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Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies
Taiwanese society is in the midst of an immense, exciting effort to define itself, seeking to erect a contemporary identity upon the foundation of a highly distinctive history. This book provides a thorough overview of Taiwanese cultural life. The introduction familiarizes students and interested readers with the island's key geographical and demographic features, and provides a chronological summary of Taiwanese history. In the following chapters, Davison and Reed reveal the uniqueness of Taiwan, and do not present it simply as the laboratory of traditional Chinese culture that some anthropologists of the 1950s through the 1970s sought when mainland China was not accessible. The authors examine how religious devotion in Taiwan is different from China in that the selected deities are those most relevant to the needs of the Taiwanese people. Literature and art, particularly of the 20th century, reflect the Taiwanese quest for identity more than the grand Chinese tradition. The Taiwanese architecture, festivals and leisure activities, music and dance, cuisine and fashion, are also highlighted topics. The final chapter presents the most recent information regarding children and education, and explores the importance of the Taiwanese family in the context of meaningful relationships amongst acquaintances, friends, and institutions that make up the social universe of the Taiwanese. This text is a lively treatment of one of the world's most dynamic societies.
Extraordinary Popular Delusions and the Madness of Crowds is a history of popular folly by Charles Mackay. The book chronicles its targets in three parts: "National Delusions," "Peculiar Follies," and "Philosophical Delusions." Learn why intelligent people do amazingly stupid things when caught up in speculative edevorse. The subjects of Mackay's debunking include alchemy, beards (influence of politics and religion on), witch-hunts, crusades and duels. Present day writers on economics, such as Andrew Tobias, laud the three chapters on economic bubbles.
French regionalism has often been associated with the political right. Julian Wright's fresh analysis of regionalist political thought overturns that assumption. Jean Charles-Brun, a teacher and journalist whose eclectic connections have often puzzled historians, takes centre-stage. Through this intellectual biography, Wright unpacks regionalism's broad appeal and helps to explain the important role it plays in modern French politics.
Fred Beiser, renowned as one of the world's leading historians of German philosophy, presents a brilliant new study of Friedrich von Schiller (1759-1805), rehabilitating him as a philosopher worthy of serious attention. Beiser shows, in particular, that Schiller's engagement with Kant is far more subtle and rewarding than is often portrayed. Promising to be a landmark in the study of German thought, Schiller as Philosopher will be compulsory reading for any philosopher, historian, or literary scholar engaged with the key developments of this fertile period.
The geopolitical history of the Middle East in the twentieth century, which falls into three relatively distinct phases, is best understood when approached simultaneously from the global and the regional perspectives. The imperialist phase, which began in the nineteenth century and lasted until the end of World War II, was followed by the cold war between the Soviet Union and the West that continued to the beginning of the 1990s. The last phase, which began with the demise of the Soviet Union, is still taking shape. These stages may overlap and, in some instances, unfold simultaneously, developments within the region being shaped and constrained by extra-regional forces for extra-regional purposes. The sovereignty and independence of the states of the region has been limited in varying degrees by the wishes, needs, interests, and ambitions of the major powers. The geopolitical considerations have varied over time, being very different in the period between the world wars than in the period of intense East-West rivalry that followed, with the present post-cold war era being radically different from what preceded it. These changing geopolitical realities constitute the framework for this examination of the Middle East in the twentieth century, and the organizing principle for the selection of materials from the truly vast amount of information available. An important resource for scholars, students, and researchers involved with Middle Eastern history and international relations.
Cultural Politics in the 1790s examines the relationship between sentimental literature, political activism and the public sphere at the end of the eighteenth century. Drawing on critical theorists such as Habermas, Negt and Kluge, Marcuse and Foucault, it attempts to demonstrate how major literary and political figures of the 1790s can be read in terms of the broader dynamics of modernity. Reading a diverse range of political and literary material from the period, it examines how relationships between the aesthetic and the political, the private and the public, mark the emergence and consolidation of bourgeois behavioural norms and the simultaneous marginalization of potentially more radical forms of political and cultural production.
This provocative book reveals how Hollywood films reflect our deepest fears and anxieties as a country, often recording our political beliefs and cultural conditions while underscoring the darker side of the American way of life. Long before the war in Iraq and the economic crises of the early 21st century, Hollywood has depicted a grim view of life in the United States, one that belies the prosperity and abundance of the so-called American Dream. While the country emerged from World War II as a world power, collectively our sense of security had been threatened. The result is a cinematic body of work that has America's decline and ruin as a central theme. The author draws from popular films across all genres and six decades to illustrate how the political climate of the times influenced their creation. Projecting the End of the American Dream: Hollywood's Visions of U.S. Decline combines film history, social history, and political history to reveal important themes in the unfolding American narrative. Discussions focus on a wide variety of films, including Rambo, Planet of the Apes, and Easy Rider.
Winner of the 2007 Society for Cinema and Media Studies Katherine Singer Kovacs Book Award 2007 Choice Outstanding Academic Title A classic study on the dynamic between an individual and different media channels Convergence Culture maps a new territory: where old and new media intersect, where grassroots and corporate media collide, where the power of the media producer and the power of the consumer interact in unpredictable ways. Henry Jenkins, one of America's most respected media analysts, delves beneath the new media hype to uncover the important cultural transformations that are taking place as media converge. He takes us into the secret world of Survivor Spoilers, where avid internet users pool their knowledge to unearth the show's secrets before they are revealed on the air. He introduces us to young Harry Potter fans who are writing their own Hogwarts tales while executives at Warner Brothers struggle for control of their franchise. He shows us how The Matrix has pushed transmedia storytelling to new levels, creating a fictional world where consumers track down bits of the story across multiple media channels.Jenkins argues that struggles over convergence will redefine the face of American popular culture. Industry leaders see opportunities to direct content across many channels to increase revenue and broaden markets. At the same time, consumers envision a liberated public sphere, free of network controls, in a decentralized media environment. Sometimes corporate and grassroots efforts reinforce each other, creating closer, more rewarding relations between media producers and consumers. Sometimes these two forces are at war. Jenkins provides a riveting introduction to the world where every story gets told and every brand gets sold across multiple media platforms. He explains the cultural shift that is occurring as consumers fight for control across disparate channels, changing the way we do business, elect our leaders, and educate our children.
Ninety-nine years ago, a new form of storytelling emerged from the ruins of World War I. Different in scope and power from theater or literature, and unlike any film that had come before, F. W. Murnau's The Cabinet of Dr. Caligari addressed a direct challenge to its audience, demanding to be viewed as something other than what was immediately presented. Unfortunately, criticism has not risen to the challenge. Relegating the film condescendingly to the horror genre, or treating it merely as a case study in style, critics have failed to look at it with due seriousness. On the other hand, the film's ambiguity, structural devices, and psychological depth gave cinema a number of tools that other filmmakers were quick to start using. This book examines a spectrum of narrative films that can be seen in new ways with methods derived and evolved from the techniques of Caligari. The intention is not only to offer new interpretations of classic and neglected films, but to open further discussion and exploration. It is written with optimism that movie lovers will see more in the movies they love, that critics will find new paths of investigation, and that filmmakers will benefit from greater awareness of what movies can do. Secrets of Cinema began in 1994, in discussions among friends after weekly movie nights hosted by the late Lawrence N. Fox on the 73rd floor of the John Hancock Center in Chicago. The movies selected are not necessarily the greatest ever made (although some of them surely are), but rather movies that offer new and useful lessons in how movies work. Among the secrets of cinema revealed in this book are at least three movies that are stealth remakes of The Wizard of Oz, hidden meanings behind films made under political repression, and why Hitchcock's Psycho is a remake of his Vertigo. Persistent enigmas are clarified, including the logic of Persona, the riddle of Last Year at Marienbad, and the endings of Blow-Up and The Shining. More importantly, by showing how much there is to discover in movies, the book encourages its readers to continue in their own ways the quest to see movies whole.
Designed for both academic and lay audiences, this book identifies the characteristics of ritual and, via multiple examples, details how ritual works on the human body and brain to produce its often profound effects. These include enhancing courage, effecting healing, and generating group cohesion by enacting cultural-or individual-beliefs and values. It also shows what happens when ritual fails.
The beleaguered Joad family of Steinbeck's Grapes of Wrath struggled in an era of disappointed dreams and empty pockets. But how might the grandchildren of that Dust Bowl generation fare in today's more promising times? In this boisterously inventive book Alvin Kernan sends various descendants of the original Joad family on a post-modern journey out of California and into the excesses of American culture at the beginning of the twenty-first century. The experiences of today's Joads are as hilarious as they are discomfiting: they encounter in Kernan's America a world of democracy gone haywire and social institutions in perplexing disarray. In ten satiric episodes, Kernan visits virtually every important American institution -- the family, education, religion, art, the military, law courts, sex, science and medicine, politics, and not least television and its advertisements. Unsparing with his barbs, he reveals both the fools and the knaves among us. Kernan's modern-day Joads find themselves in a distorted world where a surplus of democracy not only fails to free its inhabitants but also makes them vulnerable to the machinations of greedy and unscrupulous exploiters. Echoing the voices of such other provocative wits as Evelyn Waugh and Tom Wolfe, Kernan will make you laugh at the absurdity of American culture and -- in all likelihood -- at yourself.
The influential readings contained in this volume combine conceptual history - the history of words and languages - and global history, showing clearly how the two disciplines can benefit from a combined approach. The readings familiarize the reader with conceptual history and its relationship with global history, looking at transfers between nations and languages as well as the ways in which world-views are created and transported through language. Part One: Classical Texts presents the three foundational texts for conceptual history, giving the reader a grasp of the origins of the discipline. Part Two: Challenges focuses on critiques of the approach and explores their ongoing relevance today. Part Three: Translations of Concepts provides examples of conceptual history in practice, via case studies of historical research with a global scope. Finally, the book's concluding essay examines the current state and the future potential of conceptual history. This original introduction provides the students of conceptual, global and intellectual history with a firm grasp of the past trajectories of conceptual history as well as its more recent global and transnational tendencies, and the promises and challenges of writing global history.
Using a three-part structure focused on the major historical subjects of the Inquisition, the Reformation and witchcraft, Christopher Kissane examines the relationship between food and religion in early modern Europe. Food, Religion and Communities in Early Modern Europe employs three key case studies in Castile, Zurich and Shetland to explore what food can reveal about the wider social and cultural history of early modern communities undergoing religious upheaval. Issues of identity, gender, cultural symbolism and community relations are analysed in a number of different contexts. The book also surveys the place of food in history and argues the need for historians not only to think more about food, but also with food in order to gain novel insights into historical issues. This is an important study for food historians and anyone seeking to understand the significant issues and events in early modern Europe from a fresh perspective.
Decades of Western Cold War propaganda were designed to depict socialism as inimical to genuine aesthetic acheivement. Now, in the wake of the Cold War, it is becoming possible to reassess the past and present cultural productions of artists with socialist inclinations. The essays in this volume begin such a reassessment, finding that socialist cultural production in the 20th century, both as the official culture of the socialist East and as an oppositional culture in the capitalist West, has been rich and varied. The volume focuses on socialist culture in the industrialized world, primarily Eastern Europe and the West. An introductory essay overviews socialist cultural productions of the 20th century, while the chapters that follow address a wide range of topics. These include Soviet socialist realist fiction and film musicals, the socialist drama of Bertolt Brecht, and British and American leftist fiction. The volume demonstrates that propagandistic Cold War depictions of socialism as a threat to artistic expression were inaccurate and misleading.
Urban agriculture is increasingly considered an important part of creating just and sustainable cities. Yet the benefits that many people attribute to urban agriculture-fresh food, green space, educational opportunities-can mask structural inequities,thereby making political transformation harder to achieve. Realizing social and environmental justice requires moving beyond food production to address deeper issues such as structural racism, gender inequity, and economic disparities. Beyond the Kale argues that urban agricultural projects focused explicitly on dismantling oppressive systems have the greatest potential to achieve substantive social change. Through in-depth interviews and public forums with some of New York City's most prominent urban agriculture activists and supporters, Kristin Reynolds and Nevin Cohen illustrate how some urban farmers and gardeners not only grow healthy food for their communities but also use their activities and spaces to disrupt the dynamics of power and privilege that perpetuate inequity. Addressing a significant gap in the urban agriculture literature, Beyond the Kale prioritizes the voices of people of colour and women-activists and leaders whose strategies have often been underrepresented within the urban agriculture movement-and it examines the roles of scholarship in advancing social justice initiatives.
This study of disputes and their settlement in twelfth-century Tuscany is more than just legal history. Studded with colourful contemporary narratives, the book explores the mindsets of medieval Italians, and examines the legal framework which structured their society. Chris Wickham uncovers the interrelationships and collisions between different legal systems, and in doing so provides a new understanding of mentalities and power in the Italian city-state.
During the Cold War, the West typically represented socialism as a threat to genuine aesthetic achievement. Nonetheless, socialist cultures have produced a rich and varied body of creative works, and socialism continues to be a living force in China and in many regions of the Third World. The essays in this volume begin to reassess the legacy of socialist cultural production in such areas of the world, which were outside the specific scope of influence of either the United States or the Soviet Union during the Cold War era. The contributors give special attention to the strong anticolonial legacy of socialism and the important role played by socialism in subsequent attempts to build viable postcolonial cultural identities. Included are chapters on creative works from China, Africa, and the Caribbean, as well as the works of multicultural artists from the United States who stand in relation to Third World cultures. The essays show that global socialist cultural production was rich and varied during the twentieth century and continues to be so, despite the tribulations experienced by socialism itself. While some of the chapters address theoretical concerns central to all socialist cultures, the volume focuses primarily on socialist cultures in those parts of the globe that were never fully inside either the Soviet or the American bloc.
Recent research has established the continued importance of engagement with the classical tradition to the formation of scholarly, philosophical, theological, and scientific knowledge well into the eighteenth century. The Worlds of Knowledge and the Classical Tradition in the Early Modern Age is the first attempt to adopt a comparative approach to this phenomenon. An international team of scholars explores the differences and similarities - across time and place - in how the study and use of ancient texts and ideas shaped a wide range of fields: nascent classics, sexuality, chronology, metrology, the study of the soul, medicine, the history of Judaeo-Christian interaction, and biblical criticism. By adopting a comparative approach, this volume brings out some of the most important factors in explaining the contours of early modern intellectual life. Contributors: Karen Hollewand, Dmitri Levitin, Jan Machielsen, Ian Maclean, C. Philipp E. Nothaft, Cesare Pastorino, Michelle Pfeffer, Jetze Touber, Timothy Twining, and Floris Verhaart.
A comprehensive bibliographic survey of the West Indian presence in the United States, this book covers over 500 articles, books, and other studies on the West Indian immigrant experience. The primary goal is to cite titles examining both the impact of the immigration experience on West Indians and the way West Indians have changed the nature of many communities in the United States. The work outlines the long history in the United States economic life, education, ethnicity and race relations, family relationships, health care, patterns of immigration and settlement, and political expression. Drawing on books, scholarly journal articles, dissertations, research reports, and significant articles from general interest magazines and newspapers, the book's goal is to lead interested students to material that examines how the United States does and does not meet the hopes and dreams of Caribbean immigrants of African descent. Providing bibliographic leads for exploring new avenues of research on West Indian Americans, the book will be especially valuable for those seeking to expand their knowledge base on this major component of our country's urban landscape.
This insightful volume explores the experiences of ethnic migrants returning to Hong Kong, Singapore, and Israel. Return migrants who were exposed to the western culture and society undergo personal transformations that significantly impact their views on values such as gender, individualism, democracy, tradition, and individual autonomy. To evaluate how well these individuals are able to reintegrate back into their native countries, the authors conducted a thorough comparative study between returnees in the three research sites through in-depth interviews, ethnographic fieldwork, and analyses of government policies. Among the topics discussed: Family as a strategic middle ground between the individual and society The social psychology of coping and adaptation Public, outer historical, and macro forces that shape returnees' experiences Comparisons and contrasts between two primarily Chinese societies, along with one racially and culturally different Western society Cost-and-benefit analyses of decision-making in migration Return Migrants in Hong Kong, Singapore, and Israel is a compelling new perspective on the migrant experience drawn from in-depth research on returnees across three countries and a variety of circumstances. |
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