If you have ever wondered what a civilized man of the twentieth century would do if catapulted into an Old Stone Age where huge cave bears, saber-toothed tigers, monstrous carnivorous dinosaurs, mammoths, and mastodons roamed the savage terrain, you need look no further than "Land of Terror," the sixth installment of Edgar Rice Burroughs's Pellucidar series. Years ago David Innes and Abner Perry bored straight down through five hundred miles of the earth's crust and landed in Pellucidar, the savage, primeval world that lies at the center of the earth. This is the story of their continuing adventures in the timeless land of perpetual noon and their encounters with the hideous creatures and savage men who pursue them. Although they encounter enemies at every turn, David and Abner find a few loyal friends as they embark on exhilarating adventures.

A collection of reporter's stories, set in an often-forgotten corner of South Africa, in the dying years of apartheid. Liberation was beckoning, but for those destined to be the losers in the great political gamble, there was little to celebrate. Some gave in easily, others fought. Few were left unaffected by the coming change.

With a style that combined biting sarcasm with the "language of the free lunch counter," Henry Louis Mencken shook politics and politicians for nearly half a century. Now, fifty years after Mencken's death, the Johns Hopkins University Press announces The Buncombe Collection, newly packaged editions of nine Mencken classics: "Happy Days," "Heathen Days," "Newspaper Day"s, "Prejudices," "Treatise on the Gods," "On Politics," "Thirty-Five Years of Newspaper Work," "Minority Report," and "A Second Mencken Chrestomathy."

These seventy political pieces from the 1920s and 1930s are drawn from Mencken's famous Monday columns in the "Baltimore Evening Sun."

"Oneworld Classics" will include the greatest masterpieces of all time, from every literature and genre and will also redefine and enrich the classics canon by promoting unjustly neglected works of enduring significance. In 1890, the thirty-year-old Chekhov, already knowing that he was ill with tuberculosis, undertook an arduous eleven-week journey from Moscow across Siberia to the penal colony on the island of Sakhalin. Collected here for the first time in one volume are the fully annotated translations of Chekhov's impressions of his trip through Siberia. Highly valuable both as a detailed depiction of the Tsarist system of penal servitude and as an insight into Chekhov's motivations and objectives for visiting the colony and writing the expose, "Sakhalin Island" is a haunting work of tremendous importance which had a huge impact both on Chekhov's subsequent work and on Russian society.

With a style that combined biting sarcasm with the "language of the free lunch counter," Henry Louis Mencken shook politics and politicians for nearly half a century. Now, fifty years after Mencken's death, the Johns Hopkins University Press announces The Buncombe Collection, newly packaged editions of nine Mencken classics: "Happy Days," "Heathen Days," "Newspaper Day"s, "Prejudices," "Treatise on the Gods," "On Politics," "Thirty-Five Years of Newspaper Work," "Minority Report," and "A Second Mencken Chrestomathy."

These thirty-five essays--each a stick of dynamite with a burning fuse--have been selected from six volumes originally published between 1919 and 1927.

During the fast-paced and fascinating years that Bill McIlwain spent as editor of some of North America's most prestigious newspapers, he met and worked with the great, the petty, the famous, the eccentric. He also confronted his problem with alcoholism. In Dancing Naked with the Rolling Stones, McIlwain tells both sides of the story-and how he learned to cope, finding peace and happiness in radical ways. His humble, humorous, thought-provoking account gives readers an intimate glimpse into American newspapering and, at the same time, into his own soul. From the heyday of Harry Guggenheim and Alicia Patterson's groundbreaking Newsday to Boston and Washington insider politics, from the world-changing events of the 1960s and '70s to the Sun Belt suburbs of the 1980s and '90s, Bill McIlwain's tales entertain and inspire.

David Langford has written for every issue of SFX, the top-selling British magazine about science fiction, since its launch in 1995. His sparkling column-imaginatively titled "Langford"-is notoriously the first page readers turn to. Now at last, The SEX Column collects over 130 instalments and extra features in book form.

As National Public Radio's much loved and respected senior foreign correspondent Anne Garrels has covered conflicts in Chechnya, Bosnia, Kosovo, Afghanistan, and Iraq. In "Naked in Baghdad" she reveals how as one of only sixteen non-embedded journalists who stayed in the now legendary Palestine Hotel throughout the American invasion she managed to deliver the most immediate, insightful and independent reports with unparalleled vividness and immediacy.
Her evolving relationship with her Iraqi driver/minder Amer, and the wonderful e-mail bulletins sent to friends by her husband, Vint Lawrence, counterpoint the daily events of her life in Baghdad, and result in a deeply moving, and intimate portrait by one of bravest and most enlightening news reporters.

'This is a must read!' Vince Cable, former leader of the Liberal Democrats 'Reads like a rip roaring tale of a corporate high wire act' John McDonnell, former Shadow Chancellor 'Should be sold with a bottle of blood-pressure pills' Edward Lucas, The Times The proud owner of a sprawling GBP14m estate in the Cotswolds, boasting a stable of eventing horses, a fleet of supercars and neighbouring the royal family, Neil Woodford was the most celebrated and successful British investor of his generation. He spent years beating the market; betting against the dot com bubble in the 1990s and the banks before the financial crash in 2008, making blockbuster returns for his investors and earning himself a reputation of 'the man who made Middle England rich'. But, in 2019, after a stream of poorly-judged investments, Woodford's asset management company collapsed, trapping hundreds of thousands of rainy-day savers in his flagship fund and hanging GBP3.6 billion in the balance. In Built on a Lie, Financial Times reporter Owen Walker reveals the disastrous failings of Woodford, the greed at the heart of his operation, the flaws of an industry in thrall to its star performers and the dangers of limited regulation. With exclusive access to Woodford's inner circle, Walker will reveal the full, jaw-dropping story of Europe's biggest investment scandal in a decade. 'Vital financial journalism with heart' Emma Barnett, broadcaster

In 2004, it was widely reported in the British and Zambian press that Roy Clarke, columnist and satirist known as 'Kalaki', on the The Post, Zambia's major independent daily, faced deportation. Following a column entitled 'Mfuwe', the government had announced he was 'a threat to peace and good order'. Clarke refused to succumb however, or indeed apologise. Instead, supported by his editor, he continued to champion the freedom of the press in Zambia, freedom of expression in general and the cause of Zambian journalism. This book brings together a collection of Clarke's writings, published over a period of five years. His writings are characterised by irony, satire and caustic wit, exposing folly, vice and hypocrisy. They are accompanied by the political cartoons of Trevor Ford, popularly know as 'Yuss'. Fred M'Membe, editor of The Post, provides the introduction to the book, in which he comments: 'Nowadays we find ourselves stuck in a culture of zealous worship of leaders, a culture that would look primitive in the eyes of our ancestors. Our modern African societies have established a reputation for intolerance that is difficult to match....I see Roy's work as attempting to confront this situation, to help us return to our more tolerant Zambian culture; a culture of liberating, life-giving and enjoyable laughter '

With each news day, history unfolds as steadfast journalists uncover facts and public opinion. Drawn from the "New York Times"'s archive of an unparalleled eighty-one Pulitzer Prizes, "Written into History" offers a fascinating record of the twentieth century.
"The Times"'s award-winning reports range from Antarctic dispatches on the Byrd expedition to the eyewitness account of the atomic bomb, from the First Amendment battle to publish the Pentagon Papers to the personal narrative of an interracial friendship. Pulitzer Prize winner Anthony Lewis culled the newspaper's most acclaimed writing to chronicle life and history as it was happening, with such highlights as David Halberstam on Vietnam, J. Anthony Lukas on hippies, Anna Quindlen on AIDS, and John F. Burns on the Taliban.
Lewis tells the stories behind the stories, describing journalism's changing role in the world. For armchair historians and aspiring reporters, this is a rich and memorable portrait of a century by the men and women who most artfully observed it.

In Players, Teams, and Stadium Ghosts, sportswriter Bob Hunter has assembled a Hall of Fame collection of his best writing from the Columbus Dispatch. Fans will encounter some of the biggest names in sports and relive great moments from games played by amateurs and pros. They'll encounter forgotten players and teams that struggled. Hunter shows us LeBron James when he was a 15-year-old high school freshman, already capturing the world's attention; 20-year-old Derek Jeter's meteoric rise through the minors, including the Columbus Clippers; a strange encounter with Pete Rose hustling frozen pizzas; and the excitement of watching future WNBA star Katie Smith dominate a Columbus Quest championship game. The common thread is the personal touch that Hunter consistently uses to take readers beyond the final scores and the dazzle of lights. These are the people behind the athletes. They're remembered for how they played, but Hunter reminds us who they were.

This collection of essays assesses the evolving fields of psychiatry and psychoanalysis. The topics covered in this updated and expanded edition include the use of Prozac, the nature of white racism, William Styron's Darkness Visible and van Gogh's fever of genius.

The Punjab region of India sent more than 600,000 combatants to assist the British war effort during World War I. Their families back home, thousands of miles from the major scenes of battle, were desperate for war news, and newspapers provided daily reports to keep the local population up-to-date with developments on the Western Front. This book presents the first English-language translations of hundreds of articles published during World War I in the newsapers of the Punjab region. They offer a lens into the anxieties and aspirations of Punjabis, a population that committed resources, food, labour as well as combatants to the British war effort. Amidst a steadily growing field of studies on World War I that examine the effects of the war on colonial populations, War News in India makes a unique and timely contribution.

This treasury of selected passages from the writings and addresses of perhaps the most impressive leader of the Catholic Church the world has ever known offers, as its editor suggests, "a harvest from the mind and heart of Pope Wojtyla." And so here is a chance for the modern reader, engaged in various daily tasks, to spend a few moments with the Pope each day of the liturgical year, contemplating his reflections on the mystery and the example of Christ; and on the church, man, the family, the lives of the saints, the meaning of holidays, and the place of faith in daily life.

His personal concerns as expressed in these passages include such topics as "Sharing with Others," "To Be in Peace," "Consumer Society," "Family Prayer," and "The Great Divine Trial," about the meaning of his near-assassination. Through these pages of calm reflection each day of the year, all will find a moment of peaceful repose from the occupations of life.

The era between the Civil War and the end of World War I, marked by increasing nation-building, immigration, internal migration, and racial tension in the United States, saw the rise of local color literature that described through "lived experiences" the peculiarities of regional life. This anthology brings together works from every part of the country, written by men and women of many cultures, ethnicities, ideologies, and literary styles.

Organized geographically, American Local Color Writing features such familiar writers as Joel Chandler Harris, Kate Chopin, Hamlin Garland, and Sarah Orne Jewett, and introduces less well-known voices like Sui Sin Far, Abraham Cahan, and Zitkala-Sa. The writings sheds light on varying concepts of "the American identity": Charles Chesnutt, Alice Dunbar-Nelson, Pauline Hopkins, and others present a distinct African-American experience; shifting notions of gender and sexuality come to light not only in pieces by women but also in nostalgic renditions of frontier life as the embodiment of masculine virtues and values; and racial, class, and ethnic stereotypes are reproduced and challenged in many of the stories.

Acclaimed personal writing from one of our most out-spoken essayists, on disability, on family, on being an impolite woman, and on the opporunities and "gifts" of a difficult life.

New York journalist Pete Hamill is among the last of a dying breed: the old-school generalist who writes about anything and everything, guided only by passionate and boundless curiosity. In this collection of his finest writings since 1970, Hamill tackles such diverse subjects as what television and crack have in common, how Mike Tyson spent his time in prison, and what it's like to realize you're middle-aged -- not to mention Octavio Paz, Brooklyn's Seventh Avenue, Frank Sinatra, American immigration policy, Northern Ireland, and Madonna. Piecework is Hamill at his very best.

One of our most trenchant columnists takes the measure of America in the last four years.

A collection of personal essays on topics as diverse as the nature of allergies, a meditation on bats, and the significance of 1974, from a writer with a uniquely acute, subtle, and sophisticated voice.

Veteran journalist Pete Hamill has never covered just politics. Or just sports. Or just the entertainment business, the mob, foreign affairs, social issues, the art world, or New York City. He has in fact written about all these subjects, and many more, in his years as a contributor to such national magazines as Esquire, Vanity Fair, and New York, and as a columnist at the New York Post, the New York Daily News, the Village Voice, and other newspapers. Seasoned by more than thirty years as a New York newspaperman, Hamill writes on an extraordinarily wide variety of topics in powerful language that is personal, tough-minded, clearheaded, always provocative. Piecework is a rich and varied collection of Hamill's best writing since 1970, on such diverse subjects as what television and crack have in common, why winning isn't everything, stickball, Nicaragua, Donald Trump, why American immigration policy toward Mexico is all wrong, Brooklyn's Seventh Avenue, and Frank Sinatra, not to mention Octavio Paz, what it's like to realize you're middle-aged, Northern Ireland, New York City then and now, how Mike Tyson spent his time in prison, and much more. This collection proves him once again to be among the last of a dying breed: the old-school generalist, who writes about anything and everything, guided only by passionate and boundless curiosity. Piecework is Hamill at his very best.

You’ve Always Been Wrong is a collection of prose and poetic works by the French writer René Daumal (1908–1944). A fitful interloper among the Surrealists, Daumal rejected all forms of dogmatic thought, whether religious, philosophical, aesthetic, or political. Much like the Surrealists (and French theorists of more recent decades), Daumal saw in the strict forms and certainties of traditional metaphysics a type of thought that enslaves people even as it pretends to liberate them. These “cadavers of thought,� Daumal wrote with youthful bravado, “must be met with storms of doubt, blasphemes, and kerosene for the temples.�  Daumal tied Surrealism with mystical traditions. A devoted student of Eastern religions, philosophy, and literature, he combined his skepticism about Western metaphysics with a mystic’s effort to maintain intense wakefulness to the present moment and to the irreducible particularity of all objects and experience. Such wakefulness, according to Daumal, leads inevitably to an overwhelming (and redemptive) “vision of the absurd.� Daumal’s important place in French culture of the late 1920s and 1930s has been assured by both his writings and his role as cofounder of the avant-garde journal Le Grand Jeu. Written between 1928 and 1930, You’ve Always Been Wrong reveals Daumal’s thought as it was coalescing around the rejection of Western metaphysics and the countervailing allure of Eastern mysticism. Thomas Vosteen’s nuanced translation provides English-language readers with a provocative introduction to this iconoclastic author.

"[Eptein's readers] will find, in A Line Out for a Walk, every gratification to which he has accustomed them."—Jonathan Yardley, Washington Post Book World

"Mr Epstein is a winsome confidant. Not because his confessions are sensational, far from it. . . . On getting old. On slightness of stature. On becoming a windbag. . . . Money worries. Envy. And, in an essay with paralyzing comic impact, 'You Probably Don't Know Me,' Mr. Epstein has written about his modest lust for fame. Such moral intimations provide a charm and resonance. . . . More than just humorous, the Epstein sensibility is trustable: honest, open, human."—D. Keith Mano, New York Times Book Review

"[His] way with the familiar essay—that flexible, forgiving genre in which anything goes except charmlessness and anonymity—has much in common with that of Messrs. Beerbohm, Liebling, and Mencken. Each piece is exquisitely sustained, moving from point to point with the relaxed economy of a pro."—Wall Street Journal

"A writer at the top of his powers in these serious, funny, pleasantly unpredictable musings."—Publishers Weekly

Of all the great novelists writing today, none shows the same gift as Martin Amis for writing non-fiction - his essays, literary criticism and journalism are justly acclaimed. The Rub of Time comprises superb critical pieces on Amis's heroes Nabokov, Bellow and Larkin to brilliantly funny ruminations on sport, Las Vegas, John Travolta and the pornography industry. The collection includes his essay on Princess Diana and a tribute to his great friend Christopher Hitchens, but at the centre of the book, perhaps inevitably, are essays on politics, and in particular the American election campaigns of 2012 and 2016. One of the very few consolations of Donald Trump's rise to power is that Martin Amis is there to write about him.

For the first time, one book gives voice to the haunting, painful, tender, and healing tales of those who lost so much in America's least popular war.