The Neolithic of the Near East is a period of human development which saw fundamental changes in the nature of human society. It is traditionally studied for its development of domestication, agriculture, and growing social complexity. In this book Karina Croucher takes a new approach, focusing on the human body and investigating mortuary practices - the treatment and burial of the dead - to discover what these can reveal about the people of the Neolithic Near East. The remarkable evidence relating to mortuary practices and ritual behaviour from the Near Eastern Neolithic provides some of the most breath-taking archaeological evidence excavated from Neolithic contexts. The most enigmatic mortuary practices of the period produced the striking 'plastered skulls', faces modelled onto the crania of the deceased. Archaeological sites also contain evidence for many intriguing mortuary treatments, including decapitated burials and the fragmentation, circulation, curation, and reburial of human and animal remains and material culture. Drawing on recent excavations and earlier archive and published fieldwork, Croucher provides an overview and introduction to the period, presenting new interpretations of the archaeological evidence and in-depth analyses of case studies. The book explores themes such as ancestors, human-animal relationships, food, consumption and cannibalism, personhood, and gender. Offering a unique insight into changing attitudes towards the human body - both in life and during death - this book reveals the identities and experiences of the people of the Neolithic Near East through their interactions with their dead, with animals, and their new material worlds.

To what extent can underwater archaeology and underwater cultural heritage support a State's maritime claim? Many States have plausibly extended their maritime legislative and executive jurisdiction to the outer limit of the contiguous zone to better protect underwater cultural heritage. However, some States-such as Canada in the Arctic, China in the South China Sea, or Russia in Crimea-are going further, claiming sovereignty over disputed maritime areas or even the high seas. Maritime Claims and Underwater Archaeology, aimed at internationalists and archaeologists, critically assesses these recent practices, reviewing this search for buried sovereignty from a legal, historical, and ethical perspective.

Cultural heritage is a vital, multifaceted component of modern society. To better protect and promote the integrity of a culture, certain technologies have become essential tools.The Handbook of Research on Emerging Technologies for Architectural and Archaeological Heritage is an authoritative reference source for the latest scholarly research on the use of technological assistance for the preservation of architecture and archaeology in a global context. Focusing on various surveying technologies for the study, analysis, and protection of historical buildings, this book is ideally designed for professionals, researchers, upper-level students, and practitioners.

Digital history is commonly argued to be positioned between the traditionally historical and the computational or digital. By studying digital history collaborations and the establishment of the Luxembourg Centre for Contemporary and Digital History, Kemman examines how digital history will impact historical scholarship. His analysis shows that digital history does not occupy a singular position between the digital and the historical. Instead, historians continuously move across this dimension, choosing or finding themselves in different positions as they construct different trading zones through cross-disciplinary engagement, negotiation of research goals and individual interests.

In the late 19th and early 20th centuries, growing numbers of tourists and scholars from Europe and America, fascinated by new discoveries, visited the Near East and Egypt - attracted by the riches and mysteries of the Land of the Bible. Almost all such visitors, no matter how esoteric or academic their pursuits, had to deal with the local authorities and the native workforce for their archaeological excavations. The vast majority of these visitors had to rely on interpreters, dragomans, translators and local guides. This study, based on published and unpublished travel memoirs, guidebooks, personal papers and archaeological reports of the British and American archaeologists, deals with the socio-political status and multi-faceted role of interpreters at the time. Those bi- or multi-lingual individuals frequently took on (or were forced to take on) much more than just interpreting. They often played the role of go-betweens, servants, bodyguards, pimps, diplomats, spies, messengers, managers and overseers, and had to mediate, scheme and often improvise, whether in an official or unofficial capacity. For the most part denied due credit and recognition, these interpreters are finally here given a new voice. An engrossing story emerges of how through their many and varied actions and roles, they had a crucial part to play in the introduction to Britain and America of these mysterious past cultures and civilizations.

This book investigates Hellenistic popular religion through an interdisciplinary study of terracotta figurines of Egyptian deities, mostly from domestic contexts, from the trading port of Delos. A comparison of the figurines' iconography to parallels in Egyptian religious texts, temple reliefs, and ritual objects suggests that many figurines depict deities or rituals associated with Egyptian festivals. An analysis of the objects' clay fabrics and manufacturing techniques indicates that most were made on Delos. Additionally, archival research on unpublished notes from early excavations reveals new data on many figurines' archaeological contexts, illuminating their roles in both domestic and temple cults. The results offer a new perspective on Hellenistic reinterpretations of Egyptian religion, as well as the relationship between "popular" and "official" cults.

As modern-day muckraker Danny Schechter writes in his new introduction, exclusive to this Cosimo Classics edition: "In this era of financial crisis compounded, and even perhaps enabled, by a dearth of investigative reporting, it is valuable to go back in time to learn from the work of great journalists with the courage to have taken on avaricious corporations and irresponsible business practices."Perhaps no book demands our attention and respect as much as the one now in your hands. The unabridged edition, long out of print, of Ida Tarbell's study/expose of the history of the Standard Oil Company is an American classic, a model of careful research, detailed analysis, clear expository writing, and social mission. It has been hailed as one of the top ten of journalism's greatest hits."In this book, offering Volumes I&II, Tarbell explores: the birth of the oil industry the rise of the Standard Oil Company the "oil war" of 1872 the beginnings of the oil trust the first interstate commerce bill battles over oil pipelines the marketing of oil the political response to Standard's domination breaking up the oil trust competition in the oil industry and more.IDA MINERVA TARBELL (1857-1944) is remembered today as a muckraking journalist, thanks to this 1904 blockbuster expose. Originally published as a series of articles in McClure's magazine, this groundbreaking work highlighted the dangers of business monopolies and contributed to the eventual breakup of Standard Oil.Investigative journalist DANNY SCHECHTER is editor of Mediachannel.org and author of numerous books on the media, including Plunder: Investigating Our Economic Calamity and the Subprime Scandal (Cosimo). For more, see www.newsdissector.com/plunder.

Aelius Aristides' Hieroi Logoi present a unique first-person narrative from the ancient world-a narrative that seems at once public and private, artful and naive. While scholars have embraced the Logoi as a rich source for Imperial-era religion, politics, and elite culture, the style of the text has presented a persistent stumbling block to literary analysis. Setting this dream-memoir of illness and divine healing in the context of Aristides' professional concerns as an orator, this book investigates the text's rhetorical aims and literary aspirations. At the Limits of Art argues that the Hieroi Logoi are an experimental work. Incorporating numerous dream accounts and narratives of divine cure in a multi-layered and open text, Aristides works at the limits of rhetorical convention to fashion an authorial voice that is transparent to the divine. Reading the Logoi in the context of contemporary oratorical practices, and in tandem with Aristides' polemical orations and prose hymns, the book uncovers the professional agendas motivating this unusual self-portrait. Aristides' sober view of oratory as a sacred pursuit was in conflict with a widespread contemporary preference for spectacular public performance. In the Hieroi Logoi, Aristides claims a place in the world of the Second Sophistic on his own terms, offering a vision of his professional inspiration in a style that pushes the limits of literary convention.