A field guide to the trade and art of editing, this book pulls back the curtain on the day-to-day responsibilities of a literary magazine editor in their role, and to the specific skills necessary to read, mark-up and transform a piece of writing. Combining a break-down of an editor's tasks - including creating a vision, acquisitions, responding to submissions and corresponding with authors - with a behind-the-scenes look at manuscripts in progress, the book rounds up with a test editing section that teaches, by way of engaging exercises, the nitty-gritty strategies and techniques for working on all kinds of texts. Generous in its insight and access to practicing editors' annotations and thought processes, The Invisible Art of Literary Editing offers an exclusive look at nonfiction, fiction and poetry manuscripts as they were first submitted, as they were marked up by an editor and how the final piece was presented before featuring an interview with the editor on the choices they made about that piece of work, as well as their philosophies and working practices in their job. As a skill and a trade learnt through practice and apprenticeship, this is the ultimate companion to editing any piece of work, offering opportunities for learning-by-doing through exercises, reflections and cases studies, and inviting readers to embody the role of an editor to improve their craft and demystify the processes involved in this exciting and highly coveted profession.

"A gripping family saga. . . . Page-turners are rarely written by scholars of the 15th century, but Castor wears her learning admirably lightly. Blood and Roses is nothing less than a ripping yarn." --The Indepedent (London) The Wars of the Roses tore England asunder. Over the course of thirty years, four kings lost their thrones, countless men lost their lives on the battlefield or their heads on the block, and others found themselves suddenly flush with gold. Yet until now, little has been written about the ordinary people who lived through this extraordinary time. Blood and Roses is a gripping, intimate story of one determined family conducting everyday business against the backdrop of a disintegrating society and savage civil war. Drawing on a rare trove of letters discovered in a tumbledown stately home, historian Helen Castor reconstructs the turbulent affairs of the Pastons through three generations of births, marriages, and deaths as they single-mindedly worked their way up from farmers to landed gentry. It is a remarkable chronicle of devotion, ambition, and survival that brings a remote and hazy era to vibrant new life.

Where does music come from? What kind of agency does a song have? What is at the root of musical pleasure? Can music die? These are some of the questions the Greeks and the Romans asked about music, song, and the soundscape within which they lived, and that this book examines. Focusing on mythical narratives of metamorphosis, it investigates the aesthetic and ontological questions raised by fantastic stories of musical origins. Each chapter opens with an ancient text devoted to a musical metamorphosis (of a girl into a bird, a nymph into an echo, men into cicadas, etc.) and reads that text as a meditation on an aesthetic and ontological question, in dialogue with 'contemporary' debates - contemporary with debates in the Greco-Roman culture that gave rise to the story, and with modern debates in the posthumanities about what it means to be a human animal enmeshed in a musicking environment.