'Impeccably researched and sumptuous in its detail... It's a page-turner' The Economist 'Well-paced and cleverly organised' The Sunday Times 'Gripping' Guardian 'A pacy and deeply-reported tale' Financial Times Longlisted for the 2021 Financial Times / McKinsey Business Book of the Year In this compelling story of greed, chicanery and tarnished idealism, two Wall Street Journal reporters investigate a man who Bill Gates and Western governments entrusted with hundreds of millions of dollars to make profits and end poverty but now stands accused of masterminding one of the biggest, most brazen frauds ever. Arif Naqvi was charismatic, inspiring and self-made. The founder of the Dubai-based private-equity firm Abraaj, he was the Key Man to the global elite searching for impact investments to make money and do good. He persuaded politicians he could help stabilize the Middle East after 9/11 by providing jobs and guided executives to opportunities in cities they struggled to find on the map. Bill Gates helped him start a billion-dollar fund to improve health care in poor countries, and the UN and Interpol appointed him to boards. Naqvi also won the support of President Obama's administration and the chief of a British government fund compared him to Tom Cruise in Mission: Impossible. The only problem? In 2019 Arif Naqvi was arrested on charges of fraud and racketeering at Heathrow airport. A British judge has approved his extradition to the US and he faces up to 291 years in jail if found guilty. With a cast featuring famous billionaires and statesmen moving across Asia, Africa, Europe and America, The Key Man is the story of how the global elite was duped by a capitalist fairy tale. Clark and Louch's thrilling investigation exposes one of the world's most audacious scams and shines a light on the hypocrisy, corruption and greed at the heart of the global financial system. 'An unbelievable true tale of greed, corruption and manipulation among the world's financial elite' Harry Markopolos, the Bernie Madoff whistleblower

Maurice O'Sullivan was born on the Great Blasket in 1904, and 'Twenty Years A-Growing' tells the story of his youth and of a way of life which belonged to the Middle Ages. He wrote for his own pleasure and for the entertainment of his friends, without any thought of a wider public; his style is derived from folk-tales which he heard from his grandfather and sharpened by his own lively imagination. The Blasket Islands are three miles off Irelands Dingle Peninsula. Until their evacuation just after the Second World War, the lives of the 150 or so Blasket Islanders had remained unchanged for centuries. A rich oral tradition of story-telling, poetry, and folktales kept alive the legends and history of the islands, and has made their literature famous throughout the world. The 7 Blasket Island books published by OUP contain memoirs and reminiscences from within this literary tradition, evoking a way of life which has now vanished.

SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE 2015 SHORTLISTED FOR RSL ONDAATJE PRIZE 2016 In the summer of 2009, the leader of the dreaded Tamil Tiger guerrillas was killed, bringing to a bloody end the stubborn and complicated civil war in Sri Lanka. For nearly thirty years, the war's fingers had reached everywhere: into the bustle of Colombo, the Buddhist monasteries scattered across the island, the soft hills of central Sri Lanka, the curves of the eastern coast near Batticaloa and Trincomalee, and the stark, hot north. With its genius for brutality, the war left few places, and fewer people, untouched. What happens to the texture of life in a country that endures such bitter conflict? What happens to the country's soul? Samanth Subramanian gives us an extraordinary account of the Sri Lankan war and the lives it changed. Taking us to the ghosts of summers past, and to other battles from other times, he draws out the story of Sri Lanka today - an exhausted, disturbed society, still hot from the embers of the war. Through travels and conversations, he examines how people reconcile themselves to violence, how religion and state conspire, how the powerful become cruel, and how victory can be put to the task of reshaping memory and burying histories. This Divided Island is a harrowing and humane investigation of a country still inflamed.

In the first (systematic) section the flysheet as a medium is defined and set off against other media. Information is given on the conditions governing production, distribution and reception, and typical linguistic and formal features are discussed. Part Two offers a brief history of flysheets from the 15th century to 1848, focussing especially on the early Reformation and the Peasants' War but with constant reference to the other media of the respective epoch throughout.

At one time, the radio was the sole electronic medium of general relevance. Its programs fulfilled the function of providing non-stop entertainment and information. The challenge posed by television has caused it to specialize; today its users look to it a) to provide certain service functions, and b) to accompany them when they are out and about. With examples from the history of radio in various countries up to the present, the author delineates the specifics of radio communication, concentrating on subject matter, the expressive means employed, text varieties and formats.

The Best American Magazine Writing 2022 presents a range of outstanding writing on timely topics, from in-depth reporting to incisive criticism: Kristin Canning calls for a change in how we talk about abortion (Women's Health), and Ed Yong warns us about the next pandemic (The Atlantic). Matthieu Aikins provides a gripping eyewitness account of the Taliban's seizure of Kabul (New York Times Magazine). Heidi Blake and Katie J. M. Baker's "Beyond Britney" examines how people placed under legal guardianship are deprived of their autonomy (BuzzFeed News). Rachel Aviv profiles a psychologist who studies the fallibility of memory-and has testified for defendants including Harvey Weinstein and Bill Cosby (The New Yorker). The anthology includes dispatches from the frontiers of science, exploring why Venus turned out so hellishly unlike Earth (Popular Science) and detailing the potential of NASA's James Webb Space Telescope (Quanta). It features celebrated writers, including Harper's magazine pieces by Ann Patchett, whose "These Precious Days" is a powerful story of friendship during the pandemic, and Vivian Gornick, who offers "notes on humiliation." Carina del Valle Schorske depicts the power of public dance after pandemic isolation (New York Times Magazine). And the NBA icon Kareem Abdul-Jabbar lauds the Black athletes who fought for social justice (AARP the Magazine). Amid the continuing reckoning with racism, authors reconsider tarnished figures. The Black ornithologist and birder J. Drew Lanham assesses the legacy of John James Audubon in the magazine that bears his name, and Jeremy Atherton Lin questions his youthful enthusiasm for Morrissey (Yale Review). Jennifer Senior writes about memory and the lingering grief felt for a friend killed on 9/11 (The Atlantic). The collection concludes with Nishanth Injam's story of queer first love across religious boundaries, "Come with Me" (Georgia Review).

Social identities within post-apartheid South Africa remain highly contested with issues of race and racism often dominating the national discourse. In order to find their place within the national narrative, white South Africans need to re-think their stories, re-define their positions in society and re-imagine their own narratives of identity and belonging. By exploring whiteness and white identity through the lens of literary journalism, this book reflects on ways in which writers use the uncertainties and contradictions inherent in this genre to reveal the complexities of white identity formation and negotiation within contemporary society. Authors such as Rian Malan (My Traitor's Heart), Antjie Krog (Country of My Skull and Begging to Be Black), Jonny Steinberg (Midlands) and Kevin Bloom (Ways of Staying) are writing at times of political and social flux. By working at the fault line of literature and journalism, these literary journalists not only mirror the volatility of their social setting but also endeavour to find new narrative forms, revealing the inherent anxiety and possibility of whiteness in contemporary South Africa.

'THE POLITICAL BOOK OF THE YEAR' Tim Shipman A blistering narrative expose of infighting, skulduggery and chaos in Corbyn's Labour party, now revised and updated. * A Times, Guardian, Daily Telegraph, Sunday Times and i Newspaper Book of the Year * Left Out tells, for the first time, the astonishing full story of Labour's recent transformation and historic defeat. Drawing on unrivalled access, this blistering expose moves from the peak of Jeremy Corbyn's popularity and the shock hung parliament of 2017 to Labour's humbling in 2019 and the election of Keir Starmer. It reveals a party at war with itself, and puts the reader in the room as tensions boil over, sworn enemies forge unlikely alliances and lifelong friendships are tested to breaking point. This is the ultimate account of the greatest experiment seen in British politics for a generation. 'Gripping... Every bit as good as people say' Guardian 'Reads like a thriller...told with panache and pace' Financial Times 'The definitive post-mortem of the Corbyn project' Sunday Times

While Western media are shrinking their foreign correspondent networks, Chinese media, for the first time in history, are rapidly expanding worldwide. The Chinese government is financing most of this growth, hoping to strengthen its influence and improve its public image. But do these reporters willingly serve formulated agendas or do they follow their own interests? And are they changing Chinese citizens' views of the world? Based on interviews and informal conversations with over seventy current and former correspondents, Reporting for China documents a diverse group of professionals who hold political views from nationalist to liberal, but are constrained in their ability to report on the world by China's media control, audience tastes, and the declining market for traditional media.

'Deeply moving, darkly funny and hugely powerful' Robert Macfarlane 'A brave, lit-up account of going mad and getting better' Jeanette Winterson After a lifetime of ups and downs, Horatio Clare was committed to hospital under Section 2 of the Mental Health Act. From hypomania in the Alps, to a complete breakdown and a locked ward in Wakefield, this is a gripping account of how the mind loses touch with reality, how we fall apart and how we may heal. 'One of the most brilliant travel writers of our day takes us now to that most challenging country, severe mental illness; and does so with such wit, warmth and humanity' Reverend Richard Coles

A Dictionary of Journalism is an accessible and authoritative quick reference dictionary. It covers over 1,400 wide-ranging entries on the terms that are likely to be encountered by students of the subject, and aims to offer a broad, accessible point of reference on an ever-topical and constantly-changing field that affects everyone's knowledge and perception of the world. Assuming little or no prior knowledge of the subject, it covers terminology relating to the practice, business, and technology of journalism, as well as its concepts and theories, organizations and institutions, publications, and key events. Related topic areas are covered where they impact on or offer explanations of journalism: for example in law, where legislation affects journalistic activity; and where sociological studies seek to aid the understanding of journalism. Appendices include a timeline of journalistic developments, contextualising the ever-evolving nature of journalism, as well as an index of significant individuals in the field. It is an essential companion to all students taking courses in Journalism and Journalism Studies, as well as related subjects such as Communications Studies, Media Studies, and Television and Radio Production.

THE SUNDAY TIMES BESTSELLER Relive the delusional fever-dream of the modern era. 'Thank f*ck for Marina Hyde: the most lethal, vital, screamingly funny truth-teller of our time.' PHOEBE WALLER-BRIDGE 'The most brilliantly funny columnist of our time.' GARY LINEKER 'It's a scientific FACT: Marina Hyde is Britain's funniest writer.' CAITLIN MORAN No other writer is more suited to chronicling the absurd times in which we live. In What Just Happened?! Marina Hyde slashes her way through the hellscape of post-referendum politics, where the chaos never stops. Clamber aboard as we relive every inspirational moment of magic, from David Cameron to Theresa May to Boris Johnson. Marvel at the sights, from Trumpian WTF-ery to celebrity twattery. And boggle at the cast of characters: Hollywood sex offenders, populists, sporting heroes (and villains), dastardly dukes, media barons, movie stars, reality TV monsters, billionaires, police officers, various princes and princesses, wicked advisers, philanthropists, fauxlanthropists, telly chefs, and (naturally) Gwyneth Paltrow. It's the full state banquet of crazy - and you're most cordially invited. Drawn from her spectacularly funny Guardian columns, What Just Happened?! is a welcome blast of humour and sanity in a world where reality has become stranger than fiction. 'A joyous rallying voice in British journalism.' GRAYSON PERRY 'An infinite number of gag-writers, working all day in a gag factory, couldn't come up with any of the perfectly-formed one-liners that populate Marina Hyde's hilarious writing . . . But behind the wit lurks real anger, argument, exasperation and intelligence. Her writing is more than a gentle poke in the ribs: it's a well-wrought and deftly aimed smash in the teeth.' ARMANDO IANNUCCI

A new collection of journalism from one of the great titans of 20th century literature "I don't want to be remembered for One Hundred Years of Solitude or for the Nobel Prize but rather for my journalism," Gabriel Garcia Marquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career--years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982. Here are the first pieces he wrote while working for newspapers in the coastal Colombian cities of Cartagena and Barranquilla . . . his longer, more fictionlike reportage from Paris and Rome . . . his monthly columns for Spain's El Pais. And while all the work points in style, wit, depth, and passion to his fiction, these fifty pieces are, more than anything, a revelation of the writer working at the profession he believed to be "the best in the world." 'Garcia Marquez always thought of himself as a journalist first and foremost and this brilliant collection goes a long way towards justifying that belief.' Salman Rushdie

Herman Bang (1857-1912) was a sharp-witted observer of the society and manners of his age; with an eye for telling details, he could at one moment mercilessly puncture hypocrisy and arrogance, at the next invoke indignant sympathy for the outcasts and failures of a ruthlessly competitive world. In his novels and especially in his short stories he often takes as his protagonist an unremarkable character who might be dismissed by a casual observer as uninteresting: a failed ballet dancer who scrapes a living as a peripatetic dance teacher in outlying villages ('Irene Holm'), or a lodging-house-keeper's daughter who toils from dawn to dusk to make ends meet ('Froken Caja'). He can also make wicked fun of pretensions and plots, as in 'The Ravens', where the family of the aging Froken Sejer are scheming to have her declared incapable, whilst she is selling off her valuables behind their backs to cheat them of their inheritance. His wide-ranging journalism has many targets, alerting readers to the wretched poverty hidden just a few steps from the thriving city shops or the ineptitude of Europe's ruling houses - as well as celebrating the innovations of the modern age, such as the automobile or the department store. Bang was well known throughout Europe in his lifetime, especially in Germany, where his works were translated early. In the English-speaking world he has had little impact, partly no doubt because of his homosexuality. Even now, only a couple of his novels have been translated. This volume is an attempt to remedy this lack by introducing a broad selection of his short stories and journalism to a new public.

Just as Donald Trump's victorious campaign for the US presidency shocked liberal Americans, the seemingly sudden national prominence of white supremacists, xenophobes, militia leaders, and mysterious "Alt-Right" leaders mystifies many. But the extreme Right has been growing steadily in the US since the 1990s, with the rise of Patriot militias; following 9/11, when conspiracy theorists found fresh life; and in virulent reaction to the first black president of the country. Nurtured by a powerful right-wing media sector in radio, TV, and online, the Far Right, Tea Party movement conservatives, and Republican activists found common ground in "Producerist" ideology and "constitutionalist" interpretations of US law-an alternative America that is resurgent, even as it has been ignored by the political establishment and mainstream media. Investigative reporter David Neiwert has been tracking extremists for more than two decades, and here he provides a deeply reported and authoritative report on the background, mindset, and growth on the ground of Far Right movements across the country. The product of years of reportage, and including the most in-depth investigation of Trump's ties to Far Right figures, this is a crucial book about one of the most disturbing sides of the US.

THE STORY BEHIND NEW BBC RADIO SERIES AND PODCAST BLOOD LANDS Utterly gripping, timely and shocking PHILIPPE SANDS Compelling and disturbing . . . quietly devastating DAMON GALGUT This is a book of profound importance . . . A masterpiece ALEXANDER McCALL SMITH A vintage crime story . . . an extraordinary tale . . . It is written as a drama, part thriller, part tragedy ALEC RUSSELL, Financial Times A smartly paced true-crime thriller with a vivid cast of characters . . . as tense as it is disturbing JOHN CARLIN, author of Playing the Enemy: Nelson Mandela and the Game That Made a Nation Two dead men. Forty suspects. The trial that broke a small South African town Look what the fucking dogs did to them, someone muttered. No-one mentioned the rope, or the monkey-wrench, or the gun, or the knife, or the stick, or the whip, or the blood-stained boots. In fact, no-one said much at all. It seemed simpler that way. There was no sense in pointing fingers.' At dusk, on a warm evening in 2016, a group of forty men gathered in the corner of a dusty field on a farm outside Parys in the Free State. Some were in fury. Others treated the whole thing as a joke - a game. The events of the next two hours would come to haunt them all. They would rip families apart, prompt suicide attempts, breakdowns, divorce, bankruptcy, threats of violent revenge and acts of unforgivable treachery. These Are Not Gentle People is the story of that night, and of what happened next. It's a courtroom drama, a profound exploration of collective guilt and individual justice, and a fast-paced literary thriller. Award-winning foreign correspondent and author Andrew Harding traces the impact of one moment of collective barbarism on a fragile community - exploding lies, cover-ups, political meddling and betrayals, and revealing the inner lives of those involved with extraordinary clarity. The book is also a mesmerising examination of a small town trying to cope with a trauma that threatens to tear it in two - as such, it is as much a journey into the heart of modern South Africa as it is a gripping tale of crime, punishment and redemption. When a whole community is on trial, who pays the price?

Anabel Ternes und Christopher Runge zeigen am Beispiel von Stiftungen, Verbanden und Vereinen, dass es sich auszahlt, in eine hohe Reputation zu investieren. Binnen Sekunden verbreiten sich schlechte Nachrichten und Bewertungen uber soziale Netzwerke und Internetforen - mit unabsehbaren Folgen. Gerade fur Stiftungen, Verbande und Vereine, die Spendern, Mitgliedern und Mazenen Rechenschaft schuldig sind, wie sie mit den anvertrauten Geldern verfahren, ist es wichtig, stets den UEberblick zu behalten, was "das Netz" uber die eigene Organisation sagt. Negative Meldungen und schlechte Presse koennen zu Mitgliederschwund und Spendenruckgang fuhren sowie den Ruf nachhaltig schadigen.

'They were not just reporters; they were also pioneers, and Judith Mackrell has done them proud.' -Spectator Going with the Boys follows six intrepid women as their lives and careers intertwined on the front lines of the Second World War. Martha Gellhorn got the scoop on D-Day by traveling to Normandy as a stowaway on a Red Cross ship; Lee Miller went from being a Vogue cover model to the magazine's official war correspondent; Sigrid Schultz hid her Jewish identity and risked her life by reporting on the Nazi regime; Virginia Cowles, transformed herself from 'society girl columnist' to combat reporter; Clare Hollingworth was the first English journalist to break the news of the war, while Helen Kirkpatrick was the first woman to report from an Allied war zone to be granted equal privileges to her male colleagues. Barred from official briefings and from combat zones, their lives made deliberately difficult by entrenched prejudice, all six set up their own informal contacts and found their own pockets of war action. In this gripping, intimate and nuanced account, Judith Mackrell celebrates these extraordinary women and reveals how they wrote history as it was being made, changing the face of war reporting forever. 'This is a book that manages to be thoughtful and edge-of-your-seat thrilling.' - Mail on Sunday 'Like the copy filed by her subjects, it is an essential read.' - BBC History Magazine

Anabel Ternes und Christopher Runge zeigen am Beispiel Banken, dass es sich auszahlt, in eine hohe Reputation zu investieren. Unternehmen mit einem guten Ansehen koennen hoehere Preise verlangen, Kunden gewinnen und binden, die besten Mitarbeiter fur sich gewinnen und insbesondere in Krisenzeiten von ihrer Reputation als immateriellem Wert als Wettbewerbsvorteil zehren. Voraussetzung hierfur ist ein systematisches, professionell begleitetes Reputationsmanagement, das gewahrleistet, in Zukunft zu agieren statt nur zu reagieren. Gutes Reputationsmanagement erfordert einzelne, aufeinander abgestimmte Schritte, die sich gegenseitig perfekt erganzen - zum Aufbau, zum Erhalt und zur Verbesserung einer positiven Unternehmensreputation.

Anabel Ternes und Christopher Runge zeigen am Beispiel Medical Care, dass es sich auszahlt, in eine hohe Reputation zu investieren. Unternehmen mit einem guten Ansehen koennen hoehere Preise verlangen, Kunden gewinnen und binden, die besten Mitarbeiter fur sich gewinnen und insbesondere in Krisenzeiten von ihrer Reputation als immateriellem Wert als Wettbewerbsvorteil zehren. Voraussetzung hierfur ist ein systematisches, professionell begleitetes Reputationsmanagement, das gewahrleistet, in Zukunft zu agieren statt nur zu reagieren. Gutes Reputationsmanagement erfordert einzelne, aufeinander abgestimmte Schritte, die sich gegenseitig perfekt erganzen - zum Aufbau, zum Erhalt und zur Verbesserung einer positiven Unternehmensreputation.

Anabel Ternes und Christopher Runge zeigen am Beispiel Politik, dass es sich auszahlt, in eine hohe Reputation zu investieren. Gerade wer ein politisches Amt bekleidet, steht besonders im Fokus der oeffentlichen Aufmerksamkeit. Jede Geste, jedes Wort kann von sozialen Netzwerken und Online-Medien aufgegriffen und in Windeseile verbreitet werden. Klassische Medien wie Tageszeitungen, Magazine und auch TV-Sendungen verbreiten die Nachricht zusatzlich weiter, und im Nu ist ein Skandal entstanden, dessen Folgen unabsehbar sind und oftmals das Ende der Karriere bedeuten. Wichtig ist daher, proaktiv vorzubauen, um den guten Ruf im Netz zu schutzen - mit einem professionellen Partner an der Seite.

In the course of a long and successful career as a journalist and author, Paul Johnson has known popes, presidents, prime ministers, painters, poets, playwrights, even the foul-mouthed publican Muriel Belcher, who ran the legendary Colony Club. Harking back to the scandalously anecdotal 17th century book by John Aubrey on the celebrities of his times, Brief Lives is the distilled essence of Johnson's experience of a complex variety of people who have contributed to our political, spiritual and cultural life. He advised Margaret Thatcher, counselled Princess Diana, had a drawing of him done by Ernest Hemingway and enjoyed the company of John Osborne, Arnold Wesker and Harold Pinter at Buckingham Palace. He has been an insider, outside observer and universal commentator on the individuals who have changed history, formed public taste or simply lightened our lives by their presence.