Voetstoots is ’n bontgejasde keur uit sestien jaar van Annelie se koerantrubrieke. Die temas is so wyd soos die Heer se genade. Rakende aan die torings van Babel wat ons bou. ’n Kind wat doodgeskok word terwyl hulle jagentjies speel. ’n Begrafnisbrief uit Holland. ’n Boer wat sy plaashek vir oulaas sluit. Toentertyd se poskoets en handsentrale. Die boks langspeelplate in die gryse se waenhuis. Die smart om ’n kind te begrawe. ’n Glips met bensien in die tamatieslaai. ’n Sywurmhart wat sy in haar Bybel bêre. Mense sonder ’n woord van eer.

’n Eensame oom wie se hondjie op ’n sypaadjie doodgebyt is. ’n Lys van moets en moenies vir dames uit 1944. ’n Boks papsakwyn wat suur geword het.

Dis lag, huil, kwaadword, nostalgie, deernis, onbegrip en lewenswette saamgeryg in ’n kleurvolle lappieskombers. En Annelie is bedrewe met die rygnaald.

Sachin Tendulkar has made poets of prose writers even if his strokeplay has demontrated the futility of conveying in words the brilliance of his batsmanship. As R C Robertson-Glasgow said in another context, he was "easy to watch, difficult to bowl to and impossible to write about." In this collection of essays by some of the finest writers on cricket, the attempt is not so much to pin Sachin down as to let him roam free: beyond statistics, above nationality, and above the need to explain. From the sublime to the ridiculous it is all here. As Peter Roebuck once said "Whenever I feel low I only need to remind myself how privileged I am to be writing on the game in the Tendulkar era"

Award-winning journalist Wolfgang Bauer and photographer Stanislav Krupar were the first undercover reporters to document the journey of Syrian refugees from Egypt to Europe. Posing as English teachers in 2014, they were direct witnesses to the brutality of smuggler gangs, the processes of detainment and deportation, the dangers of sea-crossing on rickety boats, and the final furtive journey through Europe. Combining their own travels with other eyewitness accounts in the first book of reportage of its kind, Crossing the Sea brings to life both the systemic problems and the individual faces behind the crisis, and is a passionate appeal for more humanitarian refugee policies.

"Did Mandela work for nothing?"
"Mr Sushi comes to town"
"Give me a corrupt black any day"

These are just some of Eric Miyeni’s newspaper columns and opinion pieces, which have earned him friends and enemies alike. Known for his straight-talking frankness, his views on subjects ranging from politics and travel to big business and sport elicit strong responses.

Here Comes The Snake In The Grass is a selection of Eric Miyeni’s columns and occasional writings covering a variety of topics, from Julius Malema, Oprah Winfrey and Brenda Fassie to the value of radio, the true cost of crime, the need for excellence in South Africa and the difficulty of finding love in the modern world. Some of the writings in this collection court controversy, addressing issues many want hidden from view; others provide glimpses of the writer’s softer side. All show why Eric Miyeni’s is an unmistakeable voice in the South African media.

Alternately hard-hitting and personal, rousing and funny, Here Comes The Snake In The Grass is an entertaining and informative look at the South African cultural landscape.

Explores the link between revolutionary change in the Victorian world of print and women's entry into the field of mass-market publishing This book highlights the integral relationship between the rise of the popular woman writer and the expansion and diversification of newspaper, book and periodical print media during a period of revolutionary change, 1832-1860. It includes discussion of canonical women writers such as Felicia Hemans, Charlotte Bronte and George Eliot, as well as lesser-known figures such as Eliza Cook and Frances Brown. It also examines the ways women readers actively responded to a robust popular print culture by creating scrapbooks and engaging in forms of celebrity worship. Easley analyses the ways Victorian women's participation in popular print culture anticipates our own engagement with new media in the twenty-first century.

From ISIS propaganda videos to popular regime-backed TV series and digital activism, the Syrian conflict has been dramatically affected by the production of media, at the same time generating in its turn an impressive visual culture. Yet what are the aesthetic, political and material implications of the collusion between the production of this sheer amount of visual media being continuously shared and re-manipulated on the Internet, and the performance of the conflict on the ground? This ethnography uses the Syrian case to reflect more broadly on how the networked age reshapes contemporary warfare and impacts on the enactment of violence through images and on images. In stark contrast to the techno-utopias celebrating digital democracy and participatory cultures, Donatella Della Ratta's analysis exposes the dark side of online practices, where visual regimes of representation and media production dramatically intertwine with modes of destruction and the performance of violence. Exploring the most socially-mediated conflict of contemporary times, the book offers a fascinating insight into the transformation of warfare and life in the age of the internet.

Jordan's diverse socioeconomic make-up encapsulates, like no other Middle Eastern state, both the array of pressing short-term problems facing the region, and the underlying challenges that Arab states will need to face once the current spate of civil conflicts is over: meaningful youth employment, female participation in politics, and integration of refugees into society. This book tells the story of Jordan through the lives of ordinary people, including a political cartoonist, a Syrian refugee, a Jihadist and a female parliamentarian. The raw voices and everyday struggles of these people shine a fresh light on the politics, religion, and society of a culture coming to terms with the harsh reality of modernisation and urbanisation at a time of regional upheaval. With her deep knowledge of Jordan's landscape, language and culture, Rana Sweis sketches an intimate portrait of the intricacies and complexities of life in the Middle East. Rather than focusing on how individuals are affected by events in the region, she reveals a cast of characters shaping their own lives and times. Voices of Jordan shares those stories in all of their rich detail, offering a living, breathing social and political history.

From the very first mouthful, 'Lunch with the FT' was destined to become a permanent fixture in the Financial Times. One thousand lunches later, the FT's weekly interview has become an institution. From film stars to politicians, tycoons to writers, dissidents to lifestyle gurus, the list reads like an international Who's Who of our times. Lunch with the FT is a selection of the best: 52 classic interviews conducted in the unforgiving proximity of a restaurant table. From Angela Merkel to Sean 'P. Diddy' Combs, Martin Amis to one of the Arab world's most notorious sons, this book brings you right to the table to decide what you think of or world's most powerful players.

Rana Jawad, a British-Lebanese journalist who has reported from Tripoli for the BBC for seven years, found herself the last British journalist reporting from inside Tripoli early in 2010. Defiant and terrified in turns, she went into hiding and bravely issued the series of anonymous Tripoli Witness blogs that have become famous among anyone following the course of the insurgency. The raw blog accounts published here are accompanied by a short introductory pieces as well as a series of opening essays of what it was like to live in Gaddafi's Libya. Paul Kenyon, the acclaimed Panorama Presenter who was recently awarded for his BBC documentary on Libya, introduces Rana's work and gives an insight into this remarkable young journalists's brave reporting through harrowing times.

The Believer, a twelve-time National Magazine Award finalist, is a literature, arts, and culture magazine published by the Beverly Rogers, Carol C. Harter Black Mountain Institute, and based in the College of Liberal Arts at the University of Nevada, Las Vegas. In each issue, readers will find journalism, essays, intimate interviews, an expansive comics section, poetry, timely and untimely reviews, and on occasion, delightful and unexpected bonus items. The magazine is edited by a group of novelists, poets, artists, critics, regular readers of the Chicago Manual of Style, and aficionados of print and digital literature. Our regular columnists are Nick Hornby and Peter Orner. All editions of The Believer are perfect-bound and printed by friendly Canadians on recycled, acid-free, heavy-stock paper and suitable for archiving, framing, or reading in the tub. We publish five issues a year, including one double issue. Questions? Please give us a call: (866) 930-0264 or reach us by email: [email protected].

From an award-winning author comes a tale of a notorious double-murder, for readers of Truman Capote's In Cold Blood, or Emmanuel Carrère's The Adversary. In 1982 Malcolm Macarthur, the wealthy heir to a small estate, found himself suddenly without money. The solution, he decided, was to rob a bank. To do this, he would need a gun and a car. In the process of procuring them, he killed two people, and the circumstances of his eventual arrest in the apartment of Ireland's Attorney General nearly brought down the government. The case remains one of the most shocking in Ireland's history. Mark O'Connell has long been haunted by the story of this brutal double murder. But in recent years this haunting has become mutual. When O'Connell sets out to unravel the mysteries still surrounding these horrific and inexplicable crimes, he tracks down Macarthur himself, now an elderly man living out his days in Dublin and reluctant to talk. As the two men circle one another, O'Connell is pushed into a confrontation with his own narrative: what does it mean to write about a murderer?

Central Asia has long stood at the crossroads of history. It was the staging ground for the armies of the Mongol Empire, for the nineteenth-century struggle between the Russian and British empires, and for the NATO campaign in Afghanistan. Today, multinationals and nations compete for the oil and gas reserves of the Caspian Sea and for control of the pipelines. Yet "Stanland" is still, to many, a terra incognita, a geographical blank. Beginning in the mid-1990s, academic and journalist David Mould's career took him to the region on Fulbright Fellowships and contracts as a media trainer and consultant for UNESCO and USAID, among others. In Postcards from Stanland, he takes readers along with him on his encounters with the people, landscapes, and customs of the diverse countries-Kazakhstan, Kyrgyzstan, Tajikistan, and Uzbekistan-he came to love. He talks with teachers, students, politicians, environmental activists, bloggers, cab drivers, merchants, Peace Corps volunteers, and more. Until now, few books for a nonspecialist readership have been written on the region, and while Mould brings his own considerable expertise to bear on his account-for example, he is one of the few scholars to have conducted research on post-Soviet media in the region-the book is above all a tapestry of place and a valuable contribution to our understanding of the post-Soviet world.

Twenty-one years after the murder of Hip-hop genius The Notorious B.I.G., The Man On High fuses the creative and the critical, asking what legacy means in the 21st century. Contemplating Biggie through the lens of skateboarding, music and poetry, Alessandrelli proves that The Notorious B.I.G. will always be rapping in the present tense.

'An extraordinary book: deeply moving, darkly funny and hugely powerful' Robert Macfarlane Heavy Light is the story of a breakdown: a journey through mania, psychosis and treatment in a psychiatric hospital, and onwards to release, recovery and healing. After a lifetime of ups and downs, Horatio Clare was committed to hospital under Section 2 of the Mental Health Act. From hypomania in the Alps, to a complete breakdown and a locked ward in Wakefield, this is a gripping account of how the mind loses touch with reality, how we fall apart and how we can be healed - or not - by treatment. A story of the wonder and intensity of the manic experience, as well as its peril and strangeness, it is shot through with the love, kindness, humour and care of those who deal with someone who becomes dangerously ill. Partly a tribute to those who looked after Horatio, from family and friends to strangers and professionals, and partly an investigation into how we understand and treat acute crises of mental health, Heavy Light's beauty, power and compassion illuminate a fundamental part of human experience. It asks urgent questions about mental health that affect each and every one of us. 'One of the most brilliant travel writers of our day takes us us now to that most challenging country, severe mental illness; and does so with such wit, warmth, and humanity, that, better acquainted with its terrors, we may better face our own' Reverend Richard Coles 'A record of the bravest, most perilous, most intrepid journey that any human being can ever make. It is stricken, moving, urgent, crucial . . . A luminous, beautiful achievement' Niall Griffiths

My father, the monster of the Springs house of horrors

“I kneel on the foot piece next to the bed and lower my head. A piercing, burning pain engulfs my entire face. Dad has kicked me. Blood is gushing from my nose. Then I feel cold water being poured all over my body. Electrical wires shock me, I can’t see through the blood. God, help me.” (Translated)

Landi is the eldest of five children who were rescued from the so-called Springs house of horror. She is now 21 years old and tells her astonishing story for the very first time. In May 2014, police raided the house where a sadistic father had imprisoned, abused and tortured his wife and five children in a rat-infested den of sleaze.

In chilling detail, Landi recalls how their father assaulted them by tasering them, shooting them with a gas pistol and burning them with a blowtorch, how he researched torture methods and nearly drowned them in a bathtub.

She relates her memories to Susan Cilliers, an experienced journalist, who documents it with compassion, skilfully combining it with facts that emanated from the police investigation and court case.

House of Horrors is the shocking tale of a father who took everything from his family in the cruellest possible way, but it is also a story of hope about a brave young girl who eventually finds happiness and healing.

Travelling from Madrid to The Valley of the Fallen, through Castile and Leon and across the fiercely contested region of Catalonia, Christopher Finnigan meets a remarkable cast of characters behind some of the biggest political events Spain has witnessed in decades. Whether it is the Indignados left-wing activists rethinking society, the everyday citizens sitting in parliament, or the Catalan separatists fighting for a new nation, The New Spanish Revolutions meets those struggling at the heart of historic change. Spain today finds itself in the grip of immense social upheaval, still shaken by the financial crash of 2008 and still struggling with its fascist past. Against a fragmented and polarised backdrop, Christopher Finnigan discovers how individuals and ideas that were once outside the mainstream are now shaping the nation's future.

The death of the daily newspaper in the internet age has been predicted for decades. While print newspapers are struggling from drops in advertising and circulation, their survival has been based on original reporting. Instead of a death knell, metro dailies are experiencing an identity crisis-a clash between traditional print journalism's formality and detail and digital journalism's informality and brevity. In Metro Dailies in the Age of Multimedia Journalism, Mary Lou Nemanic provides in-depth case studies of five mid-size city newspapers to show how these publications are adapting to the transition from print-only to multiplatform content delivery-and how newsroom practices are evolving to address this change. She considers the successes when owners allow journalists to manage their newspapers-to ensure production of quality journalism under the protection of newspaper guilds-as well as how layoffs and resource cutbacks have jeopardized quality standards. Arguing for an integrated approach in which print and online reporting are considered complementary and visual journalism is emphasized across platforms, Nemanic suggests that there is a future for the endangered daily metro newspaper.

The first collection of food writing by Britain's funniest and most feared critic A.A. Gill knows food, and loves food. A meal is never just a meal. It has a past, a history, connotations. It is a metaphor for life. A.A. Gill delights in decoding what lies behind the food on our plates: famously, his reviews are as much ruminations on society at large as they are about the restaurants themselves. So alongside the concepts, customers and cuisines, ten years of writing about restaurants has yielded insights on everything from yaks to cowboys, picnics to politics. TABLE TALK is an idiosyncratic selection of A.A. Gill's writing about food, taken from his Sunday Times and Tatler columns. Sometimes inspired by the traditions of a whole country, sometimes by a single ingredient, it is a celebration of what great eating can be, an excoriation of those who get it wrong, and an education about our own appetites. Because it spans a decade, the book focuses on A.A. Gill's general dining experiences rather than individual restaurants - food fads, tipping, chefs, ingredients, eating in town and country and abroad, and the best and worst dining experiences. Fizzing with wit, it is a treat for gourmands, gourmets and anyone who relishes good writing.

NEW YORK TIMES BESTSELLER 'Hilarious, nimble, and thoroughly illuminating' Colson Whitehead, author of The Underground Railroad 'Recalls the work of John Jeremiah Sullivan and the late David Foster Wallace, with a dash of Janet Malcolm' Vogue From its opening journey into remote Alaska for the Iditarod Sled Dog Race, IMPOSSIBLE OWLS leads us on a kaleidoscopic exploration of contemporary reality. Brian Phillips takes us to a sumo tournament in Japan, the jungle in India, the studio of a great Russian animator, a royal tour of the Yukon Territory with the Duke and Duchess of Cambridge and into the weird heart of America. This exhilarating debut visits borders both real and imagined, and asks what it means, in our age, to travel to the end of the map.

The Pyramid of Lies by international financial journalist Duncan Mavin, is the true story of Lex Greensill, the Australian farmer who became a hi-flying billionaire banker before crashing back down to earth, exposing a tangled network of flawed financiers, politicians and industrialists. Lex Greensill had a simple, billion-dollar idea - democratising supply chain finance. Suppliers want to get their invoices paid as soon as possible. Companies want to hold off as long as they can. Greensill bridged the two, it's mundane, boring even, but he saw an opportunity to profit. However, margins are thin and Lex, ever the risk taker, made lucrative loans with other people's money: to a Russian cargo plane linked to Vladmir Putin, to former Special Forces who ran a private army, and crucially to companies that were fraudulent or had no revenue. When the company finally collapsed it exposed the revolving door between Westminster and big business and how David Cameron was allowed to lobby ministers for cash that would save Greensill's doomed business. Instead, Credit Suisse and Japan's SoftBank are nursing billions of dollars in losses, a German bank is under criminal investigation, and thousands of jobs are at risk. What Bad Blood did for Silicon Valley and The Smartest Guys in the Room did for Wall Street, The Pyramid of Lies will do for the world of shadow banking and supply chain finance. It is a world populated with some of the most outlandish characters in business and some of the most outrageous examples of excess. It is a story of greed and ambition that shines a light on the murky intersection between politics and business, where lavish fortunes can be made and lost.

The Times on Cinema opens The Times' and the Sunday Times' vast archives of reviews and coverage of Hollywood's most treasured films. Featuring many of cinema's most revered critics, including Philip French, Dilys Powell, Tom Shone and Kate Muir, whose award-winning journalism has often determined the success or failure of a film, the book spans seven decades of film criticism. Editor and critic Brian Pendreigh also complies a selection of the most infamously scathing reviews ever to grace the pages of The Times, as well as a collection of legendary interviews with iconic actors, actresses, directors and producers, who lay bare the secrets to their successes. Featuring a range of rare film stills from The Times' collection, The Times on Cinema is the first book of its kind to make use of such an extensive archive, and is the perfect gift for all cinephiles.

The Best American Magazine Writing 2019 presents articles honored by this year's National Magazine Awards, showcasing outstanding writing that addresses urgent topics such as justice, gender, power, and violence, both at home and abroad. The anthology features remarkable reporting, including the story of a teenager who tried to get out of MS-13, only to face deportation (ProPublica); an account of the genocide against the Rohingya in Myanmar (Politico); and a sweeping California Sunday Magazine profile of an agribusiness empire. Other journalists explore the indications of environmental catastrophe, from invasive lionfish (Smithsonian) to the omnipresence of plastic (National Geographic). Personal pieces consider the toll of mass incarceration, including Reginald Dwayne Betts's "Getting Out" (New York Times Magazine); "This Place Is Crazy," by John J. Lennon (Esquire); and Robert Wright's "Getting Out of Prison Meant Leaving Dear Friends Behind" (Marshall Project with Vice). From the pages of the Atlantic and the New Yorker, writers and critics discuss prominent political figures: Franklin Foer's "American Hustler" explores Paul Manafort's career of corruption; Jill Lepore recounts the emergence of Ruth Bader Ginsburg; and Caitlin Flanagan and Doreen St. Felix reflect on the Kavanaugh hearings and #MeToo. Leslie Jamison crafts a portrait of the Museum of Broken Relationships (Virginia Quarterly Review), and Kasey Cordell and Lindsey B. Koehler ponder "The Art of Dying Well" (5280). A pair of never-before-published conversations illuminates the state of the American magazine: New Yorker writer Ben Taub speaks to Eric Sullivan of Esquire about pursuing a career as a reporter, alongside Taub's piece investigating how the Iraqi state is fueling a resurgence of ISIS. And Karolina Waclawiak of BuzzFeed News interviews McSweeney's editor Claire Boyle about challenges and opportunities for fiction at small magazines. That conversation is inspired by McSweeney's winning the ASME Award for Fiction, which is celebrated here with a story by Lesley Nneka Arimah, a magical-realist tale charged with feminist allegory.