"Turn the Pulpit Loose" features the lives and words of eighteen women evangelists including Sojourner Truth and Evangeline Booth, and lesser-known figures such as Jarena Lee (an African Methodist from the early 1800s) and Uldine Utley (a child evangelist in the early 1900s) who helped to shape American religious life from the nation's infancy to the present. Highlighting substantial primary sources - sermons, articles, diaries, letters, speeches, and autobiographies - Priscilla Pope-Levison weaves together fascinating narratives of each woman's life: her conversion and calling to preach, her primary evangelistic method, and her reflections about women in general. This anthology, complete with photographs of each evangelist, is an indispensable resource for a wide range of academic fields, including religion, history, women's studies, and literature.

How did a single genre of text have the power to standardise the English language across time and region, rival the Bible in notions of authority, and challenge our understanding of objectivity, prescription, and description? Since the first monolingual dictionary appeared in 1604, the genre has sparked evolution, innovation, devotion, plagiarism, and controversy. This comprehensive volume presents an overview of essential issues pertaining to dictionary style and content and a fresh narrative of the development of English dictionaries throughout the centuries. Essays on the regional and global nature of English lexicography (dictionary making) explore its power in standardising varieties of English and defining nations seeking independence from the British Empire: from Canada to the Caribbean. Leading scholars and lexicographers historically contextualise an array of dictionaries and pose urgent theoretical and methodological questions relating to their role as tools of standardisation, prestige, power, education, literacy, and national identity.

Tracing representations of the Rushdie affair from 1989 to 2009, this study establishes a genealogy of how British Muslims appeared on the public scene and how an imaginary and politics of this subject position developed.

From Loki to Thor, Ragnarok to Beowulf A gripping and truly mesmerising delve into the Norse legends From bestselling books to blockbusting Hollywood movies, the myths of the Scandinavian gods and heroes are part of the modern day landscape. For over a millennium before the arrival of Christianity, the legends permeated everyday life in Iceland and the northern reaches of Europe. Since that time, they have been perpetuated in literature and the arts in forms as diverse as Tolkien and Wagner, graphic novels to the world of Marvel. This book covers the entire cast of supernatural beings, from gods to trolls, heroes to monsters, and deals with the social and historical background to the myths, topics such as burial rites, sacrificial practices and runes.

The modernist period witnessed attempts to explain religious experience in non-religious terms. Such novelists as Henry James, Marcel Proust, James Joyce, Virginia Woolf and Franz Kafka found methods to describe through fiction the sorts of experiences that had traditionally been the domain of religious mystics and believers. In Religious Experience and the Modernist Novel, Pericles Lewis considers the development of modernism in the novel in relation to changing attitudes to religion. Through comparisons of major novelists with sociologists and psychologists from the same period, Lewis identifies the unique ways that literature addressed the changing spiritual situation of the early twentieth century. He challenges accounts that assume secularisation as the main narrative for understanding twentieth-century literature. Lewis explores the experiments that modernists undertook in order to invoke the sacred without directly naming it, resulting in a compelling study for readers of twentieth-century modernist literature.

For four centuries Twelfth Night has inspired theatre directors and performers: some have found class war; some have seen Malvolio as a tragic hero; some have found a passive Viola and others have found an action woman. Whether a production's emphasis is on gender bending, festivity, or trying to reinvent Shakespeare as Chekhov, the sheer variety of Twelfth Nights on offer over the centuries attests to the play's power as a stimulus to theatrical creativity. The dazzling range of the Twelfth Nights considered here includes the productively wayward as well as the conventionally respectable, productions which play to the contemporary market as well as those that seek to flout tradition. This indispensable stage history covers changing fashions in the fortunes of Twelfth Night, and includes a survey of a wide variety of theatrical interpretations of the play in the English-speaking world.

Kierkegaard's Concluding Unscientific Postscript is a classic of existential literature. It concludes the first and richest phase of Kierkegaard's pseudonymous authorship and is the text that philosophers look to first when attempting to define Kierkegaard's own philosophy. Familiar Kierkegaardian themes are introduced in the work, including truth as subjectivity, indirect communication, the leap, and the impossibility of forming a philosophical system for human existence. The Postscript sums up the aims of the preceding pseudonymous works and opens the way to the next part of Kierkegaard's increasingly tempestuous life: it can thus be seen as a cornerstone of his philosophical thought. This volume offers the work in a new and accessible translation by Alastair Hannay, together with an introduction that sets the work in its philosophical and historical contexts.

Kierkegaard's Concluding Unscientific Postscript is a classic of existential literature. It concludes the first and richest phase of Kierkegaard's pseudonymous authorship and is the text that philosophers look to first when attempting to define Kierkegaard's own philosophy. Familiar Kierkegaardian themes are introduced in the work, including truth as subjectivity, indirect communication, the leap, and the impossibility of forming a philosophical system for human existence. The Postscript sums up the aims of the preceding pseudonymous works and opens the way to the next part of Kierkegaard's increasingly tempestuous life: it can thus be seen as a cornerstone of his philosophical thought. This volume offers the work in a new and accessible translation by Alastair Hannay, together with an introduction that sets the work in its philosophical and historical contexts.

While poetry has been the genre most closely associated with the Romantic period, the novel of the late eighteenth and early nineteenth centuries has attracted many more readers and students in recent years. Its canon has been widened to include less well known authors alongside Jane Austen, Walter Scott, Maria Edgeworth and Thomas Love Peacock. Over the last generation, especially, a remarkable range of popular works from the period have been re-discovered and reread intensively. This Companion offers an overview of British fiction written between roughly the mid-1760s and the early 1830s and is an ideal guide to the major authors, historical and cultural contexts, and later critical reception. The contributors to this volume represent the most up-to-date directions in scholarship, charting the ways in which the period's social, political and intellectual redefinitions created new fictional subjects, forms and audiences.

While poetry has been the genre most closely associated with the Romantic period, the novel of the late eighteenth and early nineteenth centuries has attracted many more readers and students in recent years. Its canon has been widened to include less well known authors alongside Jane Austen, Walter Scott, Maria Edgeworth and Thomas Love Peacock. Over the last generation, especially, a remarkable range of popular works from the period have been re-discovered and reread intensively. This Companion offers an overview of British fiction written between roughly the mid-1760s and the early 1830s and is an ideal guide to the major authors, historical and cultural contexts, and later critical reception. The contributors to this volume represent the most up-to-date directions in scholarship, charting the ways in which the period's social, political and intellectual redefinitions created new fictional subjects, forms and audiences.

Das Kleist-Jahrbuch 2022 dokumentiert die Verleihung des Kleist-Preises 2020 im November 2021 mit den Reden des Preistragers Clemens J. Setz, der Vertrauensperson der Jury Daniela Strigl und des Prasidenten der Heinrich-von-Kleist-Gesellschaft Gunter Blamberger. Den Schwerpunkt bilden die von Andrea Allerkamp und Martin Roussel betreuten Beitrage der internationalen Jahrestagung der Heinrich-von-Kleist-Gesellschaft 2021 >Um einen Kleist von aussen bittend< (u.a. von Laszlo F. Foeldenyi, Rudiger Goerner, Andrea Pagni, Paul Michael Lutzeler und Carlotta von Maltzan). Abhandlungen zu Kleists Werken und Rezensionen wissenschaftlicher Neuerscheinungen zu Kleist sowie zu seinen historischen und systematischen Kontexten beschliessen den Band.

This textbook introduces readers to the academic scholarship on the history of childhood and youth in sub-Saharan Africa, with a particular focus on the colonial and postcolonial eras. In a series of seven chapters, it addresses key themes in the historical scholarship, arguing that age serves as a useful category for historical analysis in African history. Just as race, class, and gender can be used to understand how African societies have been structured over time, so too age is a powerful tool for thinking about how power, youth, and seniority intersect and change over time. This is, then, a work of synthesis rather than of new research based on primary sources. This book will therefore introduce mainstream scholars of the history of childhood and youth to the literature on Africa, and scholars of youth in Africa to debates within the wider field of the history of children and youth.

Joseph Goebbels was the most notorious demagogue of the twentieth century, and Hitler's closest confidant. This book uses his complete diary from 1923-1945, only recently released from the Soviet Union, to present a challenging new interpretation of his life. It charts Goebbels' rise from provincial obscurity in the Rhineland, through his emergence as the most dynamic speaker of the Nazi Party and the Gauleiter of Berlin in the 1920s, to his appointment as Hitler's Propaganda Minister in 1933. Combining analysis of Goebbels' relationships with women and of his political career, it argues that there were clear threads running through his life, from a turbulent adolescence through to his death. Goebbels' love of German culture, his obsession with 'sacrifice', his fascination for Hitler, and his hatred of the Jews led him into a fatal involvement with German politics which culminated in his suicide, together his wife and six children, in Hitler's bunker in 1945.

The complete memoirs of a man of many talents and faces -- the late, great Spike Milligan -- affectionately recounted by his close friend and agent for 35 years, Norma Farnes. 'What's he really like?' Wherever I went and was introduced as Spike Milligan's manager I waited for the inevitable question. In not far short of thirty-six years it never altered. It wasn't one that could be answered in a few words so I generally made do with 'Interesting' or 'don't ask'... After chancing on an advertisement for a secretarial position, Norma Farnes found herself initiated into the world of Number Nine Orme Court where Spike and some of post-war's other greatest comedy writers like Eric Sykes, Johnny Speight, Ray Galton and Alan Simpson had formed a writers' cooperative. Soon promoted to be his manager, Norma was working for a man with a reputation for being brilliant and difficult in equal measure.;In this affectionate yet true account, Norma Farnes looks at the whole of Spike's life from his childhood and extraordinary family in India, his ongoing battle with his restless mind, his numerous affairs and his heartening struggles with many varied causes. She gives a mass of wonderful anecdotes and revealing insights into Spike and his circle, including, of course, his often fraught but deep friendship with Peter Sellers. In Spike, Norma Farnes has written a moving portrait of her greatest friend. Above all, Spike's fascinating, very human character is brought to life on every page.

Where others have explored the teaching of LGBTQ literature courses, Curricular Innovations: LGBTQ Literatures and the New English Studies explores the impact that queer writers and their works are having across the broader undergraduate curriculum of English departments, as well as beyond those department spaces. While courses that focus on queer texts provide more space for students to think about the complexities of queer lives, this book breaks out of the specialized LGBTQ classroom to consider how we might also restructure and reframe a diverse set of undergraduate courses by paying attention to the contributions that LGBTQ writers make. Beyond simply including a text or two to represent "difference," contributors to this volume take a more structural approach in order to demonstrate ways of theming or designing courses around language, desire, and sexuality. They also demonstrate what happens when queer texts are given freedom to shape other classroom spaces, discussions, and reading/writing practices. This collection offers a practical intervention into conversations about the purposes and places of LGBTQ literatures by making good on the challenges that queer theories have posed to higher education over the last forty years.

There was a time when good writing would be defined simply by adverting to a few literary classics. That kind of strategy is less helpful these days, when so many different styles and voices clamor for attention. What Is Good Writing? sets the terms for a contemporary debate on writing achievement by drawing on empirical research in linguistics and the other cognitive sciences that shed light on the development of fluency in language generally. The utility of defining good writing as fluent writing in this sense - on a par with the typical fluency in speech attained by normal adults - is demonstrated by the progress it permits in evaluating the success of current writing programs in school and university, which for the most part have proved unable to deliver writing assessments that are both valid and reliable. What Is Good Writing? indicates an alternative approach that rests on a more scientific footing and shows why reading is key and why standard composition programs are so often seen to fail.

What does Melville studies look like after a phase of intense critical activity? This book addresses that question by analyzing Melville as a writer who was keenly interested in the pleasures, limits, and possibilities of various reading practices. It collects and assesses all of the major new trends in Melville studies. Essays, written by some of the leading scholars in the field, test out emerging critical methods. They explore Melville's centrality to American literary studies and consider the full range of Melville's career, connecting his poetry to his prose. This collection re-imagines Melville as a theorist as well as a writer, approaching his works as philosophical forms in their own right. It shows how scholars are changing Melville studies not only by re-orienting the texts upon which those studies are based, but also by incorporating new approaches that unsettle prior assumptions and interpretive claims.

"John Koethe's "The Constructor" is a scrupulous, elegant account of the meditative intellect as an instrument continually registering the passage of time. Exquisitely modulated and brutally honest, these poems would be harrowing were they not so seductively beautiful. No one writing in this country today sees as deeply as Koethe into the tears that lie at the heart of things, and no contemporary investigation of the life of the mind may be called complete that does not accommodate the lush intricacy of his terrifying recognitions."
-- George Bradley

"I prize John Koethe's intimate expanses and unsettling reveries, his tender contemplations and odd mental landscapes. He is an heir to Wallace Stevens and John Ashbery and, like them, he gives us the sensation of thinking itself, of a certain fleeting, daily, solitary consciousness rescued from oblivion and held aloft."
-- Edward Hirsch

The dome of thought is the first study of phrenology based primarily on the popular - rather than medical - appreciation of this important and controversial pseudoscience. With detailed reference to the reports printed in popular newspapers from the early years of the nineteenth century to the fin de siecle, the book provides an unequalled insight into the Victorian public's understanding of the techniques, assumptions and implications of defining a person's character by way of the bumps on their skull. Highly relevant to the study of the many authors - Wilkie Collins, Charles Dickens, and George Eliot, among them - whose fiction was informed by the imagery of phrenology, The dome of thought will prove an essential resource for anybody with an interest in the popular and literary culture of the nineteenth century, including literary scholars, medical historians and the general reader. -- .

This book explores the reception history of the most important Jewish Bible commentary ever composed, the Commentary on the Torah of Rashi (Shlomo Yitzhaki; 1040-1105). Though the Commentary has benefited from enormous scholarly attention, analysis of diverse reactions to it has been surprisingly scant. Viewing its path to preeminence through a diverse array of religious, intellectual, literary, and sociocultural lenses, Eric Lawee focuses on processes of the Commentary's canonization and on a hitherto unexamined-and wholly unexpected-feature of its reception: critical, and at times astonishingly harsh, resistance to it. Lawee shows how and why, despite such resistance, Rashi's interpretation of the Torah became an exegetical classic, a staple in the curriculum, a source of shared religious vocabulary for Jews across time and place, and a foundational text that shaped the Jewish nation's collective identity. The book takes as its larger integrating perspective processes of canonicity as they shape how traditions flourish, disintegrate, or evolve. Rashi's scriptural magnum opus, the foremost work of Franco-German (Ashkenazic) biblical scholarship, faced stiff competition for canonical supremacy in the form of rationalist reconfigurations of Judaism as they developed in Mediterranean seats of learning. It nevertheless emerged triumphant in an intense battle for Judaism's future that unfolded in late medieval and early modern times. Investigation of the reception of the Commentary throws light on issues in Jewish scholarship and spirituality that continue to stir reflection, and even passionate debate, in the Jewish world today.

The James Baldwin Review (JBR) is an annual journal that brings together a wide array of peer-reviewed critical and creative work on the life, writings, and legacy of James Baldwin. In addition to these cutting-edge contributions, each issue contains a review of recent Baldwin scholarship and an award-winning graduate student essay. The James Baldwin Review publishes essays that invigorate scholarship on James Baldwin; catalyze explorations of the literary, political, and cultural influence of Baldwin's writing and political activism; and deepen our understanding and appreciation of this complex and luminary figure. It is the aim of the James Baldwin Review to provide a vibrant and multidisciplinary forum for the international community of Baldwin scholars, students, and enthusiasts. -- .

First published in 1938, this collection of stories set in the rich farmland of the Salinas Valley includes the O. Henry Prize-winning story "The Murder," as well as one of Steinbeck's most famous short works, "The Snake."