The sudden shift to remote education in response to the COVID-19 pandemic created both a unique challenge and a unique opportunity. Students and instructors alike were required to quickly adapt to the digital classroom, adjusting methods, material, and pedagogical approaches on the fly.Bringing together twenty-five interviews from the frontline of emergency remote education, Voices from the Digital Classroom portrays the struggles, innovations, and resilience of students, instructors, and educational professionals in the face of COVID-19. These interviews offer a unique, of-the-moment perspective on an exceptional time. Complemented by additional voices that expand on stories told to reflect on challenges, successes, and lessons learned, Voices from the Digital Classroom is both a time-capsule and a vision for the future. It provides new insights into pandemic teaching and learning, a remarkable lens into the daily realities of the digital classroom, and an inspiration for the future of remote education in a post-pandemic world.

A Century of Repression offers an unprecedented and panoramic history of the use of the Espionage Act of 1917 as the most important yet least understood law threatening freedom of the press in modern American history. It details government use of the Act to control information about U.S. military and foreign policy during the two World Wars, the Cold War, and the War on Terror. The Act has provided cover for the settling of political scores, illegal break-ins, and prosecutorial misconduct.

What happens when a regular person accidentally finds themselves lost in the middle of a war? In 1991, BBC journalist Chris Woolf travelled to Afghanistan. The government in Kabul was fighting for survival, after the withdrawal of the Soviet Union. The parallels to today are extraordinary. Woolf was visiting a colleague to see if he'd like the life of a foreign correspondent. They hitched a ride with an aid convoy and bumbled straight into the war. They kept going, despite the horror and terror. There was no choice. Amid the darkness, Woolf discovered the generosity and hospitality of ordinary Afghans. They became the first journalists to pass through the battle lines to meet with legendary warlord Ahmed Shah Massoud, and carried home a vital message for the peace process. They met with Soviet POW/MIAs and recorded messages for loved ones. Unlike a conventional war story, Woolf shares an intimate portrait of first encounters with death and real fear. He explores the lingering effects of trauma, and explains how he put his experience to good use. The author introduces readers to just enough of Afghanistan's history, geography, culture and politics for readers to understand what's going on around him. What people are saying: "Bumbling Through the Hindu Kush is at once gripping, informative, suspenseful, and at times it reads like a thriller." - Qais Akbar Omar, author of "A Fort of Nine Towers: An Afghan Family Story." "Chris Woolf has written a truly personal tale that is both gripping and historically significant for the war between the Soviet-backed government and Mujahidin in Afghanistan. His mix of personal, cultural, and wartime reflections make this a story well worth the time of Afghanistan aficionados and casual readers alike." - Dr Jonathan Schroden, former strategic adviser to the US military's Central Command, and to the International Security Assistance Force (ISAF) in Afghanistan "Combat can feel like the ant on an elephant's tail: overwhelmed and along for the ride. Chris Woolf's memoir of his ten days in late 1991 "bumbling" into the war in Afghanistan is just such an up-and-down tale, with the momentary highs and gut-crushing lows common to combat. When the teenage goat herder fires his AK-47 in the first few pages - you'll know how that ant feels, just holding on, exhilarated, terrified, never really knowing what comes next." - Lt-Col ML Cavanaugh, US Army; Senior Fellow, Modern War Institute at West Point; lead writer and co-editor, "Strategy Strikes Back: How Star Wars Explains Modern Military Conflict." The perfect Christmas gift for all those who like military history and think they understand war. The author believes in giving back, so a portion of the proceeds is donated towards helping Afghan kids with disabilities (enabledchildren.org), and towards clearing landmines in Afghanistan and around the world (HALOTrust.org).

The things I've learned from taxi drivers would be enough to fill a book. They know a lot: they really do get around. I may know a lot about Antonioni that they don't know. Or maybe they do even when they don't. There are various ways of knowing by not-knowing. I know: it happens to me too. The cronica, a literary genre peculiar to Brazilian newspapers, allows writers (or even soccer stars) to address a wide readership on any theme they like. Chatty, mystical, intimate, flirtatious, and revelatory, Clarice Lispector's pieces for the Saturday edition of Rio's leading paper, the Jornal do Brasil, from 1967 to 1973, take the forms of memories, essays, aphorisms, and serialized stories. Endlessly delightful, her insights make one sit up and think, whether about children or social ills or pets or society women or the business of writing or love. This new, large, and beautifully translated volume, Too Much of Life: The Complete Cronicas presents a new aspect of the great writer-at once off the cuff and spot on.

Pullout sections, poster supplements, contests, puzzles, and the funny pages--the Sunday newspaper once delivered a parade of information, entertainment, and spectacle for just a few pennies each weekend. Paul Moore and Sandra Gabriele return to an era of experimentation in early twentieth-century news publishing to chart how the Sunday paper became an essential part of American leisure. Transcending the constraints of newsprint while facing competition from other media, Sunday editions borrowed forms from and eventually partnered with magazines, film, and radio, inviting people to not only read but watch and listen. This drive for mass circulation transformed metropolitan news reading into a national pastime, a change that encouraged newspapers to bundle Sunday supplements into a panorama of popular culture that offered something for everyone.

Dark Shadows is a compelling portrait of Kazakhstan, a country that is little known in the West. Strategically located in the heart of Central Asia, sandwiched between Vladimir Putin's Russia, its former colonial ruler, and Xi Jinping's China, this vast oil-rich state is carving out its place in the world as it contends with its own complex past and present. Journalist Joanna Lillis paints a vibrant picture of this emerging nation through vivid reportage based on 13 years of on-the-ground coverage, and travels across the length and breadth of this enigmatic country that lies along the ancient Silk Road and at the geopolitical and cultural crossroads where East meets West. Featuring tales of murder and abduction, intrigue and betrayal, extortion and corruption, this book explores how a president, Nursultan Nazarbayev, transformed himself into a potentate and the economically-struggling state he inherited at the fall of the USSR into a swaggering 21st-century monocracy. A colourful cast of characters brings the politics to life: from strutting oligarch to sleeping villagers, from principled politicians to striking oilmen, from crusading journalists to courageous campaigners. Traversing dust-blown deserts and majestic mountains, taking in glitzy cities and dystopian landscapes, Dark Shadows conjures up Kazakhstan as a living, breathing place, full of extraordinary people living extraordinary lives.

As Fenella Wilson points out in her Introduction to this collection of Neil Munro's writings on war, the theme is represented in each aspect of his career as a writer - in his fiction, journalism and poetry. A number of the short stories here, including two Para Handy tales, were published Munro's lifetime, as was his introduction to Fred Farrell's 1920 The 51st Division War Sketches, and some of the Poems. What has not previously 'seen the light of day' since The Great War are the reports which Munro wrote as a war correspondent, as a civilian and later in uniform, in 1914, 1917 and 1918. They are vivid, personal, accounts from the Western Front, widely published in a range of newspapers of the time. Stories of Scottish regiments - in kilts, with their Pipers - abound. They cushion, but don't diminish, the reality of everyday life both for soldiers on all sides in the conflict, and for the local population, amid the 'havoc' of the battlefields; 'the filthy job of human slaughter'.

J.G.Ballard is the author of the novels Crash, Empire of the Sun and Rushing to Paradise. Throughout his career he has also been a regular contributor to magazines and newspapers. This book collects together pieces of his journalism, grouped under themes including science and film.

SHORTLISTED FOR THE IRISH BOOK AWARDS 2021 The riveting story of a nation at a crucial crossroads From the start of his stint as RTE's Washington Correspondent Brian O'Donovan's lively and authoritative reporting of a tumultuous period in American life has been must-watch TV. Four Years in the Cauldron is his account of four busy years working in the US. He draws a compelling picture, full of telling colour and detail, of covering its fractured politics, particularly the extraordinary presidency of Donald Trump and the knife-edge election of Joe Biden. And he gives his unique perspective on big stories such as the Covid emergency, the Capitol riot, the murder of George Floyd and trial and conviction of his police killer. He also provides a visceral sense of what it's like living in a country shaped by guns, God, far-fetched conspiracy theories and the running sore of racism. Yet, drawing on his network of contacts, neighbours, friends and family connections outside the white-hot heat of Washington politics, he writes about the lives of ordinary American people with nuance and understanding. Four Years in the Cauldron is a must-read for getting to grips with the US at a moment of profound reckoning. ______ 'An intriguing look at an extraordinary time . . . the book brings us to some fascinating places' Ryan Tubridy 'A great read' The Last Word With Matt Cooper

Vir 45 jaar het Freek Robinson die grootste nuusgebeure in die ou én nuwe Suid-Afrika eerstehands beleef. As TV-joernalis en nuusanker was hy ’n gereelde besoeker in miljoene Suid-Afrikaners se huise.

In sy memoires deel Freek dit wat hy agter die skerms beleef het.

Dié boek verweef die lewe en loopbaan van een van ons land se mees gerespekteerde en geliefde joernaliste en gee ’n besonderse blik op die ingrypende nuusomwentelinge in ons onlangse geskiedenis.