In the late 19th and early 20th centuries, growing numbers of tourists and scholars from Europe and America, fascinated by new discoveries, visited the Near East and Egypt - attracted by the riches and mysteries of the Land of the Bible. Almost all such visitors, no matter how esoteric or academic their pursuits, had to deal with the local authorities and the native workforce for their archaeological excavations. The vast majority of these visitors had to rely on interpreters, dragomans, translators and local guides. This study, based on published and unpublished travel memoirs, guidebooks, personal papers and archaeological reports of the British and American archaeologists, deals with the socio-political status and multi-faceted role of interpreters at the time. Those bi- or multi-lingual individuals frequently took on (or were forced to take on) much more than just interpreting. They often played the role of go-betweens, servants, bodyguards, pimps, diplomats, spies, messengers, managers and overseers, and had to mediate, scheme and often improvise, whether in an official or unofficial capacity. For the most part denied due credit and recognition, these interpreters are finally here given a new voice. An engrossing story emerges of how through their many and varied actions and roles, they had a crucial part to play in the introduction to Britain and America of these mysterious past cultures and civilizations.

This book investigates Hellenistic popular religion through an interdisciplinary study of terracotta figurines of Egyptian deities, mostly from domestic contexts, from the trading port of Delos. A comparison of the figurines' iconography to parallels in Egyptian religious texts, temple reliefs, and ritual objects suggests that many figurines depict deities or rituals associated with Egyptian festivals. An analysis of the objects' clay fabrics and manufacturing techniques indicates that most were made on Delos. Additionally, archival research on unpublished notes from early excavations reveals new data on many figurines' archaeological contexts, illuminating their roles in both domestic and temple cults. The results offer a new perspective on Hellenistic reinterpretations of Egyptian religion, as well as the relationship between "popular" and "official" cults.

As modern-day muckraker Danny Schechter writes in his new introduction, exclusive to this Cosimo Classics edition: "In this era of financial crisis compounded, and even perhaps enabled, by a dearth of investigative reporting, it is valuable to go back in time to learn from the work of great journalists with the courage to have taken on avaricious corporations and irresponsible business practices."Perhaps no book demands our attention and respect as much as the one now in your hands. The unabridged edition, long out of print, of Ida Tarbell's study/expose of the history of the Standard Oil Company is an American classic, a model of careful research, detailed analysis, clear expository writing, and social mission. It has been hailed as one of the top ten of journalism's greatest hits."In this book, offering Volumes I&II, Tarbell explores: the birth of the oil industry the rise of the Standard Oil Company the "oil war" of 1872 the beginnings of the oil trust the first interstate commerce bill battles over oil pipelines the marketing of oil the political response to Standard's domination breaking up the oil trust competition in the oil industry and more.IDA MINERVA TARBELL (1857-1944) is remembered today as a muckraking journalist, thanks to this 1904 blockbuster expose. Originally published as a series of articles in McClure's magazine, this groundbreaking work highlighted the dangers of business monopolies and contributed to the eventual breakup of Standard Oil.Investigative journalist DANNY SCHECHTER is editor of Mediachannel.org and author of numerous books on the media, including Plunder: Investigating Our Economic Calamity and the Subprime Scandal (Cosimo). For more, see www.newsdissector.com/plunder.

Aelius Aristides' Hieroi Logoi present a unique first-person narrative from the ancient world-a narrative that seems at once public and private, artful and naive. While scholars have embraced the Logoi as a rich source for Imperial-era religion, politics, and elite culture, the style of the text has presented a persistent stumbling block to literary analysis. Setting this dream-memoir of illness and divine healing in the context of Aristides' professional concerns as an orator, this book investigates the text's rhetorical aims and literary aspirations. At the Limits of Art argues that the Hieroi Logoi are an experimental work. Incorporating numerous dream accounts and narratives of divine cure in a multi-layered and open text, Aristides works at the limits of rhetorical convention to fashion an authorial voice that is transparent to the divine. Reading the Logoi in the context of contemporary oratorical practices, and in tandem with Aristides' polemical orations and prose hymns, the book uncovers the professional agendas motivating this unusual self-portrait. Aristides' sober view of oratory as a sacred pursuit was in conflict with a widespread contemporary preference for spectacular public performance. In the Hieroi Logoi, Aristides claims a place in the world of the Second Sophistic on his own terms, offering a vision of his professional inspiration in a style that pushes the limits of literary convention.

n Corinth in Contrast, archaeologists, historians, art historians, classicists, and New Testament scholars examine the stratified nature of socio-economic, political, and religious interactions in the city from the Hellenistic period to Late Antiquity. The volume challenges standard social histories of Corinth by focusing on the unequal distribution of material, cultural, and spiritual resources. Specialists investigate specific aspects of cultural and material stratification such as commerce, slavery, religion, marriage and family, gender, and art, analyzing both the ruling elite of Corinth and the non-elite Corinthians who made up the majority of the population. This approach provides insight into the complex networks that characterized every ancient urban center and sets an agenda for future studies of Corinth and other cities rule by Rome.

The aim of this monograph is to understand the extent to which the landscape of Roman Berytus and the Bekaa valley is a product of colonial transformation following the foundation of Colonia Iulia Augusta Felix Berytus in 15 BCE. The book explores the changes observed in the cities of Berytus and Heliopolis, as well as the sites at Deir el-Qalaa, Niha, and Hosn Niha. The work fundamentally challenges the traditional paradigm, where Baalbek-Heliopolis is seen as a religious site dating from as early as the Bronze Age and associated with the worship of a Semitic or Phoenician deity triad and replaces it with a new perspective where religious activity is largely a product of colonial change.

Throughout time and in every culture, human beings have eaten together. Commensality - eating and drinking at the same table - is a fundamental social activity, which creates and cements relationships. It also sets boundaries, including or excluding people according to a set of criteria defined by the society. Particular scholarly attention has been paid to banquets and feasts, often hosted for religious, ritualistic or political purposes, but few studies have considered everyday commensality. Commensality: From Everyday Food to Feast offers an insight into this social practice in all its forms, from the most basic and mundane meals to the grandest occasions. Bringing together insights from anthropologists, archaeologists and historians, this volume offers a vast historical scope, ranging from the Late Neolithic period (6th millennium BC), through the Middle Ages, to the present day. The sixteen chapters include case studies from across the world, including the USA, Bolivia, China, Southeast Asia, Iran, Turkey, Portugal, Denmark and the UK. Connecting these diverse analyses is an understanding of commensality's role as a social and political tool, integral to the formation of personal and national identities. From first experiences of commensality in the sharing of food between a mother and child, to the inaugural dinner of the American president, this collection of essays celebrates the variety of human life and society.

In The Representations of Women in the Middle Kingdom Tombs of Officials Lubica Hudakova offers an in-depth analysis of female iconography in the decorative programme of Middle Kingdom non-royal tombs, highlighting changes and innovations in comparison to the Old Kingdom. Previously considered too uniform, the study represents the first systematic investigation of two-dimensional images of women and reveals their variability in space and time. Hudakova examines the roles appointed to women by analyzing how they are depicted in a variety of contexts. Taking into account their postures, gestures, garments, hairstyles, size of the body, age as well as attributes and tools used by them, along with the scene orientation, she traces diachronic and diatopic developments and regional traditions in the Middle Kingdom tomb decoration.

On the Agora traces the evolution of the main public square of the Greek polis for the six centuries from the death of Alexander the Great in 323 BC to the height of the Roman Empire and the Herulian invasion of Greece in 267 AD. Drawing on literary, epigraphic and, especially, archaeological evidence, the book takes a comparative approach to consider how the layout and function of agoras in cities throughout Greece changed during centuries that witnessed far reaching transformations in culture, society and political life. The book challenges the popular view of the post-Classical agora as characterised by decline, makes important arguments about how we use evidence to understand ancient public spaces and proposes many new interpretations of individual sites.

The development of key methodologies for the study of battlefields in the USA in the 1980s inspired a generation of British and European archaeologists to turn their attention to sites in their own countries. The end of the Cold War and key anniversaries of the World Wars inspired others, especially in the UK, to examine the material legacy of those conflicts before they disappeared. By 2000 the study of war was again firmly on the archaeological agenda. The overall purpose of the book is to encourage proponents and practitioners of Conflict Archaeology to consider what it is for and how to develop it in the future.The central argument is that, at present, Conflict Archaeology is effectively divided into closed communities who do not interact to any large extent. These separate communities are divided by period and by nationality, so that a truly international Conflict Archaeology has yet to emerge. These divisions prevent the exchange of information and ideas across boundaries and thereby limit the scope of the field. This book discusses these issues in detail, clearly outlining how they affect the development of Conflict Archaeology as a coherent branch of archaeology.