This volume of the Complete Works of Oscar Wilde is the second volume of Wilde's journalism. Throughout the 1880s Oscar Wilde devoted the greater part of his creative energies to working as a professional journalist and he was prepared to write on a remarkable range of topics - from cookery books to lyric poetry, from classical translations to three-volume novels, from dress reform to transatlantic visitors. He also reviewed theatrical productions and art exhibitions of many kinds. Between 1887 and 1889 he edited the pioneering Woman's World magazine to which he contributed lengthy columns discussing literary and other matters of interest to an educated female readership. This is the first comprehensive edition of Wilde's journalism since 1908. It includes all of his known contributions, both signed and anonymous, to periodicals and newspapers. Of the more than 150 items - reviews, articles, editorials - a significant number have been identified for the first time, while the authenticity of others previously thought to be by Wilde is questioned. An extensive commentary offers the sources for Wilde's extraordinary cultural knowledge and provides cross-references to his oeuvre as whole. In the case of the book reviews, the commentary indicates relevant pages and passages in the works under discussion. Uniquely witty, intellectually acute, and socially aware Wilde's journalism not only displays the extensive reading and stylistic experimentation that prepared the way for his major works of the 1890s, it provides an essential record of the vibrant and rapidly changing journalistic culture in which he played a major part. This second volume of journalism presents all of Wilde's journalistic writings published between November 1887 and April 1895. It also contains a section of 'Dubia', which contains items where a degree of uncertainty regarding Wilde's authorship remains.

This volume of the Complete Works of Oscar Wilde is the first volume of Wilde's journalism. Throughout the 1880s Oscar Wilde devoted the greater part of his creative energies to working as a professional journalist and he was prepared to write on a remarkable range of topics - from cookery books to lyric poetry, from classical translations to three-volume novels, from dress reform to transatlantic visitors. He also reviewed theatrical productions and art exhibitions of many kinds. Between 1887 and 1889 he edited the pioneering Woman's World magazine to which he contributed lengthy columns discussing literary and other matters of interest to an educated female readership. This is the first comprehensive edition of Wilde's journalism since 1908. It includes all of his known contributions, both signed and anonymous, to periodicals and newspapers. Of the more than 150 items - reviews, articles, editorials - a significant number have been identified for the first time, while the authenticity of others previously thought to be by Wilde is questioned. An extensive commentary offers the sources for Wilde's extraordinary cultural knowledge and provides cross-references to his oeuvre as whole. In the case of the book reviews, the commentary indicates relevant pages and passages in the works under discussion. Uniquely witty, intellectually acute, and socially aware Wilde's journalism not only displays the extensive reading and stylistic experimentation that prepared the way for his major works of the 1890s, it provides an essential record of the vibrant and rapidly changing journalistic culture in which he played a major part.

This book concentrates on Russia-related Pulitzer Prize-winning reports and editorial cartoons from leading American newspapers. The reports cover the span from the early stages of the Soviet Union under Lenin through to the Russian Federation under Putin. American top journalists and cartoonists show the suppression system of the Stalin era to Gorbachev's Glasnost and Perestroika movement and the events thereafter. Each story is told on the basis of the original newspaper sources, the biography of the award-winners, and the confidential jury reports of the Pulitzer Prize juries, disclosing the decision-making processes. (Series: Pulitzer Prize Panorama - Vol. 5)

Under the pseudonym Myles na Gopaleen, Flann O' Brien wrote a daily column in the 'Irish Times' called 'Cruiskeen Lawn' for over twenty years which hilariously satirised the absurdities and solemnities of Dublin life. With shameless irony and relentless high spirits Myles' 'Cruiskeen Lawn' became the most feared, respected and uproarious newspaper column in the whole of Ireland from its first appearance in 1940 until his death in 1966. This wonderful selection from the 'Cruiskeen Lawn' columns is a modern classic that will appeal to lovers of absurdity and sharp comic observation everywhere.

A powerful and authoritative selection of critical essays and reviews by poet Padraic Fallon. Skilfully compiled and edited by his son Brian Fallon, this book is published to mark the centenary of his father's birth, and testifies to the enduring value of literature in the flux of the twenty-first century. Padraic Fallon (1905 - 1974), one of the foremost Irish poets of his generation and a prolific writer of radio plays, was also an active essay-reviewer in the leading periodicals of his day. His literary criticism was incisive and witty, his erudition lightly worn. Disinterred from old files of The Bell, The Dublin Magazine and The Irish Times, his work remains fresh and readable decades on. Fallon writes authoritatively about the key figures of the Literary Revival: Gregory, Yeats, Stephans, Synge, Shaw and O'Casey - he knew many of them - and also of his contemporaries F.R. Higgins and Austin Clarke, with whom he shared a dedicated engagement with the Irish tradition. He comines frank judgements of Eliot, Pound, Graves, Auden, Gunn, Lowell, Larkin, Kinsella and others with fascinating detours into an East Galway childhood and the folk memories of Antony Raftery. The book is built around a core of previously uncollected work, beginning with the controversial, highly influential 'Poet's Journal' (The Bell, 1951-2) and closing with the wide-ranging 'Verse Chronicles' (Dublin Magazine, 1956-8).

For over thirty years, Mark Austin has covered the biggest stories in the world for ITN and Sky News. As a foreign correspondent and anchorman he has witnessed first-hand some of the most significant events of our times, including the Iraq War, during which his friend and colleague Terry Lloyd was killed by American 'friendly fire', the historic transition in South Africa from the brutality of apartheid to democracy, the horrors of the Rwandan genocide, and natural disasters such as the Haiti earthquake and the Mozambique floods. The stories themselves will be familiar to many people, but less well known are the often extraordinary behind the scenes tales of a newsman's life on the road; the problems encountered in some of the most dangerous places on earth; the days when things go badly wrong; the moments of high drama and raw emotion and, quite often, the hilarious happenings the viewer never imagines and only seldom sees. Based on decades of experience on the frontlines, this candid and revealing memoir gives a startling insight into one man's extraordinary career and lifts the lid on the world of television news.

The future of journalism as seen from various perspectives is the subject of the essays in this volume: the training of journalists, media companies as social organisations, journalists and their commitment to a professional code of conduct, journalism and the traditional media business model.

Chosen from the 2012 National Magazine Awards finalists and winners, this anthology is filled with compelling features and profiles, eye-opening reporting, and incisive criticism and analysis of contemporary culture and society. Written by today's leading journalists, the selections cover a range of developments in politics, international affairs, culture, and business -- from the increasingly short shelf lives of celebrity marriages to the ongoing fallout from Wall Street's financial malpractice, from the insidious effects of the lingering wars in Iraq and Afghanistan to the resurgent battle over issues pertaining to women's safety and health. Always engaging and informative, "Best American Magazine Writing 2012" is an incomparable resource for the most noteworthy journalism and literary achievements of the year.

Essays include Lawrence Wright ( "The New Yorker") on the history of Scientology and recent challenges to its mission and methods; Matthieu Aikins ( "The Atlantic") on the shady dealings and shifting sands of the war in Afghanistan; the late Christopher Hitchens ( "Vanity Fair") on the physical and emotional toll of cancer; and Joel Stein ( "Time") on the propensity for politicians and other popular figures to get into trouble on the Internet. John Jeremiah Sullivan ( "GQ") immerses himself in David Foster Wallace's curious legacy; Tim Crothers ( "ESPN") follows the inspiring story of Phiona Mutesi, a chess prodigy from the slums of Uganda; Chris Ballard ( "Sports Illustrated") recounts Dewayne Dedmon's struggle to reconcile his faith with a career in sports; Wesley Yang ( "New York") explores the pressure on Asian Americans to succeed and the psychological and cultural consequences when they don't; and Luke Dittrich ( "Esquire") shares the raw experiences of those who survived one of 2011's worst natural disasters: the tornado that hit Joplin, Missouri. The sparkling dialogue and vividly imagined, eccentric characters of Karen Russell's award-winning short story, "The Hox River Window" ( "Zoetrope: All-Story"), rounds out the collection.

"International journalism at its best."--Stephen Kinzer

"Every conflict spawns a handful of journalists who are willing to not only brave the war zone but to seek out the stories ignored by the press pack. The Iraq War has brought us Dahr Jamail. . . . I suspect Jamail's account will prove an enduring document of what really happened during the chaotic years of occupation, and how it transformed ordinary Iraqis. . . . It tells everything."--"Mother Jones"

"From the earliest days of the war, Dahr Jamail has been a human conduit for the voices of Iraqis living under U.S. occupation. In the face of tremendous personal risk, his commitment to the crucial, principled task of bearing witness has never wavered, and this extraordinary book is the result."--Naomi Klein

Named by AlterNet as one of the top three progressive books of 2007 alongside Naomi Klein's "The Shock Doctrine "and Jeremy Scahill's "Blackwater," Dahr Jamail's "Beyond the Green Zone" goes past the polished desks of the corporate media and Washington politicians to tell first hand of the reality of life in Iraq.

Dahr Jamail is an independent journalist who has covered the Middle East for more than four years. Jamail writes for the Inter Press Service and many other outlets and is a regular guest on "Democracy Now ." He lives in California.

Amy Goodman is a best-selling author and the host of "Democracy Now ."

The yearly volumes of Censored, in continuous publication since 1976 and since 1995 available through Seven Stories Press, is dedicated to the stories that ought to be top features on the nightly news, but that are missing because of media bias and self-censorship. The top stories are listed democratically in order of importance according to students, faculty, and a national panel of judges. Each of the top stories is presented at length, alongside updates from the investigative reporters who broke the stories.

From an award-winning author comes a tale of a notorious double-murder, for readers of Truman Capote's In Cold Blood, or Emmanuel Carrère's The Adversary. In 1982 Malcolm Macarthur, the wealthy heir to a small estate, found himself suddenly without money. The solution, he decided, was to rob a bank. To do this, he would need a gun and a car. In the process of procuring them, he killed two people, and the circumstances of his eventual arrest in the apartment of Ireland's Attorney General nearly brought down the government. The case remains one of the most shocking in Ireland's history. Mark O'Connell has long been haunted by the story of this brutal double murder. But in recent years this haunting has become mutual. When O'Connell sets out to unravel the mysteries still surrounding these horrific and inexplicable crimes, he tracks down Macarthur himself, now an elderly man living out his days in Dublin and reluctant to talk. As the two men circle one another, O'Connell is pushed into a confrontation with his own narrative: what does it mean to write about a murderer?

The death of the daily newspaper in the internet age has been predicted for decades. While print newspapers are struggling from drops in advertising and circulation, their survival has been based on original reporting. Instead of a death knell, metro dailies are experiencing an identity crisis-a clash between traditional print journalism's formality and detail and digital journalism's informality and brevity. In Metro Dailies in the Age of Multimedia Journalism, Mary Lou Nemanic provides in-depth case studies of five mid-size city newspapers to show how these publications are adapting to the transition from print-only to multiplatform content delivery-and how newsroom practices are evolving to address this change. She considers the successes when owners allow journalists to manage their newspapers-to ensure production of quality journalism under the protection of newspaper guilds-as well as how layoffs and resource cutbacks have jeopardized quality standards. Arguing for an integrated approach in which print and online reporting are considered complementary and visual journalism is emphasized across platforms, Nemanic suggests that there is a future for the endangered daily metro newspaper.

Maurice O'Sullivan was born on the Great Blasket in 1904, and 'Twenty Years A-Growing' tells the story of his youth and of a way of life which belonged to the Middle Ages. He wrote for his own pleasure and for the entertainment of his friends, without any thought of a wider public; his style is derived from folk-tales which he heard from his grandfather and sharpened by his own lively imagination. The Blasket Islands are three miles off Irelands Dingle Peninsula. Until their evacuation just after the Second World War, the lives of the 150 or so Blasket Islanders had remained unchanged for centuries. A rich oral tradition of story-telling, poetry, and folktales kept alive the legends and history of the islands, and has made their literature famous throughout the world. The 7 Blasket Island books published by OUP contain memoirs and reminiscences from within this literary tradition, evoking a way of life which has now vanished.

Jordan's diverse socioeconomic make-up encapsulates, like no other Middle Eastern state, both the array of pressing short-term problems facing the region, and the underlying challenges that Arab states will need to face once the current spate of civil conflicts is over: meaningful youth employment, female participation in politics, and integration of refugees into society. This book tells the story of Jordan through the lives of ordinary people, including a political cartoonist, a Syrian refugee, a Jihadist and a female parliamentarian. The raw voices and everyday struggles of these people shine a fresh light on the politics, religion, and society of a culture coming to terms with the harsh reality of modernisation and urbanisation at a time of regional upheaval. With her deep knowledge of Jordan's landscape, language and culture, Rana Sweis sketches an intimate portrait of the intricacies and complexities of life in the Middle East. Rather than focusing on how individuals are affected by events in the region, she reveals a cast of characters shaping their own lives and times. Voices of Jordan shares those stories in all of their rich detail, offering a living, breathing social and political history.

In Players, Teams, and Stadium Ghosts, sportswriter Bob Hunter has assembled a Hall of Fame collection of his best writing from the Columbus Dispatch. Fans will encounter some of the biggest names in sports and relive great moments from games played by amateurs and pros. They'll encounter forgotten players and teams that struggled. Hunter shows us LeBron James when he was a 15-year-old high school freshman, already capturing the world's attention; 20-year-old Derek Jeter's meteoric rise through the minors, including the Columbus Clippers; a strange encounter with Pete Rose hustling frozen pizzas; and the excitement of watching future WNBA star Katie Smith dominate a Columbus Quest championship game. The common thread is the personal touch that Hunter consistently uses to take readers beyond the final scores and the dazzle of lights. These are the people behind the athletes. They're remembered for how they played, but Hunter reminds us who they were.

A new authoritative edition of Katherine Mansfield's complete correspondence Provides accurate transcriptions that shed new light on the everyday, intimate world of Mansfield as a letter-writer Organised A-Z, which foregrounds the lives and personalities of her correspondents, along with the various self-fictionalising games that the letter-writer played Showcases letters and sections of letters that have never previously been published Provides meticulous explanatory notes and rich contextual information Offers extensive attention to the cultural and socio-political context of the correspondence From Conrad Aiken to Hugh Jones, this first volume covers correspondents from every period of Mansfield's life. A detailed introduction, together with biographical portraits for each correspondent, enhance the cultural and socio-historical context, while the letters themselves offer a detailed expose of Mansfield's life: from exile and emigration, intimacy and betrayal, and the traumas of war and disease, to nature and the environment and fashions and food. The volume also reveals the intimacies of some of Mansfield's most prized friendships.

In 2004, it was widely reported in the British and Zambian press that Roy Clarke, columnist and satirist known as 'Kalaki', on the The Post, Zambia's major independent daily, faced deportation. Following a column entitled 'Mfuwe', the government had announced he was 'a threat to peace and good order'. Clarke refused to succumb however, or indeed apologise. Instead, supported by his editor, he continued to champion the freedom of the press in Zambia, freedom of expression in general and the cause of Zambian journalism. This book brings together a collection of Clarke's writings, published over a period of five years. His writings are characterised by irony, satire and caustic wit, exposing folly, vice and hypocrisy. They are accompanied by the political cartoons of Trevor Ford, popularly know as 'Yuss'. Fred M'Membe, editor of The Post, provides the introduction to the book, in which he comments: 'Nowadays we find ourselves stuck in a culture of zealous worship of leaders, a culture that would look primitive in the eyes of our ancestors. Our modern African societies have established a reputation for intolerance that is difficult to match....I see Roy's work as attempting to confront this situation, to help us return to our more tolerant Zambian culture; a culture of liberating, life-giving and enjoyable laughter '

It's 1979 in Communist Czechoslovakia, ten years into the crushing period known as normalization, and Ludvik Vaculik has writer's block. It has been nearly a decade since he wrote his powerful novel, The Guinea Pigs, and it was in 1968 that he wrote his anti-regime manifesto, Two Thousand Words, which the Soviet Union used as a pretext for invading Czechoslovakia. On the advice of his friend, the poet and surrealist painter Jiri Kolar, Vaculik begins to keep a diary, "a book about things, people, and events." This marks the beginning of A Czech Dreambook. Fifty-four weeks later, what Vaculik turns out to have written is a unique mixture of diary, dream journal, and outright fiction-an inverted roman a clef in which the author, his family, his mistresses, and the real leaders of the Czech underground play major roles. Undisputedly the most debated novel among the Prague dissident community of the 1980s, it is a work that Vaculik himself described as an amalgam of "hard-boiled documentary" and "magic fiction," while Vaclav Havel called it "a truly profound and perceptive account. . . . A great novel about modern life and the crisis of contemporary humanity." A Czech Dreambook has been hailed as the most important work of Czech literature in the past forty years. And yet it has never before been available in English. Flawlessly translated by Gerald Turner, Vaculik's masterpiece is a brilliant exercise in style, dry humor, and irony-an important portrait of the lives and longings of the dissidents and post-Communist elites.

Police officers are obliged to give an account of every incident they are involved in. But what happened today will never be logged. Because that's what police solidarity means: what happens in the van stays in the van. Well, not always. Not this time. What really happens behind the walls of a police station? To answer this question, investigative journalist Valentin Gendrot put his life on hold for two years and became the first journalist in history to infiltrate the police undetected. Within three months of training to become an officer, he was given a permit to carry a weapon in public. And although he lived in daily fear of being discovered, in his book Gendrot hides nothing. Assigned to work in a tough area of Paris where tensions between the law and locals ran high, Gendrot witnessed police brutality, racism, blunders, and cover-ups. But he also saw the oppressive working conditions that officers endured, and mourned the tragic suicide of a colleague. Asking important questions about who holds institutional power and how we can hold them to account, Cop is a gripping expose of a world never before seen by outsiders.

"Just pick up a copy and set off. You'll be amazed at what you've missed." - Sir Michael Palin MARCH, 2020: A columnist watches as London locks down, facing a conundrum as his weekly deadline for his newspaper diary approaches. With the city shutting up shop and column inches to fill, journalist Dan Carrier takes to the deserted streets of Central London to uncover the forgotten stories the heart of the UK capital holds. Untold London is a consideration and celebration of a city whose famous landmarks and thoroughfares are often taken for granted. Setting out to find lingering evidence of days gone by, Dan reveals unexpected delights, triumphs and tragedies alongside plenty of skulduggery and scandal in the greatest city in the world.