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Books > Language & Literature > Literature: texts > Essays, journals, letters & other prose works > From 1900
Representing Wars from 1860 to the Present examines representations of war in literature, film, photography, memorials, and the popular press. The volume breaks new ground in cutting across disciplinary boundaries and offering case studies on a wide variety of fields of vision and action, and types of conflict: from civil wars in the USA, Spain, Russia and the Congo to recent western interventions in Afghanistan and Iraq. In the case of World War Two, Representing Wars emphasises idiosyncratic and non-western perspectives - specifically those of Japanese writers Hayashi and Ooka. A central concern of the thirteen contributors has been to investigate the ethical and ideological implications of specific representational choices. Contributors are: Claire Bowen, Catherine Ann Collins, Marie-France Courriol, Eliane Elmaleh, Teresa Gibert, William Gleeson, Catherine Hoffmann, Sandrine Lascaux, Christopher Lloyd, Monica Michlin, Guillaume Muller, Misako Nemoto, Clement Sigalas.
Victorian culture was dominated by an ever expanding world of
print. A tremendous increase in the volume of books, newspapers,
and periodicals, was matched by the corresponding development of
the first mass reading public. It has long been acknowledged that
the growth of the popular publishing industry played an
instrumental role in the success of most major Victorian novelists.
Traditional critical positions have, nevertheless, recently
expanded into a much broader field concerned with media history,
book studies, modes of textual production and consumption, and
concepts of "popular literature." One of most notable current
critical trends is a renewed interest in the importance of all
aspects of nineteenth-century print culture.
James Boswell (1740-1795), best known as the biographer of Samuel Johnson, was also a lawyer, journalist, diarist, and an insightful chronicler of a pivotal epoch in Western history. This fascinating collection, edited by Paul Tankard, presents a generous and varied selection of Boswell's journalistic writings, most of which have not been published since the eighteenth century. It offers a new angle on the history of journalism, an idiosyncratic view of literature, politics, and public life in late eighteenth-century Britain, and an original perspective on a complex and engaging literary personality.
In this groundbreaking battery of dispatches from the heartland of America, Matt Taibbi tells the full story of the Trump phenomenon, from its tragi-comic beginnings to the apocalyptic election. Full of sharp, on-the-ground reporting and gallows humour, his incisive analysis goes beyond the bizarre and disturbing election to tell a wider story of the apparent collapse of American democracy. Taibbi saw the essential themes right from the start: the power of spectacle over truth; the end of a shared reality on the left and right; the nihilistic rebellion of the white working class; the death of the political establishment; and the emergence of a new, explicit form of white nationalism. From the thwarted Bernie Sanders insurgency to the aimless Hillary Clinton campaign, across the flailing media coverage and the trampled legacy of Obama, this is the story of ordinary voters forced to bear witness to the whole charade. At the centre of it all, "a bumbling train wreck of a candidate who belched and preened his way past a historically weak field" who, improbably, has taken control of the world's most powerful nation. This is essential and hilarious reading that explores how the new America understands itself, and about the future of the world just beyond the horizon.
"Black women writers and critics are acting on the old adage that one must speak for oneself if one wishes to be heard." -Claudia Tate, from the introduction Long out of print, Black Women Writers at Work is a vital contribution to Black literature in the 20th century. Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after. Responding to questions about why and for whom they write, and how they perceive their responsibility to their work, to others, and to society, the featured playwrights, poets, novelists, and essayists provide a window into the connections between their lives and their art. Finally available for a new generation, this classic work has an urgent message for readers and writers today.
In 1945, Indonesia's declaration of independence promised: 'the details of the transfer of power etc. will be worked out as soon as possible.' Still working on the 'etc.' seven decades later, the world's fourth most populous nation is now enthusiastically democratic and riotously diverse - rich and enchanting but riddled with ineptitude and corruption. Elizabeth Pisani, who first worked in Indonesia 25 years ago as a foreign correspondent, set out in 2011, travelling over 13,000 miles, to rediscover its enduring attraction, and to find the links which bind together this disparate nation. Fearless and funny, and sharply perceptive, she has drawn a compelling, entertaining and deeply informed portrait of a captivating nation.
Presented here, for the first time since their publication over a century ago, are twelve previously unknown published works of fiction, poetry, and journalistic writing by Bram Stoker (1847-1912), three works never before reprinted, twelve period writings about Stoker, and the rare 1913 estate sale catalogue of his personal library.
There are law books about constructive trusts, the Perpetuities and Accumulations Act 1964, and the rule in Foss v Harbottle. This law book is not one of them. Writer David Pannick has always been much more interested in unpersuasive advocates and injudicious judges. In this entertaining and sometimes shocking collection of his fortnightly columns from The Times (London), Pannick passes judgement on advocates who tell judges that their closing submissions to the jury will not take long because "I would like to move my car before 5 o'clock." Pannick also sentences judges who claim to have invisible dwarf friends sitting with them on the Bench, who order the parties to "stay loose - as a goose," and who signal their rejection of an advocate's argument by flushing a miniature toilet on the bench. Pannick will entertain and inform the reader about judges, lawyers, legal culture, and law reform. I Have to Move My Car is an ideal gift for all those who appreciate the lighter side to court life.
'Will someone pay for the spilled blood? No. Nobody.' Mikhail Bulgakov wrote these words in Kiev during the turmoil of the Russian Civil War. Since then Ukrainian borders have shifted constantly and its people have suffered numerous military foreign interventions that have left them with nothing. As a state, Ukraine exists only since 1991 and what it was before is controversial among its people as well as its European neighbours. Writing in a simple and vivid way, Jens Muhling narrates his encounters with nationalists and old Communists, Crimean Tatars and Cossacks, smugglers, archaeologists and soldiers, all of whose views could hardly be more different. Black Earth connects all these stories to convey an unconventional and unfiltered view of Ukraine - a country at the crossroads of Europe and Asia and the centre of countless conflicts of opinion.
In a ranch south of Texas, the man known as The Executioner dumps five hundred body parts in metal barrels. In Brazil's biggest city, a mysterious prisoner orders hit-men to gun down forty-one police officers and prison guards in two days. In southern Mexico, a crystal meth maker is venerated as a saint while imposing Old Testament justice on his enemies. A new kind of criminal kingpin has arisen: part CEO, part terrorist, and part rock star, unleashing guerrilla attacks, strong-arming governments and taking over much of the world's trade in narcotics, guns and humans. Who are these new masters of death? What personal qualities and life experiences have made them into such bloodthirsty leaders of men? What do they represent and stand for? What has happened in the Americas to allow them to grow and flourish? Author of the critically acclaimed El Narco: Inside Mexico's Criminal Insurgency, Ioan Grillo has covered Latin America since 2001, and gained access to every level of the cartel chain-of-command in what he calls the new battlefields of the Americas. Moving between militia-controlled ghettos and the halls of top policy-makers, Grillo provides a new and disturbing understanding of a war that has spiralled out of control - one that people across the political spectrum need to confront now. Gangster Warlords is the first definitive account of the crime wars now wracking Central and South America and the Caribbean.
*Winner of the 2016 Edna Staebler Award for Non-Fiction* How to start a book club in a men's prison? After a violent mugging, Ann Walmsley was understandably anxious when her friend set one up and asked her to help. But curiosity got the better of her, and she signed up. And this wasn't to be a typical book club - there would be no wine and cheese, no plush furniture and no superficial chat about recent holidays. Instead, classic works of fiction and non-fiction - from The Curious Incident of the Dog in the Night-Time to Three Cups of Tea - became springboards for frank discussions about loss, anger, identity and loneliness, and for the men a prized oasis in which to regain a sense of humanity. Follow Graham the biker, Frank the gunman, Ben and Dread the drug dealers and the robber duo Gaston and Peter as they share ideas and reveal their life stories in this heartwarming example of the rehabilitative power of reading.
Amy Jacques Garvey was one of the most prolific women within any Black nationalist group, yet she has largely only been discussed in relationship to her husband, Black nationalist Marcus Garvey, and as the editor of the Philosophy and Opinions of Marcus Garvey. Much of her writing has remained unavailable to the public, lost to the archives, until now. Amy Jacques Garvey: Selected Writings from the Negro World, 1923-1928 seeks to fill this void by making her writings in the Negro World widely available for the first time. Editor Louis J. Parascandola compiles a wide swath of Jacques Garvey's work in this groundbreaking collection. Born and educated in Jamaica, Jacques Garvey's atypical opportunity to receive education at elite Jamaican schools, along with her later jobs as a clerk and secretary, prepared her for future positions as journalist and political administrator. She also possessed the rhetorical skills and independent thinking that would help her challenge Marcus Garvey and the other men in Garvey's organization, the Universal Negro Improvement Association and African Communities League (UNIA). In allowing Jacques Garvey's work to largely speak for itself, the volume reveals that she concerned herself with a diversity of important and often controversial political and social issues rather than the stereotypical domestic matters expected of most woman's pages of the time period. By examining her selected writings in the Negro World, this volume affords its readers a better understanding of Jacques Garvey's powerful contribution not only to Garveyism but also to the growth of Black radical thought, anti-imperialist ideology, and the rights of third-world women. This timely study sheds new light on Jacques Garvey's pivotal role as a Black female writer and thinker during the twenties.
An extraordinary collection of reportage that tells the story of some of the most important world events of the past 16 years, from one of the most talented and intrepid female journalists at work today. Since leaving England aged 21 with an invitation to a Karachi wedding and a yearning for adventure, Christina Lamb has spent 20 years living out of suitcases, reporting from around the world and becoming one of Britain's most highly regarded journalists. She has won numerous awards, including being named Foreign Correspondent of the Year a remarkable four times. 'Small Wars Permitting' is a collection of her best reportage, following the principal events of the last two decades everywhere from Afghanistan to Zimbabwe. But Lamb's main interest has always been in the untold stories, the people and places others don't visit. Undaunted by danger, disease or despots, she has travelled by canoe through the Amazon rainforest in search of un-contacted Indians, joined a Rio samba school to infiltrate crime rackets behind Carnival and survived a terrifying ambush by Taliban. No less remarkable are the characters that Lamb meets along the way, from Marsh Arabs who covet Play Stations instead of buffaloes to an Armenian compere for performing dolphins with whom she travelled during the war in Iraq. Lamb's writing is passionate, powerful and poetic, transforming reportage into literature. Through the stories she tells - and her own development from a self-confessed 'war junkie' to a devoted mother - Lamb attempts to comprehend the human consequences of conflict in the countries she has come to know.
Dr Maung Maung (1925-94) was a man of many parts: scholar, soldier, nationalist, internationalist, parliamentarian, and public servant. His life spanned seven decades of political, economic and social turbulence in the country he loved and served, Myanmar. A pioneer amongst post-colonial journalists in Southeast Asia, he was equally at home in the libraries and seminars of universities in the United States, Europe and Australia during the Cold War. As a jurist, Dr Maung Maung knew the law must remain relevant to changing societal requirements. As an author, he wrote weighty scholarly tomes and light-hearted accounts spiced with his wry observations on human foibles. He was a keen observer of human strengths and weaknesses. A loyal friend, he never maligned his critics or denied their merits. As a man of affairs, he was capable of understanding the weaknesses of the institutions that he served and that ultimately failed to live up to their ideals. This book collects together a number of his now obscure but important historical and journalistic essays with a full bibliography of his works.
Pull on your wellies, grab your flat cap and join Jeremy Clarkson in this hilarious and fascinating behind-the-scenes look at the infamous Diddly Squat Farm THE NO. 1 SUNDAY TIMES BESTSELLER 'Brilliant . . . laugh-out-loud' Daily Telegraph 'Outrageously funny . . . will have you in stitches' Time Out _________ Welcome to Clarkson's farm. It's always had a nice ring to it. Jeremy just never thought that one day his actual job would be 'a farmer'. And, sadly, it doesn't mean he's any good at it. From buying the wrong tractor (Lamborghini, since you ask . . .) to formation combine harvesting, getting tied-up in knots of red tape to chasing viciously athletic cows, our hero soon learns that enthusiasm alone might not be enough. Jeremy may never succeed in becoming master of his land, but, as he's discovering, the fun lies in the trying . . . _________ 'Very funny . . . I cracked up laughing on the tube' Evening Standard Praise for Clarkson's Farm: 'The best thing Clarkson's done . . . it pains me to say this' GUARDIAN 'Shockingly hopeful' INDEPENDENT 'Even the most committed Clarkson haters will find him likeable here' TELEGRAPH 'Quite lovely' THE TIMES
HarperCollins is proud to present its incredible range of best-loved, essential classics. Three francs will feed you till tomorrow, and you cannot think further than that... As a young man struggling to find his voice as a writer, George Orwell left the comfort of home to live in the impoverished working districts of Paris and London. He would document both the chaos and boredom of destitution, the eccentric cast of characters he encountered, and the near-constant pains of hunger and discomfort. Exposing the grim reality of a life marred by poverty, Down and Out in Paris and London, part memoir, part social commentary, would become George Orwell's first published work.
China's 'Great Firewall' has evolved into the most sophisticated system of online censorship in the world. As the Chinese internet grows and online businesses thrive, speech is controlled, dissent quashed, and attempts to organise outside the official Communist Party are quickly stamped out. Updated throughout and available in paperback for the first time, The Great Firewall of China draws on James Griffiths' unprecedented access to the Great Firewall and the politicians, tech leaders, dissidents and hackers whose lives revolve around it. New chapters cover the suppression of information about the first outbreak of COVID-19 in Wuhan, disinformation campaigns in response to the exposure of the persecution of Uyghur communities in Xinjiang and the crackdown against the Umbrella movement in Hong Kong.
The latest book by the Tajik author, Gulsifat Shahidi brings together a selection of articles, reviews and interviews. From reminiscences about her youth during Soviet times to meditations on the nature of nostalgia and what constitutes a true homeland, Shahidi's thought-provoking articles are filled with a bright sadness, fused at once with both joy and an aching sense of melancholy. In her reviews, the author's boundless enthusiasm leaps from the pages, whilst her interviews with important figures from contemporary Tajik history are characterised by an open dialogue which speaks to her mastery of the art of journalism. The recipient of awards for her work in promoting peace and conflict resolution, Gulsifat Shahidi's novel, The City Where Dreams Come True won first prize at the Open Eurasia International Literary Festival in 2015. The prolific author of over forty titles in her native Tajik and Russian, this collection represents Shahidi's sixth book to be translated into English.
Winner of the Victor Villasenor Best Latino Focused Nonfiction Book Award - English, from the 2022 International Latino Book Awards What defines the boundary between fact and fabrication, fiction and nonfiction, literature and journalism? Latin American Documentary Narratives unpacks the precarious testimonial relationship between author and subject, where the literary journalist, rather than the subject being interviewed, can become the hero of a narrative in its recording and retelling. Latin American Documentary Narratives covers a variety of nonfiction genres from the 1950s to the 2000s that address topics such as social protests, dictatorships, natural disasters, crime and migration in Latin America. This book analyzes - and includes an appendix of interviews with - authors who have not previously been critically read together, from the early and emblematic works of Gabriel Garcia Marquez and Elena Poniatowska to more recent authors, like Leila Guerriero and Juan Villoro, who are currently reshaping media and audiences in Latin America. In a world overwhelmed by data production and marked by violent acts against those considered 'others', Liliana Chavez Diaz argues that storytelling plays an essential role in communication among individuals, classes and cultures. |
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