In the first (systematic) section the flysheet as a medium is defined and set off against other media. Information is given on the conditions governing production, distribution and reception, and typical linguistic and formal features are discussed. Part Two offers a brief history of flysheets from the 15th century to 1848, focussing especially on the early Reformation and the Peasants' War but with constant reference to the other media of the respective epoch throughout.

This year's Best American Magazine Writing features outstanding writing on contentious issues including incarceration, policing, sexual assault, labor, technology, and environmental catastrophe. Selections include Paul Ford's ambitious "What Is Code?" (Bloomberg Businessweek), an innovative explanation of how programming works, and "The Really Big One," by Kathryn Schulz (The New Yorker), which exposes just how unprepared the Pacific Northwest is for a major earthquake. Joining them are Meaghan Winter's expose of crisis pregnancy centers (Cosmopolitan) and a chilling story of police prejudice that allowed a serial rapist to run free (the Marshall Project in partnership with ProPublica). Also included is Shane Smith's interview with Barack Obama about mass incarceration (Vice). Other selections demonstrate a range of long-form styles and topics across print and digital publications. The imprisoned hacker and activist Barrett Brown pens hilarious dispatches from behind bars, including a scathing review of Jonathan Franzen's fiction (The Intercept). "The New American Slavery" (Buzzfeed) documents the pervasive exploitation of guest workers, and Luke Mogelson explores the purgatorial fate of an undocumented man sent back to Honduras (New York Times Magazine). Joshua Hammer harrowingly portrays Sierra Leone's worst Ebola ward as even the staff succumb to the disease (Matter). And in "The Friend," Matthew Teague's wife is afflicted with cancer, his friend moves in, and the result is a devastating narrative of relationships and death (Esquire). The collection concludes with Jenny Zhang's "How It Feels," an unconventional meditation on the intersection of teenage cruelty and art (Poetry).

In Dreams of Leaving and Remaining, award winning journalist Meek explores a nation uneasy with itself. In the decades since the twilight of empire, Britain has struggled to find its place, and identity, in the world. This has come to the point of crisis since the 2008 financial crash. Meek meets the farmers and fishermen who wish Britain to turn its back on the world and restore its former glory, and are willing to lose the very support that their industry depends on. He reports on a Cadbury's factory that is to be shut down and moved to Poland in the name of free market economics, exploring the impact on the local community left behind. He charts how the NHS is coping with the twin burdens of austerity and an ageing population. Through his journey he asks what we can recover from the debris of an old nation as we head towards new horizons, and what we must leave behind. There are no easy answers, and what he creates instead is a masterly portrait of an anxious, troubled nation. Instead, he demands that we reconsider the power of the stories that we tell ourselves about who we are, a nation's alienated from itself.

Since Britain's 2016 referendum on EU membership, the nation has been profoundly split: one side fantasizing that the referendum will never be acted upon, the other entrenched in questionable assumptions about reclaimed sovereignty and independence. Underlying the cleavage are primal myths, deeper histories, and political folk-legends. James Meek,'the George Orwell of our times', goes in search of the stories and consequences arising out of a nation's alienation from itself. In Dreams of Leaving and Remaining, Meek meets farmers and fishermen intent on exiting the EU despite the loss of protections they will incur. He reports on a Cadbury's factory shut down and moved to Poland in the name of free market economics, exploring the impact on the local community left behind. He charts how the NHS is coping with the twin burdens of austerity and an aging population. Dreams of Leaving and Remaining is urgent reporting from one of Britain's finest journalists. James Meek asks what we can recover from the debris of an old nation as we head towards new horizons, and what we must leave behind.There are no easy answers, and what he creates instead is a masterly portrait of an anxious, troubled nation.

Photojournalism and Today's News provides a practical guide for aspiring photojournalists as well as an intelligent look into newsroom culture and its influences on photographic assignments, production, and editing. Written by an award-winning photo editor and director of photography, and based on interviews with more than seventy high-profile journalists, this book appeals to students and young professionals alike. Addresses a wide range of practical issues supported by in-depth examples from the field and critical thinking about photography, journalism, and newsroom culture Examines social and cultural issues and how they are communicated through photojournalism Prepares young journalists to respect their visual journalism colleagues by teaching them how to effectively work together Highlights the expectations of the newsroom and editors

At one time, the radio was the sole electronic medium of general relevance. Its programs fulfilled the function of providing non-stop entertainment and information. The challenge posed by television has caused it to specialize; today its users look to it a) to provide certain service functions, and b) to accompany them when they are out and about. With examples from the history of radio in various countries up to the present, the author delineates the specifics of radio communication, concentrating on subject matter, the expressive means employed, text varieties and formats.

Shortlisted for the 2017 Boardman Tasker Award for Mountain Literature. 'How much risk is worth taking for so beautiful a prize?' The Magician's Glass by award-winning writer Ed Douglas is a collection of eight recent essays on some of the biggest stories and best-known personalities in the world of climbing. In the title essay, he writes about failure on Annapurna III in 1981, one of the boldest attempts in Himalayan mountaineering on one of the most beautiful lines - a line that remains unclimbed to this day. Douglas writes about bitter controversies, like that surrounding Ueli Steck's disputed solo ascent of the south face of Annapurna, the fate of Toni Egger on Cerro Torre in 1959 - when Cesare Maestri claimed the pair had made the first ascent, and the rise and fall of Slovenian ace Tomaz Humar. There are profiles of two stars of the 1980s: the much-loved German Kurt Albert, the father of the 'redpoint', and the enigmatic rock star Patrick Edlinger, a national hero in his native France who lost his way. In Crazy Wisdom, Douglas offers fresh perspectives on the impact mountaineering has on local communities and the role climbers play in the developing world. The final essay explores the relationship between art and alpinism as a way of understanding why it is that people climb mountains.

Can you be a pilgrim without leaving your life behind? How does it feel to approach everyday places with the same reverence as grand cathedrals? And how are we changed by even the smallest of journeys? James Attlee asks these questions and more in his thoughtful, streetwise, and personal account of a pilgrimage to a place he thought he already knew: the Cowley Road in Oxford, right outside his door. Attlee's Cowley has little to do with the dreaming spires of his city. Leaving tourism and student life aside, Attlee instead presents a vital and delightfully motley collection of places, people, languages, and cultures. From a sojourn in a sensory-deprivation tank to a furtive visit to an unmarked pornography emporium, from halal shops to Brazilian art dealers to reggae clubs to quiet churchyards, Attlee celebrates the appealing and homegrown eclecticism that so often comes under attack from predatory developers. Drawing inspiration from sources ranging from Robert Burton's The Anatomy of Melancholy to contemporary art, Isolarion is at once a charming road movie, a battle cry raised against creeping homogenisation, and a love song to the gloriously messy real life of the city he calls home.

A NEW, REVISED EDITION OF THE ULTIMATE NORA EPHRON COLLECTION, PACKED WITH WIT, WISDOM AND COMFORT, WITH AN INTRODUCTION FROM CANDICE CARTY-WILLIAMS 'The perfect introduction to the iconic writer' STYLIST INCLUDING: * Nora's much-loved essays on everything from friendship to feminism to journalism * Extracts from her bestselling novel Heartburn * Scenes from her hilarious screenplay for When Harry Met Sally * Unparalleled advice about friends, lovers, divorces, desserts and black turtleneck sweaters 'It's got a little bit of everything, from witty essays on feminism, beauty, and ageing to profiles of empowering female figures' ELLE *PRAISE FOR NORA EPHRON* 'So bold and so vulnerable at the same time. I don't know how she did it' PHOEBE WALLER-BRIDGE 'Nora's exacting, precise, didactic, tried-and-tested, sophisticated-woman-wearing-all-black wisdom is a comfort and a relief' DOLLY ALDERTON 'Nora Ephron is the funniest, cleverest, wisest friend you could have' NIGELLA LAWSON 'I am only the one of millions of women who will miss Nora's voice' LENA DUNHAM

The best work of one of Alabama's longest-serving and most beloved sports journalists.
Although he spent 43 years at the same job, Alf Van Hoose was not a man limited by the boundaries of his profession. As "Birmingham News" sports editor for 21 years and a columnist for a decade before that, Van Hoose helped define a city, a state, and a region largely known for sports. He was the writer of record for some of the biggest sporting events and personalities in the state of Alabama in the last half of the 20th Century. Wayne Hester, Van Hoose's successor as sports editor of "The News, " in 1990, said, "To many sports fans over the years, Alf Van Hoose has been "The Birmingham News."" But he was also much more than the "sports guy," as older generations of Alabama sports fans who read this book will remember and younger ones will learn. He was a man for all seasons, not just those where balls get kicked, hit, or thrown around.
A native of Cuba, Alabama, and a veteran of the Third Army campaigns in WWII (where he won both the Bronze and Silver Stars), Van Hoose became a sportswriter on "The News" in 1947. He remained in that role until retirement in 1990, with only short breaks to serve as a Vietnam war correspondent, and to reflect on the lessons learned while serving with George Patton. Van Hoose died in 1997 at the age of 76.
This volume contains 90 of Van Hoose's best columns, selected not only to showcase his characteristic style, but also because of the enduring importance and interest of the topics--football and baseball, of course, but also golf, high school heroics, auto racing, and Van Hoose's special favorites: Rickwood Field and its various tenants, especially the Birmingham Black Barons.
Published with the College of Communication and Information Science, The University of Alabama.

A New York Times bestseller.

Winner of the Financial Times/McKinsey Business Book of the Year Award.

'Chilling . . . Reads like a West Coast version of All the President’s Men.' New York Times Book Review

The full inside story of the breathtaking rise and shocking collapse of Theranos, the multibillion-dollar biotech startup, by the prize-winning journalist who first broke the story and pursued it to the end, despite pressure from its charismatic CEO and threats by her lawyers.

In 2014, Theranos founder and CEO Elizabeth Holmes was widely seen as the female Steve Jobs: a brilliant Stanford dropout whose startup "unicorn" promised to revolutionize the medical industry with a machine that would make blood testing significantly faster and easier. Backed by investors such as Larry Ellison and Tim Draper, Theranos sold shares in a fundraising round that valued the company at more than $9 billion, putting Holmes's worth at an estimated $4.7 billion. There was just one problem: The technology didn't work.

In Bad Blood, John Carreyrou tells the riveting story of the biggest corporate fraud since Enron, a tale of ambition and hubris set amid the bold promises of Silicon Valley.

Now to be adapted into a film, with Jennifer Lawrence to star.

Dieser Leitfaden gibt Ihnen einen vollstandigen Verstandnisrahmen fur Prasentation und zeigt anhand vieler praktischer Beispiele, wie Prasentation funktioniert und wirkt. Das lasst Sie mit Stress und Auftrittsangst professionell umgehen. Sie erfahren, in welchem Rahmen Sie agieren und werden dadurch in Ihrem Verhalten vor Publikum frei und souveran. Dieses Buch wird Sie verandern, denn Sie optimieren Ihre Personlichkeitswirkung, Ihr sicheres Auftreten, Ihre Prasenz. Und das wird Ihr Publikum Ihnen bereitwillig spiegeln. Es erwartet Sie in diesem Buch ein in sich schlussiges Handlungssystem fur die Arbeit von PrasentatorInnen und ModeratorInnen, mit allem, was man braucht: Fakten, Meinungen, Beispiele, entwickelt aus den langjahrigen und vielfaltigen Erfahrungen der taglichen Praxis des Autors als Sprecher, Moderator, Trainer und Coach."

"Somewhere in the tangle of the subject's burden and the subject's desire is your story."-Alex Tizon Every human being has an epic story. The late Pulitzer Prize-winning writer Alex Tizon told the epic stories of marginalized people-from lonely immigrants struggling to forge a new American identity to a high school custodian who penned a New Yorker short story. Edited by Tizon's friend and former colleague Sam Howe Verhovek, Invisible People collects the best of Tizon's rich, empathetic accounts-including "My Family's Slave," the Atlantic magazine cover story about the woman who raised him and his siblings under conditions that amounted to indentured servitude. Mining his Filipino American background, Tizon tells the stories of immigrants from Cambodia and Laos. He gives a fascinating account of the Beltway sniper and insightful profiles of Surfers for Jesus and a man who tracks UFOs. His articles-many originally published in the Seattle Times and the Los Angeles Times-are brimming with enlightening details about people who existed outside the mainstream's field of vision. In their introductions to Tizon's pieces, New York Times executive editor Dean Baquet, Atlantic magazine editor in chief Jeffrey Goldberg, Pulitzer Prize winners Kim Murphy and Jacqui Banaszynski, and others salute Tizon's respect for his subjects and the beauty and brilliance of his writing. Invisible People is a loving tribute to a journalist whose search for his own identity prompted him to chronicle the lives of others.

Since its relaunch in 1979, "Granta" magazine has championed the art and craft of reportage - journalism marked by vivid description, a novelist's eye to form and eyewitness reporting that reveals hidden truths about people and events that have shaped the world we know. This updated edition of "The Granta Book of Reportage" collects a dozen of the finest and most lasting pieces Granta has published. Featuring distinguished writers and reporters: John Simpson, James Fenton, Martha Gellhorn, Germaine Greer, Ryszard Kapuscinski, John le Carre, as well as new talents Elana Lappin, Suketu Mehta and Wendell Steavenson, the book covers some of the signal events of our time: the fall of Saigon, the end of apartheid in South Africa, the massacre in Tiananmen Square, and the aftermath of the American invasion of Iraq.

In 2015, increasing numbers of refugees and migrants, most of them fleeing war-torn homelands, arrived by boat on the shores of Greece, setting off the greatest human displacement in Europe since WWII. As journalists reported horrific mass drownings, an ill-prepared and seemingly indifferent world looked on. Those who reached land needed food, clothing, medicine and shelter, but the international aid system broke down completely. In a way that no one could have anticipated, volunteers arrived to help. Dana Sachs's compelling eyewitness account weaves together the lives of seven individuals and their families - including a British coal miner's daughter, a Syrian mother of six, and a jill-of-all-trades from New Zealand - who became part of this extraordinary effort. The story of their successes, and failures, is unforgettable and inspiring, and a clarion call for resilience and hope in the face of despair. War had shattered people's lives. This is what happened next.

The devoted journalists at the Chicago Tribune have been reporting the city's news for 170 years. As a result, the paper has amassed an inimitable, as-it-happened history of its hometown, a city first incorporated in 1837 that rapidly grew to become the third-largest city in the United States. Since 2011, the Chicago Tribune has been mining its vast archive of photos and stories for its weekly feature Chicago Flashback, which deals with the significant people and events that have shaped the city's history and culture from the paper's founding in 1847 to the present day. Now the editors of the Tribune have carefully collected the best, most interesting Chicago Flashback features into a single coffee-table volume. Each story is accompanied by at least one black-and-white image from the paper's fabled photo vault located deep below Michigan Avenue's famed Tribune Tower. Chicago Flashback offers readers a unique perspective on the city's long and colorful history.

'Devastating and urgent, this book could not be more timely' Caroline Criado Perez, award-winning and bestselling author of Invisible Women Danielle Citron takes the conversation about technology and privacy out of the boardrooms and op-eds to reach readers where we are - in our bathrooms and bedrooms; with our families and our lovers; in all the parts of our lives we assume are untouchable - and shows us that privacy, as we think we know it, is largely already gone. The boundary that once protected our intimate lives from outside interests is an artefact of the twentieth century. In the twenty-first, we have embraced a vast array of technology that enables constant access and surveillance of the most private aspects of our lives. From non-consensual pornography, to online extortion, to the sale of our data for profit, we are vulnerable to abuse -- and our laws have failed miserably to keep up. With vivid examples drawn from interviews with victims, activists and lawmakers from around the world, The Fight for Privacy reveals the threat we face and argues urgently and forcefully for a reassessment of privacy as a human right. As a legal scholar and expert, Danielle Citron is the perfect person to show us the way to a happier, better protected future.

In this revisionary study, Will Tattersdill argues against the reductive 'two cultures' model of intellectual discourse by exploring the cultural interactions between literature and science embodied in late nineteenth-century periodical literature, tracing the emergence of the new genre that would become known as 'science fiction'. He examines a range of fictional and non-fictional fin-de-siecle writing around distinct scientific themes: Martian communication, future prediction, X-rays, and polar exploration. Every chapter explores a major work of H. G. Wells, but also presents a wealth of exciting new material drawn from a variety of late Victorian periodicals. Arguing that the publications in which they appeared, as well as the stories themselves, played a crucial part in the development of science fiction, Tattersdill uses the form of the general interest magazine as a way of understanding the relationship between the arts and the sciences, and the creation of a new literary genre.

Ce livre est la premiere monographie qui tente de presenter l'oeuvre de Ryszard Kapuscinski dans toute sa diversite intrinseque (journalisme d'opinion, correspondances de presse, reportages, recits, notes essayistiques, poesie, photographie) et dans toute sa duree, soit plus de cinquante ans: des premiers poemes au volume posthume Lapidarium VI. Les auteurs considerent Kapuscinski avant tout comme un ecrivain qui s'est incarne dans la figure d'un journaliste-voyageur et qui, grace a son talent, a transforme le reportage en outil permettant de formuler des significations universelles tout en preservant sa sensibilite de journaliste aux changements et aux besoins du monde. Le livre propose des interpretations theoriques litteraires des principaux ouvrages de Kapuscinski, mais les auteurs etudient egalement avec attention le destin personnel de l'ecrivain qui etait souvent le heros de ses propres textes. La biographie a ete traduite en espagnol et en italien.

Jon Mee explores the popular democratic movement that emerged in the London of the 1790s in response to the French Revolution. Central to the movement's achievement was the creation of an idea of 'the people' brought into being through print and publicity. Radical clubs rose and fell in the face of the hostile attentions of government. They were sustained by a faith in the press as a form of 'print magic', but confidence in the liberating potential of the printing press was interwoven with hard-headed deliberations over how best to animate and represent the people. Ideas of disinterested rational debate were thrown into the mix with coruscating satire, rousing songs, and republican toasts. Print personality became a vital interface between readers and print exploited by the cast of radicals returned to history in vivid detail by Print, Publicity, and Popular Radicalism in the 1790s. This title is also available as Open Access.