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Books > Language & Literature > Literature: texts > General
In this gloriously over-the-top tale, Aoyama, a widower who has lived alone with his son ever since his wife died seven years before, finally decides it is time to remarry. Since Aoyama is a bit rusty when it comes to dating, a filmmaker friend proposes that, in order to attract the perfect wife, they do a casting call for a movie they don t intend to produce. As the resumes pile up, only one of the applicants catches Aoyama s attention Yamasaki Asami a striking young former ballerina with a mysterious past. Blinded by his instant and total infatuation, Aoyama is too late in discovering that she is a far cry from the innocent young woman he imagines her to be. The novel s fast-paced, thriller conclusion doesn t spare the reader as Yamasaki takes off her angelic mask and reveals what lies beneath."
Surrealist women's writing: A critical exploration is the first sustained critical inquiry into the writing of women associated with surrealism. Featuring original essays by leading scholars of surrealism, the volume demonstrates the extent and the historical, linguistic, and culturally contextual breadth of this writing. It also highlights how the specifically surrealist poetics and politics of these writers' work intersect with and contribute to contemporary debates on, for example, gender, sexuality, subjectivity, otherness, anthropocentrism, and the environment. Drawing on a variety of innovative theoretical approaches, the essays in the volume focus on the writing of numerous women surrealists, many of whom have hitherto mainly been known for their visual rather than their literary production. These include Claude Cahun, Leonora Carrington, Kay Sage, Colette Peignot, Suzanne Cesaire, Unica Zurn, Ithell Colquhoun, Leonor Fini, Dorothea Tanning, and Rikki Ducornet. -- .
As the sun sets on a feverishly hot July evening, a young woman spies on her teenage neighbor, transfixed by what looks like an occult ritual intended to banish an ex-boyfriend. Alone in a new town and desperate to expel the claustrophobic memories of her own ex that have followed, the narrator decides to try to hex herself free from her past. She falls in with the neighbor and her witchy friend, exploring nascent supernatural powers as the boundaries of reality shift in and out of focus. But when the creaks and hums of her apartment escalate into something more violent, she realizes that she may have brought her boyfriend's presence-whether psychological or paranormal-back to haunt her. With astonishing emotional depth and clarity, Disturbance explores the fallout of abuse. Propulsive and wry, this razor-sharp debut twists witchcraft and horror into a powerful narrative of one woman's struggle to return to herself.
Focused on the struggle to survive by the Jewish Poles stranded in the Polish countryside during the Holocaust, case studies collected in this volume are based on research carried out at Poland's Institute of National Remembrance. Where possible, they are also complemented by Jewish survivors' testimonies dispersed throughout the world. There are at least two leitmotifs recurring throughout all texts: What are the social correlates of the anti-Jewish violence undertaken by Polish neighbours without German initiative and even knowledge? Are there certain types of social relationships more subject or prone to this kind of violence? What was the role of peasantry, social elites, and Catholic church in inciting and perpetrating it? Was this violence influenced by the Holocaust, or was it a separate form of genocidal violence?
Epistemic Freedom in Africa is about the struggle for African people to think, theorize, interpret the world and write from where they are located, unencumbered by Eurocentrism. The imperial denial of common humanity to some human beings meant that in turn their knowledges and experiences lost their value, their epistemic virtue. Now, in the twenty-first century, descendants of enslaved, displaced, colonized, and racialized peoples have entered academies across the world, proclaiming loudly that they are human beings, their lives matter and they were born into valid and legitimate knowledge systems that are capable of helping humanity to transcend the current epistemic and systemic crises. Together, they are engaging in diverse struggles for cognitive justice, fighting against the epistemic line which haunts the twenty-first century. The renowned historian and decolonial theorist Sabelo J. Ndlovu-Gatsheni offers a penetrating and well-argued case for centering Africa as a legitimate historical unit of analysis and epistemic site from which to interpret the world, whilst simultaneously making an equally strong argument for globalizing knowledge from Africa so as to attain ecologies of knowledges. This is a dual process of both deprovincializing Africa, and in turn provincializing Europe. The book highlights how the mental universe of Africa was invaded and colonized, the long-standing struggles for 'an African university', and the trajectories of contemporary decolonial movements such as Rhodes Must Fall and Fees Must Fall in South Africa. This landmark work underscores the fact that only once the problem of epistemic freedom has been addressed can Africa achieve political, cultural, economic and other freedoms. This groundbreaking new book is accessible to students and scholars across Education, History, Philosophy, Ethics, African Studies, Development Studies, Politics, International Relations, Sociology, Postcolonial Studies and the emerging field of Decolonial Studies. The Open Access versions Chapter 1 and Chapter 9, available at https://doi.org/10.4324/9780429492204 have been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring" (Mark Harris, Entertainment Weekly) The Talented Mr. Ripley serves as an unforgettable introduction to this smooth confidence man, whose talent for self-invention is as unnerving-and unnervingly revealing of the American psyche-as ever.
The aim of the volume is to show in which sense the study of culture, literature and the arts can contribute to a better understanding of human cognition. The collection of essays is questioning whether culture is exclusively human and discusses evolutionary substrates of narrative and the interfaces between culture, stories and cognition. The contributions examine the cognitive strengths and weaknesses of literary reading and analyse other techniques of sense-making in the arts through imagined dialogues and the experience of ambiguity. The final contributions are dealing with musical cognition, the relation between music, aesthetics and cognition.
The author re-examines the urban novels of Auster and Pamuk in the light of Foucault's heterotopia and Bhabha's the Third Space, respectively. Furthermore, for the discussions of the nature of the relationship between the self and the other, this present study deploys Emmanuel Levinas's ethics. This book argues that examining the urban spaces and characters of Auster and Pamuk through the prisms of Foucault, Bhabha and Levinas establishes a new critical framework that gives a constructive and ethical angle to the negative late twentieth-century and early twenty-first century discourses on the city and its inhabitants. The reader of this book will discover urban subjects who actively transform their respective cities into either heterotopic or Third Spaces and thereby become response-able for and attentive to their immediate surroundings, to their national or personal histories and, most importantly, to other people. At the same time, by bringing these two different cities, cultures and authors that are poles apart together, this book aims to problematize commonly held beliefs about Americanness and Turkishness and thus pave the way for looking at discourses such as "clash of civilizations", "margin" (Istanbul) and "center" (New York), the belated and the advanced from a critical point of view suggesting that there is a common discursive affinity with similar outlooks on life, personal, historical and physical spaces on both sides, rather than a "clash of civilizations". The arguments presented here will be of interest to students and scholars of city literature, comparative literature and history of ideas as well as to readers who have an interest in theory and close reading.
Revisit Orwell's classic satire "Animal Farm"
This Open Access book considers the cultural representation of gender violence, vulnerability and resistance with a focus on the transnational dimension of our contemporary visual and literary cultures in English. Contributors address concepts such as vulnerability, resilience, precarity and resistance in the Anglophone world through an analysis of memoirs, films, TV series, and crime and literary fiction across India, Ireland, Canada, Australia, the US, and the UK. Chapters explore literary and media displays of precarious conditions to examine whether these are exacerbated when intersecting with gender and ethnic identities, thus resulting in structural forms of vulnerability that generate and justify oppression, as well as forms of individual or collective resistance and/or resilience. Substantial insights are drawn from Animal Studies, Critical Race Studies, Human Rights Studies, Post-Humanism and Postcolonialism. This book will be of interest to scholars in Gender Studies, Media Studies, Sociology, Culture, Literature and History. Grant FFI2017-84555-C2-1-P (research Project "Bodies in Transit: Genders, Mobilities, Interdependencies") funded by MCIN/AEI/ 10.13039/501100011033 and by "ERDF A way of making Europe."
Fanon, postcolonialism and the ethics of difference offers a new reading of Fanon's work challenging many of the reconstructions of Fanon in critical and postcolonial theory and in cultural studies, probing a host of crucial issues: the intersectionality of gender and colonial politics; the biopolitics of colonialism; Marxism and decolonisation; tradition, translation and humanism. It will be of particular value to advanced undergraduate and postgraduate students, as well as to academics interested in Fanon and postcolonial studies generally. -- .
Night is more than just a period of time between sunset and
sunrise. It is another world, fascinating and mysterious to
children curious about the night and its nocturnal inhabitants. In
Native cultures mighttime is a crucial part of the Great Circle and
balance in the universe, and "Keepers of the Night" features Native
wisdom to help young people learn valuable lessons about the
natural world.
Der Band basiert auf den Beitragen des Klassik-Kollegs "The Queen's Two Bodies", das im Juni 2018 an der Klassik-Stiftung-Weimar zwischen den drei Herausgeberinnen und In-stitutionen veranstaltet wurde: Elena Agazzi (Universita degli Studi di Bergamo), Gesa Dane (Freie Universitat Berlin) und Gaby Pailer (University of British Columbia, Vancouver).
For those living in the Soviet Union, Orwell's masterpieces, Animal Farm and Nineteen Eighty-Four, were not dystopias, but accurate depictions of reality. Here, the Orwell scholar and expert on Russian politics, Masha Karp – Russian Features Editor at the BBC World Service for over a decade – explores how Orwell's work was received in Russia, when it percolated into the country even under censorship. Suggesting a new approach to the controversial ‘Orwell’s list’ of 1949, Karp puts into context the articles and letters written by Orwell at the time. She sheds light on how the ideas of totalitarianism exposed in Orwell’s writing took root in Russia and, in doing so, helps us to understand the contemporary political reality. As Vladimir Putin's actions continue to shock the West, it is clear we are witnessing the next transformation of totalitarianism, as predicted and described by Orwell. Now, over 70 years after Orwell's death, his writing, at least as far as Russia is concerned, remains as timely and urgent as it has ever been.
A Word a Day contains 365 carefully selected words that will enhance and expand your vocabulary, along with their meanings, origins and sample usage and fascinating word-related facts and trivia. It is estimated that on average an English-speaking adult has acquired a functioning vocabulary of 25,000 words by the time they reach middle age. That sounds like a lot - and more than enough for the daily purposes of communicating with each other in speech and writing. However, it is hard to feel quite so sanguine about our word power when considering those 25,000 words account for less than fifteen per cent of the total words in current usage in the English language. Furthermore, new words are created all the time and, as the word pool flourishes, can we afford to allow our vocabulary to stagnate? Logophile Joseph Piercy has the answer: a simple challenge to learn A Word a Day from this user-friendly onomasticon (that's a word list designed for a specific purpose - in case you were wondering ...). Each of the 365 words have been carefully selected for their elegance and pertinence in everyday situations and every entry contains a clear and concise outline of meaning, origin and sample usage in context, alongside fascinating word related facts and trivia. A Word a Day is a treasure trove of fascination and fun for all language lovers - delve in and enhance your vocabulary.
This collection of essays reveals the extent to which politics is fundamental to our understanding of Samuel Beckett's life and writing. Bringing together internationally established and emerging scholars, Beckett and Politics considers Beckett's work as it relates to three broad areas of political discourse: language politics, biopolitics and geopolitics. Through a range of critical approaches, including performance studies, political theory, gender theory, historicizing approaches and language theory, the book demonstrates how politics is more than just another thematic lens: it is fundamentally and structurally intrinsic to Beckett's life, his texts and subsequent interpretations of them. This important collection of essays demonstrates that Beckett's work is not only ripe for political engagement, but also contains significant opportunities for understanding and illuminating the broader relationships between literature, culture and politics.
While poetry has been the genre most closely associated with the Romantic period, the novel of the late eighteenth and early nineteenth centuries has attracted many more readers and students in recent years. Its canon has been widened to include less well known authors alongside Jane Austen, Walter Scott, Maria Edgeworth and Thomas Love Peacock. Over the last generation, especially, a remarkable range of popular works from the period have been re-discovered and reread intensively. This Companion offers an overview of British fiction written between roughly the mid-1760s and the early 1830s and is an ideal guide to the major authors, historical and cultural contexts, and later critical reception. The contributors to this volume represent the most up-to-date directions in scholarship, charting the ways in which the period's social, political and intellectual redefinitions created new fictional subjects, forms and audiences.
James Baldwin Review (JBR) is an annual journal that brings together a wide array of peer-reviewed critical and creative work on the life, writings, and legacy of James Baldwin. In addition to these cutting-edge contributions, each issue contains a review of recent Baldwin scholarship and an award-winning graduate student essay. James Baldwin Review publishes essays that invigorate scholarship on James Baldwin; catalyze explorations of the literary, political, and cultural influence of Baldwin's writing and political activism; and deepen our understanding and appreciation of this complex and luminary figure. -- .
Developed in cooperation with the International Baccalaureate (R) Everything you need to deliver a rich, concept-based approach for the new IB Diploma English Language and Literature course. - Navigate seamlessly through all aspects of the syllabus with in-depth coverage of the key concepts underpinning the new course structure and content - Investigate the three areas of exploration in detail and engage with global issues to help students become flexible, critical readers - Provide a variety of texts with a breadth of reading material and forms from a diverse pool of authors - Engaging activities are provided to test understanding of each topic and develop skills - guiding answers are available to check your responses - Identify opportunities to make connections across the syllabus, with explicit reference to TOK, EE and CAS |
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