A Century of Repression offers an unprecedented and panoramic history of the use of the Espionage Act of 1917 as the most important yet least understood law threatening freedom of the press in modern American history. It details government use of the Act to control information about U.S. military and foreign policy during the two World Wars, the Cold War, and the War on Terror. The Act has provided cover for the settling of political scores, illegal break-ins, and prosecutorial misconduct.

Representative essays, notes and letters reflecting modernist writer's dedication to solace and inner life and experience and the struggle for intense communication including selections from Dream-Book and Rodin Book.

The year's best writing on tech: a collection as imaginative and compelling as its dynamic subject. Together these essays capture the versatility and verve of technology writing today. Solicited through an open online nominating process, ""The Best of Technology 2007"" explores a wide range of intriguing topics - from ""crowdsourcing"" to the online habits of urban moms to the digital future of movie production. It will appeal to anyone who enjoys stellar writing.

This volume is part of the Complete Works of Evelyn Waugh critical edition, which brings together all Waugh's published and previously unpublished writings for the first time with comprehensive introductions and annotation, and a full account of each text's manuscript development and textual variants. The edition's General Editor is Alexander Waugh, Evelyn Waugh's grandson and editor of the twelve-volume Personal Writings sequence. This first volume of Evelyn Waugh's Articles, Essays, and Reviews contains every traceable piece of journalism that research could uncover written by Waugh between January 1922, when he first went up to Oxford, and December 1934, when he had recently returned from British Guiana and was enjoying the runaway success of A Handful of Dust. Long interred in fashion magazines, popular newspapers, sober journals, undergraduate reviews, and BBC archives, 110 of the 170 pieces in the volume have never before been reprinted. Several typescripts of articles and reviews are published here for the first time, as are a larger number of unsigned pieces never before identified as Waugh's. Original texts, so easily distorted in the production process, have been established as far as possible using manuscript and other controls. The origins of the works are explored, and annotations to each piece seek to assist the modern reader. The volume embraces university journalism; essays from Waugh's years of drift after Oxford; forcefully emphatic articles and contrasting sophisticated reviews written for the metropolitan press from 1928 to 1930 (the most active and enterprising years of Waugh's career); reports for three newspapers of a coronation in Abyssinia and essays for The Times on the condition of Ethiopia and on British policy in Arabia. Finally, in early 1934 Waugh travelled for three months in remote British Guiana, resulting in nine travel articles and A Handful of Dust, acclaimed as one of the most distinguished novels of the century. Waugh was 19 when his first Oxford review appeared, 31 when the Spectator printed his last review of 1934. This is a young writer's book, and the always lucid articles and reviews it presents read as fresh and lively, as challenging and opinionated, as the day they first appeared.

Six years after the Marikana massacre we have still seen minimal change for mine workers and mining communities. Although much has been written about how little has been done, few have looked into how, in 2012, such tragedy was even possible. Lonmin Platinum Mine and the events of 16 August are a microcosm of the mining sector and how things can go wrong when society leaves everything to government and “big business”.

Business As Usual After Marikana is a comprehensive analysis of mining in South Africa. Written by respected academics and practitioners in the field, it looks into the history, policies and business practices that brought us to this point.

Translated from the German Zum Beispiel: BASF – Uber Konzernmacht und Menschenrechte, it also examines how bigger global companies like BASF were directly or indirectly responsible, and yet nothing is done to keep them accountable.

May Kennedy McCord, lovingly nicknamed "First Lady of the Ozarks" and "Queen of the Hillbillies," spent half a century sharing the history, songs, and stories of her native Ozarks through newspaper columns, radio programs, and music festivals. Though her work made her one of the twentieth century's preeminent folklorists, McCord was first and foremost an entertainer-at one time nearly as renowned as the hills she loved. Despite the encouragement of her contemporaries, McCord never published a collection of her work. In 1956, Vance Randolph wrote to her, "If you didn't have such a mental block against writing books, I could show you how to make a book out of extracts from your columns. It would be very little work, and sell like hotcakes. . . . I could write a solemn little introduction, telling the citizens what a fine gal you are! The hell of it is, most of the readers know all about you." In Queen of the Hillbillies, editors Patti McCord and Kristene Sutliff at last bring together the best of McCord's published and previously unpublished writings to share her knowledge, humor, and inimitable spirit with a new generation of readers.

For avid readers and the uninitiated alike, this is a chance to reengage with classic literature and to stay inspired and entertained. The concept of the magazine is simple: the first half is a long-form interview with a notable book fanatic and the second half explores one classic work of literature from an array of surprising and invigorating angles.

Mexico, April 2009. The bodies of pair of undercover military intelligence agents, disguised as campesinos (farmers), are dumped by the side of the road. Beside the corpses is a message on a scrap of paper: "You'll never get El Chapo." Authorities did - but only after the largest manhunt in history (and the help of Sean Penn). Now, the world's most wanted drug lord, who in 2015 escaped prison by riding motorbikes over metal rails through a 1.5km tunnel dug in the showers and was named the 14th richest man in the world by Forbes, is awaiting trial in the US, and the subject of a smash Netflix series. This is the inside story of a man behind it all, a man who is still hailed as a folk hero despite having bribed or killed politicians, police and soldiers with impunity, and exported over 500 tonnes of cocaine to America alone. Through reportage and interviews with rival narcos, police and DEA sources, The Last Narco masterfully reveals a brutal war between the cartels, staggering state corruption, and the struggle to bring one man to justice.

Das Lehrbuch verortet PR als Lehr- und Forschungsbereich aus einer primar kommunikationswissenschaftlichen Perspektive. Ziel ist es, Leserinnen und Leser mit den zentralen Grundbegriffen, Theorien und Modellen der PR sowie dem aktuellen Stand der wissenschaftlichen Reflexion vertraut zu machen. Neben der Auseinandersetzung mit unterschiedlichen disziplinaren Perspektiven, theoretischen Ansatzen und Modellen werden einzelne Tatigkeitsfelder, Arbeitsbereiche und Instrumente sowie die Konzeption strategischer PR naher beleuchtet. In dem Band werden PR-relevantes Wissen zusammengefuhrt sowie zentrale Begrifflichkeiten und Konzepte der PR-Forschung geklart. Anhand kompakter Leseabschnitte, ausgewahlter Leseproben einschlagiger Standardwerke sowie von Fallbeispielen aus der Praxis soll Studierenden der Einstieg in die kommunikationswissenschaftliche Auseinandersetzung mit PR erleichtert werden. Daruber hinaus richtet sich der Band an alle, die sich mit den Auspragungen von PR in der modernen Gesellschaft sowie deren wissenschaftlicher Bearbeitung auseinandersetzen.

Ironic and humorous, witty and self-deprecatory, The Afghan Rumour Bazaar reveals the quotidian absurdities of lives framed against the backdrop of a savage war. Offering daringly new perspectives on a country readers may erroneously assume they know, Nushin Arbabzadah delves into the unacknowledged but real secret sub-cultures and hidden worlds of Afghans, from underground converts to Christianity to mysterious male cross-dressers to tales of bacha-posh girlboys. Among the individuals, fables and dilemmas she confronts are 'Why are Imams Telling Us About Nail Polish?', 'Afghanistan's Rich Jewish Heritage', 'Kabul Street Style', 'The Resurgence of Afghanistan's Spiritual Bazaar', and not forgetting Malalai of Maiwand, who turned her headscarf into a banner and led a successful rebellion against the British. Arbabzadah reveals for the first time Afghans' own vibrant internal deliberations - - on sex and soap operas; conspiracy theories; drugs and diplomacy; terrorism and the Taliban; and how a long-dead soothsayer from Bulgaria accidentally shut down a newspaper. Many different Afghan sensibilities are presented in her book, yet together they offer an unvarnished, at times heartwarming, at times tragic, insight into one of the most complex and fascinating countries on earth.

NEW YORK TIMES BESTSELLER 'Hilarious, nimble, and thoroughly illuminating' Colson Whitehead, author of The Underground Railroad 'Recalls the work of John Jeremiah Sullivan and the late David Foster Wallace, with a dash of Janet Malcolm' Vogue From its opening journey into remote Alaska for the Iditarod Sled Dog Race, IMPOSSIBLE OWLS leads us on a kaleidoscopic exploration of contemporary reality. Brian Phillips takes us to a sumo tournament in Japan, the jungle in India, the studio of a great Russian animator, a royal tour of the Yukon Territory with the Duke and Duchess of Cambridge and into the weird heart of America. This exhilarating debut visits borders both real and imagined, and asks what it means, in our age, to travel to the end of the map.

'No one else can make me laugh and cry quite like Jilly Cooper.' Gill Sims 'Jilly Cooper's non-fiction is just as entertaining as her novels.' Pandora Sykes ____________________ 'One truth I have learnt, as middle age enmeshes me like Virginia creeper, is that I shall never change-because my capacity for self-improvement is absolutely nil.' Jilly Cooper's observations from her days as a much-loved newspaper columnist cover everything to do with sex, socialising and survival - from marriage, friendship and the minutiae of family life, to the tedium of going to visit people for the weekend, the stress of hosting dinner parties and the descent of middle age. Entertaining and full of heart, this classic collection of journalism from the legendary author explores the highs and lows of everyday life with wit, wisdom and warmth. Praise for Jilly Cooper: 'Joyful and mischievous' Jojo Moyes 'Fun, sexy and unputdownable' Marian Keyes 'Flawlessly entertaining' Helen Fielding

Lars Guenther analysiert die Grunde fur die jeweilige Berichterstattung uber wissenschaftliche Evidenz von Wissenschaftsjournalisten vor dem Hintergrund des Spannungsverhaltnisses Wissenschaft - Journalismus - OEffentlichkeit. Die Ergebnisse der eigenen Studien, die Erkenntnisse aus Inhaltsanalysen und Befragungen zusammenfassen, verweisen auf die dominante Rolle des Publikums: So machen Journalisten ihre Entscheidung, wie wissenschaftliche Evidenz dargestellt wird, vorrangig davon abhangig, wie stark sie glauben, dass ihre Leser und Zuhoerer erwarten, dass Forschungsergebnisse eher gesichert oder ungesichert prasentiert werden sollen.

James Fintan Lalor (1807-1849) was one of the most original thinkers of the Young Ireland movement, and one of the most frequently appropriated by later Irish activists. From Michael Davitt to James Connolly, a host of self-proclaimed disciples celebrated Lalor in succession as a proto-Fenian rebel, the prophet of Irish land reform, the fourth evangelist of Irish nationalism, and the Irish apostle of revolutionary Socialism. Not all of these definitions fit the reality of Lalor's political thought, but they attest to the deep impression he made on several generations of Irish readers. This edition offers a fresh transcription of Lalor's articles in their original newspaper form, removing the small alterations handed down from Lilian Fogarty's canonical 1918 edition. The introduction provides an overview of Lalor's career and explains the circumstances surrounding each article. An appendix completes the selection with two important documents: Lalor's surprising 1843 letter to Sir Robert Peel, and an unpublished article intended as Lalor's second contribution to the Nation. This small corpus - a mere twelve articles written between 1847 and 1848 - nevertheless suffices to argue for Lalor's inclusion among the great Irish writers of the nineteenth century.

'2021's most important book about sex.' Stylist 'You need to read this.' Mashable A bad sexual experience. A grey area. Not rape but... A violation - these are the terms we use to describe the experiences we don't have words for. The way we talk about topics such as sex, consent, assault aren't fit for purpose. Rough is a revolutionary non-fiction work exploring the narratives of sexual violence that we don't talk about. Through powerful testimony from 50 women and non-binary people, this book shines a light on the sexual violence that takes place in our bedrooms and beyond, sometimes at the hands of people we know, trust, or even love. Rough investigates violations such as 'stealthing,' non-consensual choking, and non-consensual rough sex acts that our culture is only starting to recognise as sexual violence. The book explores the ways in which systems of oppression manifest in our sexual culture - from racist microaggressions, to fatphobic acts of aggression, and ableist dehumanising behaviour. An intersectional, sex-positive, kink-positive work, the book also examines how white supremacy, transphobia, biphobia, homophobia, and misogyny are driving forces behind sexual violence. Rough is an urgent, timely call for change to the systems that oppress us all. It's time for a societal shift. As individuals with agency within our sexual culture we have the power to remodel our behaviour and this book shows us how. Praise for Rough 'An incredible investigation into a frighteningly common part of our sexual experience; determined to give ownership back to those who have had their agency stolen from them.' Dr Fern Riddell 'Unflinching. Important, thought-provoking read.' Nataliya Deleva 'Rough speaks to how many women often feel after sexual encounters - violated but unsure of exactly why, and whether our feelings are valid. This book is excellent and demonstrating just how valid those feelings are, and how the cultures of violence within sex that have been normalised intersect with wider systems of patriarchy, racism and misogyny.' Adele Walton, founder of Humanitarian Hotgirl

For avid readers and the uninitiated alike, this is a chance to reengage with classic literature and to stay inspired and entertained. The concept of the magazine is simple: the first half is a long-form interview with a notable book fanatic and the second half explores one classic work of literature from an array of surprising and invigorating angles.

For avid readers and the uninitiated alike, this is a chance to reengage with classic literature and to stay inspired and entertained. The concept of the magazine is simple: the first half is a long-form interview with a notable book fanatic and the second half explores one classic work of literature from an array of surprising and invigorating angles.

Wer berat die Regierung in kommunikativen Fragen und mit welcher Wirkung? Nicola Seitz geht Veranderungen in der staatlichen Kommunikation nach und untersucht im Zeitraum von 1998 bis 2009 den Einfluss von Werbe- und PR-Agenturen auf den politischen Regierungsapparat und den kommunikativen Vermittlungsprozess. Anhand einer dokumentenbasierten Netzwerkanalyse identifiziert sie zentrale Akteure der Branche, die in Interviews umfassende Einblicke in ihre kommunikative Arbeit fur Bundesministerien und ihre Beziehung zum Journalismus geben. Im Ergebnis zeigt sich, dass Kommunikationsdienstleister wenig Einfluss auf die Politik oder die (uberregionale) politische Berichterstattung haben und nur in Ausnahmefallen in die Tagespolitik involviert sind. Stattdessen ersinnen sie Visualisierungen, Bildmotive und verantworten die breite (regionale) Kommunikation von mittel- bis langfristigen politischen Themen.