'No one else can make me laugh and cry quite like Jilly Cooper.' Gill Sims 'Jilly Cooper's non-fiction is just as entertaining as her novels.' Pandora Sykes ____________________ 'One truth I have learnt, as middle age enmeshes me like Virginia creeper, is that I shall never change-because my capacity for self-improvement is absolutely nil.' Jilly Cooper's observations from her days as a much-loved newspaper columnist cover everything to do with sex, socialising and survival - from marriage, friendship and the minutiae of family life, to the tedium of going to visit people for the weekend, the stress of hosting dinner parties and the descent of middle age. Entertaining and full of heart, this classic collection of journalism from the legendary author explores the highs and lows of everyday life with wit, wisdom and warmth. Praise for Jilly Cooper: 'Joyful and mischievous' Jojo Moyes 'Fun, sexy and unputdownable' Marian Keyes 'Flawlessly entertaining' Helen Fielding

The era between the Civil War and the end of World War I, marked by increasing nation-building, immigration, internal migration, and racial tension in the United States, saw the rise of local color literature that described through "lived experiences" the peculiarities of regional life. This anthology brings together works from every part of the country, written by men and women of many cultures, ethnicities, ideologies, and literary styles.

Organized geographically, American Local Color Writing features such familiar writers as Joel Chandler Harris, Kate Chopin, Hamlin Garland, and Sarah Orne Jewett, and introduces less well-known voices like Sui Sin Far, Abraham Cahan, and Zitkala-Sa. The writings sheds light on varying concepts of "the American identity": Charles Chesnutt, Alice Dunbar-Nelson, Pauline Hopkins, and others present a distinct African-American experience; shifting notions of gender and sexuality come to light not only in pieces by women but also in nostalgic renditions of frontier life as the embodiment of masculine virtues and values; and racial, class, and ethnic stereotypes are reproduced and challenged in many of the stories.

For over thirty years, Mark Austin has covered the biggest stories in the world for ITN and Sky News. As a foreign correspondent and anchorman he has witnessed first-hand some of the most significant events of our times, including the Iraq War, during which his friend and colleague Terry Lloyd was killed by American 'friendly fire', the historic transition in South Africa from the brutality of apartheid to democracy, the horrors of the Rwandan genocide, and natural disasters such as the Haiti earthquake and the Mozambique floods. The stories themselves will be familiar to many people, but less well known are the often extraordinary behind the scenes tales of a newsman's life on the road; the problems encountered in some of the most dangerous places on earth; the days when things go badly wrong; the moments of high drama and raw emotion and, quite often, the hilarious happenings the viewer never imagines and only seldom sees. Based on decades of experience on the frontlines, this candid and revealing memoir gives a startling insight into one man's extraordinary career and lifts the lid on the world of television news.

These sometimes harrowing, frequently funny, and always riveting stories about food and eating under extreme conditions feature the diverse voices of journalists who have reported from dangerous conflict zones around the world. A profile of the former chef to Kim Jong Il of North Korea describes Kim's exacting standards for gourmet fare, which he gorges himself on while his country starves. A journalist becomes part of the inner circle of an IRA cell thanks to his drinking buddies. And a young, inexperienced female journalist shares mud crab in a foxhole with an equally young Hamid Karzai. Along with tales of deprivation and repression are stories of generosity and pleasure, sometimes overlapping. This memorable collection, introduced and edited by Matt McAllester, is seasoned by tragedy and violence, spiced with humor and good will, and fortified, in McAllester's words, with "a little more humanity than we can usually slip into our newspapers and magazine stories."

From fleeing the Warsaw Ghetto and living underground to fighting for social justice in 1960s' Seattle and helping smash the communist system in 1980s' Poland, this is a narrative that erupts into critical moments in Jewish, Polish, and American history. It is also a story of the hidden anguish that accompanies and courses through that history, of the living haunted by the dead. The story is told through a conversation, often contentious, between Michael Steinlauf, historian of Polish-Jewish culture and child of Holocaust survivors, and the anthropologist and artist Elzbieta Janicka. It is illustrated with scores of photographs and documents.

Eine erfolgreiche Unternehmensfuhrung ist heute mehr denn je auf eine professionelle Unternehmenskommunikation angewiesen. Vor diesem Hintergrund werden in dem Band das Grundwissen der Unternehmenskommunikation sowie Herausforderungen und Losungsansatze anhand von Fallbeispielen dargestellt. Dabei geht es um zwei zentrale Aspekte: das Management der Kommunikationsfunktion im Unternehmen einerseits sowie konzeptionelle und methodische Fragen der Kommunikationsaufgabe andererseits."

From ISIS propaganda videos to popular regime-backed TV series and digital activism, the Syrian conflict has been dramatically affected by the production of media, at the same time generating in its turn an impressive visual culture. Yet what are the aesthetic, political and material implications of the collusion between the production of this sheer amount of visual media being continuously shared and re-manipulated on the Internet, and the performance of the conflict on the ground? This ethnography uses the Syrian case to reflect more broadly on how the networked age reshapes contemporary warfare and impacts on the enactment of violence through images and on images. In stark contrast to the techno-utopias celebrating digital democracy and participatory cultures, Donatella Della Ratta's analysis exposes the dark side of online practices, where visual regimes of representation and media production dramatically intertwine with modes of destruction and the performance of violence. Exploring the most socially-mediated conflict of contemporary times, the book offers a fascinating insight into the transformation of warfare and life in the age of the internet.

Initially published in 1920, Darkwater: Voices from Within the Veil is a combination of essays that tackle the power dynamics of gender, race and religion. It's a searing portrait of America influenced by Du Bois' own personal experiences. Du Bois delivers a contemporary examination of African American life during the first half of the twentieth century. He addresses issues of segregation, employment disparity and misogyny, specifically toward Black women. Darkwater: Voices from within the Veil is one of his prominent autobiographies, detailing internal and external conflicts and their effect on the whole. He presents an overall indictment of systemic racism, oppression and exploitation of any kind. W.E.B. Du Bois was a celebrated figure who dedicated his life to uplifting and educating the African American community. Darkwater: Voices from within the Veil is a critical part of his enduring legacy. It broaches tough topics and presents a valid critique of American culture. With an eye-catching new cover, and professionally typeset manuscript, this edition of Darkwater: Voices from within the Veil is both modern and readable.

"She was part of the 'stunt girl' movement that was very important in the 1880s and 1890s as these big, mass-circulation yellow journalism papers came into the fore." -Brooke Kroeger Around the World in Seventy-Two Days (1890) is a travel narrative by American investigative journalist Nellie Bly. Proposed as a recreation of the journey undertaken by Phileas Fogg in Jules Verne's Around the World in Eighty Days (1873), Bly's journey was covered in Joseph Pulitzer's popular newspaper the New York World, inspiring countless others to attempt to surpass her record. At the time, readers at home were encouraged to estimate the hour and day of Bly's arrival, and a popular board game was released in commemoration of her undertaking. Embarking from Hoboken, noted investigative journalist Nellie Bly began a voyage that would take her around the globe. Bringing only a change of clothes, money, and a small travel bag, Bly travelled by steamship and train through England, France-where she met Jules Verne-Italy, the Suez Canal, Ceylon, Singapore, Hong Kong, and Japan. Sending progress reports via telegraph, she made small reports back home while recording her experiences for publication upon her return. Despite several setbacks due to travel delays in Asia, Bly managed to beat her estimated arrival time by several days despite making unplanned detours, such as visiting a Chinese leper colony, along the way. Unbeknownst to Bly, her trip had inspired Cosmopolitan's Elizabeth Brisland to make a similar circumnavigation beginning on the exact day, launching a series of copycat adventures by ambitious voyagers over the next few decades. Despite being surrounded by this air of popularity and competition, however, Bly took care to make her journey worthwhile, showcasing her skill as a reporter and true pioneer of investigative journalism. With a beautifully designed cover and professionally typeset manuscript, this edition of Nellie Bly's Around the World in Seventy-Two Days is a classic work of American travel literature reimagined for modern readers.

In Seven Stages: A Flying Trap Around the World (1891) is a travel narrative by American journalist Elizabeth Bisland. When Bly's journey-inspired by the travels of Phileas Fogg in Jules Verne's Around the World in Eighty Days (1873)-was announced in Joseph Pulitzer's popular newspaper the New York World, Cosmopolitan sent a young reporter of its own to race Bly across the globe. At the time, readers at home were encouraged to estimate the hour and day of Bisland's arrival, generating national interest and launching a series of copycat adventures by ambitious voyagers over the next few decades. "My appetite for mystery at that hour of the day is always lamentably feeble, and it was nearly eleven before I found time to go and investigate this one, although the office in question was only a few minutes' walk from my residence. On arriving, the editor and owner of the magazine asked if I would leave New York that evening for San Francisco and continue from there around the world, endeavoring to complete the journey in some absurdly inadequate space of time." Summoned from her life of work and leisure to undertake a several month journey around the world, Elizabeth Bisland rose to the occasion with courage and wit. Although Nellie Bly made it home five days before her-perhaps due to some subterfuge on the part of her publisher-Bisland took defeat in stride, writing an account filled with wonderful descriptions of her voyage. Ironic and self-effacing, Bisland's account, although less popular than Bly's, remains an essential work from the early days of tabloid entertainment and investigative journalism, a time when publishers were willing enough-or wild enough-to send correspondents on a globetrotting voyage in search of fame. With a beautifully designed cover and professionally typeset manuscript, this edition of Elizabeth Bisland's In Seven Stages: A Flying Trap Around the World is a classic work of American travel literature reimagined for modern readers.

In some ways, I didn't - don't - want to remember any of it. Which is not to say that one ever forgets. I don't know any journalist who worked through the Troubles, with its relentless cycle of murders and doorstepping the homes of the dead and funerals and yet more murders, who isn't haunted from time to time by being an eyewitness to evil, to heartache and, yes, to courage too. GAIL WALKER, editor, Belfast Telegraph In Reporting the Troubles sixty-eight renowned journalists tell their stories of working in Northern Ireland during the Troubles - the victims that they have never forgotten, the events that have never left them, and the lasting impact of the experience of working through those years. The result is a compelling account of one of the most turbulent periods in recent history, told by the journalists who reported on it. Beginning in 1968 with an eyewitness report of the day that civil rights protestors clashed with the police in Derry, the journalists give candid accounts of the years that followed - arriving on the scene of major atrocities; knocking on the doors of bereaved relatives; maintaining objectivity in the face of threats from paramilitaries and pressure from the state; and always the absolute commitment to telling the truth. This is a landmark book - a history of the Troubles told by the journalists who were on the ground from the beginning and including many of the biggest names in journalism from the last fifty years. Reporting the Troubles is a remarkable act of remembrance that is raw, thought provoking and profoundly moving. Contributors: Kate Adie, Martin Bell, Nicholas Denis, Sean O'Neill, David Armstrong, Wendy Austin, Trevor Birney, Suzanne Breen, Gordon Burns, Anne Cadwallader, Michael Cairns, Jim Campbell, Paul Clark, John Coghlan, Martin Cowley, Ed Curran, David Davin-Power, Deaglan de Breadun, John Devine, Noel Doran, Noreen Erskine, Paul Faith, Robert Fisk, Derval Fitzsimons, Tommie Gorman, Katie Hannon, Deric Henderson, Eamonn Holmes, Gloria Hunniford, John Irvine, Jeanie Johnston, Alan Jones, Hugh Jordan, Richard Kay, Martin Lindsay, Ivan Little, Jane Loughrey, Eamonn Mallie, Ray Managh, Steven McCaffery, Justine McCarthy, Alf McCreary, Denzil McDaniel, Henry McDonald, Jim McDowell, Eddie McIlwaine, Susan McKay, David McKittrick, Ivan McMichael, Gerry Moriarty, John Mullin, Bill Neely, Miriam O'Callaghan, Conor O'Clery, Sister Martina Purdy, Ken Reid, Brian Rowan, Chris Ryder, Gerald Seymour, Sam Smyth, Peter Taylor, Alex Thomson, Chris Moore, Gail Walker, David Walmsley, Ian Woods, Robin Walsh.

*THE #1 NEW YORK TIMES BESTSELLER* Four Hundred Souls is an epoch-defining history of African America, the first to appear in a generation, told by ninety leading Black voices -- co-curated by Ibram X. Kendi, author of the million-copy bestseller How To Be an Antiracist, and Keisha N. Blain, author of Set the World on Fire. In chronological chapters, each by a different author and spanning five years, the book charts the four-hundred-year journey of African Americans to the present - a journey defined by inhuman oppression, visionary struggles and stunning achievements. Contributors include some of today's leading writers, historians, journalists, lawyers, poets and activists. Together - through essays and short stories, personal vignettes and fiery polemics - they redefine America and the way its history can be told. 'A vital addition to the curriculum on race in America... Compelling' Washington Post 'A resounding history...that challenges the myths of America's past... Fresh and engaging' Colin Grant, Guardian

'2021's most important book about sex.' Stylist 'You need to read this.' Mashable A bad sexual experience. A grey area. Not rape but... A violation - these are the terms we use to describe the experiences we don't have words for. The way we talk about topics such as sex, consent, assault aren't fit for purpose. Rough is a revolutionary non-fiction work exploring the narratives of sexual violence that we don't talk about. Through powerful testimony from 50 women and non-binary people, this book shines a light on the sexual violence that takes place in our bedrooms and beyond, sometimes at the hands of people we know, trust, or even love. Rough investigates violations such as 'stealthing,' non-consensual choking, and non-consensual rough sex acts that our culture is only starting to recognise as sexual violence. The book explores the ways in which systems of oppression manifest in our sexual culture - from racist microaggressions, to fatphobic acts of aggression, and ableist dehumanising behaviour. An intersectional, sex-positive, kink-positive work, the book also examines how white supremacy, transphobia, biphobia, homophobia, and misogyny are driving forces behind sexual violence. Rough is an urgent, timely call for change to the systems that oppress us all. It's time for a societal shift. As individuals with agency within our sexual culture we have the power to remodel our behaviour and this book shows us how. Praise for Rough 'An incredible investigation into a frighteningly common part of our sexual experience; determined to give ownership back to those who have had their agency stolen from them.' Dr Fern Riddell 'Unflinching. Important, thought-provoking read.' Nataliya Deleva 'Rough speaks to how many women often feel after sexual encounters - violated but unsure of exactly why, and whether our feelings are valid. This book is excellent and demonstrating just how valid those feelings are, and how the cultures of violence within sex that have been normalised intersect with wider systems of patriarchy, racism and misogyny.' Adele Walton, founder of Humanitarian Hotgirl

A fascinating look at the United States' conflicted relationship with news and the media, through the lens of the newsreel When weekly newsreels launched in the early twentieth century, they offered the U.S. public the first weekly record of events that symbolized "indisputable evidence" of the news. In News Parade, Joseph Clark examines the history of the newsreel and how it changed the way Americans saw the world. He combines an examination of the newsreel's methods of production, distribution, and reception with an analysis of its representational strategies to understand the newsreel's place in the history of twentieth-century American culture and film history. Clark focuses on the sound newsreel of the 1930s and 1940s, arguing that it represents a crucial moment in the development of a spectacular society where media representations of reality became more fully integrated into commodity culture. Using several case studies, including the newsreel's coverage of Charles Lindbergh's transatlantic flight and the Sino-Japanese War, News Parade shows how news film transformed the relationship between its audience and current events, as well as the social and political consequences of these changes. It pays particular attention to how discourses of race and gender worked together with the rhetoric of speed, mobility, and authority to establish the power and privilege of newsreel spectatorship. In the age of fake news and the profound changes to journalism brought on by the internet, News Parade demonstrates how new technologies and media reshaped the American public's relationship with the news in the 1930s-a history that can help us to better understand the transformations happening today.

He wrote on politics and racism before the word ‘apartheid’ ever made headlines. He has questioned southern African leaders from Drs. Malan and Verwoerd to Vorster, PW Botha, FW de Klerk to the first president of Zambia, Kenneth Kuanda, and President Mugabe; including global leaders such as President Mandela, General Smuts, President Gerald Ford and Britain’s Prime Minister Harold Macmillan. Why The Other Side? In part one of Tyson’s remarkable autobiography he encourages views that are different to the fixed positions which most people hold on both sides of the political divide. He writes lightly about his most dangerous moments, and sympathetically about those who struggle to help others. He invites you to look at the situation from ‘the other side’ – wherever confrontation arises.

Art as Witness is a cluster of barbed writings and biting images from the underbelly of turbulent India and its neighboring countries. Relying on the sustained work of eminent photographers and artists on rights issues in and around South Asia, and on writings by courageous activists, lawyers, journalists, and social scientists, the book focuses on the terror unleashed by armies, states, and courts of law, and tells the stories of brave survivors. Here, text and image are strained to their limits to convey the hopes and anguish of prisoners, death-row victims, murder-victim families, families of missing people, populations living under martial law, and displaced communities, in a world where democratic rights and freedoms are shrinking every day. Based on Amnesty International India's 'Art for Activism' project, this book hopes to strengthen global campaigns for a world without fear and torture, a world without death penalty, or disappearances and custodial violence. It hopes to reach out to a wider and more diverse readership/viewership through its parallel narrative of images as visual testimonies, and spillover references to the popular worlds of cinema, music, slogan, and performance.

While Western media are shrinking their foreign correspondent networks, Chinese media, for the first time in history, are rapidly expanding worldwide. The Chinese government is financing most of this growth, hoping to strengthen its influence and improve its public image. But do these reporters willingly serve formulated agendas or do they follow their own interests? And are they changing Chinese citizens' views of the world? Based on interviews and informal conversations with over seventy current and former correspondents, Reporting for China documents a diverse group of professionals who hold political views from nationalist to liberal, but are constrained in their ability to report on the world by China's media control, audience tastes, and the declining market for traditional media.

Suffragists recognized that the media played an essential role in the women's suffrage movement and the public's understanding of it. From parades to going to jail for voting, activists played to the mass media of their day. They also created an energetic niche media of suffragist journalism and publications.This collection offers new research on media issues related to the women's suffrage movement. Contributors incorporate media theory, historiography, and innovative approaches to social movements while discussing the vexed relationship between the media and debates over suffrage. Aiming to correct past oversights, the essays explore overlooked topics such as coverage by African American and Mormon-oriented media, media portrayals of black women in the movement, suffragist rhetorical strategies, elites within the movement, suffrage as part of broader campaigns for social transformation, and the influence views of white masculinity had on press coverage. Contributors: Maurine H. Beasley, Sherilyn Cox Bennion, Jinx C. Broussard, Teri Finneman, Kathy Roberts Forde, Linda M. Grasso, Carolyn Kitch, Brooke Kroeger, Linda J. Lumsden, Jane Marcellus, Jane Rhodes, Linda Steiner, and Robin Sundaramoorthy

A New York Times bestseller, The Outlaw Ocean is a riveting, adrenalin-fuelled tour of a vast, lawless and rampantly criminal world that few have ever seen: the high seas.

The oceans are some of the last untamed frontiers on our planet.

Too big to police, and under no clear international authority, these treacherous waters play host to the extremes of human behaviour and activity.

From traffickers, smugglers and pirates to vigilante conservationists, stowaways and seabound abortion-providers, Ian Urbina introduces us to the inhabitants of this hidden world and their risk-fraught lives. Through their extraordinary stories, he uncovers a globe-spanning network of crime and exploitation that emanates from the fishing, oil and shipping industries - but to which all of us are connected.

LONGLISTED FOR THE BAILLIE GIFFORD PRIZE 2019

Die in diesem Band publizierten Beitrage stammen ausnahmslos von jungen Sprechwissenschaftlerinnen und Sprechwissenschaftlern, die als Absolventen des Seminars fur Sprechwissenschaft und Phonetik der Universitat Halle-Wittenberg Beitrage fur die Bereiche Phonetik, Rhetorik sowie Sprach-, Sprech- und Stimmstoerungen vorgelegt haben. Die Themenpalette reicht von artikulatorisch-phonetischen Detailuntersuchungen uber Fragen der Aussprachekodifizierung bis hin zum Rap, von antiken medizinischen Quellen zur Stimmgesundheit und uber rhetorische Themen wie "Obama als orator perfectus" bis zu Sir Peter Ustinov. Auch fach- und gebietsubergreifende Arbeiten sind unter den Beitragen, beispielsweise zur Arzt-Patienten-Kommunikation, zu argumentativen Strukturen im Kabarett und zu AEusserungsparametern bei Patienten mit neurologischen Lasionen.

'Impeccably researched and sumptuous in its detail... It's a page-turner' The Economist 'Well-paced and cleverly organised' The Sunday Times 'Gripping' Guardian 'A pacy and deeply-reported tale' Financial Times Longlisted for the 2021 Financial Times / McKinsey Business Book of the Year In this compelling story of greed, chicanery and tarnished idealism, two Wall Street Journal reporters investigate a man who Bill Gates and Western governments entrusted with hundreds of millions of dollars to make profits and end poverty but now stands accused of masterminding one of the biggest, most brazen frauds ever. Arif Naqvi was charismatic, inspiring and self-made. The founder of the Dubai-based private-equity firm Abraaj, he was the Key Man to the global elite searching for impact investments to make money and do good. He persuaded politicians he could help stabilize the Middle East after 9/11 by providing jobs and guided executives to opportunities in cities they struggled to find on the map. Bill Gates helped him start a billion-dollar fund to improve health care in poor countries, and the UN and Interpol appointed him to boards. Naqvi also won the support of President Obama's administration and the chief of a British government fund compared him to Tom Cruise in Mission: Impossible. The only problem? In 2019 Arif Naqvi was arrested on charges of fraud and racketeering at Heathrow airport. A British judge has approved his extradition to the US and he faces up to 291 years in jail if found guilty. With a cast featuring famous billionaires and statesmen moving across Asia, Africa, Europe and America, The Key Man is the story of how the global elite was duped by a capitalist fairy tale. Clark and Louch's thrilling investigation exposes one of the world's most audacious scams and shines a light on the hypocrisy, corruption and greed at the heart of the global financial system. 'An unbelievable true tale of greed, corruption and manipulation among the world's financial elite' Harry Markopolos, the Bernie Madoff whistleblower

From his early years Tom Weir MBE was set on making his way as an explorer, writer and photographer, a progress interrupted by World War Two but then leading to expeditions ranging from the Himalayas to Greenland. For over forty years his feature 'My Month' appeared in the Scots Magazine, reflecting his fascination with Scotland, its remote corners, people and wildlife - interests that made his award-winning TV programme Weir's Way so popular. From sources published and unpublished this collection of Tom Weir's writing has been selected by Hamish Brown from the whole body of his life's work.

'China', Napoleon once remarked, 'is a sleeping lion. Let her sleep, for when she wakes she will shake the world.' In 2014, President Xi Jinping triumphantly declared that the lion had awoken. From holding its ground in trade wars with the US, to presenting itself as a world leader in the fight against climate change, a newly confident China is flexing its economic muscles for strategic ends. With the Belt and Road initiative, billed as a new Silk Road for the 21st Century, China is set to extend its influence throughout Eurasia and across the South China Sea and the Indian Ocean. But with the Chinese and US militaries also vying over the Pacific, does this newfound confidence put China on a collision course with the US? Combining a geopolitical overview with on-the-ground reportage from a dozen countries, this new edition of China's Asian Dream engages with the most recent developments in the ongoing story of China's ascendency, and offers new insights into what the rise of China means not only for Asia, but for the world.