Waldimar Pelser se politieke kruisverhoor.

Hy noem Julius Malema 'n “rassis, diktator en fascis”, die ANC “ 'n spul kripvreters” en oudpres. Jacob Zuma 'n “korrupte, seksistiese politieke tsotsi”.

Waldimar Pelser ontsien niks en niemand nie. Week ná week neem hy politici en besluitnemers onder kruisverhoor. In sy vreeslose en vlymskerp inleidings tot kykNET Verslag se aktuele TV-program In Gesprek laat hy maghebbers behoorlik deurloop - ook pres. Cyril Ramaphosa en DA-leier Mmusi Maimane het al hul beurt gekry.

In Gesprek met Waldimar is 'n versameling van die 100 beste, lekkerste en dapperste van hierdie inleidings. In forensiese detail pak Pelser elke gek en skurk wat wil keer dat ons land floreer. Hy wys hoe naby ons aan die afgrond was en hoe ons wéér daar kan beland as ons nie dié in beheer tot verantwoording roep nie.

Waldimar Pelser is redakteur van die Sondagkoerant Rapport. Hy is al drie keer met 'n ATKV-Mediaveertjie as beste aanbieder van 'n nuus- of aktualiteitsprogram bekroon. Voor sy joernalistieke loopbaan het hy in die regte en die joernalistiek aan die Universiteit Stellenbosch gestudeer en daarna 'n meestersgraad aan die Oxford-universiteit in Engeland verwerf.

With the work of journalists under fire around the world, this year's anthology of National Magazine Awards finalists and winners is a timely reminder of the power of journalism. These pieces from writers driven to explore America's fault lines include Shane Bauer's harrowing "My Four Months as a Private Prison Guard" (Mother Jones), a visceral portrait of the abuses of the carceral system, and Sarah Stillman's account of the havoc wreaked on young people's lives when they are put on sex-offender registries (The New Yorker). In two different considerations of parenting, Nikole Hannah-Jones looks for a school for her daughter in a rapidly changing, racially divided Brooklyn (New York Times Magazine) and Michael Chabon takes his thirteen-year-old son to Fashion Week in Paris (GQ). Pamela Colloff explores how the 1966 University of Texas Tower mass shooting changed the course of one survivor's life (Texas Monthly), and Siddhartha Mukherjee depicts the art and agony of oncology (New York Times Magazine). Other selections take up the shocks of the election, including Matt Taibbi's irreverent dispatches from the campaign trail (Rolling Stone) and George Saunders's transfixing account of Trump's rallies (The New Yorker). Jeffrey Goldberg talks through Obama's foreign-policy legacy with the president (The Atlantic), Andrew Sullivan fears for the future of democracy (New York), and Gabriel Sherman relates how the women of Fox News brought to light Roger Ailes's predations (New York). Joining them are Rebecca Solnit's wide-ranging Harper's commentary, Becca Rothfeld's pondering women waiting from The Odyssey to Tinder (Hedgehog Review), and bold expeditions into nature: David Quammen ventures to Yellowstone to consider the future of wild places (National Geographic), and Mac McClelland sets off for Cuba in search of the ivory-billed woodpecker (Audubon).

Protest. A word indissociable from the year 2011. In America, Occupy Wall Street protestors took up tented residence across the country to demonstrate against crony capitalism. Spurred by events in Tunisia, Egypt erupted in a people's revolution that ousted dictator Hosni Mubarak. Popular unrest has been brewing since the imposition of austerity measures in Greece and Spain. Meanwhile, the evening news continues to cover these events in one-and-a-half minute intervals accompanied by a flood of images, making these events difficult to assess. "News" represents an innovative collaboration between journalist Susanne Fischer and artist Monika Huber. A former reporter in Baghdad, Fischer has on-the-ground experience with revolutionary events and has brought together contributions that present a balanced view of the Arab Spring, including essays exploring freedom of the press and the role of the Internet in enabling revolution. Huber draws more broadly on events that have dominated television coverage in the past year, including Occupy Wall Street, the uprisings in North Africa and the Middle East, the earthquake and nuclear reactor accident in Japan, the ongoing conflict in Afghanistan, and the mass killings in Norway. Photographing and manipulating images from the news, she creates photo-art that casts a critical eye on the selection, presentation, and perception of these images. With many of the uprisings showing no signs of abating, the words and images in "News" together offer a fresh look at the issues that exceeds what we can find in traditional journalism.

Das Buch beinhaltet die Beitrage einer internationalen Tagung in Peking im September 2011. Aus chinesischer und deutscher Sicht werden Aspekte von Deutsch als Fremdsprache, chinesisch-deutschen Kulturbeziehungen und interkultureller Kommunikation diskutiert. Dabei zeigt sich ein breites Spektrum von inhaltlichen und methodischen Herangehensweisen, durch die die Vielfalt, aber auch die Heterogenitat des wissenschaftlichen Diskurses zum gleichen Thema in den beiden Landern deutlich wird: tagesaktuelle Themen, theoretisch grundlegende und systematische Abhandlungen, pragmatische Fragestellungen bis hin zu kommunikationsphilosophischen Reflexionen. Der Band selbst ist so ein Beispiel interkultureller Kommunikation.

What does it feel like to be featured, quoted, or just named in a news story? A refugee family, the survivor of a shooting, a primary voter in Iowa-the views and experiences of ordinary people are an important component of journalism. While much has been written about how journalists work and gather stories, what do we discover about the practice of journalism and attitudes about the media by focusing on the experiences of the subjects themselves? In Becoming the News, Ruth Palmer argues that understanding the motivations and experiences of those who have been featured in news stories-voluntarily or not-sheds new light on the practice of journalism and the importance many continue to place on the role of the mainstream media. Based on dozens of interviews with news subjects, Becoming the News studies how ordinary people make sense of their experience as media subjects. Palmer charts the arc of the experience of "making" the news, from the events that brought an ordinary person to journalists' attention through the decision to cooperate with reporters, interactions with journalists, and reactions to the news coverage and its aftermath. She explores what motivates someone to talk to the press; whether they consider the potential risks; the power dynamics between a journalist and their subject; their expectations about the motivations of journalists; and the influence of social media on their decisions and reception. Pointing to the ways traditional news organizations both continue to hold on to and are losing their authority, Becoming the News has important implications for how we think about the production and consumption of news at a time when Americans distrust the news media more than ever.

Come and walk the offbeat world of Mike Strobels popular column in the Toronto Sun. Meet the legendary panhandler Shaky Lady; the Weasel, who knows where Jimmy Hoffa is buried; the secretive swinger Sexy Boots; the notorious Bicycle Bandit, who quit robbing banks, got a loan, and opened a bar; and Dr. Hook, the top doc whose professional fate rested on the cut of his jib. Youll also get a look at a fake orgasm champ, a practising witch turned beauty pageant queen, a boss cannonballer, and assorted other heroes, rogues, athletes, finks, politicos, celebrities, bureaucrats, sons, and lovers.

Each column in this collection is a mini-world, tight and bright.

Youll smile at Strobels take on the fads, fashions, morals, and hot topics of the day. Even the most serious issues are dissected and dispatched with often biting wit and cheek.

(Warning: If youre a Montreal Canadiens fan, do not read this book.)

Most famous for his classic work The Boys of Summer, Roger Kahn is widely regarded as one of the greatest sportswriters of our time. The Roger Kahn Reader is a rich collection of his stories and articles that originally appeared in publications such as Sports Illustrated, the New York Times, Esquire, and the Nation. Kahn's pieces, published between 1952 and today, present a vivid, turbulent, and intimate picture of more than half a century in American sport. His standout writings bring us close to entrepreneurs and hustlers (Walter O'Malley and Don King), athletes of Olympian gifts (Ted Williams, Stan Musial, "Le Demon Blond" Guy Lefleur), and sundry compelling issues of money, muscle, and myth. We witness Roger Maris's ordeal by fame; Bob Gibson's blazing competitive fire; and Red Smith, now white-haired and renowned, contemplating his beginnings and his future. Also included is a new and original chapter, "Clem," about the author's compelling lifelong friendship with former Brooklyn Dodgers pitcher Clem Labine. Written across six decades, this volume shows Kahn's ability to describe the athletes he profiled as they truly were in a manner neither compromised nor cruel but always authentic and up close.

Thoburn H. "Toby" Wiant was a fig h t e r from an early age, and words were his weapons of choice. During World War II, he fought to scoop stories from rival reporters on the front lines as an Associated Press war correspondent. In chronicling the war from the China-Burma-India and European theaters of operation, he skillfully reported the battles of an all-too-real war while often in personal peril. In letters to his parents he revealed his personal reactions to the war. In this remarkable book, his daughter brings together Wiantas printed articles and his private letters. With her aid, we view the war through his eyes as we watch a scrappy boy grow into manhood and an
eager cub reporter develop into a seasoned war correspondent.

'This second collection of his newspaper pieces is a reminder of just how good they were: sharp and playful, surreal and thoughtful, and occasionally...rather moving' New Statesman Hilarious, heartbreaking, provocative and affecting - Howard Jacobson's irresistible journalism reveals the Man Booker Prize-winning novelist in all his humanity. From the tiniest absurdities to the most universal joys and desolations, Jacobson writes with a thunder, passion and wit unmatched. Just as did his previous volume, Whatever It Is I Don't Like It, this glorious, unputdownable collection will delight, entertain, challenge and move.

African Muckraking is the first collection of investigative and campaigning journalism written by Africans about Africa. The editors delved into the history of modern Africa to find the most important and compelling pieces of journalism on the stories that matter.

This collection of 41 pieces of African journalism includes passionate and committed writing on labor abuses, police brutality, women’s rights, the struggle for democracy and independence on the continent and other subjects. Each piece of writing is introduced by a noted scholar or journalist who explains the context and why the journalism mattered. Some of the highlights include: Feminist writing from Tunisia into the 1930s, exposés of the secret tactics planned by the South African government during apartheid, Richard Mgamba’s searing description of the albino brothers in Tanzania who fear for their lives, and the reporting by Liberian journalist Mae Azango on genital cutting, which forced her to go into hiding.

Many African Muckrakers have been imprisoned and even killed for their work. African Muckraking is a must-read for anyone who cares about journalism and Africa.

In recent years marketing has played an ever more important role for daily newspapers and popular magazines. The reader's continuing buying restraint, falling sales, reductions in advertising income and the loss of classified advertising to the Internet, are all symptoms of a crisis. This forces publishing houses to optimize operational processes. Not least the growing competition, both with electronic media and between publishers leads to an ever-increasing importance of the marketing department for the success of the business. Peter Brummund, who has spent years in leading positions in the branch himself, takes a look at this business aspect of the press. In keeping with the practical needs of the specialist reader, the author summarizes the sales and marketing structures of the press: the "classical" and the new marketing channels, engendered by new technology such as the Internet, digital printing and satellite transmissions. The different marketing channels using subscriptions, individual sales, readers clubs and direct marketing are explained in detail, as are elementary mechanisms such as disposition, remittance, fixed prices and discounts. The way press wholesalers function is presented with the general technical and legal conditions and enlarged upon using concrete case studies.

Sind Journalisten Totengraber der deutschen Sprache, weil sie englische Woerter verwenden und diese erst popular machen? Oder gibt es erste Zeichen, dass der Hoehepunkt der Verwendung englischen Wortgutes im Deutschen erreicht ist? Sonja Sagmeister-Brandner, Fernsehjournalistin des ORF, analysiert Vorurteile gegenuber Anglizismen wissenschaftlich und lasst gleichzeitig in die Welt hinter dem "Newsroom" blicken. Ein Buch fur alle, die sich fur Sprachgeschichte und Sprachtrends interessieren. Der empirische Teil untersucht Anglizismen in der ORF-Sprache und stellt Zeit im Bild-Nachrichten und Radio-Nachrichten von OE3 gegenuber. Einblicke in die Geschichte der Anglizismen-Verwendung gibt die diachrone Studie zu Anglizismen in den Radio-Nachrichten der Jahre 1967 bis 2004.

Diese Arbeit beschaftigt sich mit dem Verhaltnis zweier demokratischer Grundwerte zueinander, namlich der Medienfreiheit einerseits und dem Interesse an einer effektiven Strafverfolgung andererseits. Anhand der 53 I Nr. 5 und 97 V StPO beleuchtet die Autorin die Erfordernisse einer Abwagung zwischen der Gewahrleistung einer freien Medienberichterstattung und der Ahndung schwerer Straftaten. Die Studie analysiert die derzeitige Gesetzeslage und arbeitet unter Berucksichtigung der Entscheidungen des Bundesverfassungsgerichts notwendige AEnderungen heraus. Die Ergebnisse werden zu einem praktikablen Gesetzesvorschlag zusammengefuhrt, welcher die Konflikte zwischen dem Interesse an einer effektiven Strafverfolgung und dem Schutz der Medienfreiheit durch ausgewogene Regelungen aufloest.

So is dit nou is ’n nuwe versameling aangrypende humoristiese stories oor die hede en verlede deur die deurwinterde joernalis en topverkoper-skrywer Johan van Wyk. Die versameling dokumenteer ’n tyd van Padkafees, Pepsi floats en koue skaapnek uit ’n saalsak. Maar dit gaan nie net oor Sondagmiddae met skaapboud, geelrys en rosyntjies nie. In die bundel word die verlede onthou en meesterlik verweef met die hedendaagse Suid-Afrika waar Jacob Zuma en Julius Malema die septer swaai.

In the magazine world, no recognition is more highly coveted or prestigious than a National Magazine Award. Annually, members of the American Society of Magazine Editors, in association with the Columbia University Graduate School of Journalism, select the year's most dynamic, original, provocative, and influential magazine stories. The winning and finalist pieces in this anthology represent outstanding work by some of the most eminent writers in America as well as rising literary and journalistic talents. This prestigious collection includes stories that cover a variety of subjects from Elizabeth Kolbert's investigation into global warming in the "New Yorker" and James Bamford's look at the PR campaign behind the Iraq War in "Rolling Stone" to Chris Heath's remarkable profile of Merle Haggard in "GQ" and Bill Heavey's hilarious account of teaching his daughter to fish in "Field and Stream." Other writers include David Foster Wallace ( "The Atlantic Monthly"), Joyce Carol Oates ( "The Virginia Quarterly Review"), Priscilla Long ( "The American Scholar"), Jesse Katz ( "Los Angeles Magazine"), Marjorie Williams ( "Vanity Fair"), Hendrik Hertzberg ( "New Yorker"), Sven Birkerts ( "The Virginia Quarterly Review"), Erik Reece ( "Harper's"), Wendy Brenner ( "The Oxford American"), John Jeremiah Sullivan ( "GQ"), James Wolcott ( "Vanity Fair"), and Wyatt Mason ( "Harper's").

Wide-ranging in their style and subjects, these writers' stories inform, surprise, entertain, and provide new perspectives on our world. They also reflect elements that distinguish the best in magazine writing: moral passion, investigative zeal, vivid characters and settings, persistent reporting, and artful writing.

Erholungsangebote fur den harten Alltag im Nationalsozialismus? Fluchtfahrzeuge fur Eskapisten? Oder doch erfolgreiche Instrumente der Integration und Propaganda? Produkte einer modernen Popularkultur waren bis 1945 zentraler Bestandteil des Alltags im 'Dritten Reich'. Auch wenn die Nationalsozialisten diese Kultur zumindest in Teilen von ideologischer Warte aus scharf kritisierten, forcierten sie den Ausbau einer auf Massenkonsum orientierten Kulturindustrie; zugleich versuchten sie freilich, deren Produkte zu beeinflussen und zu bestimmen. Literatur- und Medienwissenschaftler sowie Historiker verorten in diesem Band u. a. Tierfilme, Science-Fiction, Arztromane und popularwissenschaftliche Zeitschriften im Kultur- und Propagandabetrieb des 'Dritten Reiches'. Sie analysieren die Versuche zur Formierung der Unterhaltungsliteratur, beleuchten Phanomene wie die Inszenierung von Volksgemeinschaft im Fussballfilm, Theatertourneen fur die Arbeiter der Reichsautobahn sowie die Prasenz von Blondinen und anderen Popularmythen in Propagandaflugblattern. Biographische Fallstudien beschaftigen sich mit der Stellung von Autoren wie Hans Dominik, Ernst Kreuder, Hans Fallada und Erich Kastner in der NS-Kulturindustrie. Die Beitrage zeigen, wie weit sich Nationalsozialismus und gute Unterhaltung miteinander kombinieren lassen. Sie zeigen aber auch, wo diese Verbindung an die Grenzen der Logik einer kapitalistisch organisierten Kulturproduktion stoesst bzw. mit den ideologischen Anspruchen einer Diktatur kollidiert.

Ausgehend von der Idee des Glasperlenspiels, die Hermann Hesse in seinem gleichnamigen Roman entwirft, haben die Autoren in diesem Band die Moglichkeiten und Grenzen eines solchen Spiels im Umgang mit Wissen ausgelotet. Sie zeigen neue Methoden fur das Wissensmanagement auf und verbinden dafur Erkenntnisse verschiedener Wissenschaftsgebiete wie Logik, System- und Erkenntnistheorie sowie Semiotik, Kognition und Kommunikation. Das begleitende Computerprogramm unterstutzt Leser beim Experimentieren mit Wissen."

For over twenty-five years, The Best American Sports Writing has built a solid reputation by showcasing the greatest sports journalism of the previous year, culled from hundreds of national, regional, and specialty print and digital publications. Each year, the series editor and guest editor curate a truly exceptional collection. The only shared traits among all these diverse styles, voices, and stories are the extraordinarily high caliber of writing, and the pure passion they tap into that can only come from sports.

What it means when your father dies. How it feels when summer comes. What it's like to live in a great but troubled American city. The value of wearing sunscreen. These are just a few of the topics that Mary Schmich addresses in this second, expanded edition of Even the Terrible Things Seem Beautiful to Me Now, a collection of her columns from the Chicago Tribune, including the 10 that won the 2012 Pulitzer Prize for commentary. Schmich is the rare newspaper columnist whose writing resonates long after it's published and far beyond the place she lives. She may be best known for a column widely called "Wear Sunscreen"-misattributed to Kurt Vonnegut and turned into a hit recording by Baz Luhrmann-but her writing ranges as widely as life itself. It can be slyly humorous, deeply moving, or tough. She addresses subjects as varied as family love, sexual harassment, long friendships, poverty, and Chicago violence. Every city has its voices, the enduring writers who both explain and create a city's culture. Chicago has had many, including the legendary Mike Royko and Studs Terkel. Mary Schmich is among them. In a hectic age, her writing lifts us, calms us, and helps us understand.

Drones and Journalism explores the increased use of unmanned aerial vehicles, or drones, by the global media for researching and newsgathering purposes. Phil Chamberlain examines the technological development and capabilities of contemporary drone hardware and the future of drone journalism. He also considers the complex place of the media's drone use in relation to international laws, as well as the ethical challenges and issues raised by the practice. Chapters cover topics including the use of drones in investigative reporting, in reporting of humanitarian crises, and the use of this new technology in more mainstream media, like film and TV. The book also presents exclusive interviews with drone experts and practitioners and draws on a wide range of disciplines to put the practice into a historical, political and social context. Professionals and students of Journalism and Media Studies will find this an important critical contribution to these fields, as Phil Chamberlain astutely charts the rise of the reliance on drones by the media worldwide.

From fleeing the Warsaw Ghetto and living underground to fighting for social justice in 1960s' Seattle and helping smash the communist system in 1980s' Poland, this is a narrative that erupts into critical moments in Jewish, Polish, and American history. It is also a story of the hidden anguish that accompanies and courses through that history, of the living haunted by the dead. The story is told through a conversation, often contentious, between Michael Steinlauf, historian of Polish-Jewish culture and child of Holocaust survivors, and the anthropologist and artist Elzbieta Janicka. It is illustrated with scores of photographs and documents.