The Road to Wigan Pier is a book in two parts: the first half is Orwell’s description of working-class life in industrial communities of the north of England, the second examines his own political views.

Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by journalist and author Amelia Gentleman.

The Road to Wigan Pier is an insightful and powerful account of lives lived in poverty and deprivation in a time of low wages and meagre government support. Orwell describes dismal housing (including the lodging house where he stays), harsh working conditions and the devastating effects of unemployment. And he also vividly describes the courage and dignity of the people he meets. In the second half of the book, Orwell examines his own political and social affiliations with an impressive ability to provoke and to question. He defends middle-class values whilst critiquing the failures of his own class, he advocates socialism whilst criticizing the socialist movement in England.

The Believer, a ten-time National Magazine Award finalist, is a bimonthly literature, arts, and culture magazine based at the Beverly Rogers, Carol C. Harter Black Mountain Institute, a department of the University of Nevada, Las Vegas. In each issue, readers will find journalism, essays, intimate interviews, an expansive comics section, poetry, and on occasion, delightful and unexpected bonus items. Our poetry section is curated by Jericho Brown, Kristen Radtke selects our comics, and Joshua Wolf Shenk is our editor-in-chief. Issues feature a column by Nick Hornby, in which he discusses the things he's been reading, as well as a comedy advice column.

Homelands is a stunning blend of contemporary history, reporting and memoir by our greatest writer about Europe. Drawing on half a century of travel and thinking, Homelands tells the story of Europe since its emergence from wartime hell in 1945: how it slowly recovered and rebuilt, liberated and united to come close to the ideal of a Europe 'whole, free and at peace'. And then faltered. Timothy Garton Ash has spent a lifetime studying Europe. Highly personal and deeply felt, this book is also full of vivid experiences, encounters and anecdotes: from his father's memories of D-Day to interviewing Polish dockers, Albanian guerrillas in the mountains of Kosovo, and angry teenagers in the poorest quarters of Paris, as well as advising prime ministers, chancellors and presidents in the UK, Europe and the US. Homelands is both a living, breathing history of a period of unprecedented progress and a clear-eyed account of how so much then went wrong, from the financial crisis of 2008 to the war in Ukraine. At its heart, this book is an urgent call to the citizens of this great old continent to understand and defend what we have collectively achieved.

Barbed, witty, revealing and entertaining, Too Famous could be an instant classic. Bestselling author of Fire and Fury, Siege and Landslide and chronicler of the Trump White House Michael Wolff dissects more of the major monsters, media moguls and vainglorious figures of our time. His scalpel opens their lives, careers and always equivocal endgames with the same vividness and wit he brought to his evisceration of the former president. These brilliant and biting profiles form a mesmerising portrait of the hubris, overreach and periodic self-destruction of some of the most famous faces of the last twenty years. This collection draws on new and unpublished work - recent reporting about Jared Kushner, Harvey Weinstein and Jeffrey Epstein - and decades of coverage of the most notable figures of the time - among them Hillary Clinton, Michael Bloomberg, Andrew Cuomo, Rudy Giuliani, Alan Rusbridger, Arianna Huffington, Piers Morgan, Boris Johnson and Rupert Murdoch - to create a lasting statement on the corrosive influence of being in the public eye. Ultimately, Too Famous is an examination of how the quest for fame and power became the driving force of culture and politics and the drug that alters all public personalities. And how the need, the desperation, the ruthlessness demanded to fulfil that quest became the toxic grease that keeps the world spinning. You know the people here by name and reputation, but it's guaranteed that after this book you will never see them the same way again. Or fail to recognise the scorched earth the famous leave behind them.

For all those Anthony Bourdain fans who are hungering for more, here is Nasty Bits - a collection of his journalism. As usual Bourdain serves up a well-seasoned hellbroth of candid, often outrageous stories from his worldwide misadventures. Whether scrounging for eel in the backstreets of Hanoi, revealing what you didn't want to know about the more unglamorous aspects of making television, calling for the head of raw food activist Woody Harrelson, or confessing to lobster-killing guilt, Bourdain is as entertaining as ever. The Nasty Bits is a rude, funny, brutal and passionate stew for fans and the uninitiated alike. .

In a ranch south of Texas, the man known as The Executioner dumps five hundred body parts in metal barrels. In Brazil's biggest city, a mysterious prisoner orders hit-men to gun down forty-one police officers and prison guards in two days. In southern Mexico, a crystal meth maker is venerated as a saint while imposing Old Testament justice on his enemies. A new kind of criminal kingpin has arisen: part CEO, part terrorist, and part rock star, unleashing guerrilla attacks, strong-arming governments and taking over much of the world's trade in narcotics, guns and humans. Who are these new masters of death? What personal qualities and life experiences have made them into such bloodthirsty leaders of men? What do they represent and stand for? What has happened in the Americas to allow them to grow and flourish? Author of the critically acclaimed El Narco: Inside Mexico's Criminal Insurgency, Ioan Grillo has covered Latin America since 2001, and gained access to every level of the cartel chain-of-command in what he calls the new battlefields of the Americas. Moving between militia-controlled ghettos and the halls of top policy-makers, Grillo provides a new and disturbing understanding of a war that has spiralled out of control - one that people across the political spectrum need to confront now. Gangster Warlords is the first definitive account of the crime wars now wracking Central and South America and the Caribbean.

The last major interview with John Lennon and Yoko Ono, conducted by New York Times bestselling author David Sheff, featuring a new introduction that reflects on the fortieth anniversary of Lennon's death.

Originally published in Playboy in 1981 just after John Lennon's assassination, All We Are Saying is a rich, vivid, complete interview with Lennon and Yoko Ono, covering art, creativity, the music business, childhood beginnings, privacy, how the Beatles broke up, how Lennon and McCartney collaborated (or didn't) on songs, parenthood, money, feminism, religion, and insecurity. Of course, at the heart of the conversation is the deep romantic and spiritual bond between Lennon and Ono.

Sheff's insightful questions set the tone for Lennon's responses and his presence sets the scene, as he goes through the kitchen door of Lennon and Yoko's apartment in the Dakota and observes moments at Lennon's famous white piano and the rock star's work at the stove, making them grilled cheese sandwiches. Sheff's new introduction looks at his forty-year-old interview afresh, and examines how what he learned from Lennon has resonated with him as a man and a parent. This is a knockout interview: unguarded, wide-ranging, alternately frisky and intense.

A New York Times bestseller.

Winner of the Financial Times/McKinsey Business Book of the Year Award.

'Chilling . . . Reads like a West Coast version of All the President’s Men.' New York Times Book Review

The full inside story of the breathtaking rise and shocking collapse of Theranos, the multibillion-dollar biotech startup, by the prize-winning journalist who first broke the story and pursued it to the end, despite pressure from its charismatic CEO and threats by her lawyers.

In 2014, Theranos founder and CEO Elizabeth Holmes was widely seen as the female Steve Jobs: a brilliant Stanford dropout whose startup "unicorn" promised to revolutionize the medical industry with a machine that would make blood testing significantly faster and easier. Backed by investors such as Larry Ellison and Tim Draper, Theranos sold shares in a fundraising round that valued the company at more than $9 billion, putting Holmes's worth at an estimated $4.7 billion. There was just one problem: The technology didn't work.

In Bad Blood, John Carreyrou tells the riveting story of the biggest corporate fraud since Enron, a tale of ambition and hubris set amid the bold promises of Silicon Valley.

Now to be adapted into a film, with Jennifer Lawrence to star.

The New Yorker's award-winning war correspondent returns to his own country to chronicle a story of mounting civic breakdown and violent disorder, in a vivid eyewitness narrative of revelatory explanatory power. 'This is a searing book, exquisitely reported, lyrically told, and so vivid it will make your heart stop-a dark journey into what ails America' Patrick Radden Keefe On the morning of January 6, a gallows was erected on the National Mall in Washington, D.C. A little after noon, as thousands of Trump supporters marched past the structure, some paused to climb its wooden steps and take pictures of the US Capitol framed within an oval noose. Up ahead, the dull thud of stun grenades could be heard, accompanied by bright flashes. Several people carried Confederate flags. Others had Tasers, baseball bats, bear spray, and truncheons. 'They need help!' a man shouted. 'It's us versus the cops!' No one seemed surprised by what was taking place. There was an eerie sense of inexorability, mixed with nervous hesitation. It reminded me of combat: the slightly shocked, almost bashful moment when bravado, fantasy, and training crash against reality. In early 2020, Luke Mogelson, who had been living in France and covering the Global War on Terrorism, returned home to report on the social discord that the pandemic was bringing to the fore in the US. Soon, he found himself embedded with militias descending on the Michigan state capitol. From there, the story swept him on to Minneapolis, then to Portland, and ultimately to Washington, D.C. His stories for The New Yorker were hailed as essential first drafts of history. They were just the tip of the iceberg. The Storm Is Here is the definitive eyewitness account of how--during a season of sickness, economic uncertainty, and violence--a large segment of Americans became convinced that they needed to rise up against dark forces plotting to take their country away from them, and then did just that. It builds month by month, through vivid depictions of events on the ground, from the onset of the pandemic to the attack on the US Capitol--during which Mogelson was in the Senate chamber with the insurrectionists--and its aftermath. Bravely reported and beautifully written, Mogelson's book follows the tradition of some of the essential chronicles of war and unrest of our time.

What is the difference between choking and panicking? Why are there dozens of varieties of mustard-but only one variety of ketchup? What do football players teach us about how to hire teachers? What does hair dye tell us about the history of the 20th century?
In the past decade, Malcolm Gladwell has written three books that have radically changed how we understand our world and ourselves: " The Tipping Point"; "Blink"; and "Outliers." Now, in "What the Dog Saw," he brings together, for the first time, the best of his writing from "The""New Yorker" over the same period.
Here is the bittersweet tale of the inventor of the birth control pill, and the dazzling inventions of the pasta sauce pioneer Howard Moscowitz. Gladwell sits with Ron Popeil, the king of the American kitchen, as he sells rotisserie ovens, and divines the secrets of Cesar Millan, the "dog whisperer" who can calm savage animals with the touch of his hand. He explores intelligence tests and ethnic profiling and "hindsight bias" and why it was that everyone in Silicon Valley once tripped over themselves to hire the same college graduate.
"Good writing," Gladwell says in his preface, "does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head." "What the Dog Saw "is yet another example of the buoyant spirit and unflagging curiosity that have made Malcolm Gladwell our most brilliant investigator of the hidden extraordinary.

Drones and Journalism explores the increased use of unmanned aerial vehicles, or drones, by the global media for researching and newsgathering purposes. Phil Chamberlain examines the technological development and capabilities of contemporary drone hardware and the future of drone journalism. He also considers the complex place of the media's drone use in relation to international laws, as well as the ethical challenges and issues raised by the practice. Chapters cover topics including the use of drones in investigative reporting, in reporting of humanitarian crises, and the use of this new technology in more mainstream media, like film and TV. The book also presents exclusive interviews with drone experts and practitioners and draws on a wide range of disciplines to put the practice into a historical, political and social context. Professionals and students of Journalism and Media Studies will find this an important critical contribution to these fields, as Phil Chamberlain astutely charts the rise of the reliance on drones by the media worldwide.

One day in the spring of 2013, a box appeared outside a fourth-floor apartment door in Brooklyn, New York. The recipient, who didn't know the sender, only knew she was supposed to bring this box to a friend, who would ferry it to another friend. This was Edward Snowden's box-printouts of documents proving that the US government had built a massive surveillance apparatus and used it to spy on its own people-and the friend on the end of this chain was filmmaker Laura Poitras. Thus the biggest national security leak of the digital era was launched via a remarkably analog network, the US Postal Service. This is just one of the odd, ironic details that emerges from the story of how Jessica Bruder and Dale Maharidge, two experienced journalists but security novices (and the friends who received and ferried the box) got drawn into the Snowden story as behind-the-scenes players. Their initially stumbling, increasingly paranoid, and sometimes comic efforts to help bring Snowden's leaks to light, and ultimately, to understand their significance, unfold in an engrossing narrative that includes emails and diary entries from Poitras. This is an illuminating essay on the status of transparency, privacy, and trust in the age of surveillance.

Vir 45 jaar het Freek Robinson die grootste nuusgebeure in die ou én nuwe Suid-Afrika eerstehands beleef. As TV-joernalis en nuusanker was hy ’n gereelde besoeker in miljoene Suid-Afrikaners se huise.

In sy memoires deel Freek dit wat hy agter die skerms beleef het.

Dié boek verweef die lewe en loopbaan van een van ons land se mees gerespekteerde en geliefde joernaliste en gee ’n besonderse blik op die ingrypende nuusomwentelinge in ons onlangse geskiedenis.

Rafah, a town at the southernmost tip of the Gaza Strip, is a squalid place. Raw concrete buildings front rubbish-strewn alleys. The narrow streets are crowded with young children and unemployed men. Situated on the border with Egypt, swaths of Rafah have been reduced to rubble. Rafah is today and has always been a notorious flashpoint in this most bitter of conflicts.

Buried deep in the archives is one bloody incident, in 1956, that left 111 Palestinian refugees dead, shot by Israeli soldiers. Seemingly a footnote to a long history of killing, that day in Rafah - coldblooded massacre or dreadful mistake - reveals the competing truths that have come to define an intractable war. In a quest to get to the heart of what happened, Joe Sacco arrives in Gaza and, immersing himself in daily life, uncovers Rafah, past and present. Spanning fifty years, moving fluidly between one war and the next, alive with the voices of fugitives and schoolchildren, widows and sheikhs, Footnotes in Gaza captures the essence of a tragedy.

As in Palestine and Safe Area Goražde, Joe Sacco's unique visual journalism has rendered a contested landscape in brilliant, meticulous detail. Footnotes in Gaza, his most ambitious work to date, transforms a critical conflict of our age into intimate and immediate experience.

Pullout sections, poster supplements, contests, puzzles, and the funny pages--the Sunday newspaper once delivered a parade of information, entertainment, and spectacle for just a few pennies each weekend. Paul Moore and Sandra Gabriele return to an era of experimentation in early twentieth-century news publishing to chart how the Sunday paper became an essential part of American leisure. Transcending the constraints of newsprint while facing competition from other media, Sunday editions borrowed forms from and eventually partnered with magazines, film, and radio, inviting people to not only read but watch and listen. This drive for mass circulation transformed metropolitan news reading into a national pastime, a change that encouraged newspapers to bundle Sunday supplements into a panorama of popular culture that offered something for everyone.

A classic collection of the New Yorker's most urgent and groundbreaking reporting from the front lines of the climate emergency In 1989, just one year after climatologist James Hansen first came before a Senate committee and testified that the earth was now warmer than it had ever been in recorded history, thanks to humankind's heedless consumption of fossil fuels, New Yorker writer Bill McKibben published a deeply reported and considered piece on climate change and what it could mean for the planet. At the time, the piece was to some speculative to the point of alarmist; read now, McKibben's work is heroically prescient. Since then, the New Yorker has devoted enormous attention to climate change, describing the causes of the crisis, the political and ecological conditions we now find ourselves in, and the scenarios and solutions we face. The Fragile Earth tells the story of climate change - its past, present, and future - taking readers from Greenland to the Great Plains, and into both laboratories and rain forests. It features some of the best writing on global warming from the last three decades, including Bill McKibben's seminal essay 'The End of Nature,' the first piece to popularize both the science and politics of climate change for a general audience, and the Pulitzer Prize-winning work of Elizabeth Kolbert, as well as Kathryn Schulz, Dexter Filkins, Jonathan Franzen, Ian Frazier, Eric Klinenberg, and others. The result, in its range, depth, and passion, promises to bring light, and sometimes heat, to the great emergency of our age.

I sometimes fear we shall never wake till we are jerked out of it by the roar of bombs. In 1936, George Orwell volunteered as a soldier in the Spanish Civil War. In Homage to Catalonia, first published just before the outbreak of World War II, Orwell documents the chaos and bloodshed of that moment in history and the voices of those who fought against rising fascism. His experience of the civil war would spark a significant change in his own political views, which readers today will recognise in much of his later literary work; a rage against the threat of totalitarianism and control.

Foreword by Amartya Sen (Nobel Prize for Economics, 1998) Afterword by Kailash Satyarthi (Nobel Peace Prize, 2014) In 2005, Nick Danziger began to create an archive of photographs documenting the lives of women and children in eight of the world's poorest countries. He returned five years later, and again in 2015. Had the United Nation's millennium development goals made a difference to their lives? The stories he tells - in pictures and words - are unforgettable and have created a unique document, one that reveals the uncomfortable truths of a globalised planet. It is full of hope, sadness, pain, anger and beauty. Some of the women and children Nick followed died through sickness and poverty. One has become the most successful entrepreneur her African border town has ever known. Another - who once dreamed of becoming a banker - is now a gang member in the world's murder capital. Yet another has confronted conformists and successfully changed his gender. The book will stand as a permanent record of their courage and humanity, but also as a reminder that much work still needs to be done if these goals are ever to be met. Too many people in India, Cambodia, Zambia, Uganda, Niger, Honduras, Bolivia and Armenia are still living in extreme poverty, without access to the health and education the goals were supposed to deliver.

"If it bleeds - it leads!" This has been the catch-cry of newsrooms across the world when making decisions on what to present as the daily news ... however, Mal Walden, much loved Melbourne newsreader who was involved with journalism and the media for over 60 years, prefers to present this collection of Good News: stories of survival, invention, eccentricity and goodness. Good news not only sells but studies have shown it is beneficial to our mental well-being! These feel-good stories highlight the ingenuity of people, the kindness and compassion we can show to each other, the determination to overcome hardship and the fun people can have in their daily life.

The Arctic is heating up. While China, the US and Russia are militarizing the North pole - sending submarines and ice-breakers - the ice itself continues to recede creating new trade routes and new opportunities for mining gas and oil. What is quietly unfolding in the polar north is a `great game' for territory and for resources, all against the biggest backdrop of all: the destruction of the Arctic caused by climate change. And then last year things took a strange turn. The Kingdom of Denmark, through its colonial claim on Greenland, declared ownership of the entire European hemisphere of the Arctic. Its claims on a territory larger than Scandinavia overlap over 500 sq. km with Russia's, who have planted a flag on the ocean floor underneath the North Pole. Investigative journalist Martin Breum has been at the front-line for a decade, and brings this secret story to life. He reports on researchers discovering Russian submarines beneath the ice, spy plane pilots flying over environmental research boats and uncovers the stories of the inhabitants of sleepy Greenland who are waking up to their new place in the universe - between the great aggressive military powers of the world. Thrillingly written, Cold Rush reveals a secret world in which the future of our planet is being decided.

New York Times reporter John Branch's riveting, humane pieces about ordinary people doing extraordinary things at the edges of the sporting world have won nearly every major journalism prize. Sidecountry gathers the best of Branch's work for the first time, featuring 20 of his favorites from the more than 2,000 pieces he has published in the paper. Branch is renowned for covering the offbeat in the sporting world, from alligator hunting to wingsuit flying. Sidecountry features such classic Branch pieces, including "Snow Fall," about downhill skiers caught in an avalanche in Washington state, and "Dawn Wall," about rock climbers trying to scale Yosemite's famed El Capitan. In other articles, Branch introduces people whose dedication and decency transcend their sporting lives, including a revered football coach rebuilding his tornado-devastated town in Iowa and a girls' basketball team in Tennessee that plays on despite never winning a game. The book culminates with his moving personal pieces, including "Children of the Cube," about the surprising drama of Rubik's Cube competitions as seen through the eyes of Branch's own sports-hating son, and "The Girl in the No. 8 Jersey," about a mother killed in the 2017 Las Vegas shooting whose daughter happens to play on Branch's daughter's soccer team. John Branch has been hailed for writing "American portraiture at its best" (Susan Orlean) and for covering sports "the way Lyle Lovett writes country music-a fresh turn on a time-honored pleasure" (Nicholas Dawidoff). Sidecountry is the work of a master reporter at the top of his game.

This sensational 1941 memoir of life on wartime Europe's frontline by a trailblazing female reporter is an 'unforgettable' (The Times) rediscovered classic, introduced by Christina Lamb. Paris as it fell to the Nazis London on the first day of the Blitz Berlin the day Germany invaded Poland Madrid in the Spanish Civil War Prague during the Munich crisis Lapland as the Russians attacked Moscow betrayed by the Germans Virginia Cowles has seen it all. As a pioneering female correspondent, she reported from the frontline of 1930s Europe into WWII always in the right place at the right time. Flinging off her heels under shellfire; meeting Hitler ('an inconspicuous little man'); gossiping with Churchill by his goldfish pond; dancing in the bomb-blasted Ritz ... Introduced by Christina Lamb, Cowles' incredible dispatches make you an eyewitness to the twentieth century as you have never experienced it before. 'A tour-de-force.' Daily Mail 'Amazingly brilliant.' New York Times 'Fascinating.' Justine Picardie 'Breathtaking.' Anna Funder 'Thrilling.' Sue Prideaux 'An amazingly brilliant reporter ... One of the most engrossing [books] the war has produced.' New York Times Book Review What readers are saying: The queen of historical name-dropping Holy cow! What a wonderful find!! Most unexpectedly great book that I have read in years. Reads like a novel [but] this is real life. The best book I've read this year ... Exquisitely written [day-to-day] drama of history ... Breathtakingly fresh. I can't recommend this book enough. Cowles' voice and humanity are her greatest assets, but her willingness to be where the action was - and always find trouble - paid off. A marvel. Her ability to capture anecdotes and dialogue that offer surprising insights into historic personages and events is a frequent source of wonder. It was difficult for me not to drive my family crazy wanting to read them quotes. The intrepid Virginia Cowles was in the right places at the right times and connected to the right people. What a life she led!

Toward a Theory of True Crime Narratives vivifies how nonfiction murder stories are told, what role they play in society, and in the form of true crime why they remain enduringly popular internationally on every platform. This book establishes for the first time the actual line-or dotted line-between mainstream journalism and the multimedia phenomena of true crime. Presenting a stable definition of what is-and what is not-true crime will either challenge or justify Truman Capote's claims regarding the creation of a "new journalism" with In Cold Blood, and accordingly expose the reluctance of the promoters of NPR's Serial, HBO's The Jinx, and Netflix's Making a Murderer to refer to their products as such. This research codifies true crime texts of various types on multiple platforms-radio, television, print, digital, and film-to reveal the defining characteristics of the genre.

Danielle Citron takes the conversation about technology and privacy out of the boardrooms and op-eds to reach readers where we are - in our bathrooms and bedrooms; with our families and our lovers; in all the parts of our lives we assume are untouchable - and shows us that privacy, as we think we know it, is largely already gone. The boundary that once protected our intimate lives from outside interests is an artefact of the 20th century. In the 21st, we have embraced a vast array of technology that enables constant access and surveillance of the most private aspects of our lives. From non-consensual pornography, to online extortion, to the sale of our data for profit, we are vulnerable to abuse. As Citron reveals, wherever we live, laws have failed miserably to keep up with corporate or individual violators, letting our privacy wash out with the technological tide. And the erosion of intimate privacy in particular, Citron argues, holds immense toxic power to transform our lives and our societies for the worse (and already has). With vivid examples drawn from interviews with victims, activists and lawmakers from around the world, The Fight for Privacy reveals the threat we face and argues urgently and forcefully for a reassessment of privacy as a human right. And, as a legal scholar and expert, Danielle Citron is the perfect person to show us the way to a happier, better protected future.