Disaffected examines the effects of antisedition law on the overlapping public spheres of India and Britain under empire. After 1857, the British government began censoring the press in India, culminating in 1870 with the passage of Section 124a, a law that used the term "disaffection" to target the emotional tenor of writing deemed threatening to imperial rule. As a result, Tanya Agathocleous shows, Indian journalists adopted modes of writing that appeared to mimic properly British styles of prose even as they wrote against empire. Agathocleous argues that Section 124a, which is still used to quell political dissent in present-day India, both irrevocably shaped conversations and critiques in the colonial public sphere and continues to influence anticolonialism and postcolonial relationships between the state and the public. Disaffected draws out the coercive and emotional subtexts of law, literature, and cultural relationships, demonstrating how the criminalization of political alienation and dissent has shaped literary form and the political imagination.

Disaffected examines the effects of antisedition law on the overlapping public spheres of India and Britain under empire. After 1857, the British government began censoring the press in India, culminating in 1870 with the passage of Section 124a, a law that used the term "disaffection" to target the emotional tenor of writing deemed threatening to imperial rule. As a result, Tanya Agathocleous shows, Indian journalists adopted modes of writing that appeared to mimic properly British styles of prose even as they wrote against empire. Agathocleous argues that Section 124a, which is still used to quell political dissent in present-day India, both irrevocably shaped conversations and critiques in the colonial public sphere and continues to influence anticolonialism and postcolonial relationships between the state and the public. Disaffected draws out the coercive and emotional subtexts of law, literature, and cultural relationships, demonstrating how the criminalization of political alienation and dissent has shaped literary form and the political imagination.

Ausgehend von allgemeinen stilistischen Regeln werden die verschiedenen journalistischen Gattungen (Meldung, Bericht, Reportage, Portrait, Kommentar, Feature, Glosse) in diesem Buch kritisch gepruft und die Charakteristika ausfuhrlich dargestellt. Ein weiterer Schwerpunkt liegt auf den Online-Medien und neuen journalistischen Formen wie Blogs. Mithilfe von praktischen Ubungen erlernen die LeserInnen die Grundregeln professioneller Textproduktion."

In 1981 a young semi-professional footballer - known as `Imam Beckenbauer' for his piety and his dominant style of play - has his career cut short after a confrontation with Turkey's military junta. His name was Recep Tayyip Erdogan, and three decades later he is Turkey's most powerful ruler since Ataturk....' Turkey is a nation obsessed with football. From the flares which cover the stadium with multi-coloured smoke and often bring play to a halt, to the `conductors' - ultras who lead the `walls of sound' at matches, Turkish football has always been an awesome spectacle. And yet, in this politically fraught country, caught between the Middle East and the West, football has also always been so much more. From the fan groups resisting the government in the streets and stands, to ambitious politicians embroiling clubs in Machiavellian shenanigans, football in Turkey is a site of power, anger, and resistance. Journalist and football obsessive Patrick Keddie takes us on a wild journey through Turkey's role in the world's most popular game. He travels from the streets of Istanbul, where fans dodge tear gas and water cannons, to the plains of Anatolia, where women are fighting for their rights to wear shorts and play sports. He meets a gay referee facing death threats, Syrian footballers trying to piece together their shattered dreams, and Kurdish teams struggling to play football amid war. `The Passion' also tells the story of the biggest match-fixing scandal in European football, and sketches its murky connections to the country's leadership. In doing so he lifts the lid on a rarely glimpsed side of modern Turkey. Funny, touching and beautifully observed, this is the story of Turkey as we have never seen it before.

Marianne Thamm delves into her own unconventional life story.

Her German father fought for Hitler and made munitions for Verwoerd. He married her largely illiterate Portuguese mother who worked as a cleaner in England. Today Marianne is the proud mother of two (black) teenagers... Hers is the story of the last century, of the defeat of bigotry and a new era ushered in by Mandela.

Sad at times, deeply moving and, like Marianne, hugely entertaining.