Water scarcity is the next big climate crisis. Water stress - not just scarcity, but also water-quality issues caused by pollution - is already driving the first waves of climate refugees. Rivers are drying out before they meet the oceans and ancient lakes are disappearing. It's increasingly clear that human mismanagement of water is dangerously unsustainable, for both ecological and human survival. And yet in recent years some key countries have been quietly and very successfully addressing water stress. How are Singapore and Israel, for example - both severely water-stressed countries - not in the same predicament as Chennai or California? In The Last Drop, award-winning environmental journalist Tim Smedley meets experts, victims, activists and pioneers to find out how we can mend the water table that our survival depends upon. He offers a fascinating, universally relevant account of the environmental and human factors that have led us to this point, and suggests practical ways to address the crisis, before it's too late.

The last major interview with John Lennon and Yoko Ono, conducted by New York Times bestselling author David Sheff, featuring a new introduction that reflects on the fortieth anniversary of Lennon's death.

Originally published in Playboy in 1981 just after John Lennon's assassination, All We Are Saying is a rich, vivid, complete interview with Lennon and Yoko Ono, covering art, creativity, the music business, childhood beginnings, privacy, how the Beatles broke up, how Lennon and McCartney collaborated (or didn't) on songs, parenthood, money, feminism, religion, and insecurity. Of course, at the heart of the conversation is the deep romantic and spiritual bond between Lennon and Ono.

Sheff's insightful questions set the tone for Lennon's responses and his presence sets the scene, as he goes through the kitchen door of Lennon and Yoko's apartment in the Dakota and observes moments at Lennon's famous white piano and the rock star's work at the stove, making them grilled cheese sandwiches. Sheff's new introduction looks at his forty-year-old interview afresh, and examines how what he learned from Lennon has resonated with him as a man and a parent. This is a knockout interview: unguarded, wide-ranging, alternately frisky and intense.

Holding a mirror up to Wales' cultural life, this collection of 60 obituaries celebrates this unique writing form, as well as providing a broad context to place and analyze the subjects of the obituaries themselves. Writers, historians, artists, broadcasters, political activists, cultural mandarins, educationalists, and cranks are all included in this exploration.

Baltimore native Henry Louis Mencken (1880-1956) was an essayist, literary critic, magazine editor, novelist, and journalist. Starting as a reporter for the Baltimore Morning Herald at the turn of the century, Mencken eventually became associated with the Baltimore Sun and his work for the newspaper spanned five decades. In H.L. Mencken: An Annotated Bibliography, S.T. Joshi provides the most exhaustive and comprehensive bibliography of the writings of H. L. Mencken ever assembled. It presents detailed information on his book publications from 1903 to the present, with a full list of editions and reprints. Most significantly, it presents for the first time a comprehensive annotated listing of his magazine and newspaper work (including more than 1,500 anonymous editorials for the Baltimore Sun, Baltimore Evening Sun, and other papers, which have never been listed in any previous bibliographies), a thorough index to his book reviews, and a full list of interviews Mencken gave during his lifetime. Word counts of nearly every item in the bibliography have been supplied, and the book has been thoroughly indexed by name, title, and periodical. Because every item has been annotated, scholars and students can, for the first time, gain an idea of the subject-matter of all Mencken's writings, especially his magazine and newspaper work. The indexes will allow users to locate any given item with ease. The chronological arrangement of each section allows users to understand the growth and development of Mencken's work, making this volume an invaluable resource.

A classic collection of the New Yorker's most urgent and groundbreaking reporting from the front lines of the climate emergency In 1989, just one year after climatologist James Hansen first came before a Senate committee and testified that the earth was now warmer than it had ever been in recorded history, thanks to humankind's heedless consumption of fossil fuels, New Yorker writer Bill McKibben published a deeply reported and considered piece on climate change and what it could mean for the planet. At the time, the piece was to some speculative to the point of alarmist; read now, McKibben's work is heroically prescient. Since then, the New Yorker has devoted enormous attention to climate change, describing the causes of the crisis, the political and ecological conditions we now find ourselves in, and the scenarios and solutions we face. The Fragile Earth tells the story of climate change - its past, present, and future - taking readers from Greenland to the Great Plains, and into both laboratories and rain forests. It features some of the best writing on global warming from the last three decades, including Bill McKibben's seminal essay 'The End of Nature,' the first piece to popularize both the science and politics of climate change for a general audience, and the Pulitzer Prize-winning work of Elizabeth Kolbert, as well as Kathryn Schulz, Dexter Filkins, Jonathan Franzen, Ian Frazier, Eric Klinenberg, and others. The result, in its range, depth, and passion, promises to bring light, and sometimes heat, to the great emergency of our age.

On the morning of Saturday 22nd April 1978, members of an Active Service Unit of the IRA hijacked a car and crossed the countryside to the town of Lisburn. Within an hour, they had killed an off-duty policeman in front of his young son. In Anatomy of a Killing, award-winning journalist Ian Cobain documents the hours leading up to the killing, and the months and years of violence, attrition and rebellion surrounding it. Drawing on interviews with those most closely involved, as well as court files, police notes, military intelligence reports, IRA strategy papers, memoirs and government records, this is a unique perspective on the Troubles, and a revelatory work of investigative journalism.

The deeply moving memoir of an award-winning war correspondent turned activist - and her rousing defence of human rights in times of resurgent authoritarianism. As a broadcast journalist for Sky News and Al Jazeera, Sherine Tadros was trained to tell only the facts, as dispassionately as possible. But how can you remain neutral when reporting from war zones, or witnessing brutal state repression? For twenty-six years, Tadros grew up in the quiet surroundings of her family's London home, and yet injustice was something her Egyptian immigrant parents could never shelter her from. From her first journalistic assignment trapped inside a war zone in the Gaza Strip, to covering the Arab uprisings that changed the course of history, Tadros searched for ways to make a difference in people's lives. But it wasn't until her fiance left her on their wedding day, and her life fell apart, that she found the courage to pursue her true purpose. It was the beginning of a journey leading to her current work for Amnesty International at the United Nations, where she lobbies governments to ensure that human rights are protected around the world. With the compassion and verve of a clear-sighted campaigner and a natural storyteller, Tadros shares her remarkable journey from witnessing injustice to fighting it head-on in the corridors of power.

NOW WITH A NEW AFTERWORD, THE NEW YORK TIMES BESTSELLER AND THE SOURCE OF THE VIRAL TED TALK

'Screamingly addictive' STEPHEN FRY

'Superb ... Thrilling story-telling' NAOMI KLEIN

'A powerful contribution to an urgent debate' GUARDIAN

What if everything we've been told about addiction is wrong? One of Johann Hari's earliest memories is of trying to wake up one of his relatives and not being able to. As he grew older, he realised there was addiction in his family. Confused, he set out on a three-year, thirty-thousand mile journey to discover what really causes addiction - and how to solve it.

Told through a series of gripping human stories, this book was the basis of a TED talk and animation that have been viewed more than twenty million times. It has transformed the global debate about addiction.

Diversity and "perspective by incongruity" dene the approach to changing times in this fourth volume of the First of the Year series. Insights come from interesting minds in unobvious juxtapositions. First's roster of irreverent--and holy --regulars includes Amiri Baraka, Bernard Avishai, Uri Avnery, Chuck D, Diane di Prima, Fr. Rick Frechette, Donna Gaines, Lawrence Goodwyn, Roxane Johnson, W.T. Lhamon Jr., Philip Levine, Kanan Makiya, Bongani Madondo, Greil Marcus, Charles O'Brien, Judy Oppenheimer, Tom Smucker, Fredric Smoler, A.B. Spellman, Scott Spencer, Robert Farris Thompson, Richard Torres, David Waldstreicher, and Armond White.Their angles on history and history in the making are enhanced by contributions from new members of First's family of defamiliarizers such as Peter Brown, Wesley Brown, Mark Dudzic, Robert Hullot-Kentor, and Aram Saroyan.

Perspectives by Incongruity touches down in Kashmir, Haiti, South Africa, and Indonesia. There's a vital section devoted to the Arab Spring. But the volume homes in on the U.S.A. as well, digging into race and class structures of feeling (and fantasy). It means to comprehend the Obama era in real time. Music is key to Perspectives by Incongruity's offbeat truth-telling. Contributors sound off on Jay Z and Kanye West, mambo and Afropop, Dylan and Coltrane, Sun Ra and Arcade Fire. First's meaning is (as ever) in the mix.

'A true genius of comedy' Grayson Perry As a Metropolitan Elitist Snowflake, Stewart Lee was disappointed by the EU referendum result of 2016. But he knew how to weaponise his inconvenience - and the result is March of the Lemmings. Drawing on three years of newspaper columns, a complete transcript of the Content Provider stand-up show, and Lee's caustic footnote commentary, this is the scathing record the Brexit era deserves. With a riotous cast of characters (including a Lemming-obsessed Michael Gove), a dramatic chorus of online commenters and Kremlin bots, and Lee himself as our unreliable narrator-hero, this is the ultimate companion to the Brexit horror show.

George Julian Harney was one of the half-dozen most important leaders of Chartism. This selection from the Newcastle Weekly Chronicle is the first book to reprint any of his journalism.Harney is a key figure in the history of English radicalism. His long life witnessed the Chartist movement from 1830s through to the beginnings of socialism from the 1880s. He wrote about literature, foreign affairs and politics, subjects that should interest anyone with an interest in Victorian Studies.In his youth Harney was an admirer of the most radical figures of the French Revolution. The youngest member of the first Chartist Convention, he was an advocate of physical-force Chartism in 1838-9. His interest to historians has tended to be as the friend of Marx and Engels, the publisher of the first English translation of the Communist Manifesto and leader, with Ernest Jones, of the Chartist left in the early 1850s. Yet his finest period had been 1843-50, when he worked on the Northern Star: for five years he was an outstanding editor of a great newspaper. Almost everyone will be astonished to discover that not only did he live until as late as 1897, but also that in the 1890s he was producing a weekly column for the Newcastle Weekly Chronicle edited by W.E. Adams, another old Chartist and his younger admirer. The column was superbly written, politically challenging, and vigorously polymathic.This is the first selection of Harney's writings to be published.

In The Beekeeper of Sinjar, the acclaimed poet and journalist Dunya Mikhail tells the harrowing stories of women from across Iraq who have managed to escape the clutches of ISIS. Since 2014, ISIS has been persecuting the Yazidi people, killing or enslaving those who won't convert to Islam. These women have lost their families and loved ones, along with everything they've ever known. Dunya Mikhail weaves together the women's tales of endurance and near-impossible escape with the story of her own exile and her dreams for the future of Iraq.

In the midst of ISIS's reign of terror and hatred, an unlikely hero has emerged: the Beekeeper. Once a trader selling his mountain honey across the region, when ISIS came to Sinjar he turned his knowledge of the local terrain to another, more dangerous use. Along with a secret network of transporters, helpers, and former bootleggers, Abdullah Shrem smuggles brutalised Yazidi women to safety through the war-torn landscapes of Iraq, Syria, and Eastern Turkey.

This powerful work of literary nonfiction offers a counterpoint to ISIS's genocidal extremism: hope, as ordinary people risk torture and death to save the lives of others.

In all likelihood advocacy journalism is the oldest form of reportage. It appears frequently whenever journalists desire to advocate their beliefs or ideas about major political or social problems. In Advocacy Journalists: A Biographical Dictionary of Writers and Editors, Edd Applegate identifies the most notable figures in this field. Each entry contains biographical information about a writer or editor who either wrote advocacy journalism or edited one or more publications that featured such material. Entries consist of discussions of the journalists' lives, professional careers, major works, and, in some cases, commentary on those works. Among those profiled here are such notables as Ambrose Bierce, William F. Buckley Jr., Eldridge Cleaver, Daniel Defoe, Germaine Greer, Pete Hamill, Karl Marx, H. L. Mencken, George Orwell, Thomas Paine, Wilfrid Sheed, Gloria Steinem, and Jonathan Swift. Unlike other books that focus on the form of advocacy journalism itself or how and why it developed, this book focuses on the lives of journalists and editors and their contributions to advocacy journalism. For scholars, teachers, and students of journalism, along with general readers who wish to discover more about advocacy journalism, this volume is an important and accessible resource.

In late 1995 and early 1996, cartoonist/reporter Joe Sacco travelled four times to Gorazde, a UN-designated safe area during the Bosnian War, which had teetered on the brink of obliteration for three and a half years. Still surrounded by Bosnian Serb forces, the mainly Muslim people of Gorazde had endured heavy attacks and severe privation to hang on to their town while the rest of Eastern Bosnia was brutally 'cleansed' of its non-Serb population. But as much as Safe Area Gorazde is an account of a terrible siege, it presents a snapshot of people who were slowly letting themselves believe that a war was ending and that they had survived. Since it was first published in 2000, Safe Area Gorazde has been recognized as one of the absolute classics of graphic non-fiction. We are delighted to publish it in the UK for the first time, to stand beside Joe Sacco's other books on the Cape list - Palestine, The Fixer and Notes from a Defeatist.

Since it first appeared in 1978, the Polish quarterly Krytyka (Critique) has been a showcase for some of the best writing on politics, sociology, cultural criticism, economics, and history from Poland. Founded by a group of oppositional activists that included Adam Michnik and Jacek Kuron, the journal began as an underground outlet for critical political thinking in the period prior to Solidarity. It survived the communist crackdown on Solidarity in 1981 to become the leading source of democratic thought in the new Poland. Today Krytyka is published ''above ground'' and continues to be the most consistent voice for a modern, democratic, and open Poland.

The twenty articles in this volume were chosen by Michael Bernhard, Henryk Szlajfer, and Jan Kofman, the present editor-in-chief of Krytyka. Covering the underground and post-underground years, they introduce the reader to the full range of topics and political views presented by the journal. Taken together these articles provide an excellent overview of the last fifteen turbulent years of Polish history.

Contributors are Marek Beylin, Ryszard Bugaj, Anna Bojarska, Krzysztof Jasiewicz, Stanisław Krajewski, Marcin Kula, Jacek Kuroń, Joanna Kurczewska, Adam Michnik, Edmund Mokrzycki, Piotr Ogrodzińki, Jerzy Osiatyński, Jerzy Surdykowski, Andrzej Werner, Włodzimierz Wesołowski, Jan Winiecki, Krzysztof Wolicki, and Jozef Życiński.

A.A. Gill was an exceptional writer. Savage and compassionate in equal measure, he was always opinionated, always original, often surprising, and his writing illuminated every page. This second collection of his journalism brings together pieces from near and far. He was ferociously well-travelled and wrote 'abroad is as foreign and funny and strange and shocking as it ever was, and our need to know our neighbours every bit as great'. Far and Away is a book about meeting those neighbours. Wherever he was - with the glitterati in St Tropez or in the ruins of earthquake-stricken Haiti - he had the ability to pin down the heart of a story and render it unforgettable. He was a peerless writer about food, and we also join him at tables all around the globe. A.A. Gill had the gift of making his readers see the world in a different way. And, always, of making them laugh. This collection is an opportunity to marvel at a master at work.

SHORTLISTED FOR THE ORWELL PRIZE FOR POLITICAL WRITING In this penetrating exploration of contemporary Russia, Joshua Yaffa meets a variety of Russians - from politicians and entrepreneurs to artists and historians - who have built their careers and constructed their identities in the shadow of the Putin system. Torn between their own ambitions and the omnipresent demands of the state, each has found that compromise is essential for survival and success. Between Two Fires is an intimate and probing portrait of a nation much discussed but little understood, and an urgent lesson about the nature of modern authoritarianism.

This is the second volume in the "First of the Year" Series. Contributors like Armond White, Philip Levine, Donna Gaines, Lawrence Goodwyn, Irving Louis Horowitz, Charles O'Brien, Fredric Smoler, Paul Berman, and Amiri Baraka are back (and blazing). And there are important new voices in the "First" mix, such as Vincent Harding, Roxane Johnson, and Bob Levin. If there is a leitmotif to this edition, it is the election and inauguration of Barack Obama as the first African-American president. "First" aims to be up to the minute of this moment.

As Benj DeMott notes "a glance at this volume confirms the margin is still the center for us." And that margin stretches from Harlem to the world. There are tales of edgy sojourns in Afghanistan, Thailand, and South Africa. The volume also has a Question & Answer with Ousmane Sembi1/2ne, who taught Africans to resist "elements of received culture-those fixed rules and values which nobody but those on the margins dare to question." A second interview with Adam Hochschild celebrates the Englishman who invented abolition, and an African-American original who coined the phrase "crimes against humanity."

The volume includes a protest against the Israeli war machine by Uri Avnery who has long been a creative outsider in his own society. It makes the case that American ideologues (on both extremes) keep getting the Middle East wrong because they cannot grasp the complexities of any country, including their own. "First of the Year's" minority angles of vision will help readers see with new eyes. It will help their hearing too. The volume has plenty of music writing marked by loving attention to details of pop performances. In short, this collection reflects its editor; direct, unafraid, urban, and entirely contemporary.

This history of Chicago journalism is framed against the larger landscape of American media and the ways in which technology and mergers have altered news gathering and presenting, and it considers daily operations at the newspapers and broadcast stations to demonstrate how they have changed with the times. Audience tastes and interests ran a parallel course with technology, a sharp decline in print readership, competition in television news, and the explosion of the Internet.

Amid the ongoing and volatile debate over the nature and potential of peace journalism, this volume presents visionary insights from some of the most prominent scholars in the field. The significant empirical studies included here will provide foundation data for communication studies. The contributors broaden the purview and terrain of peace journalism to include new media, and offers essays on the eff ects and the content of global communications. In sum, the thirteenth volume of "Peace and Policy" deepens our empirical knowledge of the nature and effects of conflict, while underscoring the increase in numbers of participants and breadth of communications.

For the past half decade, these contributors have worked independently and collaboratively to increase systematic understanding of the value of peace journalism and communication to civil society. Th e group has contributed to a complex articulation of the various frames of conflict coverage. In so doing, they have clarified the structural, systemic and cultural aspects of global violence. In turn, this has helped create institutions, programs and strategies for enhancing constructive peace communication that will increase mutual understanding, cooperation, reconciliation and transform confl ict.

Peace journalism has reframed understanding of confl ict from a tug-of-war between two parties in which one side's gain is the other's loss, to the terms of relationships between various sides. It considers the context and the need to identify a range of stakeholders broader than the sides directly engaged in violent confrontation. In sum, it leads to understanding of the distinction between stated demands and underlying objectives, so as to identify voices working for creative and non-violent solutions, and finding ways to transform and transcend the lines of confl ict.

Long before journalist George Plimpton donned shoulder pads for Paper Lion, sportswriters were stepping onto the field, arena, track and ring. This first-of-its-kind anthology of participatory sports writing collects 38 essays from the Gilded and Golden Age greats. Charles Dickens, Robert Louis Stevenson, Theodore Roosevelt, Mark Twain, Walt Whitman, Frances Elizabeth Willard, John Muir, Jack London, Zane Grey, Ernest Hemingway, Ring Lardner, Bill Tilden, Bobby Jones, Helen Mills, Paul Gallico, and many more prowled America's sporting grounds with pen in hand in a time when, as Grantland Rice put it, 'a flame...lit up the sporting skies and covered the world'.

This is the first in a continuing series of reminders that the past informs the present as it infuses the future. As Benj DeMott notes, the aim of "First of the Year" is to define "the democratic imperatives and demotic tones that make our ongoing politics of culture matter." This annual publication is grounded in the needs of "dissed" people: disenfranchised, disadvantaged, disinherited, discomfited, and dismissed. But the concept has been sharpened to acknowledge that though the underdog is owed sympathy, the mad dog is owed a bullet. In short, "First of the Year" is very much an effort of the twenty-first century.

The publication aims to be more than a launching pad for writers. It attempts to bridge the gap between radical perspectives without losing focus on the centrality of African-American culture to the national conversation. The coming together of figures like Armond White, Kate Millett, Lorenzo Thomas, Russell Jacoby, Adolph Reed, and Amiri Baraka is quite unlike what can be found in standard literary and social publications. They treat the African-American condition as a policy issue or an executive summary report--not as a touchstone for the state of the nation as a whole.

The initial volume also deals extensively and seriously with the issue of humanism and terror, the nature of social movements, electoral and urban politics, and the musical trends of our time. It does so with a sense of urgency often denied in mainstream literary reviews. Issues of "standards" are addressed from the angle of African-American cultural traditions, and the mind-body problem as a matter of race not just of metaphysics. In a nutshell, this volume intends to open a new chapter in the Harlem Renaissance; or better, an American renaissance with a Harlem lilt. "First of the Year" is an attempt to make political arguments breathe through cultural voices. Contributors include Sheldon Wolin, Jean Bethke Elshtain, Kurt Vonnegut, Paul Berman, Charles Keil, and Philip Levine, among others, ensuring its ability to entertain.

"Benj DeMott" has written for the "The City Sun, The Village Voice," and academic journals. Since 1998, he has edited "First of the Month," along with Charles O'Brien and Armond White.i1/2 DeMott grew up in Amherst and now lives in New York City with his wife and son. He went to the University of Rochester where he studied with Christopher Lasch, i1/2 but his most important teachers have been family.

Rayna and her husband Bill edited the Kuomintang's English-language newspaper in Wuhan. Rayna's account of her intimate involvement in the Chinese Revolution brings to life the eventful Wuhan years of 1926-27, which shaped the revolution's course. Her letters illuminate from a personal angle the battle for China's future and include remarkable portraits of some of the people who shaped the Communist and Nationalist movements of the time. The book consists of letters Prohme wrote to her closest friend and her husband in the period immediately before, during and after the Wuhan interlude. Her reporting brought her into contact with many major political figures including Madam Sun Yat-sen (a prominent figure in the opposition to Chiang Kai-shek) and Mikhail Borodin (a chief Soviet advisor in China). This book provides an unusual and often moving insight into a fascinating period in modern Chinese history.

Will Ashon spent the day of Tuesday May 21st 2019 hitching around the motorways and 'A' roads of England, chatting to whoever picked him up about their lives, dreams, aspirations, fears and favourite foods. The resulting transcripts, presented here edited and cross-cut through one another into a collage of voices, form a work in which generosity plays a far greater role than hate, reminding us of our nation's better self. Sitting somewhere between Svetlana Alexievich and Rachel Cusk, NOT FAR FROM THE JUNCTION is a fresh, funny, moving and quietly radical work of non-fiction, exploring who we are and how we see the world.

This is a story about how the extreme became mainstream. It reveals how the truth became ‘fake news’, how fringe ideas spread, and how a candidate many dismissed as a joke was propelled to the presidency by the dark side of the internet.

For several years, Andrew Marantz, a New Yorker staff writer, has been embedded with alt-right propagandists, who have become experts at using social media to advance their corrosive agenda. He also spent time with the social-media entrepreneurs who made this possible, through their naive and reckless ambition, by disrupting all of the traditional information systems.

Join Marantz as some of the biggest brains in Silicon Valley teach him how to make content go viral; as he hangs out with the conspiracists, white supremacists and nihilist trolls using these ideas to make their memes, blogs and podcasts incredibly successful; and as he meets some of the people led down the rabbit hole of online radicalization.

Antisocial is about how the unthinkable becomes thinkable, and then becomes reality. By telling the story of the people who hijacked the American conversation, Antisocial will help you understand the world they have created, in which we all now live.