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Books > Language & Literature > Literature: texts > Essays, journals, letters & other prose works > From 1900
Chosen by the American Society of Magazine Editors, the stories in this anthology include National Magazine Award-winning works of public interest, reporting, feature writing, and fiction. This year's selections include Pamela Colloff (Texas Monthly) on the agonizing, decades-long struggle by a convicted murderer to prove his innocence; Dexter Filkins (The New Yorker) on the emotional effort by an Iraq War veteran to make amends for the role he played in the deaths of innocent Iraqis; Chris Jones (Esquire) on Robert A. Caro's epic, ongoing investigation into the life and work of Lyndon Johnson; Charles C. Mann (Orion) on the odds of human beings' survival as a species; and Roger Angell (The New Yorker) on aging, dying, and loss. The former infantryman Brian Mockenhaupt (Byliner) describes modern combat in Afghanistan and its ability both to forge and challenge friendships; Ta-Nehisi Coates (The Atlantic) reflects on the complex racial terrain traversed by Barack Obama; Frank Rich (New York) assesses Mitt Romney's ambiguous candidacy; and Dahlia Lithwick (Slate) looks at the current and future implications of an eventful year in Supreme Court history. The volume also includes an interview on the art of screenwriting with Terry Southern from The Paris Review and an award-winning short story by Stephen King published in Harper's magazine.
'Devastating and urgent, this book could not be more timely' Caroline Criado Perez, award-winning and bestselling author of Invisible Women Danielle Citron takes the conversation about technology and privacy out of the boardrooms and op-eds to reach readers where we are - in our bathrooms and bedrooms; with our families and our lovers; in all the parts of our lives we assume are untouchable - and shows us that privacy, as we think we know it, is largely already gone. The boundary that once protected our intimate lives from outside interests is an artefact of the twentieth century. In the twenty-first, we have embraced a vast array of technology that enables constant access and surveillance of the most private aspects of our lives. From non-consensual pornography, to online extortion, to the sale of our data for profit, we are vulnerable to abuse -- and our laws have failed miserably to keep up. With vivid examples drawn from interviews with victims, activists and lawmakers from around the world, The Fight for Privacy reveals the threat we face and argues urgently and forcefully for a reassessment of privacy as a human right. As a legal scholar and expert, Danielle Citron is the perfect person to show us the way to a happier, better protected future.
Ranging from war journalism to crime stories to profiles on influential leaders to pieces on sports, gambling and the impending impact of supercomputers on the practice of medicine, this collection is Bowden at his best. Pieces that will appear in the collection include, "The Three Battles of Wanat", which tells the story of a bloody engagement in Afghanistan and the extraordinary years-long fallout within the US military, "The Drone Warrior," in which Bowden examines the strategic, legal and moral issues surrounding armed drones, and "The Case of the Vanishing Blonde," which first appeared in Vanity Fair and recounts the chilling story of a woman who went missing from a Florida hotel only to turn up near the Everglades, brutally beaten, raped and still alive. Also included are profiles on a diverse range of notable and influential people such as Joe Biden, Kim Jong-un, Judy Clarke who is well known for defending America's worst serial killers and David Simon, the creator of the successful HBO series The Wire.
Ce livre est la premiere monographie qui tente de presenter l'oeuvre de Ryszard Kapuscinski dans toute sa diversite intrinseque (journalisme d'opinion, correspondances de presse, reportages, recits, notes essayistiques, poesie, photographie) et dans toute sa duree, soit plus de cinquante ans: des premiers poemes au volume posthume Lapidarium VI. Les auteurs considerent Kapuscinski avant tout comme un ecrivain qui s'est incarne dans la figure d'un journaliste-voyageur et qui, grace a son talent, a transforme le reportage en outil permettant de formuler des significations universelles tout en preservant sa sensibilite de journaliste aux changements et aux besoins du monde. Le livre propose des interpretations theoriques litteraires des principaux ouvrages de Kapuscinski, mais les auteurs etudient egalement avec attention le destin personnel de l'ecrivain qui etait souvent le heros de ses propres textes. La biographie a ete traduite en espagnol et en italien.
Since Britain's 2016 referendum on EU membership, the nation has been profoundly split: one side fantasizing that the referendum will never be acted upon, the other entrenched in questionable assumptions about reclaimed sovereignty and independence. Underlying the cleavage are primal myths, deeper histories, and political folk-legends. James Meek,'the George Orwell of our times', goes in search of the stories and consequences arising out of a nation's alienation from itself. In Dreams of Leaving and Remaining, Meek meets farmers and fishermen intent on exiting the EU despite the loss of protections they will incur. He reports on a Cadbury's factory shut down and moved to Poland in the name of free market economics, exploring the impact on the local community left behind. He charts how the NHS is coping with the twin burdens of austerity and an aging population. Dreams of Leaving and Remaining is urgent reporting from one of Britain's finest journalists. James Meek asks what we can recover from the debris of an old nation as we head towards new horizons, and what we must leave behind.There are no easy answers, and what he creates instead is a masterly portrait of an anxious, troubled nation.
What takes place when we examine texts close-up? The art of close reading, once the closely guarded province of professional literary critics, now underpins the everyday processes of forensic scrutiny conducted by those brigades of citizen commentators who patrol the realms of social media. This study examines at close quarters a series of key English texts from the last hundred years: the novels of Virginia Woolf and James Joyce, the plays of Samuel Beckett, the poetry of Sylvia Plath and Philip Larkin, the films of Alfred Hitchcock and the tweets of Donald Trump. It digs beneath their surface meanings to discover microcosmic ambiguities, allusions, ironies and contradictions which reveal tensions and conflicts at the heart of the paradox of patriarchal history. It suggests that acts of close reading may offer radical perspectives upon the bigger picture, as well as the means by which to deconstruct it. In doing so, it suggests an alternative to a classical vision of cultural progress characterised by irreconcilable conflicts between genders, genres and generations.
Travelling from Madrid to The Valley of the Fallen, through Castile and Leon and across the fiercely contested region of Catalonia, Christopher Finnigan meets a remarkable cast of characters behind some of the biggest political events Spain has witnessed in decades. Whether it is the Indignados left-wing activists rethinking society, the everyday citizens sitting in parliament, or the Catalan separatists fighting for a new nation, The New Spanish Revolutions meets those struggling at the heart of historic change. Spain today finds itself in the grip of immense social upheaval, still shaken by the financial crash of 2008 and still struggling with its fascist past. Against a fragmented and polarised backdrop, Christopher Finnigan discovers how individuals and ideas that were once outside the mainstream are now shaping the nation's future.
"Somewhere in the tangle of the subject's burden and the subject's desire is your story."-Alex Tizon Every human being has an epic story. The late Pulitzer Prize-winning writer Alex Tizon told the epic stories of marginalized people-from lonely immigrants struggling to forge a new American identity to a high school custodian who penned a New Yorker short story. Edited by Tizon's friend and former colleague Sam Howe Verhovek, Invisible People collects the best of Tizon's rich, empathetic accounts-including "My Family's Slave," the Atlantic magazine cover story about the woman who raised him and his siblings under conditions that amounted to indentured servitude. Mining his Filipino American background, Tizon tells the stories of immigrants from Cambodia and Laos. He gives a fascinating account of the Beltway sniper and insightful profiles of Surfers for Jesus and a man who tracks UFOs. His articles-many originally published in the Seattle Times and the Los Angeles Times-are brimming with enlightening details about people who existed outside the mainstream's field of vision. In their introductions to Tizon's pieces, New York Times executive editor Dean Baquet, Atlantic magazine editor in chief Jeffrey Goldberg, Pulitzer Prize winners Kim Murphy and Jacqui Banaszynski, and others salute Tizon's respect for his subjects and the beauty and brilliance of his writing. Invisible People is a loving tribute to a journalist whose search for his own identity prompted him to chronicle the lives of others.
From fleeing the Warsaw Ghetto and living underground to fighting for social justice in 1960s' Seattle and helping smash the communist system in 1980s' Poland, this is a narrative that erupts into critical moments in Jewish, Polish, and American history. It is also a story of the hidden anguish that accompanies and courses through that history, of the living haunted by the dead. The story is told through a conversation, often contentious, between Michael Steinlauf, historian of Polish-Jewish culture and child of Holocaust survivors, and the anthropologist and artist Elzbieta Janicka. It is illustrated with scores of photographs and documents.
From fleeing the Warsaw Ghetto and living underground to fighting for social justice in 1960s' Seattle and helping smash the communist system in 1980s' Poland, this is a narrative that erupts into critical moments in Jewish, Polish, and American history. It is also a story of the hidden anguish that accompanies and courses through that history, of the living haunted by the dead. The story is told through a conversation, often contentious, between Michael Steinlauf, historian of Polish-Jewish culture and child of Holocaust survivors, and the anthropologist and artist Elzbieta Janicka. It is illustrated with scores of photographs and documents.
For decades, Colombia was the 'narcostate'. Now it's seen as one of the rising stars of the global economy. Where does the truth lie? How did a land likened to paradise by the first conquistadores become a byword for hell on earth? And how is it rebuilding itself after decades of violence? Writer and journalist Tom Feiling has journeyed throughout Colombia, down roads that were until recently too dangerous to travel, talking to people from former guerrilla fighters to nomadic tribesmen and millionaires. Vital, shocking, wry and never simplistic, Short Walks from Bogota unpicks the tangled fabric of Colombia to create a stunning work of reportage, history and travel writing. Books of the Year 2012 Boyd Tonkin, The Independent 'Creates a portrait of Colombia that is perceptive, unsensational, and full of humanity ... Feiling is a brilliant reporter, lucid, unflinching, morally engaged, and with an occasional deadpan sense of humour .. one of the most consistently intelligent and compelling books to have appeared on any South American country in recent years' Michael Jacobs, Independent 'Tom Feiling takes us on an enlightening journey through a changing country that few understand' Rachel Aspden, Observer 'A deeply political account of one man's journey to the violent heart of modern, rural, Colombia ... a must read' Kevin Howlett, Colombia Politics 'Feiling... venture[s] into areas that have been off limits for decades ... the sense of a vibrant nation worth discovering peeks out' Siobhan Murphy, Metro 'The best British travel writers like Norman Lewis or Bruce Chatwin give the reader more than simple travellers' tales. Feiling is of their company ... a brilliant, penetrating and highly readable account' Robert Carver, Spectator Some of the best insights in the book come from the people Feiling meets, and memorably portrays ... a well-written, thoughtful book David Gallagher, Times Literary Supplement Dramatic and captivating Wanderlust 'Elegantly written and knowledgeable. Feiling writes with the eye of a seasoned journalist and the style of a travel writer' Carl Wilkinson, Financial Times Tom Feiling spent a year living and working in Colombia before making Resistencia: Hip-Hop in Colombia, which won numerous awards at film festivals around the world, and was broadcast in four countries. In 2003 he became Campaigns Director for the TUC's Justice for Colombia campaign, which organizes for human rights in Colombia. His first book was The Candy Machine: How Cocaine Took Over The World, which was based on over sixty interviews with people involved in all aspects of the cocaine business and the 'war on drugs,' and was published by Penguin in 2009.
Professor Rammelkamp examines the St. Louis Post-Dispatch during its formative years, seeing it as the foundation of the highly successful World and of Pulitzer's career itself. Originally published in 1967. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
"This book is fearless and luminous and full of grace; it travels to the edge of death and finds life there. Its attention to the particulars of love - between the ones who will go and the ones they will leave - is something close to sublime."--Leslie Jamison, author of "The Empathy Exams"A nurse sleeps at the bedside of his dying patients; a wife deceives her husband by never telling him he has cancer; a bedridden man has to be hidden from his demented and amorous eighty-year-old wife. In her poignant and genre-busting debut, Susana Moreira Marques confronts us with our own mortality and inspires us to think about what is important.Accompanying a palliative care team, Moreira Marques travels to Tras-os-Montes, a forgotten corner of northern Portugal, a rural area abandoned by the young. Crossing great distances where eagles circle over the roads, she visits villages where rural ways of life are disappearing. She listens to families facing death and gives us their stories in their words as well as through her own meditations.Brilliantly blending the immediacy of oral history with the sensibility of philosophical reportage, Moreira Marques's book speaks about death in a fresh way.Susana Moreira Marques is a writer and journalist. She was born in Oporto in 1976 and now lives in Lisbon, where she writes for "Publico" and "Jornal de Negocios." Between 2005 and 2010 Moreira Marques lived in London, working at the BBC World Service while also serving as a correspondent for Portuguese newspaper "Publico." Her journalism has won several prizes, including the Premio AMI--Jornalismo Contra a Indiferenca and the 2012 UNESCO "Human Rights and Integration" Journalism Award (Portugal).Julia Sanches's translations have appeared in "Suelta," "The Washington Review," "Asymptote," "Two Lines," and "Revista Machado," amongst others. She currently lives in New York City.
SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE 2015 SHORTLISTED FOR RSL ONDAATJE PRIZE 2016 In the summer of 2009, the leader of the dreaded Tamil Tiger guerrillas was killed, bringing to a bloody end the stubborn and complicated civil war in Sri Lanka. For nearly thirty years, the war's fingers had reached everywhere: into the bustle of Colombo, the Buddhist monasteries scattered across the island, the soft hills of central Sri Lanka, the curves of the eastern coast near Batticaloa and Trincomalee, and the stark, hot north. With its genius for brutality, the war left few places, and fewer people, untouched. What happens to the texture of life in a country that endures such bitter conflict? What happens to the country's soul? Samanth Subramanian gives us an extraordinary account of the Sri Lankan war and the lives it changed. Taking us to the ghosts of summers past, and to other battles from other times, he draws out the story of Sri Lanka today - an exhausted, disturbed society, still hot from the embers of the war. Through travels and conversations, he examines how people reconcile themselves to violence, how religion and state conspire, how the powerful become cruel, and how victory can be put to the task of reshaping memory and burying histories. This Divided Island is a harrowing and humane investigation of a country still inflamed.
With the work of journalists under fire around the world, this year's anthology of National Magazine Awards finalists and winners is a timely reminder of the power of journalism. These pieces from writers driven to explore America's fault lines include Shane Bauer's harrowing "My Four Months as a Private Prison Guard" (Mother Jones), a visceral portrait of the abuses of the carceral system, and Sarah Stillman's account of the havoc wreaked on young people's lives when they are put on sex-offender registries (The New Yorker). In two different considerations of parenting, Nikole Hannah-Jones looks for a school for her daughter in a rapidly changing, racially divided Brooklyn (New York Times Magazine) and Michael Chabon takes his thirteen-year-old son to Fashion Week in Paris (GQ). Pamela Colloff explores how the 1966 University of Texas Tower mass shooting changed the course of one survivor's life (Texas Monthly), and Siddhartha Mukherjee depicts the art and agony of oncology (New York Times Magazine). Other selections take up the shocks of the election, including Matt Taibbi's irreverent dispatches from the campaign trail (Rolling Stone) and George Saunders's transfixing account of Trump's rallies (The New Yorker). Jeffrey Goldberg talks through Obama's foreign-policy legacy with the president (The Atlantic), Andrew Sullivan fears for the future of democracy (New York), and Gabriel Sherman relates how the women of Fox News brought to light Roger Ailes's predations (New York). Joining them are Rebecca Solnit's wide-ranging Harper's commentary, Becca Rothfeld's pondering women waiting from The Odyssey to Tinder (Hedgehog Review), and bold expeditions into nature: David Quammen ventures to Yellowstone to consider the future of wild places (National Geographic), and Mac McClelland sets off for Cuba in search of the ivory-billed woodpecker (Audubon).
Das Buch beinhaltet die Beitrage einer internationalen Tagung in Peking im September 2011. Aus chinesischer und deutscher Sicht werden Aspekte von Deutsch als Fremdsprache, chinesisch-deutschen Kulturbeziehungen und interkultureller Kommunikation diskutiert. Dabei zeigt sich ein breites Spektrum von inhaltlichen und methodischen Herangehensweisen, durch die die Vielfalt, aber auch die Heterogenitat des wissenschaftlichen Diskurses zum gleichen Thema in den beiden Landern deutlich wird: tagesaktuelle Themen, theoretisch grundlegende und systematische Abhandlungen, pragmatische Fragestellungen bis hin zu kommunikationsphilosophischen Reflexionen. Der Band selbst ist so ein Beispiel interkultureller Kommunikation.
Protest. A word indissociable from the year 2011. In America, Occupy Wall Street protestors took up tented residence across the country to demonstrate against crony capitalism. Spurred by events in Tunisia, Egypt erupted in a people's revolution that ousted dictator Hosni Mubarak. Popular unrest has been brewing since the imposition of austerity measures in Greece and Spain. Meanwhile, the evening news continues to cover these events in one-and-a-half minute intervals accompanied by a flood of images, making these events difficult to assess. "News" represents an innovative collaboration between journalist Susanne Fischer and artist Monika Huber. A former reporter in Baghdad, Fischer has on-the-ground experience with revolutionary events and has brought together contributions that present a balanced view of the Arab Spring, including essays exploring freedom of the press and the role of the Internet in enabling revolution. Huber draws more broadly on events that have dominated television coverage in the past year, including Occupy Wall Street, the uprisings in North Africa and the Middle East, the earthquake and nuclear reactor accident in Japan, the ongoing conflict in Afghanistan, and the mass killings in Norway. Photographing and manipulating images from the news, she creates photo-art that casts a critical eye on the selection, presentation, and perception of these images. With many of the uprisings showing no signs of abating, the words and images in "News" together offer a fresh look at the issues that exceeds what we can find in traditional journalism.
What does it feel like to be featured, quoted, or just named in a news story? A refugee family, the survivor of a shooting, a primary voter in Iowa-the views and experiences of ordinary people are an important component of journalism. While much has been written about how journalists work and gather stories, what do we discover about the practice of journalism and attitudes about the media by focusing on the experiences of the subjects themselves? In Becoming the News, Ruth Palmer argues that understanding the motivations and experiences of those who have been featured in news stories-voluntarily or not-sheds new light on the practice of journalism and the importance many continue to place on the role of the mainstream media. Based on dozens of interviews with news subjects, Becoming the News studies how ordinary people make sense of their experience as media subjects. Palmer charts the arc of the experience of "making" the news, from the events that brought an ordinary person to journalists' attention through the decision to cooperate with reporters, interactions with journalists, and reactions to the news coverage and its aftermath. She explores what motivates someone to talk to the press; whether they consider the potential risks; the power dynamics between a journalist and their subject; their expectations about the motivations of journalists; and the influence of social media on their decisions and reception. Pointing to the ways traditional news organizations both continue to hold on to and are losing their authority, Becoming the News has important implications for how we think about the production and consumption of news at a time when Americans distrust the news media more than ever.
Most famous for his classic work The Boys of Summer, Roger Kahn is widely regarded as one of the greatest sportswriters of our time. The Roger Kahn Reader is a rich collection of his stories and articles that originally appeared in publications such as Sports Illustrated, the New York Times, Esquire, and the Nation. Kahn's pieces, published between 1952 and today, present a vivid, turbulent, and intimate picture of more than half a century in American sport. His standout writings bring us close to entrepreneurs and hustlers (Walter O'Malley and Don King), athletes of Olympian gifts (Ted Williams, Stan Musial, "Le Demon Blond" Guy Lefleur), and sundry compelling issues of money, muscle, and myth. We witness Roger Maris's ordeal by fame; Bob Gibson's blazing competitive fire; and Red Smith, now white-haired and renowned, contemplating his beginnings and his future. Also included is a new and original chapter, "Clem," about the author's compelling lifelong friendship with former Brooklyn Dodgers pitcher Clem Labine. Written across six decades, this volume shows Kahn's ability to describe the athletes he profiled as they truly were in a manner neither compromised nor cruel but always authentic and up close.
Thoburn H. "Toby" Wiant was a fig h t e r from an early age, and
words were his weapons of choice. During World War II, he fought to
scoop stories from rival reporters on the front lines as an
Associated Press war correspondent. In chronicling the war from the
China-Burma-India and European theaters of operation, he skillfully
reported the battles of an all-too-real war while often in personal
peril. In letters to his parents he revealed his personal reactions
to the war. In this remarkable book, his daughter brings together
Wiantas printed articles and his private letters. With her aid, we
view the war through his eyes as we watch a scrappy boy grow into
manhood and an
Foreword by Amartya Sen (Nobel Prize for Economics, 1998) Afterword by Kailash Satyarthi (Nobel Peace Prize, 2014) In 2005, Nick Danziger began to create an archive of photographs documenting the lives of women and children in eight of the world's poorest countries. He returned five years later, and again in 2015. Had the United Nation's millennium development goals made a difference to their lives? The stories he tells - in pictures and words - are unforgettable and have created a unique document, one that reveals the uncomfortable truths of a globalised planet. It is full of hope, sadness, pain, anger and beauty. Some of the women and children Nick followed died through sickness and poverty. One has become the most successful entrepreneur her African border town has ever known. Another - who once dreamed of becoming a banker - is now a gang member in the world's murder capital. Yet another has confronted conformists and successfully changed his gender. The book will stand as a permanent record of their courage and humanity, but also as a reminder that much work still needs to be done if these goals are ever to be met. Too many people in India, Cambodia, Zambia, Uganda, Niger, Honduras, Bolivia and Armenia are still living in extreme poverty, without access to the health and education the goals were supposed to deliver. |
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