Bristling with inspired observations and wild anecdotes, this first collection offers a unique insight into the voice and mind of the inimitable Hunter S. Thompson, as recorded in the pages of "Playboy," "The Paris Review," "Esquire," and elsewhere.

Fearless and unsparing, the interviews detail some of the most storied episodes of Thompson's life: a savage beating at the hands of the Hells Angels, talking football with Nixon on the 1972 Campaign Trail ("the only time in 20 years of listening to the treacherous bastard that I knew he wasn't lying"), and his unlikely run for sheriff of Aspen. Elsewhere, passionate tirades about journalism, culture, guns, drugs, and the law showcase Thompson's voice at its fiercest.

Arranged chronologically, and prefaced with Anita Thompson's moving account of her husband's last years, the interviews present Hunter in all his fractured brilliance and provide an exceptional portrait of his times.

From her operational-base-cum-family-home, Commie Girl brings you this brave and brilliant journal of daily life in a land where no liberal-humanist sentiment has been detected since the dawn of Reaganism. Whether working her way through a syphilis scare or puzzling in vain over the philosophical conundrum of taking Arnold Schwarzenegger seriously, Commie Girl finds the inner solidarity to hoist the red flag everywhere it isn't welcome. And the ferocious gaiety with which she defends herself from the Versace-decked, HumVee-crashing, Chardonnay-addled denizens of the USA's ultimate evil paradise will draw gasps of astonishment and admiration from all those who think it really can't be that bad.

GETTING IT WRONG provides unique and critical reportage of events in Cyprus in early 1964. Circulation of an original report by Packard, commissioned by the CRO in 1964, was embargoed by Whitehall, which also rejected a UN request for a copy. Why was the Foreign Office so sensitive over a report which did no more than describe a highly successful process of peacemaking? This book shows that Cypriots were readily able to find answers to their problems when given an appropriate mechanism through which to do so, despite extremism encouraged from abroad. Misrepresentations of 1964 history in Cyprus have been a major factor in complicating the search there for accord. Describing mediation that was successful because it was answerable to the Cypriots, rather than to any outside power, this book helps to put the record straight. ] personal testimony of fundamental importance for the critical year 1964. The book is important to both Greek Cypriots and Turkish Cypriots because it destroys respective propaganda as to what happened that year. (Costas Carras, book preview, 2008.) Find that man Packard. He can prove that Cypriots can live together. (Lord Caradon to Friends of Cyprus, 1988.) No foreigner knows better than you the reality of events in Cyprus in 1964. (Rauf Denktash to author, 1999.) I pressed hard for your return. . . . as I felt sure you were the only man who could re-establish contact which had been completely lost. (General Young, letter to author, 1965.) We, the soldiery, could never have attempted what you and your team were doing. (Field Marshal Gibbs, letter to author, 2002.) It is fortunate for Cyprus and its younger generations that Martin Packard has provided this testimony]which contradicts much of the thrust of official archives. (Mario Evriviades, book preview, Phileleutheros, 2007.)

War correspondents are prominent actors in the media world. They took hold in the cultural imaginary soon after their profession had been created in the mid-nineteenth century. With particular focus on Britain, Korte investigates the representation of war correspondents from Victorian times to the present, in memoirs, novels and films. Such representations react to prevailing notions that exist about war reporters and help construct how we view them. With its cultural approach, this book complements studies of war correspondents in media and communication studies, history and ethnology.

Barbara Korte teaches English literature and culture at the University of Freiburg (Germany).

"Photojournalism and Today's News" provides a practical guide for aspiring photojournalists as well as an intelligent look into newsroom culture and its influences on photographic assignments, production, and editing. Written by an award-winning photo editor and director of photography, and based on interviews with more than seventy high-profile journalists, this book appeals to students and young professionals alike. Addresses a wide range of practical issues supported by in-depth examples from the field and critical thinking about photography, journalism, and newsroom cultureExamines social and cultural issues and how they are communicated through photojournalismPrepares young journalists to respect their visual journalism colleagues by teaching them how to effectively work togetherHighlights the expectations of the newsroom and editors

For fourteen years during the golden age of sports, Paul Gallico was one of America's ace sportswriters. He saw them all--the stars and the hams, the immortals and the phonies in boxing, wrestling, baseball, football, golf, tennis, and every other field of muscular endeavor in which men and women try to break hearts and necks for cash or glory. Then in 1937, at the height of his game (and the height of the payroll), Gallico suddenly and famously called it quits and left the "New York Daily News." But before he departed the world of sports, he left his legions of fans one last hurrah: a collection of his best sports essays called, appropriately, "Farewell to Sport."
Here, in twenty-six chapters, every major and minor sport is covered. Included are sketches of Babe Ruth, Jack Dempsey, Gene Tunney, Tex Rickard, and Jack Sharkey, written in an accessible, conversational style. Often credited with creating "participatory journalism," Gallico would play golf with Bobby Jones, catch Major League pitcher Dizzy Dean's fastball, swim with Johnny Weissmuller, play tennis with Helen Wills, catch passes from quarterback Benny Friedman, and box with Jack Dempsey (he lasted one minute, thirty-seven seconds).

During the 1950s and early 1960s Flannery O'Connor wrote more than a hundred book reviews for two Catholic diocesan newspapers in Georgia. This full collection of these reviews nearly doubles the number that have appeared in print elsewhere and represents a significant body of primary materials from the O'Connor canon. We find in the reviews the same personality so vividly apparent in her fiction and her lectures--the unique voice of the artist that is one clear sign of genius. Her spare precision, her humor, her extraordinary ability to permit readers to see deeply into complex and obscure truths-all are present in these reviews and letters.

A collection of reporter's stories, set in an often-forgotten corner of South Africa, in the dying years of apartheid. Liberation was beckoning, but for those destined to be the losers in the great political gamble, there was little to celebrate. Some gave in easily, others fought. Few were left unaffected by the coming change.

If you have ever wondered what a civilized man of the twentieth century would do if catapulted into an Old Stone Age where huge cave bears, saber-toothed tigers, monstrous carnivorous dinosaurs, mammoths, and mastodons roamed the savage terrain, you need look no further than "Land of Terror," the sixth installment of Edgar Rice Burroughs's Pellucidar series. Years ago David Innes and Abner Perry bored straight down through five hundred miles of the earth's crust and landed in Pellucidar, the savage, primeval world that lies at the center of the earth. This is the story of their continuing adventures in the timeless land of perpetual noon and their encounters with the hideous creatures and savage men who pursue them. Although they encounter enemies at every turn, David and Abner find a few loyal friends as they embark on exhilarating adventures.

During the fast-paced and fascinating years that Bill McIlwain spent as editor of some of North America's most prestigious newspapers, he met and worked with the great, the petty, the famous, the eccentric. He also confronted his problem with alcoholism. In Dancing Naked with the Rolling Stones, McIlwain tells both sides of the story-and how he learned to cope, finding peace and happiness in radical ways. His humble, humorous, thought-provoking account gives readers an intimate glimpse into American newspapering and, at the same time, into his own soul. From the heyday of Harry Guggenheim and Alicia Patterson's groundbreaking Newsday to Boston and Washington insider politics, from the world-changing events of the 1960s and '70s to the Sun Belt suburbs of the 1980s and '90s, Bill McIlwain's tales entertain and inspire.

With a style that combined biting sarcasm with the "language of the free lunch counter," Henry Louis Mencken shook politics and politicians for nearly half a century. Now, fifty years after Mencken's death, the Johns Hopkins University Press announces The Buncombe Collection, newly packaged editions of nine Mencken classics: "Happy Days," "Heathen Days," "Newspaper Day"s, "Prejudices," "Treatise on the Gods," "On Politics," "Thirty-Five Years of Newspaper Work," "Minority Report," and "A Second Mencken Chrestomathy."

These thirty-five essays--each a stick of dynamite with a burning fuse--have been selected from six volumes originally published between 1919 and 1927.

With a style that combined biting sarcasm with the "language of the free lunch counter," Henry Louis Mencken shook politics and politicians for nearly half a century. Now, fifty years after Mencken's death, the Johns Hopkins University Press announces The Buncombe Collection, newly packaged editions of nine Mencken classics: "Happy Days," "Heathen Days," "Newspaper Day"s, "Prejudices," "Treatise on the Gods," "On Politics," "Thirty-Five Years of Newspaper Work," "Minority Report," and "A Second Mencken Chrestomathy."

These seventy political pieces from the 1920s and 1930s are drawn from Mencken's famous Monday columns in the "Baltimore Evening Sun."

David Langford has written for every issue of SFX, the top-selling British magazine about science fiction, since its launch in 1995. His sparkling column-imaginatively titled "Langford"-is notoriously the first page readers turn to. Now at last, The SEX Column collects over 130 instalments and extra features in book form.

Victorian culture was dominated by an ever expanding world of print. A tremendous increase in the volume of books, newspapers, and periodicals, was matched by the corresponding development of the first mass reading public. It has long been acknowledged that the growth of the popular publishing industry played an instrumental role in the success of most major Victorian novelists. Traditional critical positions have, nevertheless, recently expanded into a much broader field concerned with media history, book studies, modes of textual production and consumption, and concepts of 'popular literature'. One of most notable current critical trends is a renewed interest in the importance of all aspects of nineteenth-century print culture. Victorian Print Media: A Reader collects primary sources from nineteenth century journals, newspapers, and periodicals into an anthology that can be used for teaching purposes, but is also intended to complement and encourage ongoing research. The extracts are organised into ten themed sections. Each section addresses a specific conceptual or historical issue, such as the impact of serial publication upon practices of reading and authorship. The themed sections demonstrate the multiple factors upon which the aesthetics of print media depended, making this anthology of use to all researchers, teachers, and students of the period.

As National Public Radio's much loved and respected senior foreign correspondent Anne Garrels has covered conflicts in Chechnya, Bosnia, Kosovo, Afghanistan, and Iraq. In "Naked in Baghdad" she reveals how as one of only sixteen non-embedded journalists who stayed in the now legendary Palestine Hotel throughout the American invasion she managed to deliver the most immediate, insightful and independent reports with unparalleled vividness and immediacy.
Her evolving relationship with her Iraqi driver/minder Amer, and the wonderful e-mail bulletins sent to friends by her husband, Vint Lawrence, counterpoint the daily events of her life in Baghdad, and result in a deeply moving, and intimate portrait by one of bravest and most enlightening news reporters.

In 2004, it was widely reported in the British and Zambian press that Roy Clarke, columnist and satirist known as 'Kalaki', on the The Post, Zambia's major independent daily, faced deportation. Following a column entitled 'Mfuwe', the government had announced he was 'a threat to peace and good order'. Clarke refused to succumb however, or indeed apologise. Instead, supported by his editor, he continued to champion the freedom of the press in Zambia, freedom of expression in general and the cause of Zambian journalism. This book brings together a collection of Clarke's writings, published over a period of five years. His writings are characterised by irony, satire and caustic wit, exposing folly, vice and hypocrisy. They are accompanied by the political cartoons of Trevor Ford, popularly know as 'Yuss'. Fred M'Membe, editor of The Post, provides the introduction to the book, in which he comments: 'Nowadays we find ourselves stuck in a culture of zealous worship of leaders, a culture that would look primitive in the eyes of our ancestors. Our modern African societies have established a reputation for intolerance that is difficult to match....I see Roy's work as attempting to confront this situation, to help us return to our more tolerant Zambian culture; a culture of liberating, life-giving and enjoyable laughter '

With each news day, history unfolds as steadfast journalists uncover facts and public opinion. Drawn from the "New York Times"'s archive of an unparalleled eighty-one Pulitzer Prizes, "Written into History" offers a fascinating record of the twentieth century.
"The Times"'s award-winning reports range from Antarctic dispatches on the Byrd expedition to the eyewitness account of the atomic bomb, from the First Amendment battle to publish the Pentagon Papers to the personal narrative of an interracial friendship. Pulitzer Prize winner Anthony Lewis culled the newspaper's most acclaimed writing to chronicle life and history as it was happening, with such highlights as David Halberstam on Vietnam, J. Anthony Lukas on hippies, Anna Quindlen on AIDS, and John F. Burns on the Taliban.
Lewis tells the stories behind the stories, describing journalism's changing role in the world. For armchair historians and aspiring reporters, this is a rich and memorable portrait of a century by the men and women who most artfully observed it.

As journalist Sam Quinones convincingly demonstrates, much of Mexico was already changing before the July 2000 presidential elections which ousted the PRI and presented the world with President-elect Vincente Fox. Fox's victory marked the triumph of another Mexico, a vital, energetic, and creative Mexico tracked by Quinones for over six years.

"This side of Mexico gets very little press. . . . yet it is the best of the country. . . . people who have the spunk to imagine something else and instinctively flee the enfeebling embrace of PRI paternalism. . . . newly realistic telenovellas show the gray government censor that the country is too lively to abide his boss's dictates. . . . Some twelve million Mexicans reside year-round in the United States. . . . [so] the United States is now part of the Mexican reality and is where this other side of Mexico is often found, reinventing itself."--from the introduction.

Quinones merges keen observation with astute interviews and storytelling in his search for an authentic modern Mexico. He finds it in part in emigrants, people who use wits and imagination to strike out on their own. In poignant stories from north of the border--about Oaxacan basketball leagues in southern California and the late singing legend Chalino SAAA1/2nchez whose songs of drug smugglers spurred the popularity of the narcocorrido--Quinones shows how another Mexico is reinventing itself in America today. But most of his stories are from deep inside Mexico itself. There a dynamic sector exists. It is made up of those who instinctively shunned the enfeebling embrace of the PRI's paternalism, including scrappy entrepreneurs such as the Popsicle Kings of Tocumbo and Indianmigrant farmworkers who found a future in the desert of Baja California. Here, too, are true tales from ignored margins of society, including accounts of drag queens and lynchings. From the fringes of the country, Quinones suggests, emerge some of the most telling and central truths about modern Mexico and how it is changing.

"This book expands our knowledge of modern Mexico many times over. Quinones unearths a wealth of material that has in fact gone unnoticed or been hidden."--Professor Francisco Lomeli, University of California, Santa Barbara

'This is a must read!' Vince Cable, former leader of the Liberal Democrats 'Reads like a rip roaring tale of a corporate high wire act' John McDonnell, former Shadow Chancellor 'Should be sold with a bottle of blood-pressure pills' Edward Lucas, The Times The proud owner of a sprawling GBP14m estate in the Cotswolds, boasting a stable of eventing horses, a fleet of supercars and neighbouring the royal family, Neil Woodford was the most celebrated and successful British investor of his generation. He spent years beating the market; betting against the dot com bubble in the 1990s and the banks before the financial crash in 2008, making blockbuster returns for his investors and earning himself a reputation of 'the man who made Middle England rich'. But, in 2019, after a stream of poorly-judged investments, Woodford's asset management company collapsed, trapping hundreds of thousands of rainy-day savers in his flagship fund and hanging GBP3.6 billion in the balance. In Built on a Lie, Financial Times reporter Owen Walker reveals the disastrous failings of Woodford, the greed at the heart of his operation, the flaws of an industry in thrall to its star performers and the dangers of limited regulation. With exclusive access to Woodford's inner circle, Walker will reveal the full, jaw-dropping story of Europe's biggest investment scandal in a decade. 'Vital financial journalism with heart' Emma Barnett, broadcaster

This collection of essays assesses the evolving fields of psychiatry and psychoanalysis. The topics covered in this updated and expanded edition include the use of Prozac, the nature of white racism, William Styron's Darkness Visible and van Gogh's fever of genius.

This treasury of selected passages from the writings and addresses of perhaps the most impressive leader of the Catholic Church the world has ever known offers, as its editor suggests, "a harvest from the mind and heart of Pope Wojtyla." And so here is a chance for the modern reader, engaged in various daily tasks, to spend a few moments with the Pope each day of the liturgical year, contemplating his reflections on the mystery and the example of Christ; and on the church, man, the family, the lives of the saints, the meaning of holidays, and the place of faith in daily life.

His personal concerns as expressed in these passages include such topics as "Sharing with Others," "To Be in Peace," "Consumer Society," "Family Prayer," and "The Great Divine Trial," about the meaning of his near-assassination. Through these pages of calm reflection each day of the year, all will find a moment of peaceful repose from the occupations of life.

The era between the Civil War and the end of World War I, marked by increasing nation-building, immigration, internal migration, and racial tension in the United States, saw the rise of local color literature that described through "lived experiences" the peculiarities of regional life. This anthology brings together works from every part of the country, written by men and women of many cultures, ethnicities, ideologies, and literary styles.

Organized geographically, American Local Color Writing features such familiar writers as Joel Chandler Harris, Kate Chopin, Hamlin Garland, and Sarah Orne Jewett, and introduces less well-known voices like Sui Sin Far, Abraham Cahan, and Zitkala-Sa. The writings sheds light on varying concepts of "the American identity": Charles Chesnutt, Alice Dunbar-Nelson, Pauline Hopkins, and others present a distinct African-American experience; shifting notions of gender and sexuality come to light not only in pieces by women but also in nostalgic renditions of frontier life as the embodiment of masculine virtues and values; and racial, class, and ethnic stereotypes are reproduced and challenged in many of the stories.

Acclaimed personal writing from one of our most out-spoken essayists, on disability, on family, on being an impolite woman, and on the opporunities and "gifts" of a difficult life.

New York journalist Pete Hamill is among the last of a dying breed: the old-school generalist who writes about anything and everything, guided only by passionate and boundless curiosity. In this collection of his finest writings since 1970, Hamill tackles such diverse subjects as what television and crack have in common, how Mike Tyson spent his time in prison, and what it's like to realize you're middle-aged -- not to mention Octavio Paz, Brooklyn's Seventh Avenue, Frank Sinatra, American immigration policy, Northern Ireland, and Madonna. Piecework is Hamill at his very best.