Im Internet verliert der Journalismus sein Monopol als "Gatekeeper", weil dort jeder ohne grossen Aufwand publizieren kann. Vermittlung zwischen Kommunikatoren und Rezipienten bleibt aber weiterhin notwendig. Wer aber kanalisiert die "Informationsflut" im Internet? Wer sortiert den "Informationsmull" aus? Sind es nach wie vor die professionellen Journalisten? Oder ubernehmen die Internetnutzer selbst die Aufgabe der Selektion und Prufung von Informationen? Koennen diese Prozesse technisiert werden? In dem Forschungsprojekt, das der Band vorstellt, wurde erstmals die Dreiecksbeziehung zwischen Profession, Partizipation und Technik untersucht.

Between 1925 and 1951, Kent Cooper transformed the Associated Press, making it the world's dominant news agency while changing the kind of journalism that millions of readers in the United States and other countries relied on. Gene Allen's biography is a globe-spanning account of how Cooper led and reshaped the most important institution in American--and eventually international--journalism in the mid-twentieth century. Allen critically assesses the many new approaches and causes that Cooper championed: introducing celebrity news and colorful features to a service previously known for stodgy reliability, pushing through disruptive technological innovations like the instantaneous transmission of news photos, and leading a crusade to bring American-style press freedom--inseparable from private ownership, in Cooper's view--to every country. His insistence on truthfulness and impartiality presents a sharp contrast to much of today's fractured journalistic landscape. Deeply researched and engagingly written, Mr. Associated Press traces Cooper's career as he built a new foundation for the modern AP and shaped the twentieth-century world of news.

Der Band setzt sich mit den unterschiedlichen Erwartungshaltungen an Autoren und Regisseure historischer Dokumentation auseinander und entwickelt daraus einen Leitfaden fur die Praxis. Welche dramaturgischen Grundmuster bieten sich fur historische Dokumentationen an? Was ist ein angemessener Umgang mit Zeitzeugen im Spannungsfeld von subjektiver Wahrnehmung und historischer Wahrheit? Welche wissenschaftlichen Kriterien sind eher hinderlich, welche historischen Forschungsansatze koennen dagegen hilfreich sein? Anhand zahlreicher Beispiele erlautert der Autor, wie es gelingt, den unterschiedlichen Erwartungshaltungen zu entsprechen und dennoch den eigenen Gestaltungswillen nicht aus den Augen zu verlieren.

An award-winning writer and a candidate for the Nobel Prize for Literature, Ryszard Kapuscinski (1932-2007) was a celebrated Polish journalist and author. Praised for the lengths to which he would go to get a story, Kapuscinski gained an extraordinary knowledge of the major global events of the second half of the twentieth century and shared it with his diverse audience. The first posthumous monograph on the writer's life and work, Ryszard Kapuscinski confronts the mixed reception of Kapuscinski's tendency to merge the conventions of reportage with the artistry of literature. Beata Nowacka and Zygmunt Ziatek discuss the writer's accounts of the decolonization of Africa and his work in Asia and South America between 1956 and 1981, a period during which Kapuscinski reported on twenty-seven revolutions and coups. They argue that the journalistic tradition is not in conflict with Kapuscinski's meditations on the deep meanings of these events, and that his first-person involvement in his text was not an indulgence detracting from his journalistic adventures but a well-thought-out conception of eyewitness testimony, developing the moral and philosophical message of the stories. Exploring the whole of Kapuscinski's achievements, Nowacka and Ziatek identify a constant tension between a strictly journalistic position and what in Poland is called literary reportage, located on the border between journalism and artistic prose. Kapuscinski's desire and dedication to make more of journalistic writing is the driving force behind the excellence and readability that have made his legendary books so controversial - and so widely celebrated.

'It was a farewell to all my pleasant life, a farewell to the enjoyment of summer. My theme was that we were all about to undergo a change. The hills and the streams would remain, the sun would set as redly on the western sea, but they would not ever be quite the same for us again.' In the 1930s, Norris Davidson was based in London, where he was involved in pioneering work on film, radio and documentaries. By the start of the 1940s, he was working in the wartime Marine Service. Davidson's informative account of his experience in the Irish Marine Service during the Second World War gives a refreshing insight into many aspects of the defence forces preparing to defend the state to the best of its ability. Often humorous and sometimes moving, it is an engaging account that will appeal to all who are interested in Irish maritime and military history, as well as day-to-day life in 1940s Ireland. Before his death, Norris entrusted the manuscript to ex-naval officer Daire Brunicardi, who has added to the manuscript with a foreword to set the scene, as well as providing some fascinating photos and wartime ephemera.

Wahlen werden in Deutschland mittlerweile massgeblich von Personen entschieden, die sich erst kurz vor der Wahl auf eine Partei festlegen. Wer aber sind diese Spatentscheider und wie treffen sie ihre Wahl? Sind ihre Entscheidungen irrational und impulsiv oder im Gegenteil besonders gewissenhaft und daher verzoegert? Welche Informationen ziehen sie heran und sind sie besonders anfallig fur Medieneinflusse? Um diese und weitere Fragen zu beantworten, haben die Autoren im Bundestagswahlkampf 2009 eine Mehr-Methoden-Studie durchgefuhrt. Darin verknupfen sie eine reprasentative Panel-Befragung mit einer Inhaltsanalyse der Wahlkampfberichterstattung sowie einer Realtime-Response-Studie zum TV-Duell.

Journalismus und Journalismusforschung: Meistens stehen beide Bereiche unverbunden nebeneinander. Hier setzt das Autorenteam dieses Bandes an: Es greift zentrale Fragen und Probleme der journalistischen Praxis auf, die mit Beispielen illustriert werden, und analysiert sie mit Hilfe von Theorien und empirischen Ergebnissen der Kommunikationswissenschaft. Was ist Qualitat im Journalismus, wie lasst sie sich messen und sicherstellen? Welche Erwartungen hat das Publikum, und uber welche Kanale haben die Redaktionen Zugang zu ihrem Publikum? Ausserdem geht der Band auf die drangenden Zukunftsfragen des Journalismus ein

This first major collection of former Los Angeles Times reporter and columnist Ruben Salazar's writings, is a testament to his pioneering role in the Mexican American community, in journalism, and in the evolution of race relations in the U.S. Taken together, the articles serve as a documentary history of the Chicano Movement of the 1960s and of the changing perspective of the nation as a whole. Since his tragic death while covering the massive Chicano antiwar moratorium in Los Angeles on August 29, 1970, Ruben Salazar has become a legend in the Chicano community. As a reporter and later as a columnist for the Los Angeles Times, Salazar was the first journalist of Mexican American background to cross over into the mainstream English-language press. He wrote extensively on the Mexican American community and served as a foreign correspondent in Latin America and Vietnam. This first major collection of Salazar's writing is a testament to his pioneering role in the Mexican American community, in journalism, and in the evolution of race relations in the United States. Taken together, the articles serve as a documentary history of the Chicano Movement of the 1960s and of the changing perspective of the nation as a whole. Border Correspondent presents selections from each period of Salazar's career. The stories and columns document a growing frustration with the Kennedy administration, a young Cesar Chavez beginning to organize farm workers, the Vietnam War, and conflict between police and community in East Los Angeles. One of the first to take investigative journalism into the streets and jails, Salazar's first-hand accounts of his experiences with drug users and police, ordinary people and criminals, make compelling reading. Mario Garcia's introduction provides a biographical sketch of Salazar and situates him in the context of American journalism and Chicano history. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

The model for this volume is the enormously successful Vintage Original DISTANT VOICES (93,000 copies sold to date). It will gather together essays on a range of subjects including Burma,Fleet Street, East Timor,Vietnam today,the media and UK politics. 'Pilger is the closest we have to the great correspondents of the 1930s...The Truth in his hands is a weapon,to be picked up and brandished and used in the struggle against evil and injustice' GUARDIAN

Winner of the 2018 PEN Translates Award for Non-Fiction Features illustrations by the Honduran artist German Andino Welcome to a country that has a higher casualty rate than Iraq. Wander streets considered the deadliest in the world. Wake up each morning to another batch of corpses - sometimes bound, often mutilated - lining the roads; to the screeching blue light of police sirens and the huddles of 'red journalists' who make a living chasing after the bloodshed. But Honduras is no warzone. Not officially, anyway. Ignored by the outside world, this Central American country is ravaged by ultra-violent drug cartels and an equally ruthless, militarised law force. Corruption is rife and the justice system is woefully ineffective. Prisons are full to bursting and barrios are flooded with drugs from South America en route to the US. Cursed by geography, the people are trapped here, caught in a system of poverty and cruelty with no means of escape. For many years, award-winning journalist Alberto Arce was the only foreign correspondent in Tegucigalpa, Honduras's beleaguered capital, and he witnessed first-hand the country's descent into anarchy. Here, he shares his experiences in a series of gripping and atmospheric dispatches: from earnest conversations with narcos, taxi drivers and soldiers, to exposes of state corruption and harrowing accounts of the aftermath of violence. Provocative, revelatory and at time heart-rending, Blood Barrios shines a light on the suffering and stoicism of the Honduran people, and asks the international community if there is more that they can do.

In Citizens of Scandal, Vanessa Freije explores the causes and consequences of political scandals in Mexico from the 1960s through the 1980s. Tracing the process by which Mexico City reporters denounced official wrongdoing, she shows that by the 1980s political scandals were a common feature of the national media diet. News stories of state embezzlement, torture, police violence, and electoral fraud provided collective opportunities to voice dissent and offered an important, though unpredictable and inequitable, mechanism for political representation. The publicity of wrongdoing also disrupted top-down attempts by the ruling Partido Revolucionario Institucional to manage public discourse, exposing divisions within the party and forcing government officials to grapple with popular discontent. While critical reporters denounced corruption, they also withheld many secrets from public discussion, sometimes out of concern for their safety. Freije highlights the tensions-between free speech and censorship, representation and exclusion, and transparency and secrecy-that defined the Mexican public sphere in the late twentieth century.

Launched at the 1982 Notting Hill Carnival, The Voice newspaper captured and addressed a generation figuring out what it meant to be Black and British. Written for and by Black people, the newspaper shone a light on systematic injustices as well as celebrating Black Britain's success stories. From hard hitting news reports covering the murder of Stephen Lawrence to championing the likes of Sir Lewis Hamilton and Idris Elba, the newspaper has campaigned, celebrated and educated people for the last forty years. As well as celebrating amazing successes in sport, politics and the arts, The Voice documented everyday life in the community, from the emergence of a Black middle class in the '90s and the achievements of Black entrepreneurs to how different facets of the community were explored in contemporary music and literature. Since its small beginnings in Hackney, The Voice has also become a fantastic training ground for prominent journalists and figures including former politician Trevor Phillips, broadcaster Rageh Omaar and writer Afua Hirsch. Today, The Voice is Britain's longest running and only Black newspaper. Told through news reports, editorials and readers' personal letters, this emotive book documents the social history of Black Britain over the last four decades. Each chapter is illustrated with amazing newspaper pages from The Voice's extensive archives as well as iconic and dramatic front covers from 1982 to the present day. With a foreword from Sir Lenny Henry and written by former and current Voice journalists, this powerful book is a celebration of the ground-breaking paper which gave a voice to the voiceless.

The Superwoman and Other Writings by Miriam Michelson is the first collection of newspaper articles and fiction written by Miriam Michelson (1870-1942), best-selling novelist, revolutionary journalist, and early feminist activist. Editor Lori Harrison-Kahan introduces readers to a writer who broke gender barriers in journalism, covering crime and politics for San Francisco's top dailies throughout the 1890s, an era that consigned most female reporters to writing about fashion and society events. In the book's foreword, Joan Michelson-Miriam Michelson's great-great niece, herself a reporter and advocate for women's equality and advancement-explains that in these trying political times, we need the reminder of how a ""girl reporter"" leveraged her fame and notoriety to keep the suffrage movement on the front page of the news. In her introduction, Harrison-Kahan draws on a variety of archival sources to tell the remarkable story of a brazen, single woman who grew up as the daughter of Jewish immigrants in a Nevada mining town during the Gold Rush. The Superwoman and Other Writings by Miriam Michelson offers a cross-section of Michelson's eclectic career as a reporter by showcasing a variety of topics she covered, including the treatment of Native Americans, profiles of suffrage leaders such as Susan B. Anthony and Charlotte Perkins Gilman, and police corruption. The book also traces Michelson's evolution from reporter to fiction writer, reprinting stories such as ""In the Bishop's Carriage"" (1904), a scandalous picaresque about a female pickpocket; excerpts from the Saturday Evening Post series, ""A Yellow Journalist"" (1905), based on Michelson's own experiences as a reporter in the era of Hearst and Pulitzer; and the title novella, The Superwoman, a trailblazing work of feminist utopian fiction that has been unavailable since its publication in The Smart Set in 1912. Readers will see how Michelson's newspaper work fueled her imagination as a fiction writer and how she adapted narrative techniques from fiction to create a body of journalism that informs, provokes, and entertains, even a century after it was written.

Turkey is a land torn between East and West, and between its glorious past and a dangerous, unpredictable future. After the violence of an attempted military coup against President Erdogan in 2016, an event which shocked the world, journalist and novelist Kaya Genc travelled around his country on a quest to find the places and people in whom the contrasts of Turkey's rich past meet. As suicide bombers attack Istanbul, and journalists and teachers are imprisoned, he walks the streets of the famous Ottoman neighborhoods, and tells the stories of the ordinary Turks who live among the contradictions and conflicts of one of the world's great cities. The Lion and the Nightingale tells the spellbinding story of a country whose history has been split between East and West, between violence and beauty - between the roar of the lion and the song of the nightingale. Weaving together a mixture of memoir, interview and his own autobiography, Genc takes the reader on a contemporary journey through the contradictory soul of the Turkish nation.

From Dan Jenkins--one of America's most respected and acclaimed sportswriters and author of the bestselling novels "Semi-Tough" and "Dead Solid Perfect"--comes a colorful, sentimental, hilarious, and cantankerous memoir about his lifelong journey through the world of sports.

"Sometimes, I envy my own childhood," says Dan Jenkins. Many can say that about Dan's whole life. In "His Ownself," we follow him from his youth in Texas, where being a sports fan meant understanding a lot about religion, heroes, and drinking; to his first job at the "Fort Worth Press" working alongside all-time journalistic greats like Blackie Sherrod and Bud Shrake; to the glory days of "Sports Illustrated." One of a handful of writers to establish "SI" as the most important sports magazine ever, Dan refocused the magazine's college football coverage and covered the game's greatest players and coaches. Beyond football, Dan is in the conversation about the best golf writers of all time. Having covered every Masters, U.S. Open, PGA, and British Open for the past fifty years, he takes us behind the scenes to capture the drama--as well as the humor--of these tournaments as he brings us up close and personal with the likes of Ben Hogan, Arnold Palmer, Jack Nicklaus, and Tiger Woods.
From his friendship and the rounds played with Ben Hogan, to the stories swapped with New York's elite, to the corporate expense accounts abused, Dan lets loose on his experiences in journalism, sports, and showbiz. An honest, one-of-a-kind look at politics, hypocrites, political correctness, the past, the present, Hollywood, money, and athletes, this is a sports fan's dream book. It's a touching, laugh-out-loud tribute to the romanticism of sportswriting and the glory days of sports, told straight from the mouth of the man who saw it all his ownself.

"From the Hardcover edition."

Take a trip down memory lane with the memoir from national TV treasure John Craven, as he recounts both the highs and lows of one of the longest entertaining careers in history, and the people and animals that have helped to shape it. 'Magical memoirs. A BBC legend. A broadcasting icon. The best bits from cub reporter to Countryfile' Daily Mail He began by reading the front page of the evening newspaper in the kitchen to his mother and aunt. Since then, he's spoken to the nation on the BBC almost every week for more than half a century and is one of the most-beloved broadcasters of our time. Presenter of treasured programmes Newsround, Countryfile and Swap Shop, John brought us the headlines and breaking news of our childhood and later helped us discover the magic and wonder of the British countryside. Now, in his first ever autobiography, he recounts a life in news, his childhood, the great impact that the absence of his father - held prisoner for three and a half years while fighting for his country - had on him. He writes too about the people, the major events - and, of course, the animals - that have shaped his life. This is John Craven. And this is the story behind the man so many of us grew up watching on our television screens. 'A cracking read' Chris Evans

Monograph commemorating German photojournalist Werner Bischof (1916-1954), who reported on devastation in Germany, France and the Netherlands after World War II. Featuring over 100 black-and-white photographs, this collection of Bischof's images conveys his sense of empathy and humanity. Text in English, Italian and French.