Placing Bruno--both advanced philosopher and magician burned at the stake--in the Hermetic tradition, Yates's acclaimed study gives an overview not only of Renaissance humanism but of its interplay--and conflict--with magic and occult practices.
"Among those who have explored the intellectual world of the sixteenth century no one in England can rival Miss Yates. Wherever she looks, she illuminates. Now she has looked on Bruno. This brilliant book takes time to digest, but it is an intellectual adventure to read it. Historians of ideas, of religion, and of science will study it. Some of them, after reading it, will have to think again. . . . For Miss Yates has put Bruno, for the first time, in his tradition, and has shown what that tradition was."--Hugh Trevor-Roper, "New Statesman"
"A decisive contribution to the understanding of Giordano Bruno, this book will probably remove a great number of misrepresentations that still plague the tormented figure of the Nolan prophet."--Giorgio de Santillana, "American Historical Review"
"Yates's book is an important addition to our knowledge of Giordano Bruno. But it is even more important, I think, as a step toward understanding the unity of the sixteenth century."--J. Bronowski, "New York Review of Books"

This book argues that Robert Willis's presentations were fundamental to the format of British Archaeological Association meetings and to the creation of medieval architectural history. It discusses the background to his study of Canterbury in terms of his own research.

This is the first published overview of the archaeology of urban common land. By recognising that urban common land represents a valid historical entity, this book contributes towards successful informed conservation. It contains a variety of interesting and illuminating illustrations, including contemporary and archive photographs. Historically, towns in England were provided with common lands for grazing the draft animals of townspeople engaged in trade and for the pasturing of farm animals in an economy where the rural and the urban were inextricably mixed. The commons yielded wood, minerals, fruits and wild animals to the town's inhabitants and also developed as places of recreation and entertainment, as extensions of domestic and industrial space, and as an arena for military, religious and political activities. However, town commons have been largely disregarded by historians and archaeologists; the few remaining urban commons are under threat and are not adequately protected, despite recognition of their wildlife and recreational value. In 2002, English Heritage embarked upon a project to study town commons in England, to match its existing initiatives in other aspects of the urban scene. The aim was to investigate, through a representative sample, the archaeological content and Historic Environment value of urban commons in England and to prompt appropriate conservation strategies for them. The resulting book is the first overview of the archaeology of town commons - a rich resource because of the relatively benign traditional land-use of commons, which preserves the physical evidence of past activities, including prehistoric and Roman remains as well as traces of common use itself. The recognition of town commons as a valid historical entity and a valued part of the modern urban environment is an important first step towards successful informed conservation. An important consideration for the future is maintaining the character of town commons as a different sort of urban open space, distinct from parks and public gardens.

First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

New insights into the microbiome, epigenetics, and cognition are radically challenging our very idea of what it means to be 'human', while an explosion of neo-materialist thinking in the humanities has fostered a renewed appreciation of the formative powers of a dynamic material environment. The Matter of History brings these scientific and humanistic ideas together to develop a bold, new post-anthropocentric understanding of the past, one that reveals how powerful organisms and things help to create humans in all their dimensions, biological, social, and cultural. Timothy J. LeCain combines cutting-edge theory and detailed empirical analysis to explain the extraordinary late-nineteenth century convergence between the United States and Japan at the pivotal moment when both were emerging as global superpowers. Illustrating the power of a deeply material social and cultural history, The Matter of History argues that three powerful things - cattle, silkworms, and copper - helped to drive these previously diverse nations towards a global 'Great Convergence'.

The ancient Sahara has often been treated as a periphery or barrier, but this agenda-setting book - the final volume of the Trans-Saharan Archaeology Series - demonstrates that it was teeming with technological innovations, knowledge transfer, and trade from long before the Islamic period. In each chapter, expert authors present important syntheses, and new evidence for technologies from oasis farming and irrigation, animal husbandry and textile weaving, to pottery, glass and metal making by groups inhabiting the Sahara and contiguous zones. Scientific analysis is brought together with anthropology and archaeology. The resultant picture of transformations in technologies between the third millennium BC and the second millennium AD is rich and detailed, including analysis of the relationship between the different materials and techniques discussed, and demonstrating the significance of the Sahara both in its own right and in telling the stories of neighbouring regions.

A lively and accessible introduction to themes and debates in archaeological theory for students of all levels Archaeological Theory is a relatable, accessible, reader-friendly first step into the world of theory for archaeology students. Recognizing that many students shy away from the study of theory for fear that the material is too difficult or obscure, Archaeological Theory maintains that any student can develop an understanding of theory and that a knowledge of theory will lead to better practice. As one of the leading texts for introductory courses in archaeology and archaeological theory, it has provided many students with the essential foundation for a complete education in the discipline. With a focus on clarifying the history and development of archaeological theory, this valuable text serves as a roadmap to the different schools of theory in archaeology, clarifying the foundations of these schools of thought, the relationships between them, and the ideas that distinguish each from the other. Students will also learn about the relationship between archaeology and cultural and political developments, the origins of New and 'post-processual' archaeology, and current issues shaping the field. Written in a clear and informal style and incorporating examples, cartoons, and dialogues, this text provides an ideal introduction for students at all levels. The revised third edition has been updated with new and revised chapters and an expanded glossary and bibliography, as well as new readings to guide further study. Engages readers with informal and easy-to-understand prose, as well as examples, cartoons, and informal dialogues Prepares students to understand complex topics and current and perennial issues in the field such as epistemology, agency, and materiality in the context of archaeological practice Discusses current developments in associated disciplines New and revised chapters on the material turn, politics and other issues, and an expanded glossary and bibliography with updated reading suggestions Offers expanded coverage of materiality, cultural-historical archaeology, evolutionary theory, and the work of scholars of diverse backgrounds and specializations Engaging and illuminating, Archaeological Theory is an indispensable resource for undergraduate and graduate students in archaeology and related disciplines.

We often assume that works of visual art are meant to be seen. Yet that assumption may be a modern prejudice. The ancient world - from China to Greece, Rome to Mexico - provides many examples of statues, paintings, and other images that were not intended to be visible. Instead of being displayed, they were hidden, buried, or otherwise obscured. In this third volume in the Visual Conversations in Art & Archaeology series, leading scholars working at the intersection of archaeology and the history of art address the fundamental question of art's visibility. What conditions must be met, what has to be in place, for a work of art to be seen at all? The answer is both historical and methodological; it concerns ancient societies and modern disciplines, and encompasses material circumstances, perceptual capacities, technologies of visualization, protocols of classification, and a great deal more. The emerging field of archaeological art history is uniquely suited to address such questions. Intrinsically comparative, this approach cuts across traditional ethnic, religious, and chronological categories to confront the academic present with the historical past. The goal is to produce a new art history that is at once cosmopolitan in method and global in scope, and in doing so establish new ways of seeing - new conditions of visibility - for shared objects of study.

Farmers once knew how to make a living fence and fed their flocks on tree-branch hay. Rural people knew how to prune hazel to foster abundance: both of edible nuts and of straight, strong, flexible rods for bridges, walls and baskets. Townspeople cut beeches to make charcoal to fuel ironworks. Shipwrights shaped oaks to make hulls. In order tp prosper communities cut their trees so they would sprout again. Pruning the trees didn't destroy them. Rather, it created healthy, sustainable and diverse woodlands. From these woods came the poetic landscapes of Shakespeare's England and of ancient Japan. The trees lived longer. William Bryant Logan travels from the English fens to Spain, California and Japan to rediscover and celebrate what was once a common and practical ecology-finding hope that humans may again learn what the persistence and generosity of trees can teach.

This edited volume describes the geology, stratigraphy, anthropology, archaeology, dating, taphonomy, paleobotany, paleontology and paleoecology of Azokh caves (also known as Azykh or Azikh). The chapters review exhaustively the key recent research on this limestone karstic site, which is located near the village of the same name in the region of Nagorno Karabagh in the south-eastern end of the Lesser Caucasus. The site is significant due to its geographic location at an important migratory crossroad between Africa and Eurasia. These caves contain an almost complete sedimentary sequence of the transition between H.heidelbergensis and H. neanderthalensis continuing to later Pleistocene and Holocene stratified sediment. The site is also important due to the discovery of Neanderthal remains by the current research group in addition to the Middle Pleistocene hominin fossils during a previous phase of excavation work led by M. Huseinov. At the heart of this book is the matter of how this site relates to human evolution.

Religious Architecture in Latium and Etruria, c. 900-500 BC presents the first comprehensive treatment of cult buildings in western central Italy from the Iron Age to the Archaic Period. By analysing the archaeological evidence for the form of early religious buildings and their role in ancient communities, it reconstructs a detailed history of early Latial and Etruscan religious architecture that brings together the buildings and the people who used them. The first part of the study examines the processes by which religious buildings changed from huts and shrines to monumental temples, and explores apparent differences between these processes in Latium and Etruria. The second part analyses the broader architectural, religious, and topographical contexts of the first Etrusco-Italic temples alongside possible rationales for their introduction. The result is a new and extensive account of when, where, and why monumental cult buildings became features of early central Italic society.

A book that verifies the existence of secret underground chambers beneath the Sphinx and demonstrates its origins as the Egyptian god of the dead, Anubis
- Includes an anthology of eyewitness accounts from early travelers who explored the secret chambers before they were sealed in 1926
- Reveals that the Sphinx was originally carved as a monumental crouching Anubis, the Egyptian jackal god of the necropolis
Shrouded in mystery for centuries, the Sphinx of Giza has frustrated many who have attempted to discover its original purpose. Accounts exist of the Sphinx as an oracle, as a king's burial chamber, and as a temple for initiation into the Hermetic Mysteries. Egyptologists have argued for decades about whether there are secret chambers underneath the Sphinx, why the head-to-body ratio is out of proportion, and whose face adorns it.
In "The Sphinx Mystery," Robert Temple addresses the many mysteries of the Sphinx. He presents eyewitness accounts, published over a period of 281 years, of people who saw the secret chambers and even went inside them before they were sealed in 1926--accounts that had been forgotten until the author rediscovered them. He also describes his own exploration of a tunnel at the rear of the Sphinx, perhaps used for obtaining sacred divinatory dreams.
Robert Temple reveals that the Sphinx was originally a monumental Anubis, the Egyptian jackal god, and that its face is that of a Middle Kingdom Pharaoh, Amenemhet II, which was a later re-carving. In addition, he provides photographic evidence of ancient sluice gate traces to demonstrate that, during the Old Kingdom, the Sphinx as Anubis sat surrounded by a moat filled with water--called Jackal Lake in the ancient Pyramid Texts--where religious ceremonies were held. He also provides evidence that the exact size and position of the Sphinx were geometrically determined in relation to the pyramids of Cheops and Chephren and that it was part of a pharaonic resurrection cult.

Our understanding of the human past is very limited. The mute evidence from excavation - the dusty pot shards, fragments of bone, slight variations in soil colour and texture - encourages abstraction and detachment. Reconstruction art offers a different way into the past, bringing archaeology to life and at times influencing and informing archaeologist's ideas. At its best it delivers something vivid, vital and memorable. Illustrating the Past explores the history of reconstruction art and archaeology. It looks at how attitudes have swung from the scientific and technical to a freer more imaginative way of seeing and back again. Through the exploration of seven artists' work, the reader is shown how the artist's way of seeing illustrates the past and sometimes how it has changed the way the past is seen. Illustrators working in archaeology are often anonymous and yet the picture that summarises an excavation can be the idea that endures. As well as drawing on her specialist knowledge, Judith Dobie uses conversation and correspondence to build a picture of how these artists' personalities, interests and backgrounds influences their art. Case studies featuring working sketches demonstrate how reconstruction artists deliver understanding and can change the interpretation of a site. This book celebrates and acknowledges reconstruction art within the field of archaeology.

Brilliant horsemen and great fighters, the Scythians were nomadic horsemen who ranged wide across the grasslands of the Asian steppe from the Altai mountains in the east to the Great Hungarian Plain in the first millennium BC. Their steppe homeland bordered on a number of sedentary states to the south - the Chinese, the Persians and the Greeks - and there were, inevitably, numerous interactions between the nomads and their neighbours. The Scythians fought the Persians on a number of occasions, in one battle killing their king and on another occasion driving the invading army of Darius the Great from the steppe. Relations with the Greeks around the shores of the Black Sea were rather different - both communities benefiting from trading with each other. This led to the development of a brilliant art style, often depicting scenes from Scythian mythology and everyday life. It is from the writings of Greeks like the historian Herodotus that we learn of Scythian life: their beliefs, their burial practices, their love of fighting, and their ambivalent attitudes to gender. It is a world that is also brilliantly illuminated by the rich material culture recovered from Scythian burials, from the graves of kings on the Pontic steppe, with their elaborate gold work and vividly coloured fabrics, to the frozen tombs of the Altai mountains, where all the organic material - wooden carvings, carpets, saddles and even tattooed human bodies - is amazingly well preserved. Barry Cunliffe here marshals this vast array of evidence - both archaeological and textual - in a masterful reconstruction of the lost world of the Scythians, allowing them to emerge in all their considerable vigour and splendour for the first time in over two millennia.

Assyria was one of the most influential kingdoms of the Ancient Near East. In this Very Short Introduction, Karen Radner sketches the history of Assyria from city state to empire, from the early 2nd millennium BC to the end of the 7th century BC. Since the archaeological rediscovery of Assyria in the mid-19th century, its cities have been excavated extensively in Iraq, Syria, Turkey and Israel, with further sites in Iran, Lebanon, and Jordan providing important information. The Assyrian Empire was one of the most geographically vast, socially diverse, multicultural, and multi-ethnic states of the early first millennium BC.Using archaeological records, Radner provides insights into the lives of the inhabitants of the kingdom, highlighting the diversity of human experiences in the Assyrian Empire. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

The extraordinary array of images included in this volume reveals the full and rich history of the Middle Ages. Exploring material objects from the European, Byzantine and Islamic worlds, the book casts a new light on the cultures that formed them, each culture illuminated by its treasures. The objects are divided among four topics: The Holy and the Faithful; The Sinful and the Spectral; Daily Life and Its Fictions, and Death and Its Aftermath. Each section is organized chronologically, and every object is accompanied by a penetrating essay that focuses on its visual and cultural significance within the wider context in which the object was made and used. Spot maps add yet another way to visualize and consider the significance of the objects and the history that they reveal. Lavishly illustrated, this is an appealing and original guide to the cultural history of the Middle Ages.

Restoring the historicity and plurality of archaeological ethics is a task to which this book is devoted; its emphasis on praxis mends the historical condition of ethics. In doing so, it shows that nowadays a multicultural (sometimes also called "public") ethic looms large in the discipline. By engaging communities "differently," archaeology has explicitly adopted an ethical outlook, purportedly striving to overcome its colonial ontology and metaphysics. In this new scenario, respect for other historical systems/worldviews and social accountability appear to be prominent. Being ethical in archaeological terms in the multicultural context has become mandatory, so much that most professional, international and national archaeological associations have ethical principles as guiding forces behind their openness towards social sectors traditionally ignored or marginalized by their practices. This powerful new ethics-its newness is based, to a large extent, in that it is the first time that archaeological ethics is explicitly stated, as if it didn't exist before-emanates from metropolitan centers, only to be adopted elsewhere. In this regard, it is worth probing the very nature of the dominant multicultural ethics in disciplinary practices because (a) it is at least suspicious that at the same time archaeology has tuned up with postmodern capitalist/market needs, and (b) the discipline (along with its ethical principles) is contested worldwide by grass-roots organizations and social movements. Can archaeology have socially committed ethical principles at the same time that it strengthens its relationship with the market and capitalism? Is this coincidence just merely haphazard or does it obey more structural rules? The papers in this book try to answer these two questions by examining praxis-based contexts in which archaeological ethics unfolds.

While books on archaeological and anthropological ethics have proliferated in recent years, few attempt to move beyond a conventional discourse on ethics to consider how a discussion of the social and political implications of archaeological practice might be conceptualized differently. The conceptual ideas about ethics posited in this volume make it of interest to readers outside of the discipline; in fact, to anyone interested in contemporary debates around the possibilities and limitations of a discourse on ethics. The authors in this volume set out to do three things. The first is to track the historical development of a discussion around ethics, in tandem with the development and "disciplining" of archaeology. The second is to examine the meanings, consequences and efficacies of a discourse on ethics in contemporary worlds of practice in archaeology. The third is to push beyond the language of ethics to consider other ways of framing a set of concerns around rights, accountabilities and meanings in relation to practitioners, descendent and affected communities, sites, material cultures, the ancestors and so on.

It is widely acknowledged that all archaeological research is embedded within cultural, political and economic contexts, and that all archaeological research falls under the heading 'heritage'. Most archaeologists now work in museums and other cultural institutions, government agencies, non-government organisations and private sector companies, and this diversity ensures that debates continue to proliferate about what constitutes appropriate professional ethics within these related and relevant contexts. Discussions about the ethics of cultural heritage in the 20th century focused on standards of professionalism, stewardship, responsibilities to stakeholders and on establishing public trust in the authenticity of the outcomes of the heritage process. This volume builds on recent approaches that move away from treating ethics as responsibilities to external domains and to the discipline, and which seek to ensure ethics are integral to all heritage theory, practice and methods. The chapters in this collection chart a departure from the tradition of external heritage ethics towards a broader approach underpinned by the turn to human rights, issues of social justice and the political economy of heritage, conceptualising ethical responsibilities not as pertaining to the past, but to a future-focused domain of social action.

This volume examines the archaeology of precolonial West African societies in the era of the trans-Atlantic slave trade. Using historical and archaeological perspectives on landscape, this collection of essays sheds light on how involvement in the commercial revolutions of the early modern period dramatically reshaped the regional contours of political organization across West Africa. The essays examine how social and political transformations occurred at the regional level by exploring regional economic networks, population shifts, cultural values and ideologies. The book demonstrates the importance of anthropological insights not only to the broad political history of West Africa, but also to an understanding of political culture as a form of meaningful social practice.

Archaeological data from Las Varas, Peru, that establish the importance of ritual in constructing ethnic boundaries. Recent popular discourse on nationalism and ethnicity assumes that humans by nature prefer 'tribalism,' as though people cannot help but divide themselves along lines of social and ethnic differences. Research from anthropology, history, and archaeology, however, shows that individuals actively construct cultural and social ideologies to fabricate the stereotypes, myths, and beliefs that separate 'us' from 'them.' Archaeologist Howard Tsai and his team uncovered a thousand-year-old village, Las Varas, in northern Peru where the inhabitants performed rituals to recognize and reinforce ethnic identities. Las Varas is located near the coast in a valley leading into the Andes. Excavations revealed a western entrance to the village for those arriving from the coast and an eastern entry point for those coming from the highlands. Rituals were performed at both of these entrances, indicating that the community was open to exchange and interaction, yet at the same time controlled the flow of people and goods through ceremonial protocols. Using these checkpoints and associated rituals, the villagers of Las Varas were able to maintain ethnic differences between themselves and visitors from foreign lands. Las Varas: Ritual and Ethnicity in the Ancient Andes reveals a rare case of finding ethnicity by relying solely on archaeological remains. Tsai analyzes data from the excavation of Las Varas within a theoretical framework based on current understandings of ethnicity. He demonstrates the potential for archaeologists to discover how ethnic identities were constructed in the past, which ultimately leads to questioning the supposed naturalness of tribal divisions in human antiquity.

If all the portable artefacts of Ancient Egypt were in a single location, the lives of students, historians and connoisseurs would be immeasurably simpler - but the objects are scattered in museums and collections all over the world. This book brings together nearly 200 of the most significant artefacts, giving both context and immediacy to the rich culture of Ancient Egypt. From a 5000-year-old Predynastic pottery bowl adorned with model hippopotami, to a pair of sandals carefully woven from grass, reeds and papyrus, to a wooden sundial amulet of the early Roman period, this is a compelling and beautifully illustrated overview of three millennia of civilization on the banks of the Nile.

This study uses artefact distribution analyses to investigate the activities that took place inside early Roman imperial military bases. Focusing especially on non-combat activities, it explores the lives of families and other support personnel who are widely assumed to have inhabited civilian settlements outside the fortification walls. Spatial analyses, in GIS-type environments, are used to develop fresh perspectives on the range of people who lived within the walls of these military establishments, the various industrial, commercial, domestic and leisure activities in which they and combat personnel were involved, and the socio-spatial organisation of these activities and these establishments. The book includes examples of both legionary fortresses and auxiliary forts from the German provinces to demonstrate that more material-cultural approaches to the artefact assemblages from these sites give greater insights into how these military communities operated and demonstrate the problems of ascribing functions to buildings without investigating the full material record.

Minoan Crete is rightly famous for its idiosyncratic architecture, as well as its palaces and towns such as Knossos, Malia, Gournia, and Palaikastro. Indeed, these are often described as the first urban settlements of Bronze Age Europe. However, we still know relatively little about the dynamics of these early urban centres. How did they work? What role did the palaces have in their towns, and the towns in their landscapes? It might seem that with such richly documented architectural remains these questions would have been answered long ago. Yet, analysis has mostly found itself confined to building materials and techniques, basic formal descriptions, and functional evaluations. Critical evaluation of these data as constituting a dynamic built environment has thus been slow in coming. This volume aims to provide a first step in this direction. It brings together international scholars whose research focuses on Minoan architecture and urbanism as well as on theory and methods in spatial analyses. By combining methodological contributions with detailed case studies across the different scales of buildings, settlements and regions, the volume proposes a new analytical and interpretive framework for addressing the complex dynamics of the Minoan built environment.

Salt comes from the north, gold from the south, but the word of God and the treasures of wisdom are only to be found in Timbuktu. - 15th-century Malian proverb. In a joint project between South Africa and Mali, a library to preserve more than 200 000 Arabic and West African manuscripts dating from the 13th to the 19th centuries is currently under construction. It is the first official cultural project of the New Partnership for Africa's Development (Nepad), the socio-economic development plan of the African Union, and when the library is built, the cultural role of Timbuktu will be revived, as it becomes the safehaven for the treasured manuscripts. The manuscripts prove that Africa had a rich legacy of written history, long before western colonisers set foot on the continent. This volume, authored by leading international scholars, begins to sketch the 'meaning' of Timbuktu within the context of the intellectual history of West Africa, in particular, and of the African continent, in general. The title covers four broad areas: Part I provides an introduction to the region; outlines what archaeology can tell us of its history, examines the paper and various calligraphic styles used in the manuscripts; and explains how ancient institutions of scholarship functioned. Part II begins to analyse what the manuscripts can tell us of African history. Part III offers insight into the lives and works of just a few of the many scholars who achieved renown in the region and beyond. Part IV provides a glimpse into Timbuktu's libraries and private collections. Part V looks at the written legacy of the eastern half of Africa, which like that of the western region, is often ignored. A fascinating read for anyone who wishes to gain an understanding of the aura of mystique and legend that surrounds Timbuktu. The Meanings of Timbuktu strives to contextualize and clarify the importance of efforts to preserve Timbuktu's manuscripts for Mali, for Africa and for the intellectual world.