An Argentinian epic about dance "This is the story of a man who took part in a dance contest." It is thus that Argentine journalist and author Leila Guerriero opens her book. It tells the most difficult of all epic stories: that of the common man. This is an electrifying work that spans the genres of journalism and fiction. It tells a moving and strangely intimate story about malambo, a traditional dance of the Argentine gauchos, and about the Malambo Festival of Laborde in the southeast of the Argentinian province of Cordoba. It is also about Rodolfo Gonzalez Alcantara, who won the dance competition in 2012. Leila Guerriero is a gifted chronicler. Her internationally acclaimed work A Simple Story was published in Spanish in 2013 and in English in 2017, and now appears in German for the first time, in a translation by Angelica Ammar. First German translation of the impressive chronicle "A foray through life, suffering, sacrifice, silent despair, the dread of loss, solidarity, and glory." (El Pais) "[a] level of excellence: [...] rigorous work, exhaustive research" (Mario Vargas Llosa)

'This powerful study looks behind the statistics and political slogans to reveal the human face of the refugee crisis.' Guardian

A mother who puts her children into a refrigerated lorry and asks ‘what else could I do?’ A runaway teenager who comes of age on the streets and in abandoned buildings. A student who leaves his war-ravaged country behind because he doesn’t want to kill. Each of the thousands of people who come to Europe in search of asylum every year brings a unique story with them. But their stories don’t end there.

In Lights in the Distance, acclaimed journalist Daniel Trilling draws on years of reporting to build a portrait of the refugee crisis, seen through the eyes of the people who experienced it first-hand. As the European Union has grown, so has a tangled and often violent system designed to filter out unwanted migrants – one that extends from the border into cities. Most of us became aware of the crisis when it apparently reached its peak in 2015, but the roots go much deeper. Visiting camps and hostels, sneaking into detention centres and delving into his own family’s history of displacement, Trilling weaves together the stories of people he met and followed from country to country. In doing so, he shows that the terms commonly used to define them – refugee or economic migrant, legal or illegal, deserving or undeserving – fall woefully short of capturing the complex realities.

The founding myth of the EU is that it exists to ensure the horrors of the twentieth century are never repeated. Now, as it comes to terms with its worst refugee crisis since the Second World War, the 'European values' of freedom, tolerance and respect for human rights are being put to the test. Lights in the Distance is a uniquely powerful and illuminating exploration of the nature and human dimensions of the crisis.

The interwar period is often described as the 'Golden Age' of detective fiction, but many other kinds of crime writing, both factual and fictional, were also widely read during these years. Crime Writing in Interwar Britain: Fact and Fiction in the Golden Age considers some of this neglected material in order to provide a richer and more complex view of how crime and criminality were understood between the wars. A number of the authors discussed, including Dorothy L. Sayers, Marie Belloc Lowndes and F. Tennyson Jesse, wrote about crime in essays, book reviews, newspaper articles and works of popular criminology, as well as in novels and short stories. Placing debates about detective fiction in the context of this largely forgotten but rich and diverse culture of writing about crime will give a unique new picture of how criminality and the legal process were considered at this time.

With syndication in more than 200 newspapers and a faithful readership nationwide, Bill Maxwell's status as one of the country's preeminent black journalists is unquestionable. This collection of his columns, primarily from the St. Petersburg Times, forms a body of commentary on humanity (and lack of same) that will capture the hearts and minds of Americans. Maxwell covers a sweeping range of subjects, including race-a central but not exclusive theme. He asks hard questions that courageously attempt to understand hatred and injustice in America; and he takes on controversial issues many columnists avoid and a wide spectrum of national figures-from Jeb, George W. and Clarence Thomas to the Pope and Jesse Jackson. Maxwell writes movingly about his childhood as the son of migrant farm workers in rural Florida, his love of books-beginning with those plucked from garbage cans-and his everyday encounters with the white world and the black one. With a voice that is provocative and insights that are deep and passionate, he tackles the plight of migrant workers, the devastation of the environment, religious intolerance, homophobia, affirmative action, illiteracy, public education, civic responsibility, politics-and racism. He criticizes blacks and whites alike in his search for truth and right, especially in his exploration of what he calls 'resurgent bigotry and Republicanism' and 'the black writer's most agonizing task-and duty-being dispassionate about the foibles and self-destructive behavior of African-Americans. Setting a standard for the newspaper column as social criticism, Maximum Insight illuminates the role of the black writer as an interpreter of the forces that define a diverse America.

After 1850, Americans swarmed to take in a raft of new illustrated journals and papers. Engravings and drawings of "buckskinned braves" and "Indian princesses" proved an immensely popular attraction for consumers of publications like Frank Leslie's Illustrated Newspaper and Harper's Weekly . In Indians Illustrated , John M. Coward charts a social and cultural history of Native American illustrations--romantic, violent, racist, peaceful, and otherwise--in the heyday of the American pictorial press. These woodblock engravings and ink drawings placed Native Americans into categories that drew from venerable "good" Indian and "bad" Indian stereotypes already threaded through the culture. Coward's examples show how the genre cemented white ideas about how Indians should look and behave--ideas that diminished Native Americans' cultural values and political influence. His powerful analysis of themes and visual tropes unlocks the racial codes and visual cues that whites used to represent--and marginalize--native cultures already engaged in a twilight struggle against inexorable westward expansion.

This anthology collects the ten winners of the 2016 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference, an event hosted by the Frank W. Mayborn Graduate Institute of Journalism at the University of North Texas. First place winner: Terrence McCoy, "It Was an Accident, Baby" (The Washington Post), relates how a family in Alabama coped after the family's four-year-old accidentally killed his nine-year-old sister. Second place: Hannah Dreier, "A Child's Scraped Knee" (Associated Press), which depicts how medical supply shortages in Venezuela turned a simple injury into a life-threatening condition for a three-year-old. Third place: Billy Baker, "The Power of Will" (The Boston Globe), focuses on a family's search for a cure for their son's rare form of cancer, which led them to a maverick doctor. Runners-up include John Woodrow Cox, "A Marine's Conviction" (The Washington Post); Christopher Goffard, "Framed" (The Los Angeles Times); Steve Thompson, "The Long Way Home" (The Dallas Morning-News); N. R. Kleinfield, "Fraying at the Edges" (The New York Times); Anna Kuchment and Steve Thompson, "Seismic Denial" (The Dallas Morning-News); Lauren Caruba, "55 Minutes" (The Houston Chronicle); and Lisa Wangsness, "In Search of Sanctuary" (The Boston Globe).

The sixth and final instalment in our series of small, inspirational books from the editors of O, the Oprah Magazine, O's Little Guide to the Big Questions is a collection of thought-provoking stories and essays on the wisdom to be gleaned from asking (and answering) life’s biggest questions.

What matters most?

What is my purpose?

When is the right time to make a change?

Who is most important to me?

Asking (and answering) the big questions can be terrifying – but it is the only way to put yourself on the path towards living your best life. Big questions can be forces of empowerment, motivation and clarification. The editors at O, The Oprah Magazine have combed through the magazine’s extensive archives to assemble O’s Little Guide to the Big Questions, a collection of stirring, motivating, thought-provoking pieces from great writers and celebrated thinkers, that offers wise guidance and inspiration to anyone feeling lost or in need of a reset.