How do we shape a better world for LGBTQ+ people? Olly Alexander, Peppermint, Owen Jones, Beth Ditto, Shon Faye and more share their stories and visions for the future. 'A vital addition to your bookshelf' Stylist, 5 Books for Summer 'Captivating... A must-read' Gay Times, Books of the Year In We Can Do Better Than This, 35 voices - actors, musicians, writers, artists and activists - answer this vital question, at a time when the queer community continues to suffer discrimination and extreme violence. Through deeply moving stories and provocative new arguments on safety and visibility, dating and gender, care and community, they present a powerful manifesto for how - together - we can change lives everywhere. 'Powerful, inspiring...urgent' Attitude 'Read and be inspired' Peter Tatchell 'Illuminating' Paul Mendez, author of Rainbow Milk 'Friendly and fierce' Jeremy Atherton Lin, author of Gay Bar

The first comprehensive collection of the words and works of a movement-defining artist. Jean-Michel Basquiat (1960-1988) burst onto the art scene in the summer of 1980 as one of approximately one hundred artists exhibiting at the 1980 Times Square Show in New York City. By 1982, at the age of twenty-one, Basquiat had solo exhibitions in galleries in Italy, New York, and Los Angeles. Basquiat's artistic career followed the rapid trajectory of Wall Street, which boomed from 1983 to 1987. In the span of just a few years, this Black boy from Brooklyn had become one of the most famous American artists of the 1980s. The Jean-Michel Basquiat Reader is the first comprehensive sourcebook on the artist, closing gaps that have until now limited the sustained study and definitive archiving of his work and its impact. Eight years after his first exhibition, Basquiat was dead, but his popularity has only grown. Through a combination of interviews with the artist, criticism from the artist's lifetime and immediately after, previously unpublished research by the author, and a selection of the most important critical essays on the artist's work, this collection provides a full picture of the artist's views on art and culture, his working process, and the critical significance of his work both then and now.

At one time, the radio was the sole electronic medium of general relevance. Its programs fulfilled the function of providing non-stop entertainment and information. The challenge posed by television has caused it to specialize; today its users look to it a) to provide certain service functions, and b) to accompany them when they are out and about. With examples from the history of radio in various countries up to the present, the author delineates the specifics of radio communication, concentrating on subject matter, the expressive means employed, text varieties and formats.

Disaffected examines the effects of antisedition law on the overlapping public spheres of India and Britain under empire. After 1857, the British government began censoring the press in India, culminating in 1870 with the passage of Section 124a, a law that used the term "disaffection" to target the emotional tenor of writing deemed threatening to imperial rule. As a result, Tanya Agathocleous shows, Indian journalists adopted modes of writing that appeared to mimic properly British styles of prose even as they wrote against empire. Agathocleous argues that Section 124a, which is still used to quell political dissent in present-day India, both irrevocably shaped conversations and critiques in the colonial public sphere and continues to influence anticolonialism and postcolonial relationships between the state and the public. Disaffected draws out the coercive and emotional subtexts of law, literature, and cultural relationships, demonstrating how the criminalization of political alienation and dissent has shaped literary form and the political imagination.

Read the definitive essay collection from the Sunday Times bestselling author of The Adversary, dubbed 'France's greatest writer of non-fiction' (New York Times) 'The most exciting living writer' Karl Ove Knausgaard Over the course of his career, Emmanuel Carrere has reinvented non-fiction writing. In a search for truth in all its guises, he dispenses with the rules of genre. For him, no form is out of reach: theology, historiography, reportage and memoir - among many others - are fused under the pressure of an inimitable combination of passion, curiosity and intellect that has made Carrere one of our most distinctive and important literary voices today. 97,196 Words introduces Carrere's shorter work to an English-language audience. Featuring more than thirty extraordinary texts written over an illustrious twenty-five-year period of Carrere's creative life, the book shows a remarkable mind at work. Spanning continents, histories, and personal relationships, 97,196 Words considers the divides between truth, reality and our shared humanity, exploring remarkable events and eccentric lives, including Carrere's own. * A New York Times Notable Book *

Will Ashon spent the day of Tuesday May 21st 2019 hitching around the motorways and 'A' roads of England, chatting to whoever picked him up about their lives, dreams, aspirations, fears and favourite foods. The resulting transcripts, presented here edited and cross-cut through one another into a collage of voices, form a work in which generosity plays a far greater role than hate, reminding us of our nation's better self. Sitting somewhere between Svetlana Alexievich and Rachel Cusk, NOT FAR FROM THE JUNCTION is a fresh, funny, moving and quietly radical work of non-fiction, exploring who we are and how we see the world.

A brilliantly wide-ranging essay collection from the author of My Struggle, spanning literature, philosophy, art and how our daily and creative lives intertwine. In the Land of the Cyclops is Karl Ove Knausgaard's first collection of essays to be published in English, and these brilliant and wide-ranging pieces meditate on themes familiar from his groundbreaking fiction. Here, Knausgaard discusses Madame Bovary, the Northern Lights, Ingmar Bergman, and the work of an array of writers and visual artists, including Knut Hamsun, Michel Houellebecq, Anselm Kiefer and Cindy Sherman. These essays beautifully capture Knausgaard's ability to mediate between the deeply personal and the universal, demonstrating his trademark self-scrutiny and his deep longing to authentically see, understand, and experience the world. 'Knausgaard is among the finest writers alive' New York Times

'2021's most important book about sex.' Stylist 'You need to read this.' Mashable A bad sexual experience. A grey area. Not rape but... A violation - these are the terms we use to describe the experiences we don't have words for. The way we talk about topics such as sex, consent, assault aren't fit for purpose. Rough is a revolutionary non-fiction work exploring the narratives of sexual violence that we don't talk about. Through powerful testimony from 50 women and non-binary people, this book shines a light on the sexual violence that takes place in our bedrooms and beyond, sometimes at the hands of people we know, trust, or even love. Rough investigates violations such as 'stealthing,' non-consensual choking, and non-consensual rough sex acts that our culture is only starting to recognise as sexual violence. The book explores the ways in which systems of oppression manifest in our sexual culture - from racist microaggressions, to fatphobic acts of aggression, and ableist dehumanising behaviour. An intersectional, sex-positive, kink-positive work, the book also examines how white supremacy, transphobia, biphobia, homophobia, and misogyny are driving forces behind sexual violence. Rough is an urgent, timely call for change to the systems that oppress us all. It's time for a societal shift. As individuals with agency within our sexual culture we have the power to remodel our behaviour and this book shows us how. Praise for Rough 'An incredible investigation into a frighteningly common part of our sexual experience; determined to give ownership back to those who have had their agency stolen from them.' Dr Fern Riddell 'Unflinching. Important, thought-provoking read.' Nataliya Deleva 'Rough speaks to how many women often feel after sexual encounters - violated but unsure of exactly why, and whether our feelings are valid. This book is excellent and demonstrating just how valid those feelings are, and how the cultures of violence within sex that have been normalised intersect with wider systems of patriarchy, racism and misogyny.' Adele Walton, founder of Humanitarian Hotgirl

A fascinating look at the United States' conflicted relationship with news and the media, through the lens of the newsreel When weekly newsreels launched in the early twentieth century, they offered the U.S. public the first weekly record of events that symbolized "indisputable evidence" of the news. In News Parade, Joseph Clark examines the history of the newsreel and how it changed the way Americans saw the world. He combines an examination of the newsreel's methods of production, distribution, and reception with an analysis of its representational strategies to understand the newsreel's place in the history of twentieth-century American culture and film history. Clark focuses on the sound newsreel of the 1930s and 1940s, arguing that it represents a crucial moment in the development of a spectacular society where media representations of reality became more fully integrated into commodity culture. Using several case studies, including the newsreel's coverage of Charles Lindbergh's transatlantic flight and the Sino-Japanese War, News Parade shows how news film transformed the relationship between its audience and current events, as well as the social and political consequences of these changes. It pays particular attention to how discourses of race and gender worked together with the rhetoric of speed, mobility, and authority to establish the power and privilege of newsreel spectatorship. In the age of fake news and the profound changes to journalism brought on by the internet, News Parade demonstrates how new technologies and media reshaped the American public's relationship with the news in the 1930s-a history that can help us to better understand the transformations happening today.

'Masterly, hilarious, truly insightful' - Philip Hensher, The Spectator A Times Literary Supplement Book of the Year 2019 The last major collection of Nabokov's published material, Think, Write, Speak brings together a treasure trove of previously uncollected texts from across the author's extraordinary career. Each phase of his wandering life is included, from a precocious essay written while still at Cambridge in 1921, through his fame in the aftermath of the publication of Lolita to the final, fascinating interviews given shortly before his death in 1977. Introduced and edited by his biographer Brian Boyd, this is an essential work for anyone who has been drawn into Nabokov's literary orbit. Here he is at his most inspirational, curious, playful, misleading and caustic. The seriousness of his aesthetic credo, his passion for great writing and his mix of delight and dismay at his own, sudden global fame in the 1950s are all brilliantly delineated.

While Western media are shrinking their foreign correspondent networks, Chinese media, for the first time in history, are rapidly expanding worldwide. The Chinese government is financing most of this growth, hoping to strengthen its influence and improve its public image. But do these reporters willingly serve formulated agendas or do they follow their own interests? And are they changing Chinese citizens' views of the world? Based on interviews and informal conversations with over seventy current and former correspondents, Reporting for China documents a diverse group of professionals who hold political views from nationalist to liberal, but are constrained in their ability to report on the world by China's media control, audience tastes, and the declining market for traditional media.

`I must find my own complicated junkie to have violent sex with. In 1994, nothing seemed like a better idea, save being able to write about it later.' Michelle Tea is our exuberant, witty guide to the hard times and wild creativity of queer life in America. Along the way she reclaims SCUM Manifesto author Valerie Solanas as an absurdist, remembers the lives and deaths of the lesbian motorbike gang HAGS, and listens to activists at a trans protest camp. This kaleidoscope of love and adventure also makes room for a defence of pigeons and a tale of teenage goths hustling for tips at an ice creamery in a `grimy, busted city called Chelsea'. Unsparing but unwaveringly kind, Michelle Tea reveals herself and others in unexpected and heartbreaking ways. Against Memoir is the winner of the 2019 PEN/Diamonstein-Spielvogel Award for the Art of the Essay. Best known as writer of fiction and memoir, this is the first time Tea's journalism has been collected. Delivered with her signature candour and dark humour, Against Memoir solidifies her place as one of the leading queer writers of our time.

Suffragists recognized that the media played an essential role in the women's suffrage movement and the public's understanding of it. From parades to going to jail for voting, activists played to the mass media of their day. They also created an energetic niche media of suffragist journalism and publications.This collection offers new research on media issues related to the women's suffrage movement. Contributors incorporate media theory, historiography, and innovative approaches to social movements while discussing the vexed relationship between the media and debates over suffrage. Aiming to correct past oversights, the essays explore overlooked topics such as coverage by African American and Mormon-oriented media, media portrayals of black women in the movement, suffragist rhetorical strategies, elites within the movement, suffrage as part of broader campaigns for social transformation, and the influence views of white masculinity had on press coverage. Contributors: Maurine H. Beasley, Sherilyn Cox Bennion, Jinx C. Broussard, Teri Finneman, Kathy Roberts Forde, Linda M. Grasso, Carolyn Kitch, Brooke Kroeger, Linda J. Lumsden, Jane Marcellus, Jane Rhodes, Linda Steiner, and Robin Sundaramoorthy

William Gilmore Simms (1806-1870) was a novelist, poet, and essayist and was considered the South's premier literary figure at the height of his popularity. No less an authority than Edgar Allen Poe remarked of Simms that "he has surpassed, we think, any of his countrymen" as a novelist. Simms's literary achievements include more than twenty major novels, several volumes of poetry, and biographies of important figures in American history. Perhaps the least considered parts of Simms's overall body of writings are those he did for newspapers, the most interesting of which are from the era of the Civil War and Reconstruction. Writing War and Reunion offers a selection of the best of those so that we can track Simms's thoughts about, and reactions to, the conflict, from its beginnings through to its conclusion and into the early years of Reconstruction. These works provide a valuable insight into how a prominent southern intellectual interpreted and participated in these momentous events in U.S. history. In the decades following the Civil War, Simms's reputation suffered a steady decline. Because of his associations with the antebellum South, slavery, and Confederate defeat, as well as changes in literary tastes, Simms came to be regarded as a talented but failed Southern author of a bygone era. Today a robust scholarly literature exists that has reexamined Simms, his literary works, and previous scholarly judgments and finds him to have been an important figure in the development of nineteenth-century American literature and worthy of serious study.

What is the difference between choking and panicking? Why are there dozens of varieties of mustard-but only one variety of ketchup? What do football players teach us about how to hire teachers? What does hair dye tell us about the history of the 20th century?
In the past decade, Malcolm Gladwell has written three books that have radically changed how we understand our world and ourselves: " The Tipping Point"; "Blink"; and "Outliers." Now, in "What the Dog Saw," he brings together, for the first time, the best of his writing from "The""New Yorker" over the same period.
Here is the bittersweet tale of the inventor of the birth control pill, and the dazzling inventions of the pasta sauce pioneer Howard Moscowitz. Gladwell sits with Ron Popeil, the king of the American kitchen, as he sells rotisserie ovens, and divines the secrets of Cesar Millan, the "dog whisperer" who can calm savage animals with the touch of his hand. He explores intelligence tests and ethnic profiling and "hindsight bias" and why it was that everyone in Silicon Valley once tripped over themselves to hire the same college graduate.
"Good writing," Gladwell says in his preface, "does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head." "What the Dog Saw "is yet another example of the buoyant spirit and unflagging curiosity that have made Malcolm Gladwell our most brilliant investigator of the hidden extraordinary.

'Impeccably researched and sumptuous in its detail... It's a page-turner' The Economist 'Well-paced and cleverly organised' The Sunday Times 'Gripping' Guardian 'A pacy and deeply-reported tale' Financial Times Longlisted for the 2021 Financial Times / McKinsey Business Book of the Year In this compelling story of greed, chicanery and tarnished idealism, two Wall Street Journal reporters investigate a man who Bill Gates and Western governments entrusted with hundreds of millions of dollars to make profits and end poverty but now stands accused of masterminding one of the biggest, most brazen frauds ever. Arif Naqvi was charismatic, inspiring and self-made. The founder of the Dubai-based private-equity firm Abraaj, he was the Key Man to the global elite searching for impact investments to make money and do good. He persuaded politicians he could help stabilize the Middle East after 9/11 by providing jobs and guided executives to opportunities in cities they struggled to find on the map. Bill Gates helped him start a billion-dollar fund to improve health care in poor countries, and the UN and Interpol appointed him to boards. Naqvi also won the support of President Obama's administration and the chief of a British government fund compared him to Tom Cruise in Mission: Impossible. The only problem? In 2019 Arif Naqvi was arrested on charges of fraud and racketeering at Heathrow airport. A British judge has approved his extradition to the US and he faces up to 291 years in jail if found guilty. With a cast featuring famous billionaires and statesmen moving across Asia, Africa, Europe and America, The Key Man is the story of how the global elite was duped by a capitalist fairy tale. Clark and Louch's thrilling investigation exposes one of the world's most audacious scams and shines a light on the hypocrisy, corruption and greed at the heart of the global financial system. 'An unbelievable true tale of greed, corruption and manipulation among the world's financial elite' Harry Markopolos, the Bernie Madoff whistleblower

Central Asia has long stood at the crossroads of history. It was the staging ground for the armies of the Mongol Empire, for the nineteenth-century struggle between the Russian and British empires, and for the NATO campaign in Afghanistan. Today, multinationals and nations compete for the oil and gas reserves of the Caspian Sea and for control of the pipelines. Yet "Stanland" is still, to many, a terra incognita, a geographical blank. Beginning in the mid-1990s, academic and journalist David Mould's career took him to the region on Fulbright Fellowships and contracts as a media trainer and consultant for UNESCO and USAID, among others. In Postcards from Stanland, he takes readers along with him on his encounters with the people, landscapes, and customs of the diverse countries-Kazakhstan, Kyrgyzstan, Tajikistan, and Uzbekistan-he came to love. He talks with teachers, students, politicians, environmental activists, bloggers, cab drivers, merchants, Peace Corps volunteers, and more. Until now, few books for a nonspecialist readership have been written on the region, and while Mould brings his own considerable expertise to bear on his account-for example, he is one of the few scholars to have conducted research on post-Soviet media in the region-the book is above all a tapestry of place and a valuable contribution to our understanding of the post-Soviet world.

Hara Hotel chronicles everyday life in a makeshift refugee camp on the forecourt of a petrol station in northern Greece. In the first two months of 2016, more than 100,000 refugees arrived in Greece. Half of them were fleeing war-torn Syria, seeking a safe haven in Europe. As the numbers seeking refuge soared, many were stranded in temporary camps, staffed by volunteers. Hara Hotel tells some of their stories. Teresa Thornhill arrived in Greece in April 2016 as a volunteer. She met one refugee, a young Syrian Kurd called Juwan, who left his home and family in November 2011 to avoid being summoned for military service by the Assad regime. Interweaving memoir with Juwan's story, and with the recent history of the failed revolution in Syria, and the horror of the ensuing civil war, Hara Hotel paints a vivid picture of the lives of the people trapped between civil war and Europe's borders.

A collection of essays by top international correspondants in print, broadcasting, and photojournalism, International News Reporting offers an introduction to journalism written by the people who have made the profession what it is today. * Contributors identify the major areas of professional practice which students and young journalists need to know in order to work safely in, and understand fully, the field of international news gathering* Looks at events from conflicts to humanitarian disasters* Covers crucial topics such as how to report stories about the developing world, how to avoid stereotyping, the uses and abuses of blogging, and risk assessment for journalists in conflict zones

An urgent, insightful account of the human side of the ongoing conflict in Ukraine by seasoned war reporter Tim Judah Making his way from the Polish border in the west, through the capital city and the heart of the 2014 revolution, to the eastern frontline near the Russian border, Tim Judah brings a rare glimpse of the reality behind the headlines. Along the way he talks to the people living through the conflict - mothers, soldiers, businessmen, poets, politicians - whose memories of a contested past shape their attitudes, allegiances and hopes for the future. Together, their stories paint a vivid picture of what the second largest country in Europe feels like in wartime: a nation trapped between powerful forces, both political and historical. 'Visceral, gripping, heartbreaking' Simon Sebag Montefiore 'Haunting . . . timely . . . Interviewing a wide range of people who have been caught up in the recent conflict, Judah concentrates skilfully and affectingly on the human cost' Alexander Larman, Observer 'Comes close to the master, Ryszard Kapuscinski' Roger Boyes, The Times 'A kaleidoscopic portrait . . . Judah looks at the present - what Ukraine looks and feels like now' Marcus Tanner, Independent

Just as Donald Trump's victorious campaign for the US presidency shocked liberal Americans, the seemingly sudden national prominence of white supremacists, xenophobes, militia leaders, and mysterious "Alt-Right" leaders mystifies many. But the extreme Right has been growing steadily in the US since the 1990s, with the rise of Patriot militias; following 9/11, when conspiracy theorists found fresh life; and in virulent reaction to the first black president of the country. Nurtured by a powerful right-wing media sector in radio, TV, and online, the Far Right, Tea Party movement conservatives, and Republican activists found common ground in "Producerist" ideology and "constitutionalist" interpretations of US law-an alternative America that is resurgent, even as it has been ignored by the political establishment and mainstream media. Investigative reporter David Neiwert has been tracking extremists for more than two decades, and here he provides a deeply reported and authoritative report on the background, mindset, and growth on the ground of Far Right movements across the country. The product of years of reportage, and including the most in-depth investigation of Trump's ties to Far Right figures, this is a crucial book about one of the most disturbing sides of the US.

A fascinating look at the United States' conflicted relationship with news and the media, through the lens of the newsreel When weekly newsreels launched in the early twentieth century, they offered the U.S. public the first weekly record of events that symbolized "indisputable evidence" of the news. In News Parade, Joseph Clark examines the history of the newsreel and how it changed the way Americans saw the world. He combines an examination of the newsreel's methods of production, distribution, and reception with an analysis of its representational strategies to understand the newsreel's place in the history of twentieth-century American culture and film history. Clark focuses on the sound newsreel of the 1930s and 1940s, arguing that it represents a crucial moment in the development of a spectacular society where media representations of reality became more fully integrated into commodity culture. Using several case studies, including the newsreel's coverage of Charles Lindbergh's transatlantic flight and the Sino-Japanese War, News Parade shows how news film transformed the relationship between its audience and current events, as well as the social and political consequences of these changes. It pays particular attention to how discourses of race and gender worked together with the rhetoric of speed, mobility, and authority to establish the power and privilege of newsreel spectatorship. In the age of fake news and the profound changes to journalism brought on by the internet, News Parade demonstrates how new technologies and media reshaped the American public's relationship with the news in the 1930s-a history that can help us to better understand the transformations happening today.