As European empires crumbled in the 20th century, the power structures that had dominated the world for centuries were up for renegotiation. Yet instead of a rebirth for democracy, what emerged was a silent coup – namely, the unstoppable rise of global corporate power.

Exposing the origins of this epic power grab as well as its present-day consequences, Silent Coup is the result of two investigative journalists' reports from 30 countries around the world. It provides an explosive guide to the rise of a corporate empire that now dictates how resources are allocated, how territories are governed, and how justice is defined.

'I read everything he writes. Every time he writes a book, I read it. Every time he writes an article, I read it . . . he's a national treasure.' Rachel Maddow Patrick Radden Keefe's work has garnered prizes ranging from the National Magazine Award and the National Book Critics Circle Award in the US to the Orwell Prize in the UK for his meticulously reported, hypnotically engaging work on the many ways people behave badly. Rogues brings together a dozen of his most celebrated articles from the New Yorker. As Keefe says in his preface: 'They reflect on some of my abiding preoccupations: crime and corruption, secrets and lies, the permeable membrane separating licit and illicit worlds, the bonds of family, the power of denial.' Keefe brilliantly explores the intricacies of forging $150,000 vintage wines, examines whether a whistleblower who dared to expose money laundering at a Swiss bank is a hero or a fabulist, spends time in Vietnam with Anthony Bourdain, chronicles the quest to bring down a cheerful international black-market arms merchant, and profiles a passionate death-penalty attorney who represents the 'worst of the worst', among other bravura works of literary journalism. The appearance of his byline in the New Yorker is always an event, and collected here for the first time readers can see his work forms an always enthralling but deeply human portrait of criminals and rascals, as well as those who stand up against them.

The ideal gift for football fans to read between matches during the 2022 Qatar World Cup Pairing epic sports photography with articles from The Times and The Sunday Times archive, this volume brings together 100 of the most iconic moments from World Cup history. With striking, full-colour photography, rarely seen archival images and sensational reporting on the action, The Times World Cup Moments tells the unofficial story of the world's largest single sporting event as it unfolded on - and off - the pitch. Featuring the greatest goals, most historic line-ups, heroic players and unforgettable controversies, these split-second moments have changed the course of World Cup history and generated a global sensation along the way. The perfect Christmas gift for any football fan, some of the best moments from this book include: * The first World Cup, Uruguay 1930 * North Korea's fairy tale, England 1966 * David Beckham's perfect free-kick, France 1998 * Brazil's golden line-up, Mexico 1970 * The infamous Hand of God, Mexico 1986 * Roger Milla's celebration, Italy 1990 * Zinedine Zidane's chipped Panenka penalty, Germany 2006 * Germany's humiliation of the hosts, Brazil 2014 * Cristiano Ronaldo's spectacular hat-trick, South Korea 2018

Every time you try to say 'Africa is...' the words crumble and break. From every generalisation you must exclude at least five countries. And just as you think you've nailed down a certainty, you find the opposite is also true. Africa is full of surprises. For the past three decades, Richard Dowden has travelled this vast and varied continent, listening, learning, and constantly re-evaluating all he thinks he knows. Country by country, he has sought out the local and the personal, the incidents, actions, and characters to tell a story of modern sub-Saharan Africa - an area affected by poverty, disease and war, but also a place of breathtaking beauty, generosity and possibility. The result is a landmark book, compelling, illuminating, and always surprising. Updated for 2018, Africa remains one of the most comprehensive, intelligent and responsive works on the continent ever written.

At the helm of America's most influential literary magazine for more than half a century, Harold Ross introduced the country to a host of exciting talent, including Robert Benchley, Alexander Woolcott, Ogden Nash, Peter Arno, Charles Addams, and Dorothy Parker.  But no one could have written about this irascible, eccentric genius more affectionately or more critically than James Thurber -- an American icon in his own right -- whose portrait of Ross captures not only a complex literary giant but a historic friendship and a glorious era as well.  "If you get Ross down on paper," warned Wolcott Gibbs to Thurber," nobody will ever believe it."  But readers of this unforgettable memoir will find that they do.

Part political disquisition, part travel journal, part self-exploration, Seek is a collection of essays and articles in which Denis Johnson essentially takes on the world. And not an obliging, easygoing world either; but rather one in which horror and beauty exist in such proximity that they might well be interchangeable. Where violence and poverty and moral transgression go unchecked, even unnoticed. A world of such wild, rocketing energy that, grasping it, anything at all is possible.

Whether traveling through war-ravaged Liberia, mingling with the crowds at a Christian Biker rally, exploring his own authority issues through the lens of this nation's militia groups, or attempting to unearth his inner resources while mining for gold in the wilds of Alaska, Johnson writes with a mixture of humility and humorous candor that is everywhere present.

With the breathtaking and often haunting lyricism for which his work is renowned, Johnson considers in these pieces our need for transcendence. And, as readers of his previous work know, Johnson's path to consecration frequently requires a limning of the darkest abyss. If the path to knowledge lies in experience, Seek is a fascinating record of Johnson's profoundly moving pilgrimage.

James Cameron admired Martha Gellhorn above all other war-reporters 'because she combined a cold eye with a warm heart'. The Chicago Times described her writing as 'wide ranging and provocative, a blend of cool lyricism and fiery emotion, alternately prickly and welcoming, funny and stern'. But make your own judgements, and in the process find yourself plunged straight back into Madrid during the Spanish Civil War, feel the frozen ground of the Finno Russian war, the continent-wide Japanese invasion of China, the massacres in Java, the murderously naive intervention in Vietnam and the USA's dirty little wars in Central America. You will also experience the process of the Second World War by the seat of your pants. It is a tough way to learn history, but also one created in bite-sized chunks, that inspire just as often as they shock.

The work deals with issues of performance, gender ambiguity, and marginality. It is concerned with the boundaries of language and the possibilities of cross-dressing poetry as commercials, diary, tabloids, gossip, confessions, videos, autobiography, musicals, and manifesto. Characters turn into other characters. Clowns, buffoons, shepherds, lead soldiers, magicians, madmen, witches, fortune-tellers, and artists perform their fantasies in the city streets. An antinovel within the book satirizes the writer's role in the modern age and calls for a revolution of poetry. New York City becomes the site of liberation for its marginal citizens, as the narrator is led through a seeming phantasmagoria of internal and external trials in order to experience the center - of political power, of meaning, of feeling, and of personal identity.

The Pyramid of Lies by international financial journalist Duncan Mavin, is the true story of Lex Greensill, the Australian farmer who became a hi-flying billionaire banker before crashing back down to earth, exposing a tangled network of flawed financiers, politicians and industrialists. Lex Greensill had a simple, billion-dollar idea - democratising supply chain finance. Suppliers want to get their invoices paid as soon as possible. Companies want to hold off as long as they can. Greensill bridged the two, it's mundane, boring even, but he saw an opportunity to profit. However, margins are thin and Lex, ever the risk taker, made lucrative loans with other people's money: to a Russian cargo plane linked to Vladmir Putin, to former Special Forces who ran a private army, and crucially to companies that were fraudulent or had no revenue. When the company finally collapsed it exposed the revolving door between Westminster and big business and how David Cameron was allowed to lobby ministers for cash that would save Greensill's doomed business. Instead, Credit Suisse and Japan's SoftBank are nursing billions of dollars in losses, a German bank is under criminal investigation, and thousands of jobs are at risk. What Bad Blood did for Silicon Valley and The Smartest Guys in the Room did for Wall Street, The Pyramid of Lies will do for the world of shadow banking and supply chain finance. It is a world populated with some of the most outlandish characters in business and some of the most outrageous examples of excess. It is a story of greed and ambition that shines a light on the murky intersection between politics and business, where lavish fortunes can be made and lost.

A powerful collection of journalism on race, racism and black life and death from one of the nation's leading political voices. For the last three decades Gary Younge has had a ringside seat during the biggest events and with the most significant personalities to impact the black diaspora: accompanying Nelson Mandela on his first election campaign, joining revellers on the southside of Chicago during Obama's victory, entering New Orleans days after hurricane Katrina or interviewing Archbishop Desmond Tutu, Maya Angelou and Stormzy. He has witnessed how much change is possible and the power of systems to thwart those aspirations. Dispatches from the Diaspora is an unrivalled body of work from a unique perspective that takes you to the frontlines and compels you to engage and to 'imagine a world in which you might thrive, for which there is no evidence. And then fight for it.'

From an award-winning author comes a tale of a notorious double-murder, for readers of Truman Capote's In Cold Blood, or Emmanuel Carrère's The Adversary. In 1982 Malcolm Macarthur, the wealthy heir to a small estate, found himself suddenly without money. The solution, he decided, was to rob a bank. To do this, he would need a gun and a car. In the process of procuring them, he killed two people, and the circumstances of his eventual arrest in the apartment of Ireland's Attorney General nearly brought down the government. The case remains one of the most shocking in Ireland's history. Mark O'Connell has long been haunted by the story of this brutal double murder. But in recent years this haunting has become mutual. When O'Connell sets out to unravel the mysteries still surrounding these horrific and inexplicable crimes, he tracks down Macarthur himself, now an elderly man living out his days in Dublin and reluctant to talk. As the two men circle one another, O'Connell is pushed into a confrontation with his own narrative: what does it mean to write about a murderer?

Fifty more essays from famous writers on their incurable love affair with the Big Apple What do Francine Prose, Suketu Mehta, and Edwidge Danticat have in common? Each suffers from an incurable love affair with the Big Apple, and each contributed to the canon of writing New York has inspired by way of the New York Times City Section, a part of the paper that once defined Sunday afternoon leisure for the denizens of the five boroughs. Former City Section editor Constance Rosenblum has again culled a diverse cast of voices that brought to vivid life our metropolis through those pages in this follow-up to the publication New York Stories (2005). The fifty essays in More New York Stories unite the city's best-known writers to provide a window to the bustle and richness of city life. As with the previous collection, many of the contributors need no introduction, among them Kevin Baker, Laura Shaine Cunningham, Dorothy Gallagher, Colin Harrison, Frances Kiernan, Nathaniel Rich, Jonathan Rosen, Christopher Sorrentino, and Robert Sullivan; they are among the most eloquent observers of our urban life. Others are relative newcomers. But all are voices worth listening to, and the result is a comprehensive and entertaining picture of New York in all its many guises. The section on "Characters'' offers a bouquet of indelible profiles. The section on "Places" takes us on journeys to some of the city's quintessential locales. "Rituals, Rhythms, and Ruminations" seeks to capture the city's peculiar texture, and the section called "Excavating the Past" offers slices of the city's endlessly fascinating history. Delightful for dipping into and a great companion for anyone planning a trip, this collection is both a heart-warming introduction to the human side of New York and a reminder to life-long New Yorkers of the reasons we call the city home.

INSTANT NEW YORK TIMES BESTSELLER "It's a hell of a story." -The New York Times "A stunning and revelatory memoir." -Oprah Daily From MSNBC anchor and instant New York Times bestselling author Katy Tur, a shocking and deeply personal memoir about a life spent chasing the news. When a box from her mother showed up on Katy Tur's doorstep, months into the pandemic and just as she learned she was pregnant with her second child, she didn't know what to expect. The box contained thousands of hours of video-the work of her pioneering helicopter journalist parents. They grew rich and famous for their aerial coverage of Madonna and Sean Penn's secret wedding, the Reginald Denny beating in the 1992 Los Angeles riots, and O.J. Simpson's notorious run in the white Bronco. To Tur, these family videos were an inheritance of sorts, and a reminder of who she was before her own breakout success as a reporter. In Rough Draft, Tur writes about her eccentric and volatile California childhood, punctuated by forest fires, earthquakes, and police chases-all seen from a thousand feet in the air. She recounts her complicated relationship with a father who was magnetic, ambitious, and, at times, frightening. And she charts her own survival from local reporter to globe-trotting foreign correspondent, running from her past. Tur also opens up for the first time about her struggles with burnout and impostor syndrome, her stumbles in the anchor chair, and her relationship with CBS Mornings anchor Tony Dokoupil (who quite possibly had a crazier childhood than she did). Intimate and captivating, Rough Draft explores the gift and curse of family legacy, examines the roles and responsibilities of the news, and asks the question: To what extent do we each get to write our own story?

Politics looked straightforward when Patrick Kidd took over the reins of the daily political sketch in The Times in 2015. David Cameron had just won a general election and would clearly be Prime Minister for as long as he wanted; George Osborne was his obvious successor (rather than the editor of a free London evening newspaper); Theresa May was a slightly underwhelming Home Secretary and Jeremy Corbyn an anonymous Labour backbencher best known as a serial rebel against his own party. Then suddenly everything went a bit strange. In this anthology of his best columns from the past four years, Kidd plays the role of parliamentary theatre critic, chronicling the collapse of Cameron, the nebulous clarity of May, the rise and refusal to fall of Corbyn and Boris Johnson's repeated failure to keep his foot out of his mouth. Featuring a menagerie of supporting oddballs, such as Jacob and the Mogglodytes, Failing Grayling, Gavin `Private Pike' Williamson and the simpering lobby fodder that are Toady, Lickspittle and Creep, this is a much-needed antidote to the gloom of the Brexit years.

"Black women writers and critics are acting on the old adage that one must speak for oneself if one wishes to be heard." -Claudia Tate, from the introduction Long out of print, Black Women Writers at Work is a vital contribution to Black literature in the 20th century. Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after. Responding to questions about why and for whom they write, and how they perceive their responsibility to their work, to others, and to society, the featured playwrights, poets, novelists, and essayists provide a window into the connections between their lives and their art. Finally available for a new generation, this classic work has an urgent message for readers and writers today.

Many of us are consumed by news cycles reporting on Trump's latest astonishing policy or declaration, and the overwhelming sense we have is one of confusion and incredulity - how could this be happening?

As the 2020 US Presidential race takes shape, Surviving Autocracy provides an indispensable overview of the calamitous trajectory of the past few years. Drawing on her Soviet childhood and two decades covering the resurgence of totalitarianism in Russia, acclaimed New Yorker journalist and prize-winning author Masha Gessen links together seemingly disparate elements of Trump's regime to offer a roadmap for understanding Trump's approach, policies and ultimate aims. Highlighting an inventory of ravages to liberal democracy, including the corrosion of the media, the justice system and cultural norms, she posits that America is in the throws of an autocratic attempt.

Gessen's penetrating analysis offers a new political discourse to replace that which has been so thoroughly degraded, and with it, a clearer path to action. Manifesto-like, Surviving Autocracy is threaded with solutions to the current situation, such as developing a political language that encompasses autocratic impulses, a more agile and honest media, and a visionary moral politics to counter Trump's extraordinary on-going assault.