophisticated statistical analyses to newly available electronic
versions of these fragments. In so doing, Starr presents a
potential new classification which comprises six different text
types which bear distinctive textual features, and thus is able to
narrow down the classification both temporally and geographically.
Starr's re-visited classification presents fresh insights into the
Aramaic texts at Qumran, with important implications for our
understanding of the many strands that made up Judaism in the
period leading to the writing of the New Testament.
Historical and Archaeological Aspects of Egyptian Funerary Culture,
a thoroughly reworked translation of Les textes des sarcophages et
la democratie published in 2008, challenges the widespread idea
that the "royal" Pyramid Texts of the Old Kingdom after a process
of "democratisation" became, in the Middle Kingdom, accessible even
to the average Egyptian in the form of the Coffin Texts. Rather
they remained an element of elite funerary culture, and
particularly so in the Upper Egyptian nomes. The author traces the
emergence here of the so-called "nomarchs" and their survival in
the Middle Kingdom. The site of Dayr al-Barsha, currently under
excavation, shows how nomarch cemeteries could even develop into
large-scale processional landscapes intended for the cult of the
local ruler. This book also provides an updated list of the
hundreds of (mostly unpublished) Middle Kingdom coffins and
proposes a new reference system for these.
In Arthur Upham Pope and A New Survey of Persian Art, fourteen
scholars explore the legacy of Arthur Upham Pope (1881-1969) by
tracing the formation of Persian art scholarship and
connoisseurship during the twentieth century. Widely considered as
a self-made scholar, curator, and entrepreneur, Pope was credited
for establishing the basis of what we now categorize broadly as
Persian art. His unrivalled professional achievement, together with
his personal charisma, influenced the way in which many scholars
and collectors worldwide came to understand the art, architecture
and material culture of the Persian world. This ultimately resulted
in the establishment of the aesthetic criteria for assessing the
importance of cultural remains from modern-day Iran. With
contributions by Lindsay Allen, Sheila S. Blair, Jonathan M. Bloom,
Talinn Grigor, Robert Hillenbrand, Yuka Kadoi, Sumru Belger Krody,
Judith A. Lerner, Kimberly Masteller, Cornelia Montgomery, Bernard
O'Kane, Keelan Overton, Laura Weinstein, and Donald Whitcomb.
The Cold War remains one of the twentieth century's defining
events, possessing broad political, social, and material
implications that continue to have impact. In this book, Todd
Hanson presents nine case studies of archaeological investigations
conducted at famous-and some not so famous-historic American Cold
War sites, including Bikini Atoll, the Nevada Test Site, and the
Cuban sites of the Soviet Missile Crisis. By examining nuclear
weapons test sites, missile silos, submarine bases, fallout
shelters, and more, Hanson illustrates how archaeology can help
strip away myths, secrets, and political rhetoric to better inform
our understanding of the conflict's formative role in the making of
the contemporary American landscape. Addressing modern
ramifications of the Cold War, Hanson also looks at the
preservation of atomic heritage sites, the atomic tourism
phenomenon, and the struggles of atomic veterans.
Funerary rituals and the cult of the dead are classics of research
in religious studies, especially for ancient Egypt. Still, we know
relatively little about how people interacted in daily life at the
city of Memphis and its Saqqara necropolis in the late second
millennium BCE. By focussing on lived ancient religion, we can see
that the social and religious strategies employed by the
individuals at Saqqara are not just means on the way to religious,
post-mortem salvation, nor is their self-representation simply
intended to manifest social status. On the contrary, the religious
practices at Saqqara show in their complex spatiality a wide
spectrum of options to configure sociality before and after one's
own death. The analytical distinction between religion and other
forms of human practices and sociality illuminates the range of
cultural practices and how people selected, modified, or even
avoided certain religious practices. As a result, pre-funerary,
funerary and practices of the subsequent mortuary cults, in close
connection with religious practices directed towards other
ancestors and deities, allow the formation of imagined and
functioning reminiscence clusters as central social groups at
Saqqara, creating a heuristic model applicable also to other
contexts.
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