Award-winning journalist Wolfgang Bauer and photographer Stanislav Krupar were the first undercover reporters to document the journey of Syrian refugees from Egypt to Europe. Posing as English teachers in 2014, they were direct witnesses to the brutality of smuggler gangs, the processes of detainment and deportation, the dangers of sea-crossing on rickety boats, and the final furtive journey through Europe. Combining their own travels with other eyewitness accounts in the first book of reportage of its kind, Crossing the Sea brings to life both the systemic problems and the individual faces behind the crisis, and is a passionate appeal for more humanitarian refugee policies.

The Best American Magazine Writing 2019 presents articles honored by this year's National Magazine Awards, showcasing outstanding writing that addresses urgent topics such as justice, gender, power, and violence, both at home and abroad. The anthology features remarkable reporting, including the story of a teenager who tried to get out of MS-13, only to face deportation (ProPublica); an account of the genocide against the Rohingya in Myanmar (Politico); and a sweeping California Sunday Magazine profile of an agribusiness empire. Other journalists explore the indications of environmental catastrophe, from invasive lionfish (Smithsonian) to the omnipresence of plastic (National Geographic). Personal pieces consider the toll of mass incarceration, including Reginald Dwayne Betts's "Getting Out" (New York Times Magazine); "This Place Is Crazy," by John J. Lennon (Esquire); and Robert Wright's "Getting Out of Prison Meant Leaving Dear Friends Behind" (Marshall Project with Vice). From the pages of the Atlantic and the New Yorker, writers and critics discuss prominent political figures: Franklin Foer's "American Hustler" explores Paul Manafort's career of corruption; Jill Lepore recounts the emergence of Ruth Bader Ginsburg; and Caitlin Flanagan and Doreen St. Felix reflect on the Kavanaugh hearings and #MeToo. Leslie Jamison crafts a portrait of the Museum of Broken Relationships (Virginia Quarterly Review), and Kasey Cordell and Lindsey B. Koehler ponder "The Art of Dying Well" (5280). A pair of never-before-published conversations illuminates the state of the American magazine: New Yorker writer Ben Taub speaks to Eric Sullivan of Esquire about pursuing a career as a reporter, alongside Taub's piece investigating how the Iraqi state is fueling a resurgence of ISIS. And Karolina Waclawiak of BuzzFeed News interviews McSweeney's editor Claire Boyle about challenges and opportunities for fiction at small magazines. That conversation is inspired by McSweeney's winning the ASME Award for Fiction, which is celebrated here with a story by Lesley Nneka Arimah, a magical-realist tale charged with feminist allegory.

11 Was macht fur Pottker den Beruf Journalismus aus? Konstitutiv ist zunachst einmal, im Sinne der Berufsdefinition Max Webers, eine typische Spezifizierung, Spezialisierung und Kombination von Leistungen einer Person [ ], welche fur sie die Grundlage einer kontinuierlichen Versorgungs- und Erwerbschance ist (Weber 1972: 80). Mit anderen Worten: Journalisten sollen fur ihre spezielle Tatigkeit und die dafur erworbenen Kom- tenzen ein regelmassiges und zum Leben ausreichendes Einkommen erwarten (konnen). Daruber hinaus ist der Journalistenberuf mit einer ihm eigenen Aufgabe bewusst verm- det Pottker den systemtheoretisch konnotierten Funktionsbegriff verbunden: dem Herst- len von Offentlichkeit (vgl. u. a. Pottker 1999). Als Kernelement des journalistischen - rufsethos lasst sich damit ein Drang zum An-den-Tag-bringen beschreiben, der bereits in der Berufsbezeichnung Journalist erkennbar wird, in der das franzosische Nomen le jour (der Tag) enthalten ist: Journalisten bringen an den Tag, was nicht verschwiegen werden darf, damit ihre Rezipienten sich in der Gesellschaft, in der sie leben, zurechtfinden konnen. Aus der Offentlichkeitsaufgabe ergibt sich eine journalistische Grundpflicht zum P- lizieren, von der im Prinzip kein Gegenstand und kein Thema ausgenommen ist (ebd.: 221). Pottker vergleicht diese Grundnorm oft anschaulich mit ahnlichen bei Arzten, die menschliches Leben erhalten, oder Rechtsanwalten, die fur ihre Mandanten das rechtlich Mogliche herausholen sollen. Sollte es Grunde geben, die gegen eine Befolgung dieser Gebote sprechen, so mussen diese besonders stark ausgepragt sein. Nach dieser Argumen- tion ist das Nicht-Veroffentlichen von bestimmten Themen ein schwerer wiegender Verstoss gegen die journalistische Professionalitat als eine Verfalschung publizierter Informationen."

This edition of Granta has articles by Martha Gellhorn, Eleanor Roosevelt, Oliver Sacks, Harold Pinter, Samuel Beckett, Raymond Chandler and Patrick Leigh Fermor. There are examples of letters to Chinese dissidents, letters to pop stars, hate letters, publishers' rejection letters to Elliot, Philip Larkin and Wittgenstein and Mandela's prison letters.

Between 1925 and 1951, Kent Cooper transformed the Associated Press, making it the world's dominant news agency while changing the kind of journalism that millions of readers in the United States and other countries relied on. Gene Allen's biography is a globe-spanning account of how Cooper led and reshaped the most important institution in American--and eventually international--journalism in the mid-twentieth century. Allen critically assesses the many new approaches and causes that Cooper championed: introducing celebrity news and colorful features to a service previously known for stodgy reliability, pushing through disruptive technological innovations like the instantaneous transmission of news photos, and leading a crusade to bring American-style press freedom--inseparable from private ownership, in Cooper's view--to every country. His insistence on truthfulness and impartiality presents a sharp contrast to much of today's fractured journalistic landscape. Deeply researched and engagingly written, Mr. Associated Press traces Cooper's career as he built a new foundation for the modern AP and shaped the twentieth-century world of news.

Explores the link between revolutionary change in the Victorian world of print and women's entry into the field of mass-market publishing This book highlights the integral relationship between the rise of the popular woman writer and the expansion and diversification of newspaper, book and periodical print media during a period of revolutionary change, 1832-1860. It includes discussion of canonical women writers such as Felicia Hemans, Charlotte Bronte and George Eliot, as well as lesser-known figures such as Eliza Cook and Frances Brown. It also examines the ways women readers actively responded to a robust popular print culture by creating scrapbooks and engaging in forms of celebrity worship. Easley analyses the ways Victorian women's participation in popular print culture anticipates our own engagement with new media in the twenty-first century.

The Best American Magazine Writing 2021 presents outstanding journalism and commentary that reckon with urgent topics, including COVID-19 and entrenched racial inequality. In "The Plague Year," Lawrence Wright details how responses to the pandemic went astray (New Yorker). Lizzie Presser reports on "The Black American Amputation Epidemic" (ProPublica). In powerful essays, the novelist Jesmyn Ward processes her grief over her husband's death against the backdrop of the pandemic and antiracist uprisings (Vanity Fair), and the poet Elizabeth Alexander considers "The Trayvon Generation" (New Yorker). Aymann Ismail delves into how "The Store That Called the Cops on George Floyd" dealt with the repercussions of the fatal call (Slate). Mitchell S. Jackson scrutinizes the murder of Ahmaud Arbery and how running fails Black America (Runner's World). The anthology features remarkable reporting, such as explorations of the cases of children who disappeared into the depths of the U.S. immigration system for years (Reveal) and Oakland's efforts to rethink its approach to gun violence (Mother Jones). It includes selections from a Public Books special issue that investigate what 2020's overlapping crises reveal about the future of cities. Excerpts from Marie Claire's guide to online privacy examine topics from algorithmic bias to cyberstalking to employees' rights. Aisha Sabatini Sloan's perceptive Paris Review columns explore her family history in Detroit and the toll of a brutal past and present. Sam Anderson reflects on a unique pop figure in "The Weirdly Enduring Appeal of Weird Al Yankovic" (New York Times Magazine). The collection concludes with Susan Choi's striking short story "The Whale Mother" (Harper's Magazine).

This book concentrates on Russia-related Pulitzer Prize-winning reports and editorial cartoons from leading American newspapers. The reports cover the span from the early stages of the Soviet Union under Lenin through to the Russian Federation under Putin. American top journalists and cartoonists show the suppression system of the Stalin era to Gorbachev's Glasnost and Perestroika movement and the events thereafter. Each story is told on the basis of the original newspaper sources, the biography of the award-winners, and the confidential jury reports of the Pulitzer Prize juries, disclosing the decision-making processes. (Series: Pulitzer Prize Panorama - Vol. 5)

In Ten Trips neuropsychologist Andy Mitchell takes ten different psychedelic drugs in ten different settings, puncturing the hype while providing the fullest picture yet of their limitlessly fascinating possibilities. Once demonised and still largely illegal, psychedelic drugs are now officially a 'breakthrough therapy', used to treat depression, trauma and addiction and to enhance well-being. But as neuropsychologist Andy Mitchell shows in this deeply serious yet wildly entertaining investigation, this approach misses what is so strange and valuable about them: the psychedelic experience itself. In Ten Trips he takes ten different compounds, some famous, others obscure, journeying from a neuroimaging lab in London to the Colombian Amazon via Silicon Valley and his friend's basement kitchen. His encounters with scientists and gangsters, venture capitalists and con-men, psychonauts and shamans provide a panoramic view of psychedelics today: their capacity for healing but also trauma, for transcendence and corruption, profundity and hilarity. By removing psychedelics from their indigenous and underground cultures, we risk losing the very things we need to harness them. To make them safe or normal might ultimately destroy what makes them potent. That potential is indeed great, not as an antidote to mental illness - none exists - but as a way of changing our whole perspective on mental health and flourishing. Ten Trips is a dazzling, perception-shifting odyssey that shows how psychedelics can re-enchant us with the world.

Joseph Roth, the greatest European newspaper correspondent of his age, left the splintering Weimar Republic for Paris in 1925 and, as an Austrian Jew, was exiled there for the rest of his life. Collected together here for the first time in English, these exhilarating pieces evoke a world of suppleness, beauty and promise. From the port town of Marseilles to the Riviera of Nice and Monte Carlo, to the exotic hill country around Avignon, from the socialist workers and cattlemen with whom Roth ate breakfast, to prostitutes and Sunday bullfighters, The White Cities is not only a swan song to a European order that could no longer hold but also a beautifully crafted and revelatory work.

Sachin Tendulkar has made poets of prose writers even if his strokeplay has demontrated the futility of conveying in words the brilliance of his batsmanship. As R C Robertson-Glasgow said in another context, he was "easy to watch, difficult to bowl to and impossible to write about." In this collection of essays by some of the finest writers on cricket, the attempt is not so much to pin Sachin down as to let him roam free: beyond statistics, above nationality, and above the need to explain. From the sublime to the ridiculous it is all here. As Peter Roebuck once said "Whenever I feel low I only need to remind myself how privileged I am to be writing on the game in the Tendulkar era"

My father, the monster of the Springs house of horrors

“I kneel on the foot piece next to the bed and lower my head. A piercing, burning pain engulfs my entire face. Dad has kicked me. Blood is gushing from my nose. Then I feel cold water being poured all over my body. Electrical wires shock me, I can’t see through the blood. God, help me.” (Translated)

Landi is the eldest of five children who were rescued from the so-called Springs house of horror. She is now 21 years old and tells her astonishing story for the very first time. In May 2014, police raided the house where a sadistic father had imprisoned, abused and tortured his wife and five children in a rat-infested den of sleaze.

In chilling detail, Landi recalls how their father assaulted them by tasering them, shooting them with a gas pistol and burning them with a blowtorch, how he researched torture methods and nearly drowned them in a bathtub.

She relates her memories to Susan Cilliers, an experienced journalist, who documents it with compassion, skilfully combining it with facts that emanated from the police investigation and court case.

House of Horrors is the shocking tale of a father who took everything from his family in the cruellest possible way, but it is also a story of hope about a brave young girl who eventually finds happiness and healing.

Ian Hamilton is a poet and biographer. He is also a Tottenham Hotspur supporter - and a Gazza fan. This collection includes his account of the story of Gazza: at play, on show, in the press, in pain, in distress - of Gazza more sinned against than sinning. Also in this issue: Jonathan Raban: "On Flooded Mississippi"; Ethan Canin: "J.D. Salinger's Heir Apparent?"; Nick Hornby: "On Teenage Sex"; Timothy Garton Ash: "With Erich Hoenecker"; Michael Ignatieff: "On The Era of the Warlord; and "Marking the 75th Anniversary of Armistice Day", Steve Pyke's chilling World War I portraits.

Jordan's diverse socioeconomic make-up encapsulates, like no other Middle Eastern state, both the array of pressing short-term problems facing the region, and the underlying challenges that Arab states will need to face once the current spate of civil conflicts is over: meaningful youth employment, female participation in politics, and integration of refugees into society. This book tells the story of Jordan through the lives of ordinary people, including a political cartoonist, a Syrian refugee, a Jihadist and a female parliamentarian. The raw voices and everyday struggles of these people shine a fresh light on the politics, religion, and society of a culture coming to terms with the harsh reality of modernisation and urbanisation at a time of regional upheaval. With her deep knowledge of Jordan's landscape, language and culture, Rana Sweis sketches an intimate portrait of the intricacies and complexities of life in the Middle East. Rather than focusing on how individuals are affected by events in the region, she reveals a cast of characters shaping their own lives and times. Voices of Jordan shares those stories in all of their rich detail, offering a living, breathing social and political history.

'She has, to my knowledge, an almost unblemished record in never having failed to spot a great new play...' Philip Howard, from his Foreword Joyce McMillan has been writing about theatre in Scotland for more than three decades. As drama critic successively for The Guardian, Scotland on Sunday and The Scotsman, she has reviewed thousands of plays. During that time she has borne witness to an extraordinary cultural and political renaissance in Scotland, reflected in the newfound confidence of its playwrights, in the vibrancy of its theatre culture and in its recent outburst of new theatre companies. Compiled by McMillan and the theatre director, Philip Howard, Theatre in Scotland is a panoramic history of modern Scottish theatre, reported from the frontline. It traces the remarkable journey of Scottish theatre towards its new self-confidence: the road to 1990, when Glasgow was European Capital of Culture; followed by the explosive expansion of the 1990s; culminating in the emergence of the National Theatre of Scotland and its drive to bring theatre culture right into the heart of the nation. Gathered here are the leading Scottish playwrights, from John Byrne to Liz Lochhead, from David Greig to David Harrower, as well as the full breadth of English playwrights, from Shakespeare to Pinter. There are reflections on the great Scottish plays, classic - Ane Satyre of the Thrie Estaitis, Men Should Weep - and modern - Black Watch, The James Plays. There are reports not only from the urban theatre centres of Edinburgh and Glasgow but from all over Scotland; and from the feast that is the Edinburgh Festival, to the nourishing A Play, A Pie and A Pint. A leading thinker and writer about Scotland, McMillan has an incomparable ability to detect the wider cultural resonances in Scottish theatre, and to reveal what it can tell us about Scotland as a whole. Her book serves as a portrait of a nation and a shared cultural life, where visions of 'what we have been, what we are, and what we might become' are played out in sharp focus on its stages. 'When Scottish theatre works [its] magic over the coming years, I will be there, to try to catch the moment in print, and to tell it as it was. And believe me, on the good nights and the bad ones, the privilege will be mine: to be paid to go looking for joy, and occasionally to find it.' Joyce McMillan 'Joyce has an unrivalled passion and hunger for theatre - to be surprised by it, challenged by it, moved by it. Her prose when describing something which has done just this is inspiring and affecting.' Vicky Featherstone

Ranging from war journalism to crime stories to profiles on influential leaders to pieces on sports, gambling and the impending impact of supercomputers on the practice of medicine, this collection is Bowden at his best. Pieces that will appear in the collection include, "The Three Battles of Wanat", which tells the story of a bloody engagement in Afghanistan and the extraordinary years-long fallout within the US military, "The Drone Warrior," in which Bowden examines the strategic, legal and moral issues surrounding armed drones, and "The Case of the Vanishing Blonde," which first appeared in Vanity Fair and recounts the chilling story of a woman who went missing from a Florida hotel only to turn up near the Everglades, brutally beaten, raped and still alive. Also included are profiles on a diverse range of notable and influential people such as Joe Biden, Kim Jong-un, Judy Clarke who is well known for defending America's worst serial killers and David Simon, the creator of the successful HBO series The Wire.