The study sets out (a) to give an in-depth account of the discursive implications of the complex terms 'Judaism', 'modern' and feuilleton (arts pages) against the background of present-day theories of modernity, alterity and the history of aesthetics, and (b) to demonstrate the interdependency of discourses on politics and literary aesthetics with reference to concrete texts. The analysis of selected Viennese feuilletons (the corpus comprises texts by Moritz Gottlieb Saphir, Ferdinand KA1/4rnberger, Sigmund Schlesinger, Friedrich SchlAgl, Karl Landsteiner, Betty Paoli, Daniel Spitzer, Ludwig Speidel and Theodor Herzl) concentrates on the strategies of literarization employed by bourgeois-liberal journalism in its persistently conservative phase to bolster the concepts of identity informing it.

From the earliest FA Cup finals in the 1870s played between teams of former public schoolboys, to twenty-first-century Champions League matches contested by teams of billionaires - with stops along the way for Leicester City's extraordinary Premier League triumph, the Hand of God, and the 1966 World Cup - this is football history as it happened, straight from the pages of The Times. 'The players came off arm in arm. They knew they had finally fashioned something of which to be proud.'

In War-Path and Bivouac, published in 1890, John Finerty (1846-1908) recalled the summer he spent following George Crook's infamous campaign against the Sioux in 1876. Historians have long surmised that Finerty's correspondence covering the campaign for the Chicago Times reappeared in its entirety in Finerty's celebrated book. But that turns out not to be the case, as readers will discover in this remarkable volume. In print at last, this collection of Finerty's letters and telegrams to his hometown newspaper, written from the field during Crook's campaign, conveys the full extent of the reporter's experience and observations during this time of great excitement and upheaval in the West. An introduction and annotations by Paul L. Hedren, a lifelong historian of the period, provide ample biographical and historical background for Finerty's account. Four times under fire, giving as well as he got, Finerty reported on the action with the immediacy of an unfolding wartime story. To his riveting dispatches on the Rosebud and Slim Buttes battles, this collection adds accounts of the lesser-known Sibley scout and the tortures of the campaign trail, penned by a keen-eyed newsman who rode at the front through virtually all of the action. Here, too, is an intimate look at the Black Hills gold rush and at principal towns like Deadwood and Custer City, captured in the earliest moments of their colorful history. Hedren's introduction places Finerty not only on the scene in Wyoming, Montana, and Dakota during the Indian campaign, but also in the context of battlefield journalism at a critical time in its evolution. Publication of this volume confirms John Finerty's outsize role in that historical moment.

'And O, Angelica, what has become of you, this present Sunday morning when I can't attend to the sermon; and, more difficult question than that, what has become of Me as I was when I sat by your side?' At the height of his career, around the time he was working on Great Expectations and Our Mutual Friend, Charles Dickens wrote a series of sketches, mostly set in London, which he collected as The Uncommercial Traveller. In the persona of 'the Uncommercial', Dickens wanders the city streets and brings London, its inhabitants, commerce and entertainment vividly to life. Sometimes autobiographical, as childhood experiences are interwoven with adult memories, the sketches include visits to the Paris Morgue, the Liverpool docks, a workhouse, a school for poor children, and the theatre. They also describe the perils of travel, including seasickness, shipwreck, the coming of the railways, and the wretchedness of dining in English hotels and restaurants. The work is quintessential Dickens, with each piece showcasing his imaginative writing style, his keen observational powers, and his characteristic wit. In this edition Daniel Tyler explores Dickens's fascination with the city and the book's connections with concerns evident in his fiction: social injustice, human mortality, a fascination with death and the passing of time. Often funny, sometimes indignant, always exuberant, The Uncommercial Traveller is a revelatory encounter with Dickens, and the Victorian city he knew so well.

The yearly volumes of Censored, in continuous publication since 1976 and since 1995 available through Seven Stories Press, is dedicated to the stories that ought to be top features on the nightly news, but that are missing because of media bias and self-censorship. The top stories are listed democratically in order of importance according to students, faculty, and a national panel of judges. Each of the top stories is presented at length, alongside updates from the investigative reporters who broke the stories.

Most famous for his classic work The Boys of Summer, Roger Kahn is widely regarded as one of the greatest sportswriters of our time. The Roger Kahn Reader is a rich collection of his stories and articles that originally appeared in publications such as Sports Illustrated, the New York Times, Esquire, and the Nation. Kahn's pieces, published between 1952 and today, present a vivid, turbulent, and intimate picture of more than half a century in American sport. His standout writings bring us close to entrepreneurs and hustlers (Walter O'Malley and Don King), athletes of Olympian gifts (Ted Williams, Stan Musial, "Le Demon Blond" Guy Lefleur), and sundry compelling issues of money, muscle, and myth. We witness Roger Maris's ordeal by fame; Bob Gibson's blazing competitive fire; and Red Smith, now white-haired and renowned, contemplating his beginnings and his future. Also included is a new and original chapter, "Clem," about the author's compelling lifelong friendship with former Brooklyn Dodgers pitcher Clem Labine. Written across six decades, this volume shows Kahn's ability to describe the athletes he profiled as they truly were in a manner neither compromised nor cruel but always authentic and up close.

TOO FAMOUS collects pieces Michael Wolff has written as a columnist for New York, Vanity Fair, The Guardian, GQ and The Hollywood Reporter, and adds several new ones. Written over a 20-year period, the book spans that moment in popular culture when personal attention became one of the world's most valuable commodities, and ending with Donald Trump, fame's most hyperbolic exponent. Some of these pieces exist in the amber of a particular news moment, some as character portraits - as colourful now as when they were written - and some as lasting observations about human nature and folly. The common ground all of these thrilling stories share is that everyone in this book is a creature of, or creation of, the media. They don't exist as who we see them as, and who they want to be, without the media.

African Muckraking is the first collection of investigative and campaigning journalism written by Africans about Africa. The editors delved into the history of modern Africa to find the most important and compelling pieces of journalism on the stories that matter.

This collection of 41 pieces of African journalism includes passionate and committed writing on labor abuses, police brutality, women’s rights, the struggle for democracy and independence on the continent and other subjects. Each piece of writing is introduced by a noted scholar or journalist who explains the context and why the journalism mattered. Some of the highlights include: Feminist writing from Tunisia into the 1930s, exposés of the secret tactics planned by the South African government during apartheid, Richard Mgamba’s searing description of the albino brothers in Tanzania who fear for their lives, and the reporting by Liberian journalist Mae Azango on genital cutting, which forced her to go into hiding.

Many African Muckrakers have been imprisoned and even killed for their work. African Muckraking is a must-read for anyone who cares about journalism and Africa.

'Maeve's Times is funny and clever and kind, which are excellent qualities in both books and people' Irish Times 'As someone who fell off a chair not long ago trying to hear what they were saying at the next table in a restaurant, I suppose I am obsessively interested in what some might consider the trivia of other people's lives.' Maeve Binchy is well known for her bestselling novels, but for many years Maeve was a journalist. From 'The Student Train' to 'Plane Bores' and 'Bathroom Joggers' to 'When Beckett met Binchy', these articles have all the warmth, wit and humanity of her fiction. Arranged in decades, from the 1960s to the 2000s, and including Maeve's first and last ever piece of writing for the Irish Times, the columns also give a fascinating insight into the author herself. With an introduction written by her husband, the writer Gordon Snell, this collection of timeless writing reminds us of why the leading Irish writer was so universally loved.

In the summer of 1923 Virginia Woolf's nephews, Quentin and Julian Bell, started a family newspaper, The Charleston Bulletin. Quentin decided to ask his aunt Virginia for a contribution: 'it seemed stupid to have a real author so close at hand and not have her contribute.' Woolf joined forces with Quentin, and from 1923 until 1927 they created fully-fledged booklets of stories and drawings that were announced as Supplements. Written or dictated by Woolf and illustrated by Quentin, these Supplements present a unique collaboration between the novelist during her most prolific years and the child-painter. In Virginia Woolf, Quentin Bell not only found a professional author and an experienced journalist, but, above all, a close companion and conspirator who shared his irreverence and mischievous sense of humour. The Supplements are transcribed in full here for the first time alongside around 40 of Bell's original illustrations. Designed to tease the adults, they portray Bloomsbury eccentricities along with the foibles and mishaps of the residents and visitors at Charleston. This is the first time the Supplements have been published since they were first written and will therefore be welcomed by fans of Woolf and her circle.

A classic 1967 memoir by one of the great journalists of the 20th century, Point of Departure collects James Cameron's eyewitness accounts of the atom bomb tests at Bikini atoll, the Chinese invasion of Tibet and the war in Korea, and vivid evocations of Mao Tse-Tung, Winston Churchill, and many others. Cameron, who was born in London in 1911, began his career in newspapers as a foreign correspondent; later, his television documentaries for the BBC and his column in The Guardian gave him a new audience in Britain and abroad. In the 1960s, Cameron was presented with the Granada Award for Foreign Correspondent of the Decade. He died in 1985.

Every day, a powerful and sophisticated underground business delivers thousands of refugees along the Mediterranean coasts of Europe. A new breed of criminals, risen from the post-9/11 political chaos and the fi asco of the Arab Spring, coupled with the destabilization of Syria and Iraq and the rise of ISIS, controls it. The ever-increasing political volatility has offered them new business opportunities, from trafficking millions of refugees to selling Western hostages to jihadist groups. The kidnapping industry in the Middle East is now worth hundreds of billions of dollars annually. Loretta Napoleoni's exclusive and meticulous research into the business of kidnap and ransom, and its link to terrorist activity, is based on first-hand accounts - from interviews with hostage negotiators to the experiences of former hostages themselves. Merchants of Men is a fascinating and eye-opening exploration of this most shocking of financial interdependencies.

The "Baltimore Sun" covered World War II with an outstanding team of combat correspondents, among them three future Pulitzer Prize winners. The correspondents witnessed momentous events: Anzio and Cassino, D-Day, Black Christmas in the Bulge, the crossing of the Rhine, the link up with the Russians on the Elbe, the German surrender at Rheims, the invasions of Iwo Jima and Okinawa, and the Japanese surrender on the U.S.S. "Missouri."

They took enormous risks. Price Day was in action at Anzio and Cassino; Holbrook Bradley landed with the 29th Division on the Normandy beaches. Lee McCardell narrowly escaped death when a bomb exploded near his jeep. Howard Norton was on a sub chaser when a Japanese shell killed most of its crew. Philip Heisler's escort carrier nearly capsized in a typhoon.

They filed stories from the front lines of history. Norton scooped the world on the execution of Mussolini. Day and McCardell were among the first to file stories on Nazi atrocities and death camps. The doyen of these correspondents, Mark Watson, wrote prescient articles on military strategy. All of them sent back gritty stories of the endurance and humor of ordinary GIs.

This was a time when correspondents wore uniforms, censors could block their stories, and journalists wrote on portable typewriters and traveled dozens of miles to file their copy. Enjoying a personal freedom of movement and decision-making unknown in today's electronic era, these newspaper men were working at a time when print journalism was the prime medium for news. Their dispatches, which reported the war with the immediacy of real time, make up the core of this book.

A thoughtful collection of soul-soothing writing, O's Little Book of Calm & Comfort is the antidote to life's trying times. Featuring essays and interviews from some of the most celebrated contributors to O, The Oprah Magazine, this heartening collection offers solace, wisdom, and connection. Among the highlights: Nora Ephron on the state of rapture that comes from curling up with a good book; Maeve Binchy on the blessings of friends; and a stirring conversation between Oprah and the American Buddhist nun Pema Chodron that reveals how the pain we experience can create the possibility of a more joyful life. Together, these pieces from great writers and celebrated thinkers serve as a reminder that however tumultuous life may become, the world has beauty, kindness, and love enough to see us through.

The future of journalism as seen from various perspectives is the subject of the essays in this volume: the training of journalists, media companies as social organisations, journalists and their commitment to a professional code of conduct, journalism and the traditional media business model.

A powerful and authoritative selection of critical essays and reviews by poet Padraic Fallon. Skilfully compiled and edited by his son Brian Fallon, this book is published to mark the centenary of his father's birth, and testifies to the enduring value of literature in the flux of the twenty-first century. Padraic Fallon (1905 - 1974), one of the foremost Irish poets of his generation and a prolific writer of radio plays, was also an active essay-reviewer in the leading periodicals of his day. His literary criticism was incisive and witty, his erudition lightly worn. Disinterred from old files of The Bell, The Dublin Magazine and The Irish Times, his work remains fresh and readable decades on. Fallon writes authoritatively about the key figures of the Literary Revival: Gregory, Yeats, Stephans, Synge, Shaw and O'Casey - he knew many of them - and also of his contemporaries F.R. Higgins and Austin Clarke, with whom he shared a dedicated engagement with the Irish tradition. He comines frank judgements of Eliot, Pound, Graves, Auden, Gunn, Lowell, Larkin, Kinsella and others with fascinating detours into an East Galway childhood and the folk memories of Antony Raftery. The book is built around a core of previously uncollected work, beginning with the controversial, highly influential 'Poet's Journal' (The Bell, 1951-2) and closing with the wide-ranging 'Verse Chronicles' (Dublin Magazine, 1956-8).

'THE POLITICAL BOOK OF THE YEAR' Tim Shipman A blistering narrative expose of infighting, skulduggery and chaos in Corbyn's Labour party, now revised and updated. * A Times, Guardian, Daily Telegraph, Sunday Times and i Newspaper Book of the Year * Left Out tells, for the first time, the astonishing full story of Labour's recent transformation and historic defeat. Drawing on unrivalled access, this blistering expose moves from the peak of Jeremy Corbyn's popularity and the shock hung parliament of 2017 to Labour's humbling in 2019 and the election of Keir Starmer. It reveals a party at war with itself, and puts the reader in the room as tensions boil over, sworn enemies forge unlikely alliances and lifelong friendships are tested to breaking point. This is the ultimate account of the greatest experiment seen in British politics for a generation. 'Gripping... Every bit as good as people say' Guardian 'Reads like a thriller...told with panache and pace' Financial Times 'The definitive post-mortem of the Corbyn project' Sunday Times

What is the difference between choking and panicking? Why are there dozens of varieties of mustard-but only one variety of ketchup? What do football players teach us about how to hire teachers? What does hair dye tell us about the history of the 20th century?
In the past decade, Malcolm Gladwell has written three books that have radically changed how we understand our world and ourselves: " The Tipping Point"; "Blink"; and "Outliers." Now, in "What the Dog Saw," he brings together, for the first time, the best of his writing from "The""New Yorker" over the same period.
Here is the bittersweet tale of the inventor of the birth control pill, and the dazzling inventions of the pasta sauce pioneer Howard Moscowitz. Gladwell sits with Ron Popeil, the king of the American kitchen, as he sells rotisserie ovens, and divines the secrets of Cesar Millan, the "dog whisperer" who can calm savage animals with the touch of his hand. He explores intelligence tests and ethnic profiling and "hindsight bias" and why it was that everyone in Silicon Valley once tripped over themselves to hire the same college graduate.
"Good writing," Gladwell says in his preface, "does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head." "What the Dog Saw "is yet another example of the buoyant spirit and unflagging curiosity that have made Malcolm Gladwell our most brilliant investigator of the hidden extraordinary.

Twenty-one years after the murder of Hip-hop genius The Notorious B.I.G., The Man On High fuses the creative and the critical, asking what legacy means in the 21st century. Contemplating Biggie through the lens of skateboarding, music and poetry, Alessandrelli proves that The Notorious B.I.G. will always be rapping in the present tense.