In contrast to the dispersion of slaves across the Atlantic, African movement to Asia has received scant attention. However, Britain's commemoration in 2007 of the bicentennial of its abolishing the trans-Atlantic slave trade has now stimulated interest in other African migrations.In a book that encompasses the strong military impact made by even first-generation African migrants in Asia, as well as the descendants of the royal Africans who governed Sachin and Janjira (India), Shihan de Silva Jayasuriya further demonstrates that African music and dance have not only survived the brutalities of forced migration but have also contributed to the local Middle Eastern and South Asian arts scene. Combining historical accounts, both documented and oral, this groundbreaking work explores - through case studies, and through the processes of assimilation, social mobility, and marginalization - the silent history and conflicting identity of Asia's Africans.

This guide helps readers to engage with the major critical debates surrounding literary modernism.
A judicious selection of key critical works on literary modernism
Presents a critical history from the earliest reviews to the most recent theoretical assessments
Shows how modernist writers understood and constructed modernism.
Shows how succeeding generations have developed those constructions and brought new interpretations to bear on the subject
Discusses how modernism relates to modernity and odernization, and to other literary and cultural movements
Texts have been selected for their relevance to the questions surrounding modernism, and for their accessibility to readers with a limited knowledge of the modernist canon
Includes a glossary and an annotated bibliography.

Inheritance and Originality is an innovative study of Wittgenstein, Heidegger, and Kierkegaard which argues that they find themselves unable simply to inherit the prevailing conventions definitive of philosophy. By placing these conventions in question, they reconceive the form of philosophical writing, and of philosophy itself, together with prevailing notions of language, scepticism, morality, and the self; and in so doing, they confront certain fundamentally theological preoccupations.

This book explores the emerging concept of cultural DNA, considering its application across different fields and examining commonalities in approach. It approaches the subject from four different perspectives, in which the topics include theories, analysis and synthesis of cultural DNA artefacts. After an opening section which reviews theoretical work on cultural DNA research, the second section discusses analysis & synthesis of cultural DNA at the urban scale. Section three covers analysis & synthesis of cultural DNA artefacts, and the final section offers approaches to grammar-based cultural DNA research. The book places emphasis on two specific axes: one is the scale of the object under discussion, which ranges from the small (handheld artefacts) to the very large (cities); and the other is the methodology used from analysis to synthesis. This diverse approach with detailed information about grammar-based methodologies toward cultural DNA makes the book unique. This book will serve as a source of inspiration for designers and researchers trying to find the essence, archetype, and the building blocks of our environment for the incorporation of social and cultural factors into their designs.

This volume asks how the current Information Technology Revolution influences archaeological interpretations of techno-social change. Does cyber-archaeology provide a way to breathe new life into grand narratives of technological revolution and culture change, or does it further challenge these high-level theoretical explanations? Do digital recording methods have the potential to create large, regional-scale databases to ease investigation of high-level theoretical issues, or have they simply exposed deeper issues of archaeological practice that prevent this? In short, this volume cuts beyond platitudes about the revolutionary potential of the Information Technology Revolution and instead critically engages both its possibilities and limitations. The contributions to this volume are drawn from long-term regional studies employing a cyber-archaeology framework, primarily in the southern Levant, a region with rich archaeological data sets spanning the Paleolithic to the present day. As such, contributors are uniquely placed to comment on the interface between digital methods and grand narratives of long-term techno-social change. Cyber-Archaeology and Grand Narratives provides a much-needed challenge to current approaches, and a first step toward integrating innovative digital methods with archaeological theory.

Gervase of Tilbury's Otia Imperialia was written in the early thirteenth century for his patron, the Holy Roman Emperor Otto IV. This is the first English translation of this major medieval text which is both learned and entertaining, full of scientific and theological speculation and a wealth of accounts of folklore and popular belief.

The public image of genetics research has undergone a remarkable transformation since the 1950s, from a suspect brand of research tainted by eugenics to a thriving, well-funded, and "popular" field of biomedicine. Still, despite enormous scientific advances in DNA technology and its ability to sustain large areas of the science industry, social, legal, and popular opinion about genetics remains highly ambivalent.

In Imagenation, historian of science Jose Van Dijck examines the role of images and imagination in popular representations fo the new genetics since the late 1950s. Taking us through a vast range of media--from general interest magazines to science fiction to public relations materials--he demonstrates how popular representations of genetics do not simply reflect the advancement of genetic technology. Instead, cultural accounts of genetics are taking on an important role in the very structure of scientific thinking, with many groups--environmentalists, feminists, entrepreneurs--influencing this process.

From news stories of DNA strings escaping from our laboratories to the ongoing debates over bioethics, from James Watson and "The Double Helix" to the Human Genome Project, Van Dijck Portrays the "imaginary" tools of genetics as players in a theater of representation--a multilayered contest in which special interest groups and professional organizations mobilize images in a heated debate over the meaning of genetics. Compelling and insightful, Imagenation unravels this phenomenon, revealing how ideology shapes the cultural forms through which we make sense of scientific progress.

The Americas have always been fertile grounds for millenarian movements, which found their expression through the spirit of revolutionaries and the practical aspirations of the founding fathers. More recently, millenarian themes have also marked the political fringe in spectacular and often violent ways. These eleven original essays, authored by established scholars in the field, explore the ways in which millenarianism pervades late twentieth century life, explain how ancient ways of millenarian thinking affect modern thinking, examine the theoretical roots of millenarianism, and detail a number of millenarian movements. Filling an important gap in the existing literature, the essays provide a thorough analysis of the phenomenon of modern millenarianism, focusing on the Americas and on modern controversial movements. This unique and important volume will facilitate analysis and comparison of the various aspects of millenarianism in the Americas.

The first section is comprised of essays that examine the meaning of millennial ideas, and why and how millennial themes can be found across history, from Robespierre's ideas to "The X-FileS." The second section of the book contains essays that focus on specific millennial movements. These essays explore and reflect the wide range of millenarianism in the modern Americas, from Black and White supremacist movements to American fundamentalists, and from the UFO subculture to Catholic sects. This unique collection of essays clearly and carefully explores the millennial urge, the theory and practice of millenarianism, and its expression in the Americas.

aBlending cinematic, literary, historical, and political analyses, Watching Rape demonstrates that filmic representations of rape are never only about gender and sexual violence, but are narrative devices that also attempt to regulate such conflicts and boundaries of power as race, nationality, and social class. Projansky makes good on her bold claim that representations of rape are ubiquitous, versatile, and utterly central to the history of cinema itself. A scholarly tour de force, a feminist triumph. Two thumbs up!a
--Judith Stacey, University of Southern California

aExciting and original. Sarah Projanskyas work on rape and postfeminism is an important contribution to scholarship in film and cultural studies, as well as womenas studies.a
--Richard Slotkin, author of "Gunfighter Nation"

a"Watching Rape" is a compelling account of the role of the rape in making meaning and re-inscribing inequalities within visual media, and as such it is a necessary and valuable research contribution. a
--Leslie Kern, School of Womenas Studies, York University

aSarah Projanskyas work is distinctive for its theoretical clarity and interdisciplinary feminist framework. She urges us to think deeply about the ways in which media shape our understandings of sexual violence. Watching Rape is a powerful, historically grounded, incisive analysis of the representation of sexual violence.a
--Rosa Linda Fregoso, University of California-Santa Cruz

Looking at popular culture from 1980 to the present, feminism appears to be "over": that is, according to popular critics we are in an era of "postfeminism" in which feminism has supposedly already achieved equality for women.

Not so, saysSarah Projansky. In Watching Rape, Projansky undermines this complacent view in her fascinating and thorough analysis of depictions of rape in U.S. film, television, and independent video. Through a cultural studies analysis of such films as Thelma and Louise, Daughters of the Dust, and She's Gotta Have It, and television shows like ER, Ally McBeal, Beverly Hills 90210, and various made-for-tv movies, Projansky challenges us to see popular culture as a part of our everyday lives and practices, and to view that culture critically. How have media defined rape and feminism differently over time? How do popular narratives about rape also communicate ideas about gender, race, class, nationality, and sexuality? And, what is the future of feminist politics, theory, and criticism with regard to issues of sexual violence, postfeminism, and popular media?

The first study to address the relationship between rape and postfeminism, and one of the most detailed and thorough analyses of rape in 25 years, Watching Rape is a crucial contribution to contemporary feminism.

Take the Cannoli is a moving and wickedly funny collection of personal stories stretching across the immense landscape of the American scene. Vowell tackles subjects such as identity, politics, religion, art, and history with a biting humor. She searches the streets of Hoboken for traces of the town's favorite son, Frank Sinatra. She goes under cover of heavy makeup in an investigation of goth culture, blasts cannonballs into a hillside on a father-daughter outing, and maps her family's haunted history on a road trip down the Trail of Tears. Vowell has an irresistible voice -- caustic and sympathetic, insightful and double-edged -- that has attracted a loyal following for her magazine writing and radio monologues on This American Life.

""Class Issues" reminds us that university intellectuals work in knowledge factories; that the factories produce engines of dominance; and that, therfore, sabotage has to be the order of the day. The essays state their cases with elegance, with thoroughness, and with economical precision. No one interested in addressing his or her mite of effort to transforming the world can afford to ingore this book."
--Wahneema Lubiano
Duke University

The university classroom has been turned into an intensely bitter battlefield. Conservatives are attacking the academy's ability to teach, and at times its very right to educate. As the dust begins to settle, the contributors to this volume weigh in with a constructive and wide-ranging statement on the progressive possibilities of teaching. This is, in many ways, a book for the morning after the PC Wars, when the shouting dies down and the imperatives of pedagogy remain.

Asserting a complex, inter-related agenda for teachers and students, "Class Issues" is an anthology of essays on radical teaching. Leading scholars of literary and cultural studies, queer studies, ethnic studies and working-class literature examine the challenges that confront progressive pedagogy, as well as the histories that lie behind the achievements of cultural studies. "Class Issues" offers a plan for the construction of an alternative public sphere in the rapidly changing space of the classroom in the academy.

"Class Issues" is a compilation of important new work on the tradition of radical teaching as well as forceful suggestions for the mobilization of radical consciousness.
Contributers:
Goerge Lipsitz, Bruce Robbins, Maria Damon, John Mowitt, DonaldK. Hedrick, Neil larsen, Gayatri Chakravorty Spivak, Peter Hitchcock, Alan Wald, Mike Hill, Ronald Strickland, Henry A. Giroux, Rachel Buff, Jason Loviglio, Carol Stabile, Timothy Brennan, Jeffrey R. di Leo, Christian Moraru, Vijay Prashad, Judith halberstam, Gregory L. Ulmer, John P. Leavey, Jr., Jeffrey Williams.

View the Table of Contents.
Read the Introduction.

"Way and Judy Chu have put together an excellent book on explorations into the lives of adolescent boys. The essays are rich in diversity, not only in the populations of boys studied, but also in research methodology and theoretical perspective."--"Choice"

"Empirical research on the lives and behavior of adolescent boys from a variety of ethnic and class backgrounds."
--"The Chronicle"

"The volume explores the experiences of boys who have been excluded from previous developmental research and also challenges the existing stereotypes about boys."
--"NYU Today"

"Brings together a coherent and consistent body of literature on a topic that is often relegated to a single chapter or afterthought in similar books and edited volumes...."Adolescent Boys" challenges the limited and often skewed male images perpetuated by the media, superordinant male groupings, and Western men by giving voice to adolexcent boys growing up in diverse cultures of boyhood."
--"Harvard Educational Review"

A flurry of best-selling works has recently urged us to rescue and protect boys. They have described how boys are failing at school, acting out, or shutting down emotionally. Lost in much of the ensuing public conversation are the boys themselves--the texture of their lives and the ways in which they resist stereotypical representations of them.

Most of this work on boys is based primarily on middle class, white boys. Yet boys from poor and working class families as well as those from African American, Latino, and Asian American backgrounds need to be understood in their own terms and not just as a contrast to white or middle classboys. Adolescent Boys brings together the most up-to-date empirical research focused on understanding the development of boys from diverse racial, ethnic, and socioeconomic backgrounds.

The authors show how the contexts of boys' lives, such as the schools they attend shape their identities and relationships. The research in this book will help professionals and parents understand the diversity and richness of boys' experiences.

In this broad condemnation of multiculturalism, the author works to uncover pernicious errors in the arguments of diversity's proponents and to sound a warning against the dire consequences for American culture if the tenets of political correctness are incorporated into our social structure. Schmidt begins by exposing multiculturalism, not as a movement aimed at expanding democratic ideals, but rather as a crypto-Marxist political ideology that seeks to import Marxist concepts into social and cultural institutions. Subsequent chapters then illuminate a number of dismaying trends: a tendency toward historical revisionism in multiculturalist arguments, the sly linguistic maneuvering and limits on speech that characterize political correctness, and the dismantling of the traditional image of the family unit-the primary building block of American society. Schmidt concludes with a rousing admonition to expel from our midst the latter-day Trojan horse that is multiculturalism. Casting a troubled glance over the list of social ills plaguing America today-besieged inner cities, divisive racial politics, diminishing educational standards, and rampant divorce and illegitimacy-we have cause to wonder whether the advocates of multiculturalism represent the solution or the source of the problem. In this rousing condemnation of the multiculturalist agenda, the author fixes an unflinching critical gaze on the subtle deceptions and wrongheaded conclusions at work in the arguments for cultural pluralism, moral relativism, and political correctness. An exhaustive and damning account of multiculturalism's wages and a compelling argument for the importance of traditional American values make this book essential reading for anyone concerned about our country's present plight and future prospects.

In Private Affairs, Phillip Brian Harper explores the social and cultural significance of the private, proposing that, far from a universal right, privacy is limited by one's racial-and sexual-minority status. Ranging across cinema, literature, sculpture, and lived encounters-from Rodin's "The Kiss "to Jenny Livingston's "Paris is Burning"-Private Affairs demonstrates how the very concept of privacy creates personal and sociopolitical hierarchies in contemporary America.

In this study of fandom at its most intense, Will Brooker examines the "Star Wars" phenomenon from the audience's perspective, and discovers that the saga exerts a powerful influence over the social, cultural and spiritual lives of those drawn into its myth. From a Boba Fett-loving police officer in Indiana to the webmistress of the "Star Wars chicks" site; from an 11-year-old boy in south London to a Baptist Church in South Carolina; from the director of "George Lucas in Love" to the custodians of the Jedi Hurtaholics Archive - Brooker unearths a seemingly endless array of fans who use and interpret the saga in a number of creative ways This book explores what it means to be a fan, examining the role of gender and generation in creating sub-communities within the larger group of Star Wars devotees. It discusses the films and stories created by thousands of fans around the world, and asks whether this apparently unstoppable creativity can be controlled by an organization that has - completely unintentionally - positioned itself in the role of the Empire and turned loyal fans into Rebels. Ultimately, the book serves as a testament to the extraordinary power of the "Star Wars" films

Multiplying Worlds argues that modern forms of virtual reality first appear in the urban/commercial milieu of London in the late eighteenth- and early nineteenth-century (1780-1830). It develops a revisionary account of relations between romanticism and popular entertainments, 'high' and 'low' literature, and verbal and visual virtual realities during this period. The argument is divided into three parts. The first, 'From the Actual to the Virtual', focuses on developments during the period from 1780 to 1795, as represented by Robert Barker's Panorama, Jeremy Bentham's Panopticon, and James Graham's Temple of Health and Hymen. The second part, 'From Representation to Poiesis', extends the study of late eighteenth- and early nineteenth-century virtual realities to include textual media. It considers the relation between textual and visual virtual-realities, while also introducing the Palace of Pandemonium and Satan/Prometheus as key figures in late eighteenth-century explorations of the implications of virtual reality. There are chapters on Ann Radcliffe's The Mysteries of Udolpho, Beckford's Fonthill Abbey, the Phantasmagoria, and Romantic representations of Satan. The book's third part, 'Actuvirtuality and Virtuactuality', provides an introduction to the Romantics' remarkably diverse (and to this point rarely studied) engagements with the virtual. It focuses on attempts to describe or indirectly present the cultural, material, or psychological apparatuses that project the perceptual world; reflections on the epistemological, ethical and political paradoxes that arise in a world of actuvirtuality and virtuactuality; and experiments in the construction of virtual worlds that, like those of Shakespeare (according to Coleridge) are not bound by 'the iron compulsion of [everyday] space and time'.

This book offers the first comparative discussion of variation in selected areas of structure in the dialects of Kurdish. The contributions draw on data collected as part of the project on Structural and Typological Variation in Kurdish and stored in the Manchester Database of Kurdish Dialects online resource, as well as on additional data sources. The chapters address issues in lexicon, phonology, and morpho-syntax including nominal case, tense and aspect categories, pronominal clitics, adpositions, word order (with special reference to post-predicate constituents) and connectivity and complex clauses. The materials that inform the analysis consist of a systematic questionnaire-based elicitation covering key features of variation in lexicon and morpho-syntax, and an accompanying corpus of free speech recordings, collected in over 120 locations across the Kurdish-speaking regions in Turkey, Syria, Iraq and Iran and covering mainly the dialects of Northern and Central Kurdish (Kurmani-Bahdini and Sorani), with some consideration of Southern Kurdish. The book will be of interest to students and scholars in fields such as linguistics, linguistic typology, Iranian linguistics and linguistics of the Middle East, and dialectology.

Since Toy Story, its first feature in 1995, Pixar Animation Studios has produced a string of commercial and critical successes including Monsters, Inc.; WALL-E; Finding Nemo; The Incredibles; Cars; and Up. In nearly all of these films, male characters are prominently featured, usually as protagonists. Despite obvious surface differences, these figures often follow similar narratives toward domestic fulfillment and civic engagement. However, these characters are also hypermasculine types whose paths lead to postmodern social roles more revelatory of the current "crisis" that sociologists and others have noted in boy culture. In Pixar's Boy Stories: Masculinity in a Postmodern Age, Shannon R. Wooden and Ken Gillam examine how boys become men and how men measure up in films produced by the animation giant. Offering counterintuitive readings of boy culture, this book describes how the films quietly but forcefully reiterate traditional masculine norms in terms of what they praise and what they condemn. Whether toys or ants, monsters or cars, Pixar's males succeed or fail according to the "boy code," the relentlessly policed gender standards rampant in American boyhood. Structured thematically around major issues in contemporary boy culture, the book discusses conformity, hypermasculinity, social hierarchies, disability, bullying, and an implicit critique of postmodern parenting. Unprecedented in its focus on Pixar and boys in its films, this book offers a valuable perspective to current conversations about gender and cinema. Providing a critical discourse about masculine roles in animated features, Pixar's Boy Stories will be of interest to scholars of film, media, and gender studies and to parents.

Complete ready reference covering Chinese history, economics, politics, culture, and prevalent social problems ... a "must-have" addition to any global studies collection. Throughout its imperial golden ages, China was the world's most developed nation, home to advanced technologies, a robust economy, and thriving cities. Its thousands of years of cultural and artistic achievements combined with its vastness and ethnic complexity have made China both fascinating and forbidding for those encountering it for the first time. This new volume offers readers a concise, single-stop introduction to Chinese history, culture, economics, politics, and social issues. As they trace China's history from the creation stories of ancient Chinese myths to the Communist upheaval of the 20th century, readers will learn how the country has changed-and not changed-from early to modern times, and what life throughout China is like today. Chronology of key historical developments, which details the most important people, places, and events A directory of business, cultural, government, and tourist organizations to help facilitate further research and study

The Carolina, Mariana and Marshall Islands have experienced world war, atomic weapons testing and varying brands of colonialism in the 20th century. Following the seizure of the islands from Japan, agencies of the US government sought to better possess and control the area through a series of developmental initiatives. Interdisciplinary in its approach, this text goes beyond the liberal discourse surrounding modernity to examine what economic development actually entailed. It explores in ethnographic terms how different groups of island people responded to development programmes in multiple, complex, layered and sometimes conflicting ways that reflected their own historical experiences and cultural understandings.

Red Hot Chili Peppers, Goo Goo Dolls, Nirvana, Green Day, Mariah Carey, Notorious B.I.G., Billy Ray Cyrus, Backstreet Boys... the list goes on. Meet all the 1990s' essential musical artists in one insightful volume. During the 1990s, musical genres became more commercialized than ever-and that was just one of the many changes that characterized the decade. Music of the 1990s offers a detailed and wide-ranging view of the important music of the '90s, identifying the artists and the important compositions-popular, classical, and jazz-that helped shape the period. The book focuses on key artists in specific genres in popular music, including pop, hard rock/heavy metal, rock, and country. Specialized genres are examined as well, in a chapter that discusses prominent artists and composers in musical theater, jazz, popular Christian music, and classical music. Among other topics, the book looks at the growth of urban-based rap and other popular music in the context of the rise of music television. Hard rock and heavy metal are also examined within the music video idiom. New trends in mainstream rock and country music are explored as well. Photographs A bibliography of sources on top musical trends in the 1990s

'German militarism' has long been understood to be a central element of German society. Considering the role of militarism, this book investigates how conscription has contributed to instilling a strong sense of military commitment amongst the German public.A Nation in Barracks tells the story of how military-civil relations have evolved in Germany during the last two hundred years. Focusing on the introduction and development of military conscription, the author looks at its relationship to state citizenship, nation building, gender formation and the concept of violence. She begins with the early nineteenth century, when conscription was first used in Prussia and initially met with harsh criticism from all aspects of society, and continues through to the two Germanies of the post-1949 period. The book covers the Prussian model used during World War I, the Weimar Republic when no conscription was enforced and the mass military mobilization of the Third Reich.Throughout this comprehensive account, acclaimed historian Ute Frevert examines how civil society deals with institutionalized violence and how this affects models of citizenship and gender relations.

An Unabridged Printing, With Bibliography And A Comprehensive Index. Chapters Include: The Meaning Of Probability - Probability In Relation To The Theory Of Knowledge - The Measurement Of Probabilities - The Principle Of Indifference - Other Methods Of Determining Probabilities - The Weight Of Arguments - Historical Retrospect - The Frequency Theory Of Probability - The Theory Of Groups, With Special Reference To Logical Consistence, Inference, And Logical Priority - The Definitions And Axioms Of Inference And Probability - The Fundamental Theorems Of Necessary Inference - The Fundamental Theorems Of Probable Inference - Numerical Measurement And Approximation Of Probabilities - Some Problems In Inverse Probability, Including Averages - The Nature Of Argument By Analogy - The Value Of Multiplication Of Instances, Or Pure Induction - Some Historical Notes On Induction - The Meanings Of Objective Chance, And Of Randomness - Some Problems Arising Out Of The Discussion Of Chance - The Application Of Probability To Conduct - The Nature Of Statistical Inference - The Law Of Great Numbers - The Theorems Of Bernoulli, Poisson, And Tchebycheff - Etc., Etc.

In the struggle for democratic reform, and in its ideals of liberty, equality, and fraternity, the French Revolution represented a broad humanistic spirit that swept across Europe at the close of the 18th century. The Revolution fostered one of the largest and broadest debates in literary and cultural history, a war of ideas that encompassed philosophy, theories of history, the study of language, and the history of art. This debate is reflected in a large body of literature that extends well into the 19th century. The debate in England was particularly strong, and in 1789, the London Corresponding Society remarked that the French Revolution was the topic to which all thinking minds were drawn. During the 20th century, scholars have given much attention to the link between the Revolution and Romanticism.

Within this volume, expert contributors examine the centrality of the French Revolution to English culture in the 18th and 19th centuries. The book offers a sweeping exploration of the diverse effects of the Revolution in verbal and visual art, poetry and prose, history and fiction, politics and religion, and philosophy and language theory. Among the figures discussed are Edmund Burke, William Blake, William Wordsworth, and Thomas Carlyle. By analyzing a broad range of writers and artists who shaped and were shaped by the French Revolution, the volume dramatizes the scope and diversity of the debate, thus offering an interdisciplinary analysis of the debate as a whole and an emphasis on the extent to which all thinking minds were drawn to the topic.