Allan Jones launched Uncut magazine in 1997 and for 15 years wrote a popular monthly column called Stop Me If You've Heard This One Before, based on his experiences as a music journalist in the 70s and 80s, a gilded time for the music press.

By turns hilarious, cautionary, poignant and powerful, the Stop Me...stories collected here include encounters with some of rock's most iconic stars, including David Bowie, Lou Reed, Leonard Cohen, Van Morrison, Neil Young, Elvis Costello, The Sex Pistols, The Clash, The Smiths, R.E.M. and Pearl Jam. From backstage brawls and drug blow-outs, to riots, superstar punch-ups, hotel room confessionals and tour bus lunacy, these are stories from the madness of a music scene now long gone.

This book centers on the role of media in shaping public perceptions of breastfeeding. Drawing from magazines, doctors' office materials, parenting books, television, websites, and other media outlets, Katherine A. Foss explores how historical and contemporary media often undermine breastfeeding efforts with formula marketing and narrow portrayals of nursing women and their experiences. Foss argues that the media's messages play an integral role in setting the standard of public knowledge and attitudes toward breastfeeding, as she traces shifting public perceptions of breastfeeding and their corresponding media constructions from the development of commercial formula through contemporary times. This analysis demonstrates how attributions of blame have negatively impacted public health approaches to breastfeeding, thus confronting the misperception that breastfeeding, and the failure to breastfeed, rests solely on the responsibility of an individual mother.

I sometimes fear we shall never wake till we are jerked out of it by the roar of bombs. In 1936, George Orwell volunteered as a soldier in the Spanish Civil War. In Homage to Catalonia, first published just before the outbreak of World War II, Orwell documents the chaos and bloodshed of that moment in history and the voices of those who fought against rising fascism. His experience of the civil war would spark a significant change in his own political views, which readers today will recognise in much of his later literary work; a rage against the threat of totalitarianism and control.

What happens when the President of the United States engages in criminal activity? He runs for re-election. Donald Trump's campaign chairman went to jail. So did his personal lawyer. His long-time political consigliere was convicted of serious federal crimes, and his National Security Advisor pleaded guilty to several more. Multiple Russian spies were indicted in absentia. Career intelligence agents and military officers were alarmed enough by his actions as President that they alerted senior government officials and ignited the impeachment process. Yet despite all this, a years-long inquiry led by Robert Mueller, and the third Presidential impeachment trial in American history, Donald Trump survived to run for presidency again. Why? Jeffrey Toobin's highly entertaining, definitive account of the Mueller investigation and the impeachment of the President takes readers behind the scenes of the epic legal and political struggle to call Trump to account for his misdeeds. Toobin recounts the mind-boggling twists and turns in the case - Trump's son met with a Russian operative promising Kremlin support; Trump paid a porn star $130,000 to hush up an affair; Rudy Giuliani and a pair of shady Ukrainian-American businessmen got the Justice Department to look at Russian-created conspiracy theories. Toobin shows how Trump's canny lawyers used Mueller's famous integrity against him, and how Trump's bullying and bluster cowed Republican legislators into ignoring the clear evidence of the impeachment hearings. Based on dozens of interviews with prosecutors in Mueller's office, Trump's legal team, Congressional investigators, White House staffers, and several of the key players, including some who are now in prison, True Crimes and Misdemeanours is a revelatory narrative that makes sense of the seemingly endless chaos of the Trump years. Filled with never-before-reported details of the high-stakes legal battles and political machinations, the book weaves a tale of a rogue President guilty of historic misconduct, and how he got away with it.

The Believer, a five-time National Magazine Award finalist, is a bimonthly literature, arts, and culture magazine based in Las Vegas, Nevada. In each issue, readers will find journalism, essays, intimate interviews, an expansive comics section, poetry, and on occasion, delightful and unexpected bonus items. Our poetry section is curated by Jericho Brown, Kristen Radtke selects our comics, and Joshua Wolf Shenk is our editor-in-chief. All issues feature a regular column by Nick Hornby and a symposium, in which several writers expound on a theme of contemporary interest.

It was just one remote hilltop in an unnamed war in the late 1990s, but it would send out ripples that are still felt today, foreshadowing the chaos of 21stcentury conflicts in the Middle East. The hill, in Lebanon, was called the Pumpkin; 'flowers' was the military code word for casualties.Part memoir, part reportage and part haunting elegy for lost youth, award-winning writer Matti Friedman's powerful account follows the band of young soldiers - the author among them - conscripted out of high school into holding this remote outpost, and explores how the task would change them forever. Pumpkinflowers is a lyrical yet devastating insight into the day-to-day realities of war, and a powerful coming-of-age narrative. Raw and beautifully rendered, this essential chronicle casts an unfl inching look at the nature of modern warfare, in which there is never a clear victor and innocence is not all that is lost.

Toward a Theory of True Crime Narratives vivifies how nonfiction murder stories are told, what role they play in society, and in the form of true crime why they remain enduringly popular internationally on every platform. This book establishes for the first time the actual line-or dotted line-between mainstream journalism and the multimedia phenomena of true crime. Presenting a stable definition of what is-and what is not-true crime will either challenge or justify Truman Capote's claims regarding the creation of a "new journalism" with In Cold Blood, and accordingly expose the reluctance of the promoters of NPR's Serial, HBO's The Jinx, and Netflix's Making a Murderer to refer to their products as such. This research codifies true crime texts of various types on multiple platforms-radio, television, print, digital, and film-to reveal the defining characteristics of the genre.

In 2012, the joyful hopes of the democratic Egyptian Revolution were tempered by revelations of mass sexual assault in Tahrir Square in Cairo, the revolution's symbolic birthplace. This is the story of the women and men who formed Opantish - Operation Anti-Sexual Harassment - who deployed hundreds of volunteers, scouts rescue teams, and getaway drivers to intervene in the spiraling cases of sexual violence against women protesters in the square. Organized and led by women during 2012-2013 - the final, chaotic months of Egypt's revolution - teams of volunteers fought their way into circles of men to pull the woman at the center to safety. Often, they risked assault themselves. Journalist Yasmin El-Rifae was one of Opantish's organizers, and this is her evocative, aching account of their work, as they raced to develop new tactics, struggled with a revolution bleeding into counter-revolution, and dealt with the long aftermath of assault and devastation. Told in a daring, hybrid narrative style drawn from years of interviews and her own, intimate experience, it is a story of overlapping circles: the circles of male attackers activists had to break through, the ways sexual violence can be circled off as "irrelevant" to political struggle, and the endless repetitive loops of living with trauma. Introducing a powerful new voice, a writer whose searchingly beautiful, spare prose cuts to the core of a story ever more urgent and relevant: of women's resistance when all else has failed.

Southern Horrors (1892) is a pamphlet by Ida B. Wells. Published several months after a white mob destroyed the office of her prominent Memphis newspaper, the Free Speech, Southern Horrors is an impassioned work of investigative journalism and political criticism from a leading activist of the nineteenth century. "Nobody in this section of the country believes the old thread-bare lie that Negro men rape white women. If Southern white men are not careful, they will overreach themselves and public sentiment will have a reaction; a conclusion will then be reached which will be very damaging to the moral reputation of their women." After publishing these words in a May 1892 edition of the Memphis Free Speech, Ida B. Wells left for a brief vacation in New York-no doubt inspired by the numerous threats made against her life at the time. In her absence, a mob of white men destroyed the newspaper's office, leaving no trace of her extensive research on the last half century of violence perpetrated against African Americans in the name of white supremacy. Undeterred, Wells published Southern Horrors just months later, combining personal reflections on the incident with daring investigative reporting on the widespread practice of lynching in the American South. With a beautifully designed cover and professionally typeset manuscript, this edition of Ida B. Wells' Southern Horrors is a classic of African American literature reimagined for modern readers.

This sensational 1941 memoir of life on wartime Europe's frontline by a trailblazing female reporter is an 'unforgettable' (The Times) rediscovered classic, introduced by Christina Lamb. Paris as it fell to the Nazis London on the first day of the Blitz Berlin the day Germany invaded Poland Madrid in the Spanish Civil War Prague during the Munich crisis Lapland as the Russians attacked Moscow betrayed by the Germans Virginia Cowles has seen it all. As a pioneering female correspondent, she reported from the frontline of 1930s Europe into WWII always in the right place at the right time. Flinging off her heels under shellfire; meeting Hitler ('an inconspicuous little man'); gossiping with Churchill by his goldfish pond; dancing in the bomb-blasted Ritz ... Introduced by Christina Lamb, Cowles' incredible dispatches make you an eyewitness to the twentieth century as you have never experienced it before. 'A tour-de-force.' Daily Mail 'Amazingly brilliant.' New York Times 'Fascinating.' Justine Picardie 'Breathtaking.' Anna Funder 'Thrilling.' Sue Prideaux 'An amazingly brilliant reporter ... One of the most engrossing [books] the war has produced.' New York Times Book Review What readers are saying: The queen of historical name-dropping Holy cow! What a wonderful find!! Most unexpectedly great book that I have read in years. Reads like a novel [but] this is real life. The best book I've read this year ... Exquisitely written [day-to-day] drama of history ... Breathtakingly fresh. I can't recommend this book enough. Cowles' voice and humanity are her greatest assets, but her willingness to be where the action was - and always find trouble - paid off. A marvel. Her ability to capture anecdotes and dialogue that offer surprising insights into historic personages and events is a frequent source of wonder. It was difficult for me not to drive my family crazy wanting to read them quotes. The intrepid Virginia Cowles was in the right places at the right times and connected to the right people. What a life she led!

To the charity workers, Dadaab refugee camp is a humanitarian crisis; to the Kenyan government, it is a 'nursery for terrorists'; to the western media, it is a dangerous no-go area; but to its half a million residents, it is their last resort. Situated hundreds of miles from any other settlement, deep within the inhospitable desert of northern Kenya where only thorn bushes grow, Dadaab is a city like no other. Its buildings are made from mud, sticks or plastic, its entire economy is grey, and its citizens survive on rations and luck. Over the course of four years, Ben Rawlence became a first-hand witness to a strange and desperate limbo-land, getting to know many of those who have come there seeking sanctuary. Among them are Guled, a former child soldier who lives for football; Nisho, who scrapes an existence by pushing a wheelbarrow and dreaming of riches; Tawane, the indomitable youth leader; and schoolgirl Kheyro, whose future hangs upon her education. In City of Thorns, Rawlence interweaves the stories of nine individuals to show what life is like in the camp and to sketch the wider political forces that keep the refugees trapped there. Lucid, vivid and illuminating, here is an urgent human story with deep international repercussions, brought to life through the people who call Dadaab home.

A powerful collection of journalism on race, racism and black life and death from one of the nation's leading political voices. For the last three decades Gary Younge has had a ringside seat during the biggest events and with the most significant personalities to impact the black diaspora: accompanying Nelson Mandela on his first election campaign, joining revellers on the southside of Chicago during Obama's victory, entering New Orleans days after hurricane Katrina or interviewing Archbishop Desmond Tutu, Maya Angelou and Stormzy. He has witnessed how much change is possible and the power of systems to thwart those aspirations. Dispatches from the Diaspora is an unrivalled body of work from a unique perspective that takes you to the frontlines and compels you to engage and to 'imagine a world in which you might thrive, for which there is no evidence. And then fight for it.'

This is Kevin Higgins' first book of essays on poetry, the written word, and the wider world. Higgins is an enthusiastic advocate for the new generation of Irish poets emerging from a thriving live poetry scene. He is also a merciless opponent of hypocrisy and pretentiousness wherever he finds it.

This book examines how media can be used in facilitating crisis control following natural disasters. Set in the context of the contemporary Chinese nationalistic culture this book dissects how Chinese media enhances disaster relief by constructing the meaning of it. It takes a historical overview of the negotiations between discursive power and media coverage of natural disasters in Chinese media. It then conducts a case study of the 2008 Wenchuan earthquake to analyze how Chinese media enhance crisis control in engaging with contemporary Chinese nationalism. In examining the mediated disaster relief closely relevant to this study within a global context this book briefly analyzes the Australian media's representation of the 2013 Tasmanian Bushfire. In a penetrating investigation of the research question a systematic theoretic framework is structured consisting of the theories of representation, discourse and power, cultural identity, media framing and narratives.

'A hugely significant and wonderfully haunting collection' William Boyd In the 1920s and 1930s, Joseph Roth travelled extensively in Europe, living in hotels and writing about the towns through which he passed and the people he encountered. Collected in one volume, his experiences in Italy, Germany, Russia, Albania and Ukraine form a series of tender vignettes that capture life in the inter-war years. Evocative, curious and sharply observed, these literary postcards document a continent clinging to tradition while on the brink of further upheaval.

If you want to know about writing, about how to make others share the horror and intensity of an experience, try the first piece in this collection, Justice at Night. Martha Gellhorn wrote it as a 28-year-old, having just returned home to the States after four years in Europe, in 1936. What follows is a selection of fifty years of peacetime journalism, history caught at the moment of its unfolding, as it looked and felt to those who experienced it. It's about revolutions in the making, guilty acts of state terrorism, poverty, injustice and recovery. It vividly captures the range and intensity of Gellhorn's courageous work and is also a passionate call to arms, not only to remember the wronged and to bear witness to evil, but to stand your ground in the face of it.

This book celebrates the rich, varied and untold history of investigative journalism in southern Africa and the crucial role it has played in shaping the region over the last 300 years.

It tells of the escapades of those who exposed atrocities of the British colonial rulers, the seizure of land from black owners, apartheid death squads, prison conditions, farm labour, government and corporate corruption, environmental travesty and health issues. Young journalists who have previously studied the likes of the Watergate scandal will have access to African journalists who faced huge risks to expose the abuse of power, ranging from the undercover exploits of the legendary ‘Mr Drum’, through to the recent #Guptaleaks exposé, of which it was said, ‘Seldom have journalists played such a crucial role in bringing a country back from the brink.’ The book highlights the long record of accountability journalism in countries such as South Africa, Namibia and Zimbabwe, and the recent surge of such work in others such as Botswana and Malawi.

It breaks new ground in stretching the history of this type of journalism decades further back than previously recorded, including largely ignored work such as John Dube’s coverage of the Zulu Bambatha Rebellion and Richard Msimang’s documentation of the impact of land confiscation in the early 20th century.

The book includes an introduction by Anton Harber, editor and professor, and each case study is written up by an expert in the area.

As a GI reporter for the 1st Air Cavalry Division in Vietnam, the author-""an enlisted man writing primarily for enlisted men""-chronicled the experiences of combat soldiers in newspaper and magazine articles. His stories gave the Army's version of events, sprinkled with human interest and humor. They include his observations and photos of jungle missions, life on firebases, struggles in the rear and his own survival as a harried frontline journalist. He also wrote almost daily letters home to his parents-personal dispatches filled with frank commentary and poignant, at times disturbing anecdotes. His stories and letters are combined here in chronological order, providing a richly detailed narrative of combat in Vietnam.

Water scarcity is the next big climate crisis. Water stress - not just scarcity, but also water-quality issues caused by pollution - is already driving the first waves of climate refugees. Rivers are drying out before they meet the oceans and ancient lakes are disappearing. It's increasingly clear that human mismanagement of water is dangerously unsustainable, for both ecological and human survival. And yet in recent years some key countries have been quietly and very successfully addressing water stress. How are Singapore and Israel, for example - both severely water-stressed countries - not in the same predicament as Chennai or California? In The Last Drop, award-winning environmental journalist Tim Smedley meets experts, victims, activists and pioneers to find out how we can mend the water table that our survival depends upon. He offers a fascinating, universally relevant account of the environmental and human factors that have led us to this point, and suggests practical ways to address the crisis, before it's too late.

The last major interview with John Lennon and Yoko Ono, conducted by New York Times bestselling author David Sheff, featuring a new introduction that reflects on the fortieth anniversary of Lennon's death.

Originally published in Playboy in 1981 just after John Lennon's assassination, All We Are Saying is a rich, vivid, complete interview with Lennon and Yoko Ono, covering art, creativity, the music business, childhood beginnings, privacy, how the Beatles broke up, how Lennon and McCartney collaborated (or didn't) on songs, parenthood, money, feminism, religion, and insecurity. Of course, at the heart of the conversation is the deep romantic and spiritual bond between Lennon and Ono.

Sheff's insightful questions set the tone for Lennon's responses and his presence sets the scene, as he goes through the kitchen door of Lennon and Yoko's apartment in the Dakota and observes moments at Lennon's famous white piano and the rock star's work at the stove, making them grilled cheese sandwiches. Sheff's new introduction looks at his forty-year-old interview afresh, and examines how what he learned from Lennon has resonated with him as a man and a parent. This is a knockout interview: unguarded, wide-ranging, alternately frisky and intense.

Holding a mirror up to Wales' cultural life, this collection of 60 obituaries celebrates this unique writing form, as well as providing a broad context to place and analyze the subjects of the obituaries themselves. Writers, historians, artists, broadcasters, political activists, cultural mandarins, educationalists, and cranks are all included in this exploration.

Baltimore native Henry Louis Mencken (1880-1956) was an essayist, literary critic, magazine editor, novelist, and journalist. Starting as a reporter for the Baltimore Morning Herald at the turn of the century, Mencken eventually became associated with the Baltimore Sun and his work for the newspaper spanned five decades. In H.L. Mencken: An Annotated Bibliography, S.T. Joshi provides the most exhaustive and comprehensive bibliography of the writings of H. L. Mencken ever assembled. It presents detailed information on his book publications from 1903 to the present, with a full list of editions and reprints. Most significantly, it presents for the first time a comprehensive annotated listing of his magazine and newspaper work (including more than 1,500 anonymous editorials for the Baltimore Sun, Baltimore Evening Sun, and other papers, which have never been listed in any previous bibliographies), a thorough index to his book reviews, and a full list of interviews Mencken gave during his lifetime. Word counts of nearly every item in the bibliography have been supplied, and the book has been thoroughly indexed by name, title, and periodical. Because every item has been annotated, scholars and students can, for the first time, gain an idea of the subject-matter of all Mencken's writings, especially his magazine and newspaper work. The indexes will allow users to locate any given item with ease. The chronological arrangement of each section allows users to understand the growth and development of Mencken's work, making this volume an invaluable resource.

On the morning of Saturday 22nd April 1978, members of an Active Service Unit of the IRA hijacked a car and crossed the countryside to the town of Lisburn. Within an hour, they had killed an off-duty policeman in front of his young son. In Anatomy of a Killing, award-winning journalist Ian Cobain documents the hours leading up to the killing, and the months and years of violence, attrition and rebellion surrounding it. Drawing on interviews with those most closely involved, as well as court files, police notes, military intelligence reports, IRA strategy papers, memoirs and government records, this is a unique perspective on the Troubles, and a revelatory work of investigative journalism.

A classic collection of the New Yorker's most urgent and groundbreaking reporting from the front lines of the climate emergency In 1989, just one year after climatologist James Hansen first came before a Senate committee and testified that the earth was now warmer than it had ever been in recorded history, thanks to humankind's heedless consumption of fossil fuels, New Yorker writer Bill McKibben published a deeply reported and considered piece on climate change and what it could mean for the planet. At the time, the piece was to some speculative to the point of alarmist; read now, McKibben's work is heroically prescient. Since then, the New Yorker has devoted enormous attention to climate change, describing the causes of the crisis, the political and ecological conditions we now find ourselves in, and the scenarios and solutions we face. The Fragile Earth tells the story of climate change - its past, present, and future - taking readers from Greenland to the Great Plains, and into both laboratories and rain forests. It features some of the best writing on global warming from the last three decades, including Bill McKibben's seminal essay 'The End of Nature,' the first piece to popularize both the science and politics of climate change for a general audience, and the Pulitzer Prize-winning work of Elizabeth Kolbert, as well as Kathryn Schulz, Dexter Filkins, Jonathan Franzen, Ian Frazier, Eric Klinenberg, and others. The result, in its range, depth, and passion, promises to bring light, and sometimes heat, to the great emergency of our age.