From an award-winning author comes a tale of a notorious double-murder, for readers of Truman Capote's In Cold Blood, or Emmanuel Carrère's The Adversary. In 1982 Malcolm Macarthur, the wealthy heir to a small estate, found himself suddenly without money. The solution, he decided, was to rob a bank. To do this, he would need a gun and a car. In the process of procuring them, he killed two people, and the circumstances of his eventual arrest in the apartment of Ireland's Attorney General nearly brought down the government. The case remains one of the most shocking in Ireland's history. Mark O'Connell has long been haunted by the story of this brutal double murder. But in recent years this haunting has become mutual. When O'Connell sets out to unravel the mysteries still surrounding these horrific and inexplicable crimes, he tracks down Macarthur himself, now an elderly man living out his days in Dublin and reluctant to talk. As the two men circle one another, O'Connell is pushed into a confrontation with his own narrative: what does it mean to write about a murderer?

A new authoritative edition of Katherine Mansfield's complete correspondence Provides accurate transcriptions that shed new light on the everyday, intimate world of Mansfield as a letter-writer Organised A-Z, which foregrounds the lives and personalities of her correspondents, along with the various self-fictionalising games that the letter-writer played Showcases letters and sections of letters that have never previously been published Provides meticulous explanatory notes and rich contextual information Offers extensive attention to the cultural and socio-political context of the correspondence From Conrad Aiken to Hugh Jones, this first volume covers correspondents from every period of Mansfield's life. A detailed introduction, together with biographical portraits for each correspondent, enhance the cultural and socio-historical context, while the letters themselves offer a detailed expose of Mansfield's life: from exile and emigration, intimacy and betrayal, and the traumas of war and disease, to nature and the environment and fashions and food. The volume also reveals the intimacies of some of Mansfield's most prized friendships.

A NEW, REVISED EDITION OF THE ULTIMATE NORA EPHRON COLLECTION, PACKED WITH WIT, WISDOM AND COMFORT, WITH AN INTRODUCTION FROM CANDICE CARTY-WILLIAMS 'The perfect introduction to the iconic writer' STYLIST INCLUDING: * Nora's much-loved essays on everything from friendship to feminism to journalism * Extracts from her bestselling novel Heartburn * Scenes from her hilarious screenplay for When Harry Met Sally * Unparalleled advice about friends, lovers, divorces, desserts and black turtleneck sweaters 'It's got a little bit of everything, from witty essays on feminism, beauty, and ageing to profiles of empowering female figures' ELLE *PRAISE FOR NORA EPHRON* 'So bold and so vulnerable at the same time. I don't know how she did it' PHOEBE WALLER-BRIDGE 'Nora's exacting, precise, didactic, tried-and-tested, sophisticated-woman-wearing-all-black wisdom is a comfort and a relief' DOLLY ALDERTON 'Nora Ephron is the funniest, cleverest, wisest friend you could have' NIGELLA LAWSON 'I am only the one of millions of women who will miss Nora's voice' LENA DUNHAM

"Just pick up a copy and set off. You'll be amazed at what you've missed." - Sir Michael Palin MARCH, 2020: A columnist watches as London locks down, facing a conundrum as his weekly deadline for his newspaper diary approaches. With the city shutting up shop and column inches to fill, journalist Dan Carrier takes to the deserted streets of Central London to uncover the forgotten stories the heart of the UK capital holds. Untold London is a consideration and celebration of a city whose famous landmarks and thoroughfares are often taken for granted. Setting out to find lingering evidence of days gone by, Dan reveals unexpected delights, triumphs and tragedies alongside plenty of skulduggery and scandal in the greatest city in the world.

A controversial and important book by BBC reporter and terrorism expert Peter Taylor. Newly updated to mark the tenth anniversary of 9/11 and to include the death of Osama Bin Laden. During his 40-year career, award-winning journalist Peter Taylor has come face-to-face with some of the world's most notorious terrorists. In 1972 he was sent to Northern Ireland to report on 'Bloody Sunday' and in the aftermath of 9/11, he focused on Al Qaeda, breaking stories in the period up to the July bombings and the plot to blow up passenger planes mid-Atlantic. In Talking to Terrorists Taylor wrestles with a range of complex questions: What are terrorists like? What motivates them? Should governments talk to them? When does interrogation become torture? In this journey from Northern Ireland's Bogside to the notorious Guantanamo Bay, he uncovers this deadly phenomenon, unavoidably at the centre of our lives. Newly updated to mark the tenth anniversary of 9/11, and in the aftermath of the death of Osama Bin Laden, Talking to Terrorists is controversial, revelatory and an unquestionably important book for our times.

Police officers are obliged to give an account of every incident they are involved in. But what happened today will never be logged. Because that's what police solidarity means: what happens in the van stays in the van. Well, not always. Not this time. What really happens behind the walls of a police station? To answer this question, investigative journalist Valentin Gendrot put his life on hold for two years and became the first journalist in history to infiltrate the police undetected. Within three months of training to become an officer, he was given a permit to carry a weapon in public. And although he lived in daily fear of being discovered, in his book Gendrot hides nothing. Assigned to work in a tough area of Paris where tensions between the law and locals ran high, Gendrot witnessed police brutality, racism, blunders, and cover-ups. But he also saw the oppressive working conditions that officers endured, and mourned the tragic suicide of a colleague. Asking important questions about who holds institutional power and how we can hold them to account, Cop is a gripping expose of a world never before seen by outsiders.

MAchten auch Sie Ihre Familiengeschichte niederschreiben und Erlebtes fA1/4r die Nachwelt bewahren? Dann ist dies das richtige Buch fA1/4r Sie. Es informiert leicht verstAndlich, wie Sie Ihre Familienschichten oder Ihre Autobiografie schreiben kAnnen. Sie erfahren, was in eine Familiengeschichte hineingehArt und was nicht, wie Sie sich an Ihr Leben und das der Familie erinnern kAnnen, wie die Inhalte strukturiert und die Erinnerungen aufgeschrieben werden. Anleitungen zum A berarbeiten des Manuskripts sowie fA1/4r den Umgang mit zukA1/4nftigen Lesern runden den Schreibratgeber ab.

The Best American Magazine Writing 2021 presents outstanding journalism and commentary that reckon with urgent topics, including COVID-19 and entrenched racial inequality. In "The Plague Year," Lawrence Wright details how responses to the pandemic went astray (New Yorker). Lizzie Presser reports on "The Black American Amputation Epidemic" (ProPublica). In powerful essays, the novelist Jesmyn Ward processes her grief over her husband's death against the backdrop of the pandemic and antiracist uprisings (Vanity Fair), and the poet Elizabeth Alexander considers "The Trayvon Generation" (New Yorker). Aymann Ismail delves into how "The Store That Called the Cops on George Floyd" dealt with the repercussions of the fatal call (Slate). Mitchell S. Jackson scrutinizes the murder of Ahmaud Arbery and how running fails Black America (Runner's World). The anthology features remarkable reporting, such as explorations of the cases of children who disappeared into the depths of the U.S. immigration system for years (Reveal) and Oakland's efforts to rethink its approach to gun violence (Mother Jones). It includes selections from a Public Books special issue that investigate what 2020's overlapping crises reveal about the future of cities. Excerpts from Marie Claire's guide to online privacy examine topics from algorithmic bias to cyberstalking to employees' rights. Aisha Sabatini Sloan's perceptive Paris Review columns explore her family history in Detroit and the toll of a brutal past and present. Sam Anderson reflects on a unique pop figure in "The Weirdly Enduring Appeal of Weird Al Yankovic" (New York Times Magazine). The collection concludes with Susan Choi's striking short story "The Whale Mother" (Harper's Magazine).

Shortlisted for the 2017 Boardman Tasker Award for Mountain Literature. 'How much risk is worth taking for so beautiful a prize?' The Magician's Glass by award-winning writer Ed Douglas is a collection of eight recent essays on some of the biggest stories and best-known personalities in the world of climbing. In the title essay, he writes about failure on Annapurna III in 1981, one of the boldest attempts in Himalayan mountaineering on one of the most beautiful lines - a line that remains unclimbed to this day. Douglas writes about bitter controversies, like that surrounding Ueli Steck's disputed solo ascent of the south face of Annapurna, the fate of Toni Egger on Cerro Torre in 1959 - when Cesare Maestri claimed the pair had made the first ascent, and the rise and fall of Slovenian ace Tomaz Humar. There are profiles of two stars of the 1980s: the much-loved German Kurt Albert, the father of the 'redpoint', and the enigmatic rock star Patrick Edlinger, a national hero in his native France who lost his way. In Crazy Wisdom, Douglas offers fresh perspectives on the impact mountaineering has on local communities and the role climbers play in the developing world. The final essay explores the relationship between art and alpinism as a way of understanding why it is that people climb mountains.

The Best American Magazine Writing 2022 presents a range of outstanding writing on timely topics, from in-depth reporting to incisive criticism: Kristin Canning calls for a change in how we talk about abortion (Women's Health), and Ed Yong warns us about the next pandemic (The Atlantic). Matthieu Aikins provides a gripping eyewitness account of the Taliban's seizure of Kabul (New York Times Magazine). Heidi Blake and Katie J. M. Baker's "Beyond Britney" examines how people placed under legal guardianship are deprived of their autonomy (BuzzFeed News). Rachel Aviv profiles a psychologist who studies the fallibility of memory-and has testified for defendants including Harvey Weinstein and Bill Cosby (The New Yorker). The anthology includes dispatches from the frontiers of science, exploring why Venus turned out so hellishly unlike Earth (Popular Science) and detailing the potential of NASA's James Webb Space Telescope (Quanta). It features celebrated writers, including Harper's magazine pieces by Ann Patchett, whose "These Precious Days" is a powerful story of friendship during the pandemic, and Vivian Gornick, who offers "notes on humiliation." Carina del Valle Schorske depicts the power of public dance after pandemic isolation (New York Times Magazine). And the NBA icon Kareem Abdul-Jabbar lauds the Black athletes who fought for social justice (AARP the Magazine). Amid the continuing reckoning with racism, authors reconsider tarnished figures. The Black ornithologist and birder J. Drew Lanham assesses the legacy of John James Audubon in the magazine that bears his name, and Jeremy Atherton Lin questions his youthful enthusiasm for Morrissey (Yale Review). Jennifer Senior writes about memory and the lingering grief felt for a friend killed on 9/11 (The Atlantic). The collection concludes with Nishanth Injam's story of queer first love across religious boundaries, "Come with Me" (Georgia Review).

No British periodical or weekly magazine has a richer and more distinguished archive than the New Statesman, which has long been at the centre of British political and cultural life. If not quite at the centre, then at the most energetic, subversive end of the progressive centre-left. Kingsley Martin, editor of the New Statesman from 1930 to 1960, wrote that "life on the NS was always a battle. After all, I had been brought up as a dissenter and I tended to see all problems as moral issues." The magazine has notably recognized and published new writers and critics, as well as encouraged major careers. Many of the most notable political and cultural writers of the recent past have written for the New Statesman. Many have been on its staff or were associates of it: HG Wells, George Bernard Shaw, JM Keynes, VS Pritchett, Paul Johnson, Claire Tomalin, Christopher Hitchens and John Gray. The most significant intellectual and cultural currents of the age ripple through its pages. There is, too, a rich history of poetry and fiction and illustration and cartoons to draw on, from Low's sketches of the great and the good to the gonzo art of Ralph Steadman and the bold cover illustrations and caricatures of Andre Carrilho. The book is more than an anthology. It tells the story of the New Statesman, from the eve of the First World War to the long aftermath of 9/11 and the populist upheavals of today. It looks forward as well as back, offering a unique and unpredictable perspective on politics, literature and the world.

'Journalists are said to write the first rough drafts of history. But I was only the messenger.' When Argentine troops surged onto the shores of the Falkland Islands, it was Harold Briley who broke the news to Britain and the rest of the world. As the BBC World Service's Latin America Correspondent, he was perfectly placed both metaphorically and physically: not only was he reporting from his base in Buenos Aires, but he had first-hand knowledge of the countries, their politics and their cultures. In Fight for Falklands Freedom: Reporting Live from Argentina and the Islands, Briley returns to the Islands to tell the full story in a breathless play-by-play account. Drawing on hundreds of his own reports, as well as interviews with political and military leaders from both sides, this is a fascinating insight into what happened, when it happened - and why.

Since its relaunch in 1979, "Granta" magazine has championed the art and craft of reportage - journalism marked by vivid description, a novelist's eye to form and eyewitness reporting that reveals hidden truths about people and events that have shaped the world we know. This updated edition of "The Granta Book of Reportage" collects a dozen of the finest and most lasting pieces Granta has published. Featuring distinguished writers and reporters: John Simpson, James Fenton, Martha Gellhorn, Germaine Greer, Ryszard Kapuscinski, John le Carre, as well as new talents Elana Lappin, Suketu Mehta and Wendell Steavenson, the book covers some of the signal events of our time: the fall of Saigon, the end of apartheid in South Africa, the massacre in Tiananmen Square, and the aftermath of the American invasion of Iraq.

An entertaining, impassioned polemic on the retreat of reason in the late 20th century. An intellectual call to arms, Francis Wheen's Sunday Times bestseller is one of 2004's most talked about books. In 1979 two events occurred that would shape the next twenty-five years. In Britain, an era of weary consensualist politics was displaced by the arrival of Margaret Thatcher, whose ambition was to reassert 'Victorian values'. In Iran, the fundamentalist cleric Ayatollah Ruhollah Khomeini set out to restore a regime that had last existed almost 1,300 years ago. Between them they succeeded in bringing the twentieth century to a premature close. By 1989, Francis Fukuyama was declaring that we had now reached the End of History. What colonised the space recently vacated by notions of history, progress and reason? Cults, quackery, gurus, irrational panics, moral confusion and an epidemic of mumbo-jumbo. Modernity was challenged by a gruesome alliance of pre-modernists and post-modernists, medieval theocrats and New Age mystics. It was as if the Enlightenment had never happened. Francis Wheen, winner of the George Orwell prize, evokes the key personalities of the post-political era - including Princess Diana and Deepak Chopra, Osama Bin-Laden and Nancy Reagan's astrologer - while charting the extraordinary rise in superstition, relativism and emotional hysteria over the past quarter of a century. From UFO scares to dotcom mania, his hilarious and gloriously impassioned polemic describes a period in the world's history when everything began to stop making sense.

A New York Times bestseller.

Winner of the Financial Times/McKinsey Business Book of the Year Award.

'Chilling . . . Reads like a West Coast version of All the President’s Men.' New York Times Book Review

The full inside story of the breathtaking rise and shocking collapse of Theranos, the multibillion-dollar biotech startup, by the prize-winning journalist who first broke the story and pursued it to the end, despite pressure from its charismatic CEO and threats by her lawyers.

In 2014, Theranos founder and CEO Elizabeth Holmes was widely seen as the female Steve Jobs: a brilliant Stanford dropout whose startup "unicorn" promised to revolutionize the medical industry with a machine that would make blood testing significantly faster and easier. Backed by investors such as Larry Ellison and Tim Draper, Theranos sold shares in a fundraising round that valued the company at more than $9 billion, putting Holmes's worth at an estimated $4.7 billion. There was just one problem: The technology didn't work.

In Bad Blood, John Carreyrou tells the riveting story of the biggest corporate fraud since Enron, a tale of ambition and hubris set amid the bold promises of Silicon Valley.

Now to be adapted into a film, with Jennifer Lawrence to star.

Dieser Leitfaden gibt Ihnen einen vollstandigen Verstandnisrahmen fur Prasentation und zeigt anhand vieler praktischer Beispiele, wie Prasentation funktioniert und wirkt. Das lasst Sie mit Stress und Auftrittsangst professionell umgehen. Sie erfahren, in welchem Rahmen Sie agieren und werden dadurch in Ihrem Verhalten vor Publikum frei und souveran. Dieses Buch wird Sie verandern, denn Sie optimieren Ihre Personlichkeitswirkung, Ihr sicheres Auftreten, Ihre Prasenz. Und das wird Ihr Publikum Ihnen bereitwillig spiegeln. Es erwartet Sie in diesem Buch ein in sich schlussiges Handlungssystem fur die Arbeit von PrasentatorInnen und ModeratorInnen, mit allem, was man braucht: Fakten, Meinungen, Beispiele, entwickelt aus den langjahrigen und vielfaltigen Erfahrungen der taglichen Praxis des Autors als Sprecher, Moderator, Trainer und Coach."

African Muckraking is the first collection of investigative and campaigning journalism written by Africans about Africa. The editors delved into the history of modern Africa to find the most important and compelling pieces of journalism on the stories that matter.

This collection of 41 pieces of African journalism includes passionate and committed writing on labor abuses, police brutality, women’s rights, the struggle for democracy and independence on the continent and other subjects. Each piece of writing is introduced by a noted scholar or journalist who explains the context and why the journalism mattered. Some of the highlights include: Feminist writing from Tunisia into the 1930s, exposés of the secret tactics planned by the South African government during apartheid, Richard Mgamba’s searing description of the albino brothers in Tanzania who fear for their lives, and the reporting by Liberian journalist Mae Azango on genital cutting, which forced her to go into hiding.

Many African Muckrakers have been imprisoned and even killed for their work. African Muckraking is a must-read for anyone who cares about journalism and Africa.

NAMED A BEST BOOK OF THE WEEK BY THE NEW YORK POST ALSO AVAILABLE AS AN AUDIOBOOK A from-the-trenches view of New York Daily News and New York Post runners and photographers as they stop at nothing to break the story and squash their tabloid arch-rivals. When author Mike Jaccarino was offered a job at the Daily News in 2006, he was asked a single question: "Kid, what are you going to do to help us beat the Post?" That was the year things went sideways at the News, when the New York Post surpassed its nemesis in circulation for the first time in the history of both papers. Tasked with one job-crush the Post-Jaccarino here provides the behind-the-scenes story of how the runners and shooters on both sides would do anything and everything to get the scoop before their opponents. The New York Daily News and the New York Post have long been the Hatfields and McCoys of American media: two warring tabloids in a town big enough for only one of them. As digital news rendered print journalism obsolete, the fight to survive in NYC became an epic, Darwinian battle. In America's Last Great Newspaper War, Jaccarino exposes the untold story of this tabloid death match of such ferocity and obsession its like has not occurred since Pulitzer- Hearst. Told through the eyes of hungry "runners" (field reporters) and "shooters" (photographers) who would employ phony police lights to overcome traffic, Mike Jaccarino's memoir unmasks the do-whatever-it-takes era of reporting-where the ends justified the means and nothing was off-limits. His no-holds-barred account describes sneaking into hospitals, months-long stakeouts, infiltrating John Gotti's crypt, bidding wars for scoops, high-speed car chases with Hillary Clinton, O.J. Simpson, and the baby mama of a philandering congressman-all to get that coveted front-page story. Today, few runners and shooters remain on the street. Their age and exploits are as bygone as the News-Post war and American newspapers, generally. Where armies once battled, often no one is covering the story at all. Funding for this book was provided by: Furthermore: a program of the J. M. Kaplan Fund

Sir Philip Gibbs was one of the most widely read English journalists of the first half of the twentieth century. This coverage of his writing offers a broad insight into British social and political developments, government and press relations, propaganda, and war reporting during the First World War.