This book explores the Indian Ocean world as it is produced by colonial and postcolonial fiction in English. It analyses the work of three contemporary authors who write the Indian Ocean as a region and world-Amitav Ghosh, Abdulrazak Gurnah, and Lindsey Collen-alongside maritime-imperial precursor Joseph Conrad. If postcolonial literatures are sometimes read as national allegories, this book presents an account of a different and significant strand of postcolonial fiction whose geography, in contrast, is coastal and transoceanic. This work imaginatively links east Africa, south Asia and the Arab world via a network of south-south connections that precedes and survives European imperialism. The novels and stories provide a vivid, storied sense of place on both a local and an oceanic scale, and in so doing remap the world as having its centre in the ocean and the south.

This book offers an examination of Jeff Noon's iconoclastic debut novel, Vurt (1993). In this first book-length study of the novel, which includes an extended interview with Noon, Wenaus considers how Vurt complicates the process of literary canonization, its constructivist relationship to genre, its violent and oneiric setting of Manchester, its use of the Orphic myth as an archetype for the practice of literary collage and musical remix, and how the structural paradoxes of chaos and fractal geometry inform the novel's content, form, and theme. Finally, Wenaus makes the case for Vurt's ongoing relevance in the 21st century, an era increasingly characterized by neuro-totalitarianism, psychopolitics, and digital surveillance. With Vurt, Noon begins his project of rupturing feedback loops of control by breaking narrative habits and embracing the contingent and unpredictable. An inventive, energetic, and heartbreaking novel, Vurt is also an optimistic and heartfelt call for artists to actively create open futures.

Humorous and energetic, O. Henry's stories are marked by coincidence and surprise endings. They offer an insight into human nature and the ways it is affected by love, hate, wealth, poverty, gentility, disguise, and crime. O. Henry's depiction of his characters and their unique situation continues to weave their magic over readers almost a hundred years after the author created them. This is a must-read for all short story lovers as well as for those who want to take a dip into the world of classics.

The Modern Irish Sonnet: Revision and Rebellion discusses how and why the sonnet appeals to Irish poets and has grown in popularity over the last century. Using a thematic approach, Tara Guissin-Stubbs argues for the significance of the Irish sonnet as a discrete entity within modern and contemporary poetry, and shows how the Irish sonnet has become a debating chamber for discussions concerning the relationship between Irish and British culture, poetry and gender, and revision and rebellion. The text reshapes the poetic and critical field, exploring canonical and non-canonical poems by male and female poets so as to challenge outmoded views of the thematic and formal limitations of the sonnet.

This book examines the origins of populism in Canada and the United States and its development into a powerful and at times disturbing political force. Focus is on five historical periods: The Populist Party of the United States in the 1890s, Prairie Populism in Canada during the early and mid-20th century, the Reform Party of Canada in the 1980s and 90s, the 'left' and 'right' populism of Bernie Sanders and Donald Trump in the early 21st century, and the phenomenon of Ford Nation in modern day Ontario, Canada. The author extends Ernesto Laclau's analysis of populism as a 'logic' in On Populist Reason (2005) to explore how a 'people' come into being in their conflict or clash with an 'elite,' defined by Chartists in the 19th century as "idlers," providing a contrast between 'producers' and 'non-producers.' The author examines the linguistic media (speeches, books, radio, twitter, Facebook) used in populist discourse to convey a political message and to articulate the needs, wishes and will of a newly born 'people' in their numerous guises and expressions, from "the plain people," to "the little guy," or to "brothers and sisters." This volume will be of interest to researchers in an interdisciplinary range of fields, including discourse analysis, corpus linguistics, pragmatics, rhetoric and stylistics, political communication, social movements theory, media studies, and Canadian and American history.

This edited book presents a cross-disciplinary and international conversation about the discursive nature of 'populist' politics. Based on the idea that language and meaning making are central to the political process, the authors present research originating from disciplines such as sociology, political science, linguistics, gender studies and education, giving credence to the variety and context dependence of both populist discourse and its analysis. Using a variety of different theoretical frames, the volume examines international case studies from Europe, Africa, Asia and the Americas, looking at different modes of populism as well as the interaction of populism with other ideologies and belief systems. The chapters draw on several disciplines, and will be of interest to scholars working in linguistics, political studies, journalism, rhetoric and discourse analysis.

This book describes the dubbing process of English-language animated films produced by US companies in the 21st century, exploring how linguistic variation and multilingualism are used to create characters and identities and examining how Italian dubbing professionals deal with this linguistic characterisation. The analysis carried out relies on a diverse range of research tools: text analysis, corpus study and personal communications with dubbing practitioners. The book describes the dubbing workflow and dubbing strategies in Italy and seeks to identify recurrent patterns and therefore norms, as well as stereotypes or creativity in the way multilingualism and linguistic variation are tackled. It will be of interest to students and scholars of translation, linguistic variation, film and media.

Maatian Ethics in a Communication Context explores the ethical principle of Maat: the guiding principle of harmony and order that permeated classical African political and civil life. The book provides a rigorous, communication-focused account of the ethical wisdom ancient Africans cultivated and is evidenced in the form of recovered written texts, mythology, stelae, prescriptions for just speech, and the hieroglyphic system of writing itself. Moving beyond colonial stereotypes of ancient Africans, the book offers insight into the African value systems that positioned humans as inextricably embedded in nature, and communication theory that anchors good communication in careful listening habits as the foundational moral virtue. Expanding on the work of Maulana Karenga, Molefi Kete Asante and other groundbreaking scholars, the book presents a picture of civilizations with a shared lust for life, a spiritual connection to scientific speech, and the veneration of ancestors as deeply connected to the pursuit of wisdom. Offering an examination of Maat from a specifically communication ethics perspective, this book will be of great interest to scholars and students of Communication Ethics, African philosophy, Rhetorical theory, Africana Studies and Ancient History.

This volume contains the three works which together make up Jonathan Swift's early satiric and intellectual masterpiece, A Tale of a Tub: the Tale itself, The Battel of the Books, and The Mechanical Operation of the Spirit. Incorporating much new knowledge, this 2010 edition provides the first full scholarly treatment of this important work for fifty years. The introduction discusses publication, composition, and authorship; sources, analogues and generic models; reception; and religious, scientific and literary contexts (including the ancients and moderns controversy). Detailed explanatory notes address many previously unexplained issues in this famously rich and difficult work. Texts have been fully collated and edited according to modern principles and are accompanied with a textual introduction and full textual apparatus. Illustrations include title pages, the eight engravings from the fifth edition, and original designs for these engravings. Extensive associated contemporary materials, including Edmund Curll's Key and William Wotton's Observations, are provided.

This comparative literature study explores how writers from across Ireland and Latin America have, both in parallel and in concert, deployed symbolic representations of the dead in their various anti-colonial projects. In contrast to the ghosts and revenants that haunt English and Anglo-American letters-where they are largely either monstrous horrors or illusory frauds-the dead in these Irish/Latinx archives can serve as potential allies, repositories of historical grievances, recorders of silenced voices, and disruptors of neocolonial discourse.

"Iuliu-Marius Morariu succeeds in opening the door of our curious gaze on memorialism, letting us get acquainted with the ideas promoted by Virgil Gheorghiu - an interwar diplomat, journalist, poet, novelist and Romanian Orthodox priest, who had to choose the path of exile (moving to France) once with the establishment of the Communist Regime in Romania." (Iulia Medveschi, in Astra Salvensis, X (2022), no. 19). Virgil Gheorghiu, an important but controversial figure in Romanian exile literature, remains one of his country's best-known writers today. Based on his works and their reception, but also on the existing secondary literature, this study examines his reflection on three important ideologies, namely communism, national socialism and capitalism, in order to highlight the specificities of Virgil Gheorghiu's thought and to see what aspects of topicality and contemporary relevance can be found in it.

This book analyses colonial and postcolonial writing about Cyprus, before and after its independence from the British Empire in 1960. These works are understood as 'transportal literatures' in that they navigate the liminal and layered forms of colonialism which impede the freedom of the island, including the residues of British imperialism, the impact of Greek and Turkish nationalisms, and the ethnolinguistic border between north and south. This study puts pressure on the postcolonial discipline by evaluating the unique hegemonic relationship Cyprus has with three metropolitan centres, not one. The print languages associated with each centre (English, Greek, and Turkish) are complicit in neo-colonial activity. Contemporary Cypriot writers address this in order to resist sectarian division and grapple with their deferred postcoloniality.

This book gathers a selection of essays on the multifaceted aspects of cyber culture in India, both online and offline. It presents an in-depth analysis of cyberspace and its components, while also exploring its lived reality. The respective contributions highlight theoretical perspectives that address questions of relationality regarding all aspects of cyber culture in India, from the physical to the virtual. Bearing in mind India's vast cultural diversity, which is shaped by different levels of political, social, and economic development, the book offers nuanced studies that analyze the complexities of cyberspace and digital culture in India. The book appeals to all readers interested in technology, cultural studies, online communication networks, feminism, virtual diasporas, and sociology.

This book considers the English Civil Wars and the civil wars in Scotland and Ireland through the lens of historical fiction-primarily fiction for the young. The text argues that the English Civil War lies at the heart of English and Irish political identities and considers how these identities have been shaped over the past three centuries in part by the children's literature that has influenced the popular memory of the English Civil War. Examining nearly two hundred works of historical fiction, Farah Mendlesohn reveals the delicate interplay between fiction and history.

This book critically analyses Eminem's studio album releases from his first commercial album release The Slim Shady LP in 1999, to 2020's Music To Be Murdered By, through the lens of storytelling, truth and rhetoric, narrative structure, rhyme scheme and type, perspective, and celebrity culture. In terms of lyrical content, no area has been off-limits to Eminem, and he has written about domestic violence, murder, rape, child abuse, incest, drug addiction, and torture during his career. But whilst he will always be associated with these dark subjects, Mathers has also explored fatherhood, bereavement, mental illness, poverty, friendship, and love within his lyrics, and the juxtaposition between these very different themes (sometimes within the same song), make his lyrics complex, deep, and deserving of proper critical discussion. The first full-length monograph concerning Eminem's lyrics, this book affords the same rigorous analysis to a hip-hop artist as would be applied to any great writer's body of work; such analysis of 'popular' music is often overlooked. In addition to his rich exploration of Eminem's lyrics, Fosbraey furthermore delves into a variety of different aspects within popular music including extra-verbal elements, image, video, and surrounding culture. This critical study of his work will be an invaluable resource to academics working in the fields of Popular Music, English Literature, or Cultural Studies.

Are you a non-native English speaker? Are you often confronted with manuscript rejections because of poor language impeding comprehension of your paper? A Practical Guide to Scientific and Technical Translation is your solution. In this one-stop guide, two authors with extensive experience as reviewers and translators in a vast medley of scientific fields assist you to produce professional quality documents, whether through direct authoring in a language foreign to you or translation from an existing text. The book is not intended as a text on English grammar but as a troubleshooting guide to linguistic and style errors. We will help you overcome at least the most common problems here. Technical terminology searching and choice will also be covered with examples from a number of scientific (physics, chemistry) and engineering disciplines (aviation, transport, nuclear, environment, etc.), with advice on how to choose the right term for the right job. While the emphasis is on producing documents in English (the lingua franca of modern scientific literature), general translation concepts are also discussed. Hence, this book will also be useful to translators, and scientists who need to present their work in languages other than English.

This book begins with a reflection on dichotomies in comparative studies of Chinese and Western literature and aesthetics. Critiquing an oppositional paradigm, Ming Dong Gu argues that despite linguistic and cultural differences, the two traditions share much common ground in critical theory, aesthetic thought, metaphysical conception, and reasoning. Focusing on issues of language, writing, and linguistics; metaphor, metonymy, and poetics; mimesis and representation; and lyricism, expressionism, creativity, and aesthetics, Gu demonstrates that though ways of conception and modes of expression may differ, the two traditions have cultivated similar aesthetic feelings and critical ideas capable of fusing critical and aesthetic horizons. With a two-way dialogue, this book covers a broad spectrum of critical discourses and uncovers fascinating connections among a wide range of thinkers, theorists, scholars, and aestheticians, thereby making a significant contribution to bridging the aesthetic divide and envisioning world theory and global aesthetics.

This edited volume presents a collection of stories that experiment with different ways of looking at international law. By using different literary lenses -namely, storytelling, the novel, the drama, the collage, the self-portrait, and the museum- the authors shed light on elements of international law that usually remain unseen or unheard and expose the limits of what international law can do. We inquire into who the storytellers of international law are, the stages on which they tell their stories, and who are absent in these tales. We present it as a collection: a set of different essays that more or less deal with the same subject matter. Alternatively, we would like to call it a potpourri of stories, since the diversity of topics and approaches is eclectic and unconventional. By placing multiple perspectives alongside each other we aim to compare and contrast, to allow for second thoughts, and to rediscover. In doing so, we engage with the ambiguities of international law's characters and spaces, and with the worldviews they reflect and worlds they create.

More than twenty years after the peace agreement signed in Belfast on 10 April 1998, an assessment is overdue, particularly given the current political context in Northern Ireland. A serious political crisis led to the suspension of the regional institutions from January 2017 to January 2020, and the Brexit negotiations did not facilitate the search for a solution, especially as the confidence-and-supply agreement between the British Conservative Party and the DUP prevented London from acting as an honest broker between Sinn Fein and the DUP. At the same time, the issue of the Irish border created tensions between Dublin and London. This situation was compounded by the resurgence of rioting, mostly in Loyalist areas of Belfast and Derry/Londonderry, in April 2021, against the backdrop of Brexit's Northern Ireland Protocol and communal resentment. Emanating from a conference jointly organised at the University of Caen Normandy and La Rochelle University, this collection of essays - bringing together academic and independent scholars from various disciplines and nationalities - takes a critical look at the implementation of the Good Friday Agreement, from the collaboration between Dublin and London to the new political configurations in Northern Ireland, as well as interfaith, cultural, social and economic developments. Divided into three main parts, it furnishes an opportunity to better understand the reasons for the apparent deterioration in inter-community understanding since 1998, but also to study the numerous initiatives that have sought to promote reconciliation, be it in the economy, the working environment, in the literary and artistic spheres, in schools or in the urban landscape.

This book is distinctive because it will be a political science oriented introduction to "The Federalist Papers." As most of the editions have introductions by historians, and some of them quite good, there is no readily available edition with a political science focus. Such a focus would not ignore the historical dimensions of the founding and that particular era, but would supplement this historical background with a concentration on the key questions political scientists tend to ask when reading and teaching "The Federalist Papers." Questions of power, separation, blending, federalism, and structural design and how they impact the practice of government, questions we political scientists ask, will be the central feature of this edition. The primary audience for this edition would be courses in American Political Thought, American Government (most of which include components of the Federalist Papers) plus courses on the Presidency, Congress, The Judiciary, and Federalism.

Focused on the struggle to survive by the Jewish Poles stranded in the Polish countryside during the Holocaust, case studies collected in this volume are based on research carried out at Poland's Institute of National Remembrance. Where possible, they are also complemented by Jewish survivors' testimonies dispersed throughout the world. There are at least two leitmotifs recurring throughout all texts: What are the social correlates of the anti-Jewish violence undertaken by Polish neighbours without German initiative and even knowledge? Are there certain types of social relationships more subject or prone to this kind of violence? What was the role of peasantry, social elites, and Catholic church in inciting and perpetrating it? Was this violence influenced by the Holocaust, or was it a separate form of genocidal violence?