Die Berichterstattung durch Medien ist Anknupfungspunkt zahlreicher Beitrage in Rechtsprechung und Literatur. Im Mittelpunkt steht dabei die Kollision der Pressefreiheit mit dem Persoenlichkeitsrecht des durch die Berichterstattung Betroffenen. Die Betroffenheit in der eigenen Person kann aber auch schon fruher erfolgen: zum Zeitpunkt der journalistischen Recherche. Diese Tatigkeit des Journalisten ist bisher kaum Gegenstand der wissenschaftlichen Eroerterung gewesen. Diese Untersuchung soll daher zeigen, welche Grenzen der Freiheit der Recherche gesetzt sind. Um die effektive Reichweite von Rechten zu ermitteln, wird zunachst ihr Inhalt definiert. Was Gegenstand der Recherchefreiheit ist, wird in dem ersten Teil der Arbeit dargelegt. Danach wird aufgezeigt, welchen allgemeinen Grenzen die Recherchefreiheit im Verfassungsrecht und Presserecht unterliegt. Sodann werden die Schranken fur die journalistische Recherche im Strafgesetzbuch untersucht. Schliesslich werden die Begrenzungen dargestellt, die das Strafverfahrensrecht fur die journalistische Recherche enthalt.

The study sets out (a) to give an in-depth account of the discursive implications of the complex terms 'Judaism', 'modern' and feuilleton (arts pages) against the background of present-day theories of modernity, alterity and the history of aesthetics, and (b) to demonstrate the interdependency of discourses on politics and literary aesthetics with reference to concrete texts. The analysis of selected Viennese feuilletons (the corpus comprises texts by Moritz Gottlieb Saphir, Ferdinand KA1/4rnberger, Sigmund Schlesinger, Friedrich SchlAgl, Karl Landsteiner, Betty Paoli, Daniel Spitzer, Ludwig Speidel and Theodor Herzl) concentrates on the strategies of literarization employed by bourgeois-liberal journalism in its persistently conservative phase to bolster the concepts of identity informing it.

What does it feel like to be featured, quoted, or just named in a news story? A refugee family, the survivor of a shooting, a primary voter in Iowa-the views and experiences of ordinary people are an important component of journalism. While much has been written about how journalists work and gather stories, what do we discover about the practice of journalism and attitudes about the media by focusing on the experiences of the subjects themselves? In Becoming the News, Ruth Palmer argues that understanding the motivations and experiences of those who have been featured in news stories-voluntarily or not-sheds new light on the practice of journalism and the importance many continue to place on the role of the mainstream media. Based on dozens of interviews with news subjects, Becoming the News studies how ordinary people make sense of their experience as media subjects. Palmer charts the arc of the experience of "making" the news, from the events that brought an ordinary person to journalists' attention through the decision to cooperate with reporters, interactions with journalists, and reactions to the news coverage and its aftermath. She explores what motivates someone to talk to the press; whether they consider the potential risks; the power dynamics between a journalist and their subject; their expectations about the motivations of journalists; and the influence of social media on their decisions and reception. Pointing to the ways traditional news organizations both continue to hold on to and are losing their authority, Becoming the News has important implications for how we think about the production and consumption of news at a time when Americans distrust the news media more than ever.

Chosen by the American Society of Magazine Editors, the stories in this anthology include National Magazine Award-winning works of public interest, reporting, feature writing, and fiction. This year's selections include Pamela Colloff (Texas Monthly) on the agonizing, decades-long struggle by a convicted murderer to prove his innocence; Dexter Filkins (The New Yorker) on the emotional effort by an Iraq War veteran to make amends for the role he played in the deaths of innocent Iraqis; Chris Jones (Esquire) on Robert A. Caro's epic, ongoing investigation into the life and work of Lyndon Johnson; Charles C. Mann (Orion) on the odds of human beings' survival as a species; and Roger Angell (The New Yorker) on aging, dying, and loss. The former infantryman Brian Mockenhaupt (Byliner) describes modern combat in Afghanistan and its ability both to forge and challenge friendships; Ta-Nehisi Coates (The Atlantic) reflects on the complex racial terrain traversed by Barack Obama; Frank Rich (New York) assesses Mitt Romney's ambiguous candidacy; and Dahlia Lithwick (Slate) looks at the current and future implications of an eventful year in Supreme Court history. The volume also includes an interview on the art of screenwriting with Terry Southern from The Paris Review and an award-winning short story by Stephen King published in Harper's magazine.

What it means when your father dies. How it feels when summer comes. What it's like to live in a great but troubled American city. The value of wearing sunscreen. These are just a few of the topics that Mary Schmich addresses in this second, expanded edition of Even the Terrible Things Seem Beautiful to Me Now, a collection of her columns from the Chicago Tribune, including the 10 that won the 2012 Pulitzer Prize for commentary. Schmich is the rare newspaper columnist whose writing resonates long after it's published and far beyond the place she lives. She may be best known for a column widely called "Wear Sunscreen"-misattributed to Kurt Vonnegut and turned into a hit recording by Baz Luhrmann-but her writing ranges as widely as life itself. It can be slyly humorous, deeply moving, or tough. She addresses subjects as varied as family love, sexual harassment, long friendships, poverty, and Chicago violence. Every city has its voices, the enduring writers who both explain and create a city's culture. Chicago has had many, including the legendary Mike Royko and Studs Terkel. Mary Schmich is among them. In a hectic age, her writing lifts us, calms us, and helps us understand.

Herman Bang (1857-1912) was a sharp-witted observer of the society and manners of his age; with an eye for telling details, he could at one moment mercilessly puncture hypocrisy and arrogance, at the next invoke indignant sympathy for the outcasts and failures of a ruthlessly competitive world. In his novels and especially in his short stories he often takes as his protagonist an unremarkable character who might be dismissed by a casual observer as uninteresting: a failed ballet dancer who scrapes a living as a peripatetic dance teacher in outlying villages ('Irene Holm'), or a lodging-house-keeper's daughter who toils from dawn to dusk to make ends meet ('Froken Caja'). He can also make wicked fun of pretensions and plots, as in 'The Ravens', where the family of the aging Froken Sejer are scheming to have her declared incapable, whilst she is selling off her valuables behind their backs to cheat them of their inheritance. His wide-ranging journalism has many targets, alerting readers to the wretched poverty hidden just a few steps from the thriving city shops or the ineptitude of Europe's ruling houses - as well as celebrating the innovations of the modern age, such as the automobile or the department store. Bang was well known throughout Europe in his lifetime, especially in Germany, where his works were translated early. In the English-speaking world he has had little impact, partly no doubt because of his homosexuality. Even now, only a couple of his novels have been translated. This volume is an attempt to remedy this lack by introducing a broad selection of his short stories and journalism to a new public.

This is the first time these essays have been collected and identified as De Quincey's. Each essay or article is reprinted with full annotation and the author's reasons for attributing it to De Quincey. The essays vary in length and in subject matter: some are addressed to "The Editor"; some are critical reviews of contemporary magazines; some are week-to-week political commentaries on issues facing the second Tory party. Together they show De Quincey, the journalist, working on a variety of subjects that occur in his writing before and after this time, from the financing of empires to an attack on Macaulay or an analysis of Burke's mind and style. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

China's 'Great Firewall' has evolved into the most sophisticated system of online censorship in the world. As the Chinese internet grows and online businesses thrive, speech is controlled, dissent quashed, and attempts to organise outside the official Communist Party are quickly stamped out. Updated throughout and available in paperback for the first time, The Great Firewall of China draws on James Griffiths' unprecedented access to the Great Firewall and the politicians, tech leaders, dissidents and hackers whose lives revolve around it. New chapters cover the suppression of information about the first outbreak of COVID-19 in Wuhan, disinformation campaigns in response to the exposure of the persecution of Uyghur communities in Xinjiang and the crackdown against the Umbrella movement in Hong Kong.

'Do you sometimes think that you might wish that you were a national treasure, like Alan Bennett?' 'I'm rather glad I'm not. I'm quite pleased to be what I think I am, which is a sort of national liability.' Over the course of seven decades, Jonathan Miller has been at the forefront of developments in theatre, opera, comedy, philosophy and scientific debate. This new collection brings together the very best of his acerbic writing. In keeping with Miller's grasshopper mind, One Thing and Another leaps from discussions of human behaviour, atheism, satire, cinema and television, to analysis of the work of M. R. James, Lewis Carroll, Charles Dickens and Truman Capote, by way of reflections on directing Shakespeare, Chekhov, Olivier and opera. A celebrated conversationalist, the book also features a selection of key interviews focusing on his working method. Jonathan Miller is internationally celebrated as one of the last great public intellectuals. Read One Thing and Another to find out why.

This is the first time these essays have been collected and identified as De Quincey's. Each essay or article is reprinted with full annotation and the author's reasons for attributing it to De Quincey. The essays vary in length and in subject matter: some are addressed to "The Editor"; some are critical reviews of contemporary magazines; some are week-to-week political commentaries on issues facing the second Tory party. Together they show De Quincey, the journalist, working on a variety of subjects that occur in his writing before and after this time, from the financing of empires to an attack on Macaulay or an analysis of Burke's mind and style. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The "Baltimore Sun" covered World War II with an outstanding team of combat correspondents, among them three future Pulitzer Prize winners. The correspondents witnessed momentous events: Anzio and Cassino, D-Day, Black Christmas in the Bulge, the crossing of the Rhine, the link up with the Russians on the Elbe, the German surrender at Rheims, the invasions of Iwo Jima and Okinawa, and the Japanese surrender on the U.S.S. "Missouri."

They took enormous risks. Price Day was in action at Anzio and Cassino; Holbrook Bradley landed with the 29th Division on the Normandy beaches. Lee McCardell narrowly escaped death when a bomb exploded near his jeep. Howard Norton was on a sub chaser when a Japanese shell killed most of its crew. Philip Heisler's escort carrier nearly capsized in a typhoon.

They filed stories from the front lines of history. Norton scooped the world on the execution of Mussolini. Day and McCardell were among the first to file stories on Nazi atrocities and death camps. The doyen of these correspondents, Mark Watson, wrote prescient articles on military strategy. All of them sent back gritty stories of the endurance and humor of ordinary GIs.

This was a time when correspondents wore uniforms, censors could block their stories, and journalists wrote on portable typewriters and traveled dozens of miles to file their copy. Enjoying a personal freedom of movement and decision-making unknown in today's electronic era, these newspaper men were working at a time when print journalism was the prime medium for news. Their dispatches, which reported the war with the immediacy of real time, make up the core of this book.

A Century of Repression offers an unprecedented and panoramic history of the use of the Espionage Act of 1917 as the most important yet least understood law threatening freedom of the press in modern American history. It details government use of the Act to control information about U.S. military and foreign policy during the two World Wars, the Cold War, and the War on Terror. The Act has provided cover for the settling of political scores, illegal break-ins, and prosecutorial misconduct.

From a certain perspective, the biggest political story of 2016 was how the candidate who bought three-quarters of the political ads lost to the one whose every provocative Tweet set the agenda for the day's news coverage. With the arrival of bot farms, microtargeted Facebook ads, and Cambridge Analytica, isn't the age of political ads on local TV coming to a close? You might think. But you'd be wrong to the tune of $4.4 billion just in 2016. In U.S. elections, there's a lot more at stake than the presidency. TV spending has gone up dramatically since 2006, for both presidential and down-ballot races for congressional seats, governorships, and state legislatures-and the 2020 campaign shows no signs of bucking this trend. When candidates don't enjoy the name recognition and celebrity of the presidential contenders, it's very much business as usual. They rely on the local TV newscasts, watched by 30 million people every day-not Tweets-to convey their messages to an audience more fragmented than ever. At the same time, the nationalization of news and consolidation of local stations under juggernauts like Nexstar Media and Sinclair Broadcasting mean a decreasing share of time devoted to down-ballot politics-almost 90 percent of 2016's local political stories focused on the presidential race. Without coverage of local issues and races, ad buys are the only chance most candidates have to get their messages in front of a broadcast audience. On local TV news, political ads create the reality of local races-a reality that is not meant to inform voters but to persuade them. Voters are left to their own devices to fill in the space between what the ads say-the bought reality-and what political stories used to cover.

Art as Witness is a cluster of barbed writings and biting images from the underbelly of turbulent India and its neighboring countries. Relying on the sustained work of eminent photographers and artists on rights issues in and around South Asia, and on writings by courageous activists, lawyers, journalists, and social scientists, the book focuses on the terror unleashed by armies, states, and courts of law, and tells the stories of brave survivors. Here, text and image are strained to their limits to convey the hopes and anguish of prisoners, death-row victims, murder-victim families, families of missing people, populations living under martial law, and displaced communities, in a world where democratic rights and freedoms are shrinking every day. Based on Amnesty International India's 'Art for Activism' project, this book hopes to strengthen global campaigns for a world without fear and torture, a world without death penalty, or disappearances and custodial violence. It hopes to reach out to a wider and more diverse readership/viewership through its parallel narrative of images as visual testimonies, and spillover references to the popular worlds of cinema, music, slogan, and performance.

Eine erfolgreiche Unternehmensfuhrung ist heute mehr denn je auf eine professionelle Unternehmenskommunikation angewiesen. Vor diesem Hintergrund werden in dem Band das Grundwissen der Unternehmenskommunikation sowie Herausforderungen und Losungsansatze anhand von Fallbeispielen dargestellt. Dabei geht es um zwei zentrale Aspekte: das Management der Kommunikationsfunktion im Unternehmen einerseits sowie konzeptionelle und methodische Fragen der Kommunikationsaufgabe andererseits."

Part diary and part reportage, "The Soccer War" is a remarkable chronicle of war in the late twentieth century. Between 1958 and 1980, working primarily for the Polish Press Agency, Kapuscinski covered twenty-seven revolutions and coups in Africa, Latin America, and the Middle East. Here, with characteristic cogency and emotional immediacy, he recounts the stories behind his official press dispatches--searing firsthand accounts of the frightening, grotesque, and comically absurd aspects of life during war. "The Soccer War" is a singular work of journalism.

These sometimes harrowing, frequently funny, and always riveting stories about food and eating under extreme conditions feature the diverse voices of journalists who have reported from dangerous conflict zones around the world. A profile of the former chef to Kim Jong Il of North Korea describes Kim's exacting standards for gourmet fare, which he gorges himself on while his country starves. A journalist becomes part of the inner circle of an IRA cell thanks to his drinking buddies. And a young, inexperienced female journalist shares mud crab in a foxhole with an equally young Hamid Karzai. Along with tales of deprivation and repression are stories of generosity and pleasure, sometimes overlapping. This memorable collection, introduced and edited by Matt McAllester, is seasoned by tragedy and violence, spiced with humor and good will, and fortified, in McAllester's words, with "a little more humanity than we can usually slip into our newspapers and magazine stories."

"The Best American Magazine Writing 2010" proves that print journalism is as vital as ever, offering information, amusement, connection, and perspective to those who love to lose themselves in a good read. This year's selections, chosen from National Magazine Awards finalists and winners, include David Grann's article from the "New Yorker" on the execution of a possibly innocent man; Sheri Fink's report from the "New York Times Magazine" on the alleged euthanization of patients during Hurricane Katrina; and Fareed Zakaria's compelling take from "Newsweek" on Iran's weakening regime.

"The Best American Magazine Writing 2010" also includes absorbing profiles, arresting interviews, personal essays, and entrancing fiction. "Esquire"'s Mike Sager recounts a promising quarterback's shocking descent into drugs; "Vanity Fair"'s Bryan Burrough shares the confessions of the year's other major Ponzi schemer, and, from "McSweeney's Quarterly," Wells Tower weaves a transporting tale of elemental desire. "GQ"'s Tom Carson offers his critique of America's current vampire craze; Mitch Albom rediscovers Detroit's indomitable spirit in "Sports Illustrated"; and Garrison Keillor sings an ode to the homegrown joys of state fairs in "National Geographic." Additional contributors include Atul Gawande, Megan McArdle, and many others commenting on a range of issues, from health care and the national debt to war movies and the controversy over circumcision. Altogether the writing collected here proves the rich pleasures waiting in the best magazines.

News organizations have always sought to deliver information faster and to larger audiences. But when clicks drive journalism, the result is often simplistic, sensational, and error-ridden reporting. In this book, Seong Jae Min argues in favor of "slow journalism," a growing movement that aims to produce more considered, deliberate reporting that better serves the interests of democracy. Min explores the role of technology in journalism from the printing press to artificial intelligence, documenting the hype and hope associated with each new breakthrough as well as the sometimes disappointing-and even damaging-unintended consequences. His analysis cuts through the discussion of clickbait headlines and social-media clout chasing to identify technological bells and whistles as the core problem with journalism today. At its heart, Min maintains, traditional shoe-leather reporting-knocking on doors, talking to people, careful observation and analysis-is still the best way for journalism to serve its civic purpose. Thoughtful and engaging, Rethinking the New Technology of Journalism is a compelling call for news gathering to return to its roots. Reporters, those studying and teaching journalism, and avid consumers of the media will be interested in this book.

In the first (systematic) section the flysheet as a medium is defined and set off against other media. Information is given on the conditions governing production, distribution and reception, and typical linguistic and formal features are discussed. Part Two offers a brief history of flysheets from the 15th century to 1848, focussing especially on the early Reformation and the Peasants' War but with constant reference to the other media of the respective epoch throughout.

The first comprehensive collection of the words and works of a movement-defining artist. Jean-Michel Basquiat (1960-1988) burst onto the art scene in the summer of 1980 as one of approximately one hundred artists exhibiting at the 1980 Times Square Show in New York City. By 1982, at the age of twenty-one, Basquiat had solo exhibitions in galleries in Italy, New York, and Los Angeles. Basquiat's artistic career followed the rapid trajectory of Wall Street, which boomed from 1983 to 1987. In the span of just a few years, this Black boy from Brooklyn had become one of the most famous American artists of the 1980s. The Jean-Michel Basquiat Reader is the first comprehensive sourcebook on the artist, closing gaps that have until now limited the sustained study and definitive archiving of his work and its impact. Eight years after his first exhibition, Basquiat was dead, but his popularity has only grown. Through a combination of interviews with the artist, criticism from the artist's lifetime and immediately after, previously unpublished research by the author, and a selection of the most important critical essays on the artist's work, this collection provides a full picture of the artist's views on art and culture, his working process, and the critical significance of his work both then and now.