How did a single genre of text have the power to standardise the English language across time and region, rival the Bible in notions of authority, and challenge our understanding of objectivity, prescription, and description? Since the first monolingual dictionary appeared in 1604, the genre has sparked evolution, innovation, devotion, plagiarism, and controversy. This comprehensive volume presents an overview of essential issues pertaining to dictionary style and content and a fresh narrative of the development of English dictionaries throughout the centuries. Essays on the regional and global nature of English lexicography (dictionary making) explore its power in standardising varieties of English and defining nations seeking independence from the British Empire: from Canada to the Caribbean. Leading scholars and lexicographers historically contextualise an array of dictionaries and pose urgent theoretical and methodological questions relating to their role as tools of standardisation, prestige, power, education, literacy, and national identity.

Tracing representations of the Rushdie affair from 1989 to 2009, this study establishes a genealogy of how British Muslims appeared on the public scene and how an imaginary and politics of this subject position developed.

The modernist period witnessed attempts to explain religious experience in non-religious terms. Such novelists as Henry James, Marcel Proust, James Joyce, Virginia Woolf and Franz Kafka found methods to describe through fiction the sorts of experiences that had traditionally been the domain of religious mystics and believers. In Religious Experience and the Modernist Novel, Pericles Lewis considers the development of modernism in the novel in relation to changing attitudes to religion. Through comparisons of major novelists with sociologists and psychologists from the same period, Lewis identifies the unique ways that literature addressed the changing spiritual situation of the early twentieth century. He challenges accounts that assume secularisation as the main narrative for understanding twentieth-century literature. Lewis explores the experiments that modernists undertook in order to invoke the sacred without directly naming it, resulting in a compelling study for readers of twentieth-century modernist literature.

For four centuries Twelfth Night has inspired theatre directors and performers: some have found class war; some have seen Malvolio as a tragic hero; some have found a passive Viola and others have found an action woman. Whether a production's emphasis is on gender bending, festivity, or trying to reinvent Shakespeare as Chekhov, the sheer variety of Twelfth Nights on offer over the centuries attests to the play's power as a stimulus to theatrical creativity. The dazzling range of the Twelfth Nights considered here includes the productively wayward as well as the conventionally respectable, productions which play to the contemporary market as well as those that seek to flout tradition. This indispensable stage history covers changing fashions in the fortunes of Twelfth Night, and includes a survey of a wide variety of theatrical interpretations of the play in the English-speaking world.

Kierkegaard's Concluding Unscientific Postscript is a classic of existential literature. It concludes the first and richest phase of Kierkegaard's pseudonymous authorship and is the text that philosophers look to first when attempting to define Kierkegaard's own philosophy. Familiar Kierkegaardian themes are introduced in the work, including truth as subjectivity, indirect communication, the leap, and the impossibility of forming a philosophical system for human existence. The Postscript sums up the aims of the preceding pseudonymous works and opens the way to the next part of Kierkegaard's increasingly tempestuous life: it can thus be seen as a cornerstone of his philosophical thought. This volume offers the work in a new and accessible translation by Alastair Hannay, together with an introduction that sets the work in its philosophical and historical contexts.

Kierkegaard's Concluding Unscientific Postscript is a classic of existential literature. It concludes the first and richest phase of Kierkegaard's pseudonymous authorship and is the text that philosophers look to first when attempting to define Kierkegaard's own philosophy. Familiar Kierkegaardian themes are introduced in the work, including truth as subjectivity, indirect communication, the leap, and the impossibility of forming a philosophical system for human existence. The Postscript sums up the aims of the preceding pseudonymous works and opens the way to the next part of Kierkegaard's increasingly tempestuous life: it can thus be seen as a cornerstone of his philosophical thought. This volume offers the work in a new and accessible translation by Alastair Hannay, together with an introduction that sets the work in its philosophical and historical contexts.

In France at the end of the nineteenth century, progress and material prosperity coincided with widespread alarm about disease and decay. The obsessions of our own culture as the twentieth century came to a close resonate strikingly with those of the last fin-de-siecle: crime, pollution, sexually transmitted diseases, gender confusion, moral depravity, alcoholism, and tobacco and drug use were topics of popular discussion then as now.The Decadent Reader is a collection of novels and stories from fin-de-siecle France that celebrate decline, aestheticize decay, and take pleasure in perversity. By embracing the marginal, the unhealthy, and the deviant, the decadent writers attacked bourgeois life, which they perceived to be the chief enemy of art. Barbey d'Aurevilly, Joris-Karl Huysmans, Jean Lorrain, Guy de Maupassant, Villiers de l'Isle-Adam, Catulle Mendes, Rachilde, Jean Moreas, Octave Mirbeau, Josephin Peladan, and Remy de Gourmont looted the riches of their culture for their own purposes. In an age of medicine, they borrowed its occult mysteries rather than its positivism. From its social Darwinism, they found their monsters: sadists, murderers, transvestites, fetishists, prostitutes, nymphomaniacs, and hysterics. And they reveled in them, completely upending the conventions of romance and sentimentality. The Decadent Reader, which includes critical essays on all of the authors, many novels and stories that have never before appeared in English, and familiar works set in a new context, offers a compelling portrait of fin-de-siecle France."

While poetry has been the genre most closely associated with the Romantic period, the novel of the late eighteenth and early nineteenth centuries has attracted many more readers and students in recent years. Its canon has been widened to include less well known authors alongside Jane Austen, Walter Scott, Maria Edgeworth and Thomas Love Peacock. Over the last generation, especially, a remarkable range of popular works from the period have been re-discovered and reread intensively. This Companion offers an overview of British fiction written between roughly the mid-1760s and the early 1830s and is an ideal guide to the major authors, historical and cultural contexts, and later critical reception. The contributors to this volume represent the most up-to-date directions in scholarship, charting the ways in which the period's social, political and intellectual redefinitions created new fictional subjects, forms and audiences.

While poetry has been the genre most closely associated with the Romantic period, the novel of the late eighteenth and early nineteenth centuries has attracted many more readers and students in recent years. Its canon has been widened to include less well known authors alongside Jane Austen, Walter Scott, Maria Edgeworth and Thomas Love Peacock. Over the last generation, especially, a remarkable range of popular works from the period have been re-discovered and reread intensively. This Companion offers an overview of British fiction written between roughly the mid-1760s and the early 1830s and is an ideal guide to the major authors, historical and cultural contexts, and later critical reception. The contributors to this volume represent the most up-to-date directions in scholarship, charting the ways in which the period's social, political and intellectual redefinitions created new fictional subjects, forms and audiences.

Decades before "Field of Dreams" there was "The Year the Yankees Lost the Pennant," the classic baseball fable that became the hit movie and musical "Damn Yankees." Now a new generation is ready to discover this delightful book, restored to its original title, with a new introduction by baseball writer Bill James. Baseball lovers everywhere can identify with Joe Boyd, a die-hard Washington Senators fan who puts his soul in hock to help them wrest the pennant away from the hated, all-conquering Yankees. Transformed by the sulfurous Mr. Applegate's satanic magic into twenty-two-year-old phenom Joe Hardy, he leads the hapless Senators in a torrid late-season pursuit of the men in pinstripes. Joe has until September 21st before the deal becomes final and eternal. With the luscious temptress Lola to distract him, he'll have a hell of a time wriggling out of the bargain..."

Das Kleist-Jahrbuch 2022 dokumentiert die Verleihung des Kleist-Preises 2020 im November 2021 mit den Reden des Preistragers Clemens J. Setz, der Vertrauensperson der Jury Daniela Strigl und des Prasidenten der Heinrich-von-Kleist-Gesellschaft Gunter Blamberger. Den Schwerpunkt bilden die von Andrea Allerkamp und Martin Roussel betreuten Beitrage der internationalen Jahrestagung der Heinrich-von-Kleist-Gesellschaft 2021 >Um einen Kleist von aussen bittend< (u.a. von Laszlo F. Foeldenyi, Rudiger Goerner, Andrea Pagni, Paul Michael Lutzeler und Carlotta von Maltzan). Abhandlungen zu Kleists Werken und Rezensionen wissenschaftlicher Neuerscheinungen zu Kleist sowie zu seinen historischen und systematischen Kontexten beschliessen den Band.

American Salvage is rich with local color and peopled with rural characters who love and hate extravagantly. They know how to fix cars and washing machines, how to shoot and clean game, and how to cook up methamphetamine, but they have not figured out how to prosper in the twenty-first century. Through the complex inner lives of working-class characters, Bonnie Jo Campbell illustrates the desperation of post-industrial America, where wildlife, jobs, and whole ways of life go extinct and the people have no choice but to live off what is left behind.

Joseph Goebbels was the most notorious demagogue of the twentieth century, and Hitler's closest confidant. This book uses his complete diary from 1923-1945, only recently released from the Soviet Union, to present a challenging new interpretation of his life. It charts Goebbels' rise from provincial obscurity in the Rhineland, through his emergence as the most dynamic speaker of the Nazi Party and the Gauleiter of Berlin in the 1920s, to his appointment as Hitler's Propaganda Minister in 1933. Combining analysis of Goebbels' relationships with women and of his political career, it argues that there were clear threads running through his life, from a turbulent adolescence through to his death. Goebbels' love of German culture, his obsession with 'sacrifice', his fascination for Hitler, and his hatred of the Jews led him into a fatal involvement with German politics which culminated in his suicide, together his wife and six children, in Hitler's bunker in 1945.

First published in 1899, this beautiful, brief  novel so disturbed critics and the public that it  was banished for decades afterward. Now widely read  and admired, The Awakening has  been hailed as an early vision of woman's  emancipation. This sensuous book tells of a woman's  abandonment of her family, her seduction, and her  awakening to desires and passions that threated to  consumer her. Originally entitled "A Solitary  Soul," this portrait of twenty-eight-year-old  Edna Pontellier is a landmark in American fiction,  rooted firmly in the romantic tradition of Herman  Melville and Emily Dickinson. Here, a woman in  search of self-discovery turns away from convention and  society, and toward the primal, from convention  and society, and toward the primal, irresistibly  attracted to nature and the sensesThe  Awakening, Kate Chopin's last novel, has been  praised by Edmund Wilson as "beautifully  written." And Willa Cather described its style as  "exquisite," "sensitive," and  "iridescent." This edition of The  Awakening also includes a selection of  short stories by Kate Chopin.

"This seems to me a  higher order of feminism than repeating the story  of woman as victim... Kate Chopin gives her female  protagonist the central role, normally reserved  for Man, in a meditation on identity and culture,  consciousness and art." -- From the  introduction by Marilynne Robinson.

From Loki to Thor, Ragnarok to Beowulf A gripping and truly mesmerising delve into the Norse legends From bestselling books to blockbusting Hollywood movies, the myths of the Scandinavian gods and heroes are part of the modern day landscape. For over a millennium before the arrival of Christianity, the legends permeated everyday life in Iceland and the northern reaches of Europe. Since that time, they have been perpetuated in literature and the arts in forms as diverse as Tolkien and Wagner, graphic novels to the world of Marvel. This book covers the entire cast of supernatural beings, from gods to trolls, heroes to monsters, and deals with the social and historical background to the myths, topics such as burial rites, sacrificial practices and runes.

For those living in the Soviet Union, Orwell's masterpieces, Animal Farm and Nineteen Eighty-Four, were not dystopias, but accurate depictions of reality. Here, the Orwell scholar and expert on Russian politics, Masha Karp – Russian Features Editor at the BBC World Service for over a decade – explores how Orwell's work was received in Russia, when it percolated into the country even under censorship. Suggesting a new approach to the controversial ‘Orwell’s list’ of 1949, Karp puts into context the articles and letters written by Orwell at the time. She sheds light on how the ideas of totalitarianism exposed in Orwell’s writing took root in Russia and, in doing so, helps us to understand the contemporary political reality. As Vladimir Putin's actions continue to shock the West, it is clear we are witnessing the next transformation of totalitarianism, as predicted and described by Orwell. Now, over 70 years after Orwell's death, his writing, at least as far as Russia is concerned, remains as timely and urgent as it has ever been.

First inclusive edition, and an essay never published before, by the talented Elizabethan courtier.

Where others have explored the teaching of LGBTQ literature courses, Curricular Innovations: LGBTQ Literatures and the New English Studies explores the impact that queer writers and their works are having across the broader undergraduate curriculum of English departments, as well as beyond those department spaces. While courses that focus on queer texts provide more space for students to think about the complexities of queer lives, this book breaks out of the specialized LGBTQ classroom to consider how we might also restructure and reframe a diverse set of undergraduate courses by paying attention to the contributions that LGBTQ writers make. Beyond simply including a text or two to represent "difference," contributors to this volume take a more structural approach in order to demonstrate ways of theming or designing courses around language, desire, and sexuality. They also demonstrate what happens when queer texts are given freedom to shape other classroom spaces, discussions, and reading/writing practices. This collection offers a practical intervention into conversations about the purposes and places of LGBTQ literatures by making good on the challenges that queer theories have posed to higher education over the last forty years.

There was a time when good writing would be defined simply by adverting to a few literary classics. That kind of strategy is less helpful these days, when so many different styles and voices clamor for attention. What Is Good Writing? sets the terms for a contemporary debate on writing achievement by drawing on empirical research in linguistics and the other cognitive sciences that shed light on the development of fluency in language generally. The utility of defining good writing as fluent writing in this sense - on a par with the typical fluency in speech attained by normal adults - is demonstrated by the progress it permits in evaluating the success of current writing programs in school and university, which for the most part have proved unable to deliver writing assessments that are both valid and reliable. What Is Good Writing? indicates an alternative approach that rests on a more scientific footing and shows why reading is key and why standard composition programs are so often seen to fail.

What does Melville studies look like after a phase of intense critical activity? This book addresses that question by analyzing Melville as a writer who was keenly interested in the pleasures, limits, and possibilities of various reading practices. It collects and assesses all of the major new trends in Melville studies. Essays, written by some of the leading scholars in the field, test out emerging critical methods. They explore Melville's centrality to American literary studies and consider the full range of Melville's career, connecting his poetry to his prose. This collection re-imagines Melville as a theorist as well as a writer, approaching his works as philosophical forms in their own right. It shows how scholars are changing Melville studies not only by re-orienting the texts upon which those studies are based, but also by incorporating new approaches that unsettle prior assumptions and interpretive claims.

RICHARD AND JUDY BESTSELLING AUTHOR 'Gripping, emotional, utterly engrossing' Lisa Ballantyne 'Stunning writing and wonderful nuanced characterisation. I was hooked' Rosamund Lupton For fans of Maggie O'Farrell and Celeste Ng, How It Ends is a sweeping and turbulent drama about the anxieties of post-war Britain, where one strong and inspirational young woman looks to find her place, no matter the cost... 1957: Within a year of arriving at an American airbase in Suffolk, the loving, law-abiding Delaney family is destroyed. Did they know something they weren't allowed to know? Did they find something they weren't supposed to find? Only one girl has the courage to question what really went on behind closed doors . . . Hedy's journey to the truth leads her to read a manuscript that her talented twin brother had started months before he died, a story inspired by an experience in the forest surrounding the airbase perimeter. Only through deciding to finish what her brother started does Hedy begin to piece together what happened to her family. But would she have continued if she'd known then what she knows now? Sometimes, it's safer not to finish what you've started... Praise for Saskia Sarginson: 'An intense and brooding read, with a brilliantly claustrophobic sense of place' Sunday Mirror on How it Ends 'An engrossing read with endearing characters thrust into traumatic circumstances. It stayed with me long after the last page' Lisa Ballantyne on How It Ends 'Outstandingly good. Part thriller, part love story, I guarantee you will not be able to put it down' Sun on The Twins 'Atmospheric, readable, beautifully evoked' Sunday Mirror on Without You 'Stunning in its insight and beautifully written' Judy Finnigan on The Twins 'This enthralling read will keep you up long into the night' Ruth Ware on The Other Me 'Inspirational and compelling' Candis Review on How it Ends 'A stunning writer with deep insight into people, their thoughts and behaviour' NZ Women's Weekly

"John Koethe's "The Constructor" is a scrupulous, elegant account of the meditative intellect as an instrument continually registering the passage of time. Exquisitely modulated and brutally honest, these poems would be harrowing were they not so seductively beautiful. No one writing in this country today sees as deeply as Koethe into the tears that lie at the heart of things, and no contemporary investigation of the life of the mind may be called complete that does not accommodate the lush intricacy of his terrifying recognitions."
-- George Bradley

"I prize John Koethe's intimate expanses and unsettling reveries, his tender contemplations and odd mental landscapes. He is an heir to Wallace Stevens and John Ashbery and, like them, he gives us the sensation of thinking itself, of a certain fleeting, daily, solitary consciousness rescued from oblivion and held aloft."
-- Edward Hirsch