For avid readers and the uninitiated alike, this is a chance to reengage with classic literature and to stay inspired and entertained. The concept of the magazine is simple: the first half is a long-form interview with a notable book fanatic and the second half explores one classic work of literature from an array of surprising and invigorating angles.

A compelling, wide-ranging collection of Karl Marx's journalism-available only from Penguin Classics
Karl Marx is arguably the most famous political philosopher of all time, but he was also one of the great foreign correspondents of the nineteenth century. Drawing on his eleven- year tenure at the New York "Tribune" (which began in 1852), this completely new collection presents Marx's writings on an abundance of topics, from issues of class and state to world affairs. Particularly moving pieces highlight social inequality and starvation in Britain, while others explore his groundbreaking views on the slave and opium trades. Throughout, Marx's fresh perspective on nineteenth-century events reveals a social consciousness that remains inspiring to this day.

"You furnish the pictures and I'll furnish the war." This famous but apocryphal quote, long attributed to newspaper magnate William Randolph Hearst, encapsulates fears of the lengths to which news companies would go to exploit visual journalism in the late nineteenth century. From 1870 to 1900, newspapers disrupted conventional reporting methods with sensationalized line drawings. A fierce hunger for profits motivated the shift to emotion-driven, visual content. But the new approach, while popular, often targeted, and further marginalized, vulnerable groups. Amanda Frisken examines the ways sensational images of pivotal cultural events-obscenity litigation, anti-Chinese bloodshed, the Ghost Dance, lynching, and domestic violence-changed the public's consumption of the news. Using intersectional analysis, Frisken explores how these newfound visualizations of events during episodes of social and political controversy enabled newspapers and social activists alike to communicate-or challenge-prevailing understandings of racial, class, and gender identities and cultural power.

'Impeccably researched and sumptuous in its detail... It's a page-turner' The Economist 'Well-paced and cleverly organised' The Sunday Times 'Gripping' Guardian 'A pacy and deeply-reported tale' Financial Times Longlisted for the 2021 Financial Times / McKinsey Business Book of the Year In this compelling story of greed, chicanery and tarnished idealism, two Wall Street Journal reporters investigate a man who Bill Gates and Western governments entrusted with hundreds of millions of dollars to make profits and end poverty but now stands accused of masterminding one of the biggest, most brazen frauds ever. Arif Naqvi was charismatic, inspiring and self-made. The founder of the Dubai-based private-equity firm Abraaj, he was the Key Man to the global elite searching for impact investments to make money and do good. He persuaded politicians he could help stabilize the Middle East after 9/11 by providing jobs and guided executives to opportunities in cities they struggled to find on the map. Bill Gates helped him start a billion-dollar fund to improve health care in poor countries, and the UN and Interpol appointed him to boards. Naqvi also won the support of President Obama's administration and the chief of a British government fund compared him to Tom Cruise in Mission: Impossible. The only problem? In 2019 Arif Naqvi was arrested on charges of fraud and racketeering at Heathrow airport. A British judge has approved his extradition to the US and he faces up to 291 years in jail if found guilty. With a cast featuring famous billionaires and statesmen moving across Asia, Africa, Europe and America, The Key Man is the story of how the global elite was duped by a capitalist fairy tale. Clark and Louch's thrilling investigation exposes one of the world's most audacious scams and shines a light on the hypocrisy, corruption and greed at the heart of the global financial system. 'An unbelievable true tale of greed, corruption and manipulation among the world's financial elite' Harry Markopolos, the Bernie Madoff whistleblower

A brilliantly wide-ranging essay collection from the author of My Struggle, spanning literature, philosophy, art and how our daily and creative lives intertwine. In the Land of the Cyclops is Karl Ove Knausgaard's first collection of essays to be published in English, and these brilliant and wide-ranging pieces meditate on themes familiar from his groundbreaking fiction. Here, Knausgaard discusses Madame Bovary, the Northern Lights, Ingmar Bergman, and the work of an array of writers and visual artists, including Knut Hamsun, Michel Houellebecq, Anselm Kiefer and Cindy Sherman. These essays beautifully capture Knausgaard's ability to mediate between the deeply personal and the universal, demonstrating his trademark self-scrutiny and his deep longing to authentically see, understand, and experience the world. 'Knausgaard is among the finest writers alive' New York Times

'This second collection of his newspaper pieces is a reminder of just how good they were: sharp and playful, surreal and thoughtful, and occasionally...rather moving' New Statesman Hilarious, heartbreaking, provocative and affecting - Howard Jacobson's irresistible journalism reveals the Man Booker Prize-winning novelist in all his humanity. From the tiniest absurdities to the most universal joys and desolations, Jacobson writes with a thunder, passion and wit unmatched. Just as did his previous volume, Whatever It Is I Don't Like It, this glorious, unputdownable collection will delight, entertain, challenge and move.

He wrote on politics and racism before the word ‘apartheid’ ever made headlines. He has questioned southern African leaders from Drs. Malan and Verwoerd to Vorster, PW Botha, FW de Klerk to the first president of Zambia, Kenneth Kuanda, and President Mugabe; including global leaders such as President Mandela, General Smuts, President Gerald Ford and Britain’s Prime Minister Harold Macmillan. Why The Other Side? In part one of Tyson’s remarkable autobiography he encourages views that are different to the fixed positions which most people hold on both sides of the political divide. He writes lightly about his most dangerous moments, and sympathetically about those who struggle to help others. He invites you to look at the situation from ‘the other side’ – wherever confrontation arises.

From an award-winning black journalist, a tough-minded look at the treatment of ethnic minorities both in newsrooms and in the reporting that comes out of them, within the changing media landscape.
From the Rodney King riots to the racial inequities of the new digital media, Amy Alexander has chronicled the biggest race and class stories of the modern era in American journalism. Beginning in the bare-knuckled newsrooms of 1980s San Francisco, her career spans a period of industry-wide economic collapse and tremendous national demographic changes.
Despite reporting in some of the country's most diverse cities, including San Francisco, Boston, and Miami, Alexander consistently encountered a stubbornly white, male press corps and a surprising lack of news concerning the ethnic communities in these multicultural metropolises. Driven to shed light on the race and class struggles taking place in the United States, Alexander embarked on a rollercoaster career marked by cultural conflicts within newsrooms. Along the way, her identity as a black woman journalist changed dramatically, an evolution that coincided with sweeping changes in the media industry and the advent of the Internet.
Armed with census data and news-industry demographic research, Alexander explains how the so-called New Media is reenacting Old Media's biases. She argues that the idea of newsroom diversity--at best an afterthought in good economic times--has all but fallen off the table as the industry fights for its economic life, a dynamic that will ultimately speed the demise of venerable news outlets. Moreover, for the shrinking number of journalists of color who currently work at big news organizations, the lingering ethos of having to be "twice as good" as their white counterparts continues; it is a reality that threatens to stifle another generation of practitioners from "non-traditional" backgrounds.
In this hard-hitting account, Alexander evaluates her own career in the context of the continually evolving story of America's growing ethnic populations and the homogenous newsrooms producing our nation's too often monochromatic coverage. This veteran journalist examines the major news stories that were entrenched in the great race debate of the past three decades, stories like those of Elian Gonzalez, Janet Cooke, Jayson Blair, Tavis Smiley, the tragedy of Hurricane Katrina, and the election of Barack Obama.
"Uncovering Race" offers sharp analysis of how race, gender, and class come to bear on newsrooms, and takes aim at mainstream media's failure to successfully cover a browner, younger nation--a failure that Alexander argues is speeding news organizations' demise faster than the Internet.

"From the Hardcover edition."