This book investigates the interconnections between textile and architecture via a variety of case studies from the Middle Ages through the twentieth century and from diverse geographic contexts. Among the oldest human technologies, building and weaving have intertwined histories. Textile structures go back to Palaeolithic times and are still in use today and textile furnishings have long been used in interiors. Beyond its use as a material, textile has offered a captivating model and metaphor for architecture through its ability to enclose, tie together, weave, communicate, and adorn. Recently, architects have shown a renewed interest in the textile medium due to the use of computer-aided design, digital fabrication, and innovative materials and engineering. The essays edited and compiled here, work across disciplines to provide new insights into the enduring relationship between textiles and architecture. The contributors critically explore the spatial and material qualities of textiles as well as cultural and political significance of textile artifacts, patterns, and metaphors in architecture. Textile in Architecture is organized into three sections: "Ritual Spaces," which examines the role of textiles in the formation and performance of socio-political, religious, and civic rituals; "Public and Private Interiors" explores how textiles transformed interiors corresponding to changing aesthetics, cultural values, and material practices; and "Materiality and Material Translations," which considers textile as metaphor and model in the materiality of built environment. Including cases from Morocco, Samoa, France, India, UK, Spain, the Ancient Andes and the Ottoman Empire, this is essential reading for any student or researcher interested in textiles in architecture through the ages.

This book celebrates the heritage of the distinctive Apatani community of the north-eastern Himalayan state of Arunachal Pradesh in India. It explores the fascinating indigenous knowledge of field and forest and a uniquely sustainable and enduring way of life that continues to evolve in the modern context. The book tells the story of how a material culture was shaped around bamboo and cane resources and nurtured by a strong community spirit and spirituality that transcended the human world and maintained an unbroken ethos of conservation through time It highlights the eco-sensitive lifestyle of this unique community and presents an in-depth analysis of the Apatani tradition of the exemplary use of natural resources. Through this engrossing detailed study, the author observes how bamboo houses are built in 3 days, fish cultivated in a rice field and a single river used to feed an entire community for millennia. She highlights the triumph of the human spirit in engineering a cultural landscape out of a swamp and how peaceful co-existence with nature can withstand the trials of time. Part autobiographical and powerfully personal, this book is a primer on sustainable living as practice. It will be of interest to researchers and students of tribal and Himalayan vernacular architecture, traditional bamboo-cane craft, urban ecology and geography, cultural studies, and sustainability. It will also attract general readership while being academically useful for anthropologists, sociologists, botanists, ecologists and environmentalists.

Biodesign in the Age of Artificial Intelligence: Deep Green investigates the potential of nature based technology for shaping the evolution of contemporary architecture and design. It takes on the now pervasive topic of design intelligence, extending its definition to encompass both biological and digital realms. As in their first title, Systemic Architecture: Operating Manual for the Self Organizing City, the authors engage the topic through the specific lens of their innovative design practice, ecoLogicStudio and their research at the University of Innsbruck and at the Bartlett, UCL. Part One of the book, entitled PhotoSynthetica (TM), illustrates design solutions that engage the urban microbiome and seek to achieve an immediate impact, while Part Two, entitled Deep Green, includes synthetic landscapes and operates within a much larger spatio-temporal frame, going beyond human perception and life span to envision design as a geographical and geological force. In the age of catastrophic climate change, such perceptual expansion helps to clarify that change cannot simply be stopped or rolled back. We must instead establish more positive dynamics of change within the living world. To this end, this book proposes to engage with design and architecture as an extended cognitive interface, a sentient being that is co-evolutionary and symbiotic with the living planet, contributing to its beauty and to our continued enjoyment of it.

The architectural imagery that you create is most effective when it examines your project in an abstract manner. Most students and practitioners understand linear perspective and cinema to be examples of architectural presentation tools. This book asks you to consider drawings and movies to be analytical tools that give you the capacity to engage all phases of the design process, from parti to presentation.

The ways in which spaces relate to each other and how materials connect to each other in your projects are as important as your building s appearance. As digital tools increasingly allow you to simulate the experience of built and unbuilt environments, it is essential that you scrutinize the nature of architectural imagery and resist the lure of virtual reality. Though pure simulation may be appropriate for your clients, your design process requires abstraction and analysis.

Author Thomas Forget demonstrates how to construct analytical drawings and movies that challenge the alleged realism of linear perspective and cinema. These demonstrations expose you to underlying principles that will allow you to understand the broader implications of these methods. In addition, historical surveys of drawings and movies provide you with insight into how architects and architectural historians have understood the role of linear perspective and cinema in their fields. Finally, examples of drawing and moviemaking strategies illustrate how you can apply the lessons of the book to precedent analyses and design projects.

London is one of the world's leading cities. It is home to an extraordinary concentration and diversity of people, industries, politics, religions, and ideas, and plays an important role in our highly globalised, tightly networked, modern world. What does the future hold for London? Investigating any aspect of the city's future reveals a complex picture of interrelations and dependencies. The London 2062 Programme from University College London brings a new, cross-disciplinary and highly collaborative, approach to investigating this complexity. The programme crosses departmental boundaries within the university, and promotes active collaboration between leading academics and those who shape London through policy and practice. This book approaches the question of London's future by considering the city in terms of Connections, Things, Power and Dreams.

The value of design for contributing to environmental solutions and a sustainable future is increasingly recognised. It spans many spheres of everyday life, and the ethical dimension of design practice that considers environmental, social and economic sustainability is compelling. Approaches to design recognise design as a practice that can transform human experience and understanding, expanding its role beyond stylistic enhancement. The traditional roles of design, designer and designed object are therefore redefined through new understanding of the relationship between the material and immaterial aspects of design where the design product and the design process are embodiments of ideas, values and beliefs. This multi-disciplinary approach considers how to create design which is at once aesthetically pleasing and also ethically considered, with contributions from fields as diverse as architecture, fashion, urban design and philosophy. The authors also address how to teach design based subjects while instilling a desire in the student to develop ethical work practices, both inside and outside the studio.

This book examines the manifestations of architecture, cities, and design processes within digital culture. Adopting a comparative and critical method, the author looks at past and present encounters of the digital with architectural discourse and practice. Along three central themes - machines, networks, and computation - the book begins by discussing transformations of the analogy between architecture and the machine since the early twentieth century, foregrounding questions about the relations between architecture, humans, machines, and the environment. It moves on to the city, to observe how big data and smart city sustainable management systems have transformed historical visions of global networked cities. Lastly, it explores computational design thinking historically and in the context of complex systems, as well as the latest technical, social, and economic developments. Exposing possible drawbacks while still focusing on what is radically innovative, this book proposes a way toward more liberating, digital, and sustainable futures for architecture. An important read for architecture students, academics, and professionals, this book connects instances of digital architecture practice and discourse throughout the history of the digital culture paradigm and their ties with sociopolitical developments. It shares the possibility that these connecting lines may be the canvas for a novel architectural history of the recent past.

That the topic ofdesign review is somehow trou My biases are clearfrom the start: I am among blesome is probably one thing all readers can those who believe that, despite all signals to the contrary, the physical structure of our environ agree on. Beyond this, however, I suspect pros pects of consensus are dim. Differing opinions ment can be managed, and that controlling it is on the subject likely range from those desiring the key to the ameliorationofnumerous problems control tothosedesiringfreedom. Saysonecamp: confronting society today. I believe that design our physical and natural environments are going can solve a host ofproblems, and that the design to hell in a hand basket. Says the other: design of the physical environment does influence be review boards are only as good as their members; havior. more often than not their interventions produce Clearly, this is a perspective that encompasses mediocre architecture. more than one building at a time and demands As a town planner and architect, I am sympa that each building understand its place in a larger thetic to the full range of sentiment. Perhaps a context-the city. Indeed, anyone proposing discussion of these two concepts-control and physical solutions to urban problems is designing freedom-and their differences would now be or, as may seem more often the case, destroying useful. But let me instead suggest that both posi the city."

This book explores the wealth of wooden architecture that is to be found in Northern Europe, in particular, the Fennoscandian Peninsula. This distinct region, which includes Norway, Sweden, Finland and the Russian Republic of Karelia, was dominated by coniferous forest and remained until well into the 20th century a largely rural society. Wood was seen as a living material - one that was permeated with myth and folklore - while the forest itself formed the background to everyday life. Indeed, no single source of material wealth has contributed more to the economy, art and culture of Fennoscandia than the forests. Nowhere is this contribution clearer than in the region's historic buildings, the vast majority of which were constructed in wood up until the late 19th century. This is the first book to examine and record the distinctive wooden architecture of this region from the early medieval period to the early 20th century. Structured according to different wood types, it concentrates on domestic and religious buildings, as these formed the great bulk of historic architecture in the peninsula over many centuries. It begins by setting out the geographical, social and historic background, before discussing the way in which two different timber-building traditions emerged in the region. It then provides a detailed examination of different types of dwellings (rural and urban) and storage lofts, followed by a section on Catholic, Protestant and Orthodox churches, along with their free-standing bell-towers. The book concludes with a chapter outlining the development of wooden domestic and religious buildings during the closing decades of the 19th century and the early years of the 20th century.

Housing is a major contributor to CO2 emissions in Europe and America today and the construction of new homes offers an opportunity to address this issue. Providing homes that achieve "zero carbon", "carbon neutral", "zero-net energy" or "energy-plus" standard is becoming the goal of more innovative house-builders globally, whilst energy providers seek to decarbonise the energy supply to new and existing development. Various new technical systems for achieving these goals are beginning to emerge. For example the passive house whose energy requirement for space heating and cooling is almost zero; the smart grid that has revolutionized the management of energy, whilst enabling the connection of small-scale, renewable energy producers and electric vehicles to the grid; or the European super-grid which will enable zero carbon energy to be generated in the Sahara desert and stored in Norway. This book explores the diverse approaches that are being adopted around the world to deliver zero carbon homes and the different societal systems and geographic circumstances in which they have developed. It postulates a roadmap for delivering zero carbon homes, together with a toolbox approach for policy and practice to suit particular national and local circumstances. A series of case studies are presented that offer lessons for delivering zero carbon homes. These examples are also used to demonstrate how prototype systems can move into the mainstream. The book highlights some of the instruments and mechanisms that could be used to support this transformation and addresses the wider implications of introducing these innovative systems in terms of industry, lifestyle and urban form.

"Designing for Zero Waste is a timely, topical and necessary publication. Materials and resources are being depleted at an accelerating speed and rising consumption trends across the globe have placed material efficiency, waste reduction and recycling at the centre of many government policy agendas, giving them an unprecedented urgency. While there has been a considerable literature addressing consumption and waste reduction from different disciplinary perspectives, the complex nature of the problem requires an increasing degree of interdisciplinarity. Resource recovery and the optimisation of material flow can only be achieved alongside and through behaviour change to reduce the creation of material waste and wasteful consumption. This book aims to develop a more robust understanding of the links between lifestyle, consumption, technologies and urban development. "--

This journey into Italian architecture is an ongoing enquiry into the diverse project typologies being currently developed--the degree of their innovation and the way they mesh with technical requirements. The book focuses on how the many aspects of Italian architecture developed by Italian architects working in Italy today deal with the layers of building history that have gone before. The works selected have been taken from the "Panorama Italiano" section on www.theplan.it and include urban and rural residences, public and cultural buildings, office and commercial blocks, social housing, and broader urban planning projects. All testify to the vitality of Italian architecture today.

Two thousand years ago the Roman architect Marcus Vitruvius Pollio wrote the ten books on architecture establishing the concept of the pattern book offering design principles and solutions that is still referred to in every architect's education. A Green Vitruvius is intended as a green pattern book for today. Now fully updated, this well established textbook provides advice suitable for undergraduate and post graduate students on the integration of sustainable practice into the design and construction process, the issues to be considered, the strategies to be adopted, the elements of green design and design evaluation within the process. Classic design elegance is found in the holistic clear solution.

Author Ian Cramb was a fifth-generation stonemason who relied on traditional methods to create and restore beautiful stone structures. In this do-it-yourself manual for homeowners, masonry contractors, and restoration specialists, Cramb drew on his fifty years of life experience in the craft to cover restoration techniques for historic structures in the U.S. and Britain. The book covers various types of stone, stone-cutting, and traditional mortar mixes for walls, foundations, and buildings.

Provides, for the first time, access to a chronological arc of John Habrakens’ writing in a single collection. Includes over 250 illustrations and interview with the author to enable him to reflect on his journey of inquiry, research, advocacy and teaching His record of accomplishments, too often unrecognized for their seminal value, is remarkable and without match, and continues to enjoy an expanding worldwide following.

Since the spread of classical design and construction amongst the upper echolons of British society in the late seventeenth century, traditional construction methods have largely fallen by the wayside. Centuries later, as the construction industry faces up to its environmental responsibilities, this book explores its rich and ancient tradition to provide tried and trusted solutions to modern day construction problems.

By way of introduction, the ancient and historical lifestyles that dictated the nature of traditional construction are explored, before focussing on its health and ecological benefits. As well as cultural background, this book includes a detailed scientific description of traditional building materials and their constituents which draws a sharp contrast with modern petrochemical-based materials. The studies of traditional buildings included reveal the sustainability of features such as natural ventilation and breathing walls, and comparisons with modern construction methods show how they could prevent 'sick building syndrome'. The author argues that maintenance for long life, by contrast with the modern concept of life-cycle costing, is at the nub of sustainability and underlies the contribution traditional building construction can make to tackling climate change.

Over 250 original photos, and over fifty bespoke diagrams illustrate the features, techniques, and characteristics of traditional construction that could make such a valuable contribution to the industry today. The inclusion of a close study of how these methods relate to British building regulations makes this book a practical guide for construction professionals, as well as an authoritative resource for students and policy-makers.

This book is designed to be of interest to many different audiences due to its cross-sectoral and transdisciplinary content. It will appeal to those within architectural higher education as well as to spatial practitioners, students, civic and governmental organizations engaged in socio-spatial projects. The book is (1) an academic source of critical and practice-driven knowledge on experiential architectural design learning, (2) provides methods for other ways of learning in the form of design-build and live projects and (3) offers design inspiration for community-engaged spatial practices relevant to both educators and practising architects and designers.

• Introduces LEED and green building principles for anyone in a built environment discipline • No expectation of prior knowledge, suitable for high school students to seasoned industry professionals • 100 question practice exams provided as online resources

Recently there has been a plethora of work published on the topic of sustainability, much of which is purely theoretical or technical in its approach. More often than not these books fail to introduce readers to the larger challenge of what thinking sustainably might entail. Combining a series of well know authors in contemporary philosophy with established practitioners of sustainable design, this book develops a coherent theoretical framework for how theories of sustainability might engage with the growing practice of design. This book: brings together new and emerging perspectives on sustainability provides cohesive and jargon-free reading articulates the specificity of both theory and practice, to develop a symbiotic relationship which allows the reader to understand what thinking sustainably entails This volume describes a variety of new ways to approach sustainable design and it equips the next generation of designers with necessary conceptual tools for thinking sustainably.

Although Architecture and Structural Engineering have both had their own historical development, their interaction has led to many fascinating and delightful structures over time. To bring this interaction to a higher level, there is the need to stimulate the inventive and creative design of architectural structures and to persuade architects and structural engineers to work together in this process, exploiting constructive principles and aesthetic and static values. Structures and architecture presents over 250 selected contributions and addresses all major aspects of structures and architecture, including comprehension of complex forms, computer and experimental methods, concrete and masonry structures, emerging technologies, glass structures, innovative architectural and structural design, lightweight and membrane structures, special structures, steel and composite structures, the borderline between architecture and structural engineering, the tectonic of new solutions, the use of new materials, timber structures, the history of the relationship between architects and structural engineers, among others. This book of abstracts and the searchable CD-ROM with full papers contain the contributions presented at the 1st International Conference on Structures and Architecture (ICSA2010). This event was organized by the School of Architecture of the University of Minho, Guimaraes, Portugal (July 2010), to promote the synergy between both disciplines. The contributions on creative and scientific aspects in the conception and construction of structures, on advanced technologies and on complex architectural and structural applications represent a fine blend of scientific, technical and practical novelties in both fields. This set is intended for both researchers and practitioners, including architects, structural and construction engineers, builders and building consultants, constructors, material suppliers, product manufacturers and other experts and professionals involved in the design and realization of architectural, structural and infrastructural projects.

The first book to provide readers with the skills to assess development potential from a holistic standpoint. Until now, architectural books on conservation matters have focused on preservation at a strategic level and restoration at a technical level. This book offers the architect, developer or planner the rules and tools needed to gauge development prospects in an objective and comprehensive manner.

Written by an experienced expert in the field it provides the reader with:

• the latest legislation relating to heritage in the UK
• insight into local planning authorities and government advisory boards
• basic strategies for approaching developments
• an understanding of the options available for developing a heritage site
• illustrative case studies to highlight strategy successes.

This book is a one-stop-shop for any professional or student working in, or learning about, development in heritage environments.

This book provides the readers with a timely guide to the application of biomimetic principles in architecture and engineering design. As a result of a combined effort by two internationally recognized authorities, the biologist Werner Nachtigall and the architect Goeran Pohl, the book describes the principles which can be used to compare nature and technology, and at the same time it presents detailed explanations and examples showing how biology can be used as a source of inspiration and "translated" in building and architectural solutions (biomimicry). Even though nature cannot be directly copied, the living world can provide architects and engineers with a wealth of analogues and inspirations for their own creative designs. But how can analysis of natural entities give rise to advanced and sustainable design? By reporting on the latest bionic design methods and using extensive artwork, the book guides readers through the field of nature-inspired architecture, offering an extraordinary resource for professional architects, engineers, designers and urban planners, as well as for university teachers, researchers and students. Natural evolution is seen throughout the book as a powerful resource that can serve architecture and design by providing innovative, optimal and sustainable solutions.

Examines the general problems of designing and constructing sites for buildings. Coverage includes: site construction and planning, placing buildings on sites, landscape planning, drainage, site traffic for vehicles and pedestrians, parking, lighting, handicap facilities and much more.