Wenn man Redaktionen als Grenzstellen des Journalismus und PR-Abteilungen als Grenzstellen von Institutionen der Politik, Verwaltung und Wirtschaft versteht, liegt es nahe, nach 'Entgrenzungen' im Sinne einer Beeinflussung oder sogar Steuerung zu fra gen. Aus dieser Perspektive sind die meisten der Studien entstanden, die nach den sicht baren Spuren fragen, die Offentlichkeitsarbeit im Mediensystem hinterlasst. Die Antwort scheint eindeutig. In der bekanntesten deutschen Untersuchung, die von Barbara Baerns durchgefuhrt wurde, wird der Offentlichkeitsarbeit attestiert, sie habe die Themen und sogar das Timing der Berichterstattung unter Kontrolle. Auch in einer Schweizer Studie wurde ermittelt, das Informationsgeschehen werde in erster Linie durch die Pressestellen der Behorden, Verbande und Institutionen deutlich dominiert. Im Lichte neuerer, theoretisch und/oder methodisch anspruchsvollerer Studien lasst sich die These eines dominierenden Einflusses von PR auf die Medienberichterstattung in pauschaler Form jedoch nicht mehr uneingeschrankt aufrechterhalten. Vielmehr ist deut lich geworden, dass das System Journalismus auch hier Resistenz gegen eine Umwelt steuerung aufbringt. Offentlichkeitsarbeit muss schon zu den internen Relevanzhierar chien und Operationsprozeduren passen, wenn sie in der intendierten Weise wirksam werden will. Die Studie "Journalismus in Deutschland" der Forschungsgruppe Journalistik hat in vielfaltigen Zusammenhangen belegt, dass die Journalisten sich selbst am nachsten sind. Ihnen ist zwar durchaus bewusst, dass sie eine Schnittstelle fur vie\faltigste Gruppen und Institutionen bilden, die an der Kommunikation in der Gesellschaft beteiligt sind oder sein wollen. Doch sie sehen diese 'Umwelteinflusse' durchweg als nicht so gravierend an."

In 2017, Myanmar's military launched a campaign of violence against the Rohingya minority that UN experts later said amounted to a genocide. More than seven hundred thousand civilians fled to Bangladesh in what became the most concentrated flight of refugees since the Rwanda genocide of 1994. The warning signs of impending catastrophe that had built over years were downplayed by Western backers of the political transition, and only when the exodus began did the world finally come to acknowledge a catastrophe that had been long in the making. In this updated edition of the book that foreshadowed a genocide, Francis Wade explores how the manipulation of identities by an anxious ruling elite laid the foundations for mass violence. It asks: who gets to define a nation? How can democratic rights be weaponised against a minority? And why, at a time when the majority of citizens in Myanmar had begun to experience freedoms unseen for half a century, did much-lauded civilian leaders like Aung San Suu Kyi become complicit in the most heinous of crimes?

Islamkritik" ist eines der Schlagworte unserer Zeit. Doch dahinter verstecken sich oftmals nur pure Ressentiments. Zugleich lasst sich unter Muslimen eine dogmatische Verteidigungshaltung beobachten, bei der bisweilen jede Kritik von vornherein in den Wind geschlagen wird. Beide Extreme dominieren zu haufig die offentlichen Diskussionen. Der vorliegende Band Islamfeindlichkeit" einerseits und der dazugehorige Band Islamverherrlichung" andererseits nehmen sie daher kritisch in den Blick: Band 1 spurt jene geistigen Stromungen auf, die antiislamische Einstellungen in Deutschland fordern. Band 2 spricht theologische Herausforderungen und Missstande in der hiesigen muslimischen Gesellschaft an - allerdings ohne Pauschalisierung, Populismus und Polemik. Das Gesamtwerk ist somit ein Appell an die Vernunft, hat aber auch dokumentarischen Charakter. In diesem Buch beleuchten renommierte Autoren verschiedene Aspekte vom Islamhass vergangener Jahrhunderte bis zur heutigen Hetze im Internet. Ferner geht es um die Auseinandersetzung mit prominenten Vertretern der Islamkritik" wie Henryk M. Broder, Ralph Giordano, Necla Kelek, Hans-Peter Raddatz und anderen.
"

________________ 'This anthology will help turn your intellectual understanding of oppression into an emotional one' - New Statesman 'Thanks for being who you are and for giving us such exposure to wonderful people. Palestine is proud of you' - Suad Amiry ________________ The Palestine Festival of Literature was established in 2008. Bringing together writers from all corners of the globe, it aims to help Palestinians break the cultural siege imposed by the Israeli military occupation, to strengthen their artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, 'the power of culture over the culture of power'. Celebrating the tenth anniversary of PalFest, This Is Not a Border is a collection of essays, poems and stories from some of the world's most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and courage in the most desperate of situations. Contributors: Susan Abulhawa, Suad Amiry, Victoria Brittain, Jehan Bseiso, Teju Cole, Molly Crabapple, Selma Dabbagh, Mahmoud Darwish, Najwan Darwish, Geoff Dyer, Yasmin El-Rifae, Adam Foulds, Ru Freeman, Omar Robert Hamilton, Suheir Hammad, Nathalie Handal, Mohammed Hanif, Jeremy Harding, Rachel Holmes, John Horner, Remi Kanazi, Brigid Keenan, Mercedes Kemp, Omar El-Khairy, Nancy Kricorian, Sabrina Mahfouz, Jamal Mahjoub, Henning Mankell, Claire Messud, China Mieville, Pankaj Mishra, Deborah Moggach, Muiz, Maath Musleh, Michael Palin, Ed Pavlic, Atef Abu Saif, Kamila Shamsie, Raja Shehadeh, Gillian Slovo, Ahdaf Soueif, Linda Spalding, Will Sutcliffe, Alice Walker With messages from China Achebe, Michael Ondaatje and J. M. Coetzee ________________ 'Every literary act, whether it is a great epic poem or an honest piece of journalism or a simple nonsense tale for children is a blow against the forces of stupidity and ignorance and darkness ... The Palestine Festival of Literature exists to do just that - and I salute it for its work. Not only this year but for as long as it is necessary' - Philip Pullman

Das Lehrbuch fuhrt systematisch in Arbeitsfelder und Techniken des Politikjournalismus ein und vermittelt gleichzeitig breites Hintergrundwissen uber die veranderten Spielregeln der Politikberichterstattung: Praktische Tipps und aktuelle Fallbeispiele werden mit zentralen Forschungsergebnissen aus der Kommunikationswissenschaft verknupft. Ebenso ladt das Buch zum Nachdenken ein: Welche Rolle sollen, welche Rolle wollen Politikjournalisten kunftig in der Gesellschaft spielen?
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'This selection is a ceaseless delight ... there is a treat on almost every page' Daily Telegraph George Orwell wrote, in his words, from 'a desire to see things as they are'. This new collection of his journalism and other writings, including articles, essays, broadcasts, poems, book and film reviews from across his career, shows his unmatched genius for observing the world. Whether discussing Polish immigration or Scottish independence, railing against racism, defending the English language or holding an imaginary conversation with Jonathan Swift, these pieces reveal a clear-eyed, entertaining and eternally relevant chronicler of his age. Edited with an introduction by Peter Davison 'Orwell's luminous gift was for seeing things, for noticing what others missed, took for granted or simply found uninteresting, for discovering meaning and wonder in the familiarity of the everyday... Nothing escaped or seemed beneath his notice, which was what made him such a good reporter... Seeing Things As They Are is intended to be a collection first and foremost of his journalism, with preference given to lesser-known pieces and reviews as well as some of the poems he wrote. It is full of interest and curiosities' Jason Cowley, Financial Times 'Peter Davison gives us a feast of [Orwell's] shorter writings, showing how from such hesitant beginnings he evolved into the writer of enduring importance we know, committed to decency, equality and political honesty, who could nevertheless wax lyrical over the first signs of spring or an imaginary English pub' Gordon Bowker, Independent

An urgent, insightful account of the human side of the ongoing conflict in Ukraine by seasoned war reporter Tim Judah Making his way from the Polish border in the west, through the capital city and the heart of the 2014 revolution, to the eastern frontline near the Russian border, Tim Judah brings a rare glimpse of the reality behind the headlines. Along the way he talks to the people living through the conflict - mothers, soldiers, businessmen, poets, politicians - whose memories of a contested past shape their attitudes, allegiances and hopes for the future. Together, their stories paint a vivid picture of what the second largest country in Europe feels like in wartime: a nation trapped between powerful forces, both political and historical. 'Visceral, gripping, heartbreaking' Simon Sebag Montefiore 'Haunting . . . timely . . . Interviewing a wide range of people who have been caught up in the recent conflict, Judah concentrates skilfully and affectingly on the human cost' Alexander Larman, Observer 'Comes close to the master, Ryszard Kapuscinski' Roger Boyes, The Times 'A kaleidoscopic portrait . . . Judah looks at the present - what Ukraine looks and feels like now' Marcus Tanner, Independent

The end of the Qing dynasty in China saw an unprecedented explosion
of print journalism. Chinese-owned newspapers, first encouraged by
Emperor Guangxu to inform and educate an increasingly literate public,
had by the turn of the century become more powerful than the state had
ever anticipated or desired. Yet it was not the "dabao, " or
"important" papers, that proved most influential. Rather it
was the "xiaobao, " the "little" or
"minor" papers - with their reputation for
frivolity - that captivated and empowered the public.
"Merry Laughter and Angry Curses" reveals how the
late-Qing-era tabloid press became the voice of the people. As
periodical publishing reached a fever pitch, tabloids had free rein to
criticize officials, mock the elite, and scandalize readers, giving the
public knowledge about previously unspeakable and unprintable ideas. In
the name of the people, tabloid writers produced a massive amount of
anti-establishment literature, whose distinctive humour and satirical
style were both potent and popular. This book shows the tabloid
community to be both a producer of meanings and a participant in the
social and cultural dialogue that would shake the foundations of
imperial China and lead to the 1911 Republican Revolution.Juan Wang is an independent scholar of Chinese
history.

For over thirty years, Mark Austin has covered the biggest stories in the world for ITN and Sky News. As a foreign correspondent and anchorman he has witnessed first-hand some of the most significant events of our times, including the Iraq War, during which his friend and colleague Terry Lloyd was killed by American 'friendly fire', the historic transition in South Africa from the brutality of apartheid to democracy, the horrors of the Rwandan genocide, and natural disasters such as the Haiti earthquake and the Mozambique floods. The stories themselves will be familiar to many people, but less well known are the often extraordinary behind the scenes tales of a newsman's life on the road; the problems encountered in some of the most dangerous places on earth; the days when things go badly wrong; the moments of high drama and raw emotion and, quite often, the hilarious happenings the viewer never imagines and only seldom sees. Based on decades of experience on the frontlines, this candid and revealing memoir gives a startling insight into one man's extraordinary career and lifts the lid on the world of television news.

At a time when mainstream news media are hemorrhaging and doomsayers are predicting the death of journalism, take heart: the First Amendment is alive and well in small towns across America. In "Emus Loose in Egnar," award-winning journalist Judy Muller takes the reader on a grassroots tour of rural American newspapers, from an Indian reservation in Montana to the Alaska tundra to Martha's Vineyard, and discovers that many weeklies are not just surviving, but thriving.
In these small towns, stories can range from club news to Klan news, from broken treaties to broken hearts, from banned books to escaped emus; they document the births, deaths, crimes, sports, and local shenanigans that might seem to matter only to those who live there. And yet, as this book shows us, these "little" stories create a mosaic of American life that tells us a great deal about who we are--what moves us, angers us, amuses us. Filled with characters both quirky and courageous, the book is a heartening reminder that there is a different kind of "bottom line" in the hearts of journalists who keep churning out good stories, week after week, for the corniest of reasons: that our freedoms depend on it. Not that they would put it that way, necessarily. In the words of one editor in Colorado, "If we found a political official misusing taxpayer funds, we wouldn't hesitate to nail him to a stump."

What does it feel like to be featured, quoted, or just named in a news story? A refugee family, the survivor of a shooting, a primary voter in Iowa-the views and experiences of ordinary people are an important component of journalism. While much has been written about how journalists work and gather stories, what do we discover about the practice of journalism and attitudes about the media by focusing on the experiences of the subjects themselves? In Becoming the News, Ruth Palmer argues that understanding the motivations and experiences of those who have been featured in news stories-voluntarily or not-sheds new light on the practice of journalism and the importance many continue to place on the role of the mainstream media. Based on dozens of interviews with news subjects, Becoming the News studies how ordinary people make sense of their experience as media subjects. Palmer charts the arc of the experience of "making" the news, from the events that brought an ordinary person to journalists' attention through the decision to cooperate with reporters, interactions with journalists, and reactions to the news coverage and its aftermath. She explores what motivates someone to talk to the press; whether they consider the potential risks; the power dynamics between a journalist and their subject; their expectations about the motivations of journalists; and the influence of social media on their decisions and reception. Pointing to the ways traditional news organizations both continue to hold on to and are losing their authority, Becoming the News has important implications for how we think about the production and consumption of news at a time when Americans distrust the news media more than ever.

JEREMY CLARKSON'S LATEST - AND MOST OUTRAGEOUS - TAKE ON THE WORLD CLARKSON'S BACK - AND THIS TIME HE'S PUTTING HIS FOOT DOWN From his first job as a travelling sales rep selling Paddington Bears to his latest wheeze as a gentleman farmer, Jeremy Clarkson's love of cars has just about kept him out of trouble. But in a persistently infuriating world, sometimes you have to race full-throttle at the speed-bumps. Because there's still plenty to get cross about, including: * Why nothing good ever came out of a meeting * Muesli's unmentionable side effects * Navigating London when every single road is being dug up at once * People who read online reviews of dishwashers * ****ing driverless cars Buckle up for a bumpy ride - you're holding the only book in history to require seatbelts . . . Praise for Jeremy Clarkson: Brilliant . . . Laugh-out-loud' Daily Telegraph 'Outrageously funny . . . Will have you in stitches' Time Out 'Very funny . . . I cracked up laughing on the tube' Evening Standard

Pullout sections, poster supplements, contests, puzzles, and the funny pages--the Sunday newspaper once delivered a parade of information, entertainment, and spectacle for just a few pennies each weekend. Paul Moore and Sandra Gabriele return to an era of experimentation in early twentieth-century news publishing to chart how the Sunday paper became an essential part of American leisure. Transcending the constraints of newsprint while facing competition from other media, Sunday editions borrowed forms from and eventually partnered with magazines, film, and radio, inviting people to not only read but watch and listen. This drive for mass circulation transformed metropolitan news reading into a national pastime, a change that encouraged newspapers to bundle Sunday supplements into a panorama of popular culture that offered something for everyone.

Danielle Citron takes the conversation about technology and privacy out of the boardrooms and op-eds to reach readers where we are - in our bathrooms and bedrooms; with our families and our lovers; in all the parts of our lives we assume are untouchable - and shows us that privacy, as we think we know it, is largely already gone. The boundary that once protected our intimate lives from outside interests is an artefact of the 20th century. In the 21st, we have embraced a vast array of technology that enables constant access and surveillance of the most private aspects of our lives. From non-consensual pornography, to online extortion, to the sale of our data for profit, we are vulnerable to abuse. As Citron reveals, wherever we live, laws have failed miserably to keep up with corporate or individual violators, letting our privacy wash out with the technological tide. And the erosion of intimate privacy in particular, Citron argues, holds immense toxic power to transform our lives and our societies for the worse (and already has). With vivid examples drawn from interviews with victims, activists and lawmakers from around the world, The Fight for Privacy reveals the threat we face and argues urgently and forcefully for a reassessment of privacy as a human right. And, as a legal scholar and expert, Danielle Citron is the perfect person to show us the way to a happier, better protected future.

This first major collection of former Los Angeles Times reporter and columnist Ruben Salazar's writings, is a testament to his pioneering role in the Mexican American community, in journalism, and in the evolution of race relations in the U.S. Taken together, the articles serve as a documentary history of the Chicano Movement of the 1960s and of the changing perspective of the nation as a whole. Since his tragic death while covering the massive Chicano antiwar moratorium in Los Angeles on August 29, 1970, Ruben Salazar has become a legend in the Chicano community. As a reporter and later as a columnist for the Los Angeles Times, Salazar was the first journalist of Mexican American background to cross over into the mainstream English-language press. He wrote extensively on the Mexican American community and served as a foreign correspondent in Latin America and Vietnam. This first major collection of Salazar's writing is a testament to his pioneering role in the Mexican American community, in journalism, and in the evolution of race relations in the United States. Taken together, the articles serve as a documentary history of the Chicano Movement of the 1960s and of the changing perspective of the nation as a whole. Border Correspondent presents selections from each period of Salazar's career. The stories and columns document a growing frustration with the Kennedy administration, a young Cesar Chavez beginning to organize farm workers, the Vietnam War, and conflict between police and community in East Los Angeles. One of the first to take investigative journalism into the streets and jails, Salazar's first-hand accounts of his experiences with drug users and police, ordinary people and criminals, make compelling reading. Mario Garcia's introduction provides a biographical sketch of Salazar and situates him in the context of American journalism and Chicano history. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

The model for this volume is the enormously successful Vintage Original DISTANT VOICES (93,000 copies sold to date). It will gather together essays on a range of subjects including Burma,Fleet Street, East Timor,Vietnam today,the media and UK politics. 'Pilger is the closest we have to the great correspondents of the 1930s...The Truth in his hands is a weapon,to be picked up and brandished and used in the struggle against evil and injustice' GUARDIAN

Barbed, witty, revealing and entertaining, Too Famous could be an instant classic.

Bestselling author of Fire and Fury, Siege and Landslide and chronicler of the Trump White House, Michael Wolff dissects more of the major monsters, media moguls and vainglorious figures of our time. His scalpel opens their lives, careers and always equivocal endgames with the same vividness and wit he brought to his evisceration of the former president. These brilliant and biting profiles form a mesmerising portrait of the hubris, overreach and periodic self-destruction of some of the most famous faces of the last twenty years.

This collection draws on new and unpublished work - recent reporting about Jared Kushner, Harvey Weinstein and Jeffrey Epstein - and decades of coverage of the most notable figures of the time - among them Hillary Clinton, Michael Bloomberg, Andrew Cuomo, Rudy Giuliani, Alan Rusbridger, Arianna Huffington, Piers Morgan, Boris Johnson and Rupert Murdoch - to create a lasting statement on the corrosive influence of being in the public eye.

Ultimately, Too Famous is an examination of how the quest for fame and power became the driving force of culture and politics and the drug that alters all public personalities. And how the need, the desperation, the ruthlessness demanded to fulfil that quest became the toxic grease that keeps the world spinning. You know the people here by name and reputation, but it's guaranteed that after this book you will never see them the same way again. Or fail to recognise the scorched earth the famous leave behind them.

Pauline Smith's many admirers will welcome this new volume which contains writings which are out of print, have never before been published, or have not appeared in book form. This collection of largely unknown material spans the full range of her creative life from the early 'Platkops' stories to her last uncompleted work. What gives this wide diversity of pieces coherence and added interest is their marked autobiographical bent.

SHORTLISTED FOR THE IRISH BOOK AWARDS 2021 The riveting story of a nation at a crucial crossroads From the start of his stint as RTE's Washington Correspondent Brian O'Donovan's lively and authoritative reporting of a tumultuous period in American life has been must-watch TV. Four Years in the Cauldron is his account of four busy years working in the US. He draws a compelling picture, full of telling colour and detail, of covering its fractured politics, particularly the extraordinary presidency of Donald Trump and the knife-edge election of Joe Biden. And he gives his unique perspective on big stories such as the Covid emergency, the Capitol riot, the murder of George Floyd and trial and conviction of his police killer. He also provides a visceral sense of what it's like living in a country shaped by guns, God, far-fetched conspiracy theories and the running sore of racism. Yet, drawing on his network of contacts, neighbours, friends and family connections outside the white-hot heat of Washington politics, he writes about the lives of ordinary American people with nuance and understanding. Four Years in the Cauldron is a must-read for getting to grips with the US at a moment of profound reckoning. ______ 'An intriguing look at an extraordinary time . . . the book brings us to some fascinating places' Ryan Tubridy 'A great read' The Last Word With Matt Cooper

Anna Maria van Schurman was widely regarded as the most erudite woman in seventeenth-century Europe. As "the Star of Utrecht," she was active in a network of learning that included the most renowned scholars of her time. Known for her extensive learning and her defense of the education of women, she was the first woman to sit in on lectures at a university in the Netherlands and to advocate that women be admitted into universities. She was proficient in fourteen languages, including Latin, Greek, Hebrew, Arabic, Syriac, Aramaic, Persian, Samaritan, and Ethiopian, as well as several vernacular European languages. This volume presents in translation a remarkable collection of her letters and poems-many of which were previously unpublished-that span almost four decades of her life, from 1631 to 1669.

Sprache ist das wichtigste Handwerkszeug des Journalisten, sie gekonnt zu handhaben die Grundlage fur seinen Beruf und die Bewaltigung seiner Aufgabe: das Herstellen von OEffentlichkeit. Dieses Lehrbuch ist die derzeit umfassendste Darstellung der journalistischen Stilkunde. Alle wichtigen Bereiche des journalistischen Sprachgebrauchs werden behandelt: Von der Wortwahl uber die Satz- und Textgestaltung bis zu Stilverfahren bestimmter Genres wie Nachricht oder Kommentar und zum Jargon von Politikern. Die Stilistik ist fur die journalistische Aus- und Weiterbildung sowie als Handbuch fur den Gebrauch im Arbeitsalltag gedacht. Ausserdem kann sie denjenigen nutzlich sein, die in anderen Berufszusammenhangen das Schreiben lernen oder lehren wollen. Jenseits von vereinfachten oder einseitigen Stilrezepten dient das Lehrbuch als Grundlage fur eine verantwortungsvolle Sprachverwendung in der OEffentlichkeit.

'This insightful and superb book takes you to World Cups, to conflicts in war-torn countries, to division in Trump's America... A terrific read.' - Gary Lineker For over thirty years, Mark Austin has covered the biggest stories in the world for ITN and Sky News. As a foreign correspondent and anchorman he has witnessed first-hand some of the most significant events of our times, including the Iraq War, the historic transition in South Africa from the brutality of apartheid to democracy, the horrors of the Rwandan genocide, and natural disasters such as the Haiti earthquake and the Mozambique floods. Full of high drama, raw emotion and the sometimes hilarious happenings from the life of a veteran reporter, Mark Austin's memoir gives startling insight into the stories behind the headlines. 'A must read.' - Sir Trevor McDonald

Launched at the 1982 Notting Hill Carnival, The Voice newspaper captured and addressed a generation figuring out what it meant to be Black and British. Written for and by Black people, the newspaper shone a light on systematic injustices as well as celebrating Black Britain's success stories. From hard hitting news reports covering the murder of Stephen Lawrence to championing the likes of Sir Lewis Hamilton and Idris Elba, the newspaper has campaigned, celebrated and educated people for the last forty years. As well as celebrating amazing successes in sport, politics and the arts, The Voice documented everyday life in the community, from the emergence of a Black middle class in the '90s and the achievements of Black entrepreneurs to how different facets of the community were explored in contemporary music and literature. Since its small beginnings in Hackney, The Voice has also become a fantastic training ground for prominent journalists and figures including former politician Trevor Phillips, broadcaster Rageh Omaar and writer Afua Hirsch. Today, The Voice is Britain's longest running and only Black newspaper. Told through news reports, editorials and readers' personal letters, this emotive book documents the social history of Black Britain over the last four decades. Each chapter is illustrated with amazing newspaper pages from The Voice's extensive archives as well as iconic and dramatic front covers from 1982 to the present day. With a foreword from Sir Lenny Henry and written by former and current Voice journalists, this powerful book is a celebration of the ground-breaking paper which gave a voice to the voiceless.

The Superwoman and Other Writings by Miriam Michelson is the first collection of newspaper articles and fiction written by Miriam Michelson (1870-1942), best-selling novelist, revolutionary journalist, and early feminist activist. Editor Lori Harrison-Kahan introduces readers to a writer who broke gender barriers in journalism, covering crime and politics for San Francisco's top dailies throughout the 1890s, an era that consigned most female reporters to writing about fashion and society events. In the book's foreword, Joan Michelson-Miriam Michelson's great-great niece, herself a reporter and advocate for women's equality and advancement-explains that in these trying political times, we need the reminder of how a ""girl reporter"" leveraged her fame and notoriety to keep the suffrage movement on the front page of the news. In her introduction, Harrison-Kahan draws on a variety of archival sources to tell the remarkable story of a brazen, single woman who grew up as the daughter of Jewish immigrants in a Nevada mining town during the Gold Rush. The Superwoman and Other Writings by Miriam Michelson offers a cross-section of Michelson's eclectic career as a reporter by showcasing a variety of topics she covered, including the treatment of Native Americans, profiles of suffrage leaders such as Susan B. Anthony and Charlotte Perkins Gilman, and police corruption. The book also traces Michelson's evolution from reporter to fiction writer, reprinting stories such as ""In the Bishop's Carriage"" (1904), a scandalous picaresque about a female pickpocket; excerpts from the Saturday Evening Post series, ""A Yellow Journalist"" (1905), based on Michelson's own experiences as a reporter in the era of Hearst and Pulitzer; and the title novella, The Superwoman, a trailblazing work of feminist utopian fiction that has been unavailable since its publication in The Smart Set in 1912. Readers will see how Michelson's newspaper work fueled her imagination as a fiction writer and how she adapted narrative techniques from fiction to create a body of journalism that informs, provokes, and entertains, even a century after it was written.