This book brings together social sciencists to create an interdisciplinary dialogue on the topic of social change as a cultural process. Culture is as much about novelty as it is about tradition, as much about change as it is about stability. This dynamic tension is analyzed in collective protests, intergroup dynamics, language, mass media, science, community participation, art, and social transitions to capitalism, among other contexts. These diverse cases illustrate a number of key factors that can propel, slow-down and retract social change. An emancipatory and integrative social science is developed in this book, which offers a new explanatory model of human behavior and thought under conditions of institutional and societal change.

This book explores and challenges the concept and experience of liminality as applied to critical perspectives in the study of events. It will be of interest to researchers in event studies, social and discursive psychology, cultural and political sociology, and social movement studies. In addition, it will provide interested general readers with new ways of thinking and reflecting on events. Contributing authors undertake a discussion of the borders, boundaries, and areas of contestation between the established social anthropological concept of liminality and the emerging field of critical event studies. By drawing these two perspectives closer together, the collection considers tensions and resonances between them, and uses those connections to enhance our understanding of both cultural and sporting events and offer fresh insight into events of activism, protest, and dissent.

An exploration of the rich complexity of the worship of the deity Inari in contemporary Japan. The work covers institutional and popular power in religion, the personal meaningfulness of religious figures and the communicative styles that preserve homogeneity in the face of factionalism.

Many new social and economic organizations are emerging in different parts of Asia Pacific which have skillfully adapted western capitalism to suit their own specific requirements. They have also put to effective use their own social and cultural values to get the best economic results. Japan used its heritage of associated living to overcome adversarial labour and management relations; Singapore made use of Confucial emphasis on social discipline and respect for merit to build a meritocratic society; Indonesia used its genius for eclecticism to build its own brand of social pragmatism, and then used it for economic growth; Thailand used the concept of merit in Theravada Buddhism to accelerate economic growth; and Malaysia used its own growing pragmatism to balance conflicting ethnic demands. The book examines the variety of address their respective core development issues and simultaneously register an explosive economic growth.

This book focuses on cultures that shape contemporary Asian tourist experiences. The book consists of 10 chapters, which are organised into two themes: Collectivist Culture and Wellbeing. The chapters cover emerging forms of tourism (e.g., wedding and bridal photography tourism, roots/affinity tourism and shamanic tourism), investigate a wide range of topics (e.g., tourist motivation, tourist anxiety and decision making) and consider Asian perspectives from diverse backgrounds (e.g., China, Hong Kong, Singapore, Taiwan, South Korea, Japan, Philippines, Malaysia, Indonesia, India, Bangladesh, and Nepal). The book provides tourism researchers, students and practitioners a consolidated, comprehensive and updated reference for the understanding of Asian tourists.

This book acknowledges and highlights the moral excellence embedded in black queer practices of family. Taking the lives, narratives, and creative explorations of black queer people seriously, Thelathia Nikki Young brings readers on a journey of new, queer ethical methods that include confrontation, resistance, and imagination. Young asserts that family and its surrounding norms are both microcosms of and foundations for human relationships. She discusses how black queer people are moral subjects whose ethical reflection, lived experience, and embodied action demonstrate valuable moral agency for those of us thinking about liberating and life-giving ways to enact "family." Young posits that black queer people enact moral agency in ways that ought to be understood qua moral agency. Refusing to recognize the examples from this (and any other) community, Young argues, denies us all the learning and moral growth that come from connecting with diverse human experiences. This book investigates how acknowledging and critically engaging with the moral agency within marginalized subjectivities allow us to consider and bear witness to the moral potential in us all.

Once associated with astrology and occultist prophecy, the art of interpreting personal character based on facial and other physical features dates back to antiquity. About Face tells the intriguing story of how physiognomics became particularly popular during the Enlightenment, no longer as a mere parlor game but as an empirically grounded discipline. The story expands to illuminate an entire tradition within German culture, stretching from Goethe to the rise of Nazism. In About Face, Richard T. Gray explores the dialectical reversal - from the occult to the scientific realm - that entered physiognomic thought in the late eighteenth century, beginning with the positivistic writings of Swiss pastor Johann Caspar Lavater. Originally claimed to promote understanding and love, physiognomics devolved into a system aimed at valorizing a specific set of physical, moral, and emotional traits and stamping everything else as ""deviant."" This development not only reinforced racial, national, and characterological prejudices but also lent such beliefs a presumably scientific grounding. In the period following World War I, physiognomics experienced yet another unprecedented boom in popularity. Gray explains how physiognomics had by then become a highly respected ""super-discipline"" that embraced many prominent strands of German thought: the Romantic philosophy of nature, the ""life philosophy"" propagated by Dilthey and Nietzsche, the cultural pessimism of Schopenhauer, Husserl's method of intuitive observation, Freudian psychoanalysis, and early-twentieth-century eugenics and racial biology. A rich exploration of German culture, About Face offers fresh insight into the intellectual climate that allowed the dangerous thinking of National Socialism to take hold.

This compelling volume brings together original essays that explore the relationship between food and identity in everyday life in the Caribbean. The Caribbean history of colonialism and migration has fostered a dynamic and diverse form of modernity, which continues to transform with the impact of globalization and migration out of the Caribbean. One of the founders of the anthropology of food, Richard Wilk provides a preface to this exciting and interdisciplinary collection of essays offering insight into the real issues of food politics which contribute to the culinary cultures of the Caribbean. Based on rich contemporary ethnographies, the volume reveals the ways in which food carries symbolic meanings which are incorporated into the many different facets of identity experienced by people in the Caribbean. Many of the chapters focus on the ways in which consumers align themselves with particular foods as a way of making claims about their identities. Development and political and economic changes in the Caribbean bring new foods to the contemporary dinner table, a phenomenon that may subsequently destabilize the foundations of culinary identities. "Food and Identity in the Caribbean" reveals the ways in which some of the connections between food and identity persist against the odds whilst in other contexts new relationships between food and identity are forged.

This Handbook offers an analysis of the relation between football and politics, based on over 30 case studies covering five continents. It provides a detailed picture of this relation in a wide number of European, American, African, and Asian states, as well as a comparative assessment of football in a global perspective, thus combining the general and the local. It examines themes such as the political origins of football in the studied country, the historical club rivalries, the political aspects of football as a sports spectacle, and the contemporary issues linked to the political use of football. By following the same structure with each study, the volume allows for the comparison between largely investigated cases and cases that have seldom been addressed. The Handbook will be of use particularly to students and scholars in the fields of sport studies, political science and sociology, as well as cultural studies, anthropology and leisure studies.

This book traces the history of formative, enduring concepts, foundational in the development of the health disciplines. It explores existing literature, and subsequent contested applications. Feminist legacies are discussed with a clear message that early sociological and anthropological theories and debates remain valuable to scholars today. Chapters cover historical events and cultural practices from the standpoint of 'difference'; formulate theories about the emergence of social issues and problems and discuss health and illness in light of cultural values and practices, social conditions, embodiment and emotions. This collection will be of great value to scholars of biomedicine, health and gender.

Despite the passage of over forty years since the official end of the civil war in Korea, the north and the south sections of the country remain technically at war. In Korea and Its Futures, Roy Richard Grinker argues that the continued conflict between North and South Korea, and the prospects for peace on the Korean peninsula, must be understood within the broader social and cultural contexts in which Koreans live. Grinker suggests that a fundamental obstacle to peace on the peninsula is that South Korea has become a nation in which nearly all aspects of economic, political, and cultural identity are defined in opposition to North Korea. He further demonstrates that in spite of its status as a sacred goal for all Koreans, the idea of unification threatens the world in which almost every South Korean has been born and raised. In chapters on defectors, divided families, student protests, and early education, Grinker reveals how South Korean conceptions of unification prevent either side from recognizing that a unified Korea must also be a diverse Korea. In other words, Grinker points out, unification is largely perceived by South Koreans not as the integration of different identities but as the southern conquest and assimilation of the north – in short, as winning the war. Korea and Its Futures is a critical and illuminating look at a conflict which has refused to yield despite changes in a post-Cold War world.

This book explores Victorian and modernist haunted houses in female-authored ghost stories as representations of the architectural uncanny. It reconsiders the gendering of the supernatural in terms of unease, denial, disorientation, confinement and claustrophobia within domestic space. Drawing on spatial theory by Gaston Bachelard, Henri Lefebvre and Elizabeth Grosz, it analyses the reoccupation and appropriation of space by ghosts, women and servants as a means of addressing the opposition between the past and modernity. The chapters consider a range of haunted spaces, including ancestral mansions, ghostly gardens, suburban villas, Italian churches and houses subject to demolition and ruin. The ghost stories are read in the light of women's non-fictional writing on architecture, travel, interior design, sacred space, technology, the ideal home and the servant problem. Women writers discussed include Elizabeth Gaskell, Margaret Oliphant, Vernon Lee, Edith Wharton, May Sinclair and Elizabeth Bowen. This book will appeal to students and researchers in the ghost story, Female Gothic and Victorian and modernist women's writing, as well as general readers with an interest in the supernatural.

This book explores the intersections of gender with class and race in the construction of national and imperial ideologies and their fluid transformation from the Romantic to the Victorian period and beyond, exposing how these cultural constructions are deeply entangled with the family metaphor. For example, by examining the re-signification of the "angel in the house" and the deviant woman in the context of unstable or contingent masculinities and across discourses of class and nation, the volume contributes to a more nuanced understanding of British cultural constructions in the long nineteenth century. The central idea is to unearth the historical roots of the family metaphor in the construction of national and imperial ideologies, and to uncover the interests served by its specific discursive formation. The book explores both male and female stereotypes, enabling a more perceptive comparison, enriched with a nuanced reflection on the construction and social function of class.

The Bloomsbury Encyclopedia of Popular Music Volume 7 is one of five volumes within the 'Locations' strand of the series. This volume discusses the popular music of Europe in a historical, geographical, demographical, political, economic, and cultural context. It also examines the genres associated with the region, significant venues such as theatres, dance halls, clubs and bars, and notable performers and other practitioners such as producers, engineers, and technological innovators. The volume consists of over 100 entries written by more than 60 leading popular music scholars and practitioners, including Paolo Prato on Italy and Alf Bjoernberg on Sweden. This and all other volumes of the Encyclopedia are now available through an online version of the Encyclopedia: https://www.bloomsburypopularmusic.com/encyclopedia-work?docid=BPM_reference_EPMOW. A general search function for the whole Encyclopedia is also available on this site. A subscription is required to access individual entries. Please see: https://www.bloomsburypopularmusic.com/for-librarians.

This book discusses globalization trends and influences on traditional African oral literary performance and the direction that Ilorin oral art is forced to take by the changes of the twenty-first century electronic age. It seeks a new definition of contemporary African bourgeois in terms of its global reach, imitation of foreign forms and collaboration with the owners of the primary agencies. Additionally, it makes a case that African global lords or new bourgeoisie who are largely products of the new global capital and multinational corporations' socio-political and cultural influences fashion their tastes after western cultures as portrayed in the digital realm.

This book explores English single sheet satirical prints published from 1780-1820, the people who made those prints, and the businesses that sold them. It examines how these objects were made, how they were sold, and how both the complexity of the production process and the necessity to sell shaped and constrained the satiric content these objects contained. It argues that production, sale, and environment are crucial to understanding late-Georgian satirical prints. A majority of these prints were, after all, published in London and were therefore woven into the commercial culture of the Great Wen. Because of this city and its culture, the activities of the many individuals involved in transforming a single satirical design into a saleable and commercially viable object were underpinned by a nexus of making, selling, and consumption. Neglecting any one part of this nexus does a disservice both to the late-Georgian satirical print, these most beloved objects of British art, and to the story of their late-Georgian apotheosis - a story that James Baker develops not through the designs these objects contained, but rather through those objects and the designs they contained in the making.

With studies on the United Arab Emirates, Qatar, Syria, Lebanon, Morocco and Tunisia, this collection presents a theoretical framework on the study of women's empowerment amid the transformations that have shaped the social and political fabrics of Arab societies.

This book offers an exploration of the intersection of Korean theatre practice with Western literary theatre. Gangnam Style, K-Pop, the Korean Wave : who hasn't heard of these recent Korean phenomena? Having spent two years in Korea as a theatrical and cultural 'tourist', Patrice Pavis was granted an unparalleled look at contemporary Korean culture. As well as analyzing these pop culture mainstays, however, he also discovered many uniquely Korean jewels of contemporary art and performance. Examining topics including contemporary dance, puppets, installations, modernized pansori, 'Koreanized' productions of European Classics and K-pop and its parody, this book provides a framework for an intercultural and globalized approach to Korean theatre. With the first three chapters of the book outlining methodology, the remaining chapters test - often deconstructing and transforming in the process - this framework, using focused case studies to introduce the reader to the cultural and artistic world of a nation with an increasing international presence in theatre and the arts alike.

This book starts with four aspects - subject's cognition, way of thinking, political value and ideology, conducts comparative studies on political culture. Amid using the concept of political culture in western academic circles, it makes comprehensive supplement for this concept, and put forward an updated concept of political culture which is more localized. This new concept, on the grounds of the comparison with political system, takes political culture as the subjective side of political system and incorporates ideology into political culture, thus undoubtedly enriching our knowledge of political culture. On the basis of clarifying the concept of political culture and establishing the comparative dimension of it, this book widely refers to the outlooks of individuals, nations, society and power of political cognition; the modes of objectives, directions and methods of political ideas; democratic awareness, legal concept and system selection of political value; as well as liberalism and republicanism, etc. All these bring substantial benefits to promoting and deepening the comparative studies on political culture. This book can not only be used for the teaching undergraduate and graduates who major in Politics, but also used as the reference book for politics academic research.

In a world of ubiquitous surveillance, watching and being watched are the salient features of the lives depicted in many of our cultural productions. This collection examines surveillance as it is portrayed in art, literature, film and popular culture, and makes the connection between our sense of 'self' and what is 'seen'. In our post-panoptical world which purports to proffer freedom of movement, technology notes our movements and habits at every turn. Surveillance seeps out from businesses and power structures to blur the lines of security and confidentiality. This unsettling loss of privacy plays out in contemporary narratives, where the 'selves' we create are troubled by surveillance. This collection will appeal to scholars of media and cultural studies, contemporary literature, film and art and American studies.

This edited volume provides a long-overdue synthesis of the current directions in culture theory and represents some of the very best in ongoing research. Here, culture theory is rendered as a jigsaw puzzle: the book identifies where current research fits together, the as yet missing pieces, and the straight edges that frame the bigger picture. These framing ideas are two: Roy D'Andrade's concept of lifeworlds-adapted from phenomenology yet groundbreaking in its own right-and new thinking about internalization, a concept much used in anthropology but routinely left unpacked. At its heart, this book is an incisive, insightful collection of contributions which will surely guide and support those who seek to further the study of culture.

The explorations of 18th-century travellers to the "European frontiers" were often geared to define the cultural, political and historical boundaries of "European civilization". In an age when political revolutions shocked nations into reassessing what separated the civilized from the barbaric, how did literary travellers contemplate the characteristics of their continental neighbours? Focusing on the writings of British travellers, we see how a new view of Europe was created, one that juxtaposed the customs and living conditions of populations in an attempt to define "modern" Europe against a "yet unenlightened" Europe.

This anthology analyzes societal and cultural aspects of modern Japan. It identifies the dynamic trend and undercurrent in Japan by addressing three key areas: modernization, internationalization, and memory and imagination. Using interdisciplinary and multi-language approaches, it discusses topics such as religion, ethnicity, civil society, art, public health, popular culture, war, identity and education. It is a valuable resource for scholars and graduate students with an interest in cutting-edge research analyses of Japanese / Asian studies.

Based on a groundbreaking international conference held in Sydney, Australia, under the auspices of Artspace, this anthology explores the legacy and the future of multicultural discourses for the arts. Debates on art, culture, and theory are situated within the context of globalization. The issues arising from new hybrid and complex forms of cultural identity are examined with reference to both contemporary art practice and historical accounts of national identity. Contributors include Ricardo Dominguez, senior editor of "The Thing.Net, Coco Fusco, an interdisciplinary artist teaching at Columbia University; Sneja Gunew, professor of English and women's studies at the University of British Columbia; and Fazal Rizvi, a professor of education at the University of Illinois.

This book guides the reader through the many complications and contradictions that characterize popular contestation today, focusing on its socio-political, cultural, and aesthetic dimensions. The volume recognizes that the same media and creative strategies can be used to pursue very different causes, as the anti-gay marriage Manif Pour Tous movement in France makes clear. The contributors are scholars from the humanities and social sciences, who analyze protests in particular regions, including Egypt, Iran, Australia, France, Spain, Greece, and Hong Kong, and transnational protests such as the NSA-leaks and the mobilization of migrants and refugees. Not only the specificity of these protest movements is examined, but also their tendency to connect and influence each other, as well as the central, often ambiguous role global digital platforms play in this.