Focused on the struggle to survive by the Jewish Poles stranded in the Polish countryside during the Holocaust, case studies collected in this volume are based on research carried out at Poland's Institute of National Remembrance. Where possible, they are also complemented by Jewish survivors' testimonies dispersed throughout the world. There are at least two leitmotifs recurring throughout all texts: What are the social correlates of the anti-Jewish violence undertaken by Polish neighbours without German initiative and even knowledge? Are there certain types of social relationships more subject or prone to this kind of violence? What was the role of peasantry, social elites, and Catholic church in inciting and perpetrating it? Was this violence influenced by the Holocaust, or was it a separate form of genocidal violence?

This book is distinctive because it will be a political science oriented introduction to "The Federalist Papers." As most of the editions have introductions by historians, and some of them quite good, there is no readily available edition with a political science focus. Such a focus would not ignore the historical dimensions of the founding and that particular era, but would supplement this historical background with a concentration on the key questions political scientists tend to ask when reading and teaching "The Federalist Papers." Questions of power, separation, blending, federalism, and structural design and how they impact the practice of government, questions we political scientists ask, will be the central feature of this edition. The primary audience for this edition would be courses in American Political Thought, American Government (most of which include components of the Federalist Papers) plus courses on the Presidency, Congress, The Judiciary, and Federalism.

The study of scents and all things olfactory is thriving, a sign of the great interest that our information-based society feels for a sense that seems to offer a direct and immediate experience of reality. But smells resist description and representation, especially given that they are closely linked to individual personal experience, and their perception has changed through time and space in a myriad of ways. This volume aims to contribute to the flourishing multidisciplinary exchanges around smells by examining the question of their mediality, focusing on the mechanisms by which the olfactory experience, as well as the scents themselves, circulate and are diffused, but also by exploring the modes of smell as a medium in itself. Drawing on a wide variety of approaches, cultural zones, and historical periods, this volume gathers the contributions of twenty-one researchers who specialize in this field in order to explore the multiple aspects of olfactory culture, which characterizes and shapes our relations to smells. La richesse de l'actualite en matiere d'odeurs et d'odorat temoigne du vif interet de nos societes de l'information pour un sens qui semble offrir une saisie directe et immediate du reel. Circulant de maniere tres variable a travers le temps et l'espace, les odeurs font l'objet d'une perception qui resiste d'autant plus a la description et a la representation qu'elle reste individuelle et liee a l'histoire personnelle. Ce volume vise a contribuer aux echanges interdisciplinaires sur l'olfaction a travers la question de la medialite, en s'interrogeant sur les mecanismes par lesquels l'experience olfactive et les odeurs sont transmises et diffusees, mais aussi en explorant les modalites de l'odeur comme medium. Proposant une diversite d'approches, d'aires culturelles et de periodes, ce volume rassemble les contributions de vingt-et-un specialistes qui etudient comment la culture olfactive caracterise et construit nos rapports aux odeurs.

The aim of the volume is to show in which sense the study of culture, literature and the arts can contribute to a better understanding of human cognition. The collection of essays is questioning whether culture is exclusively human and discusses evolutionary substrates of narrative and the interfaces between culture, stories and cognition. The contributions examine the cognitive strengths and weaknesses of literary reading and analyse other techniques of sense-making in the arts through imagined dialogues and the experience of ambiguity. The final contributions are dealing with musical cognition, the relation between music, aesthetics and cognition.

An interdisciplinary project that uses literary analysis, along with personal testimony and the applications of gender theory, as a means for identifying and exploring LGBTQ stories, the book considers queer yearnings for stories other than those conventionally available, that engage and resist norms in literature as well as culture and politics.

This book offers a bold new view of the way in which modernist fiction, painting, music, and poetry are interlinked. Dowden shows that modernism, contrary to a longstanding view, did not turn away from mimesis. Rather, modernism operates according to a deepened understanding of what mimesis is and how it works, which in turn occasions a fresh look at other related dimensions of the modernist achievement. Modernism is neither "difficult" nor elitist. Instead, it trends toward simplicity, directness, and common culture. Dowden argues that naivete rather than highbrow sophistication was for the modernists a key artistic principle. He demonstrates that modernism, far from glorifying subjective creativity, directs itself toward healing the split between subject and object. Mimesis closes this gap by resolving representation into play and festivity.

After forty years of feminism, views of the traditional Jewish family, religion, and gender roles have changed. In the process a new literature has been created, new paradigms born, and many Jewish women writers have been reevaluated, reclaimed, and renamed, with their Jewish heritage often overlooked or misinterpreted." Modern Jewish Women Writers in America "includes groundbreaking essays and interviews with scholars and authors who reveal that despite pressures of assimilation, personal goals, and in some cases, anti-Semitism, they have never been able to divorce their lives or literature from being Jewish.

This book explores the idiosyncratic effects generated as fairytale and gothic horror join, clash or merge in cinema. Identifying long-held traditions that have inspired this topical phenomenon, the book features close analysis of classical through to contemporary films. It begins by tracing fairytale and gothic origins and evolutions, examining the diverse ways these have been embraced and developed by cinema horror. It moves on to investigate films close up, locating fairytale horror, motifs and themes and a distinctively cinematic gothic horror. At the book's core are recurring concerns including: the boundaries of the human; rational and irrational forces; fears and dreams; 'the uncanny' and transitions between the wilds and civilization. While chronology shapes the book, it is thematically driven, with an interest in the cultural and political functions of fairytale and gothic horror, and the levels of transgression or social conformity at the heart of the films.

As the sun sets on a feverishly hot July evening, a young woman spies on her teenage neighbor, transfixed by what looks like an occult ritual intended to banish an ex-boyfriend. Alone in a new town and desperate to expel the claustrophobic memories of her own ex that have followed, the narrator decides to try to hex herself free from her past. She falls in with the neighbor and her witchy friend, exploring nascent supernatural powers as the boundaries of reality shift in and out of focus. But when the creaks and hums of her apartment escalate into something more violent, she realizes that she may have brought her boyfriend's presence-whether psychological or paranormal-back to haunt her. With astonishing emotional depth and clarity, Disturbance explores the fallout of abuse. Propulsive and wry, this razor-sharp debut twists witchcraft and horror into a powerful narrative of one woman's struggle to return to herself.

This essay collection begins the vast project that is the global history of Ralph Ellison's life and work. It examines how and why this avowedly "American" author read literature and scholarship from across the world and has in turn been widely read outside the borders of the USA. How did Ellison's encounters with the "international" Henry James, the Cambridge Ritualists, the Roman poet Ovid and with Dostoevsky shape both the aesthetics and the politics of his own work? And what is the relationship between Invisible Man and the complex and always evolving political and cultural contexts of South Africa, the USSR and Russia, Germany and Japan since World War II? Contributors from seven different countries - based in Asia, Africa, Europe and the USA - deploy significant archival research both in Ellison's personal library and in the translation and reception histories of his iconic first novel. This study of "the world in Ellison and Ellison in the world" initiates an important new approach in Ellison studies, illuminating hitherto hidden dimensions of the man and his writings.

In this edited collection contributors examine key themes, sources and methods in contemporary African Philosophy, building on a wide-ranging understanding of what constitutes African philosophy, and drawing from a variety of both oral and written texts of different genres. Part one of the volume examines how African philosophy has reacted to burning issues, ranging from contemporary ethical questions on how to integrate technological advancements into human life; to one of philosophy's prime endeavours, which is establishing the conditions of knowledge; to eternal ontological and existential questions on the nature of being, time, memory and death. Part two reflects on the (re)definition of philosophy from an African vantage point and African philosophy's thrust to create its own canon, archive and resources to study African concepts, artefacts, practices and texts from the perspective of intellectual history. The volume aims to make a contribution to the academic debate on African philosophy and philosophy more broadly, challenging orthodox definitions and genres, in favour of a broadening of the discipline's self-understanding and locales. This book will be of interest to students and scholars of African philosophy and comparative philosophy.

This book traces affinities between digital and medieval media, exploring how reading functioned as a nexus for concerns about increasing literacy, audiences' agency, literary culture and media formats from the late fourteenth to the early sixteenth centuries. Drawing on a wide range of texts, from well-known poems of Chaucer and Lydgate to wall texts, banqueting poems and devotional works written by and for women, Participatory reading argues that making readers work offered writers ways to shape their reputations and the futures of their productions. At the same time, the interactive reading practices they promoted enabled audiences to contribute to - and contest - writers' burgeoning authority, making books and reading work for everyone. -- .

Abbas Khider (b. 1973) has established himself as one of the leading literary voices of refugees and marginalised communities in Germany today. Born in Baghdad, Iraq, Khider was at a young age a vocal critic of Saddam Hussein's regime, during which he was jailed and tortured before fleeing the country. As a refugee, he crossed many countries before arriving in Germany, where he was eventually granted asylum. His own life experiences have served as a departure point for his novels, which similarly explore the refugee experience and the challenges that migrants to Europe face. This volume represents the first collection of essays devoted to Khider's works to date. The contributions analyse his narrative works and probe important questions relating to political, cultural, and linguistic identity in Germany today. While his works explore what it means to be an immigrant, they do so with a wry sense of humour and an insight into the human condition that also reflect on the political situation in Germany today. His award-winning novels, including Der falsche Inder (2008, The Village Indian, 2013) and Ohrfeige (2016, A Slap in the Face, 2019), which have been translated into English, are discussed in detail. Additionally, an original interview with the author offers insight into his writing process and influences.

Der Band basiert auf den Beitragen des Klassik-Kollegs "The Queen's Two Bodies", das im Juni 2018 an der Klassik-Stiftung-Weimar zwischen den drei Herausgeberinnen und In-stitutionen veranstaltet wurde: Elena Agazzi (Universita degli Studi di Bergamo), Gesa Dane (Freie Universitat Berlin) und Gaby Pailer (University of British Columbia, Vancouver).

Justice, Women, and Power in English Renaissance Drama is a collection of essays that explores the relationship of gender and justice as represented in English Renaissance drama. Many of the essays are concerned with interrogating the ways that women relied upon and/or reacted to the legal (and overarching political) systems in early modern England. Other essays examine issues involving the role of narrative, evidence, and gendered expectations about justice in the plays of this time period. An implicit concern of these essays is whether women were empowered or disempowered in this interaction with the legal/political system.

This collection brings together for the first time Peter Fitting's writings about the utopian impulse as expressed in science fiction, fantasy, cinema, architecture, and cultural theory. These wide-ranging essays trace the constant reconsideration of the utopian project itself over the past four decades, from its mid-twentieth century period of decline to its revival in counter-cultural science fiction of the 1960s and '70s, its second decline with the "dystopian turn" in film, and the rise of feminist pessimism in the 1980s. These pages reveal what popular utopian, dystopian, and science-fiction narratives tell us about today's most pressing political issues, including gender equity, education reform, technological change, capitalist excess, state-sanctioned violence, and the challenges of effecting lasting political change. Through analyses of various popular genres and media, the author demonstrates how utopian visions written from particular political perspectives transcend narrowly partisan concerns to stoke our collective desire for another world and a more adequate human future, teaching us how to become the citizens and subjects that a utopian society demands.

2021 Bram Stoker Awards(R) Nominee for Superior Achievement in Non-Fiction From the short story "The Lottery" to the masterworks The Haunting of Hill House and We Have Always Lived in the Castle, Shirley Jackson's popular, often bestselling works experimented with popular generic forms (melodrama, folktale, horror, the Gothic, and the Weird) to create a uniquely apocalyptic vision of America and its contradictions. With a Foreword by award-winning Jackson biographer Ruth Franklin, this collection features comprehensive critical engagement with Jackson's works, including those that have received less scholarly attention. Among these are the novels The Road Through the Wall, The Bird's Nest, and Hangsaman, as well as Jackson's historical study, The Witchcraft of Salem Village. Also included are essays on Jackson's darkly humorous collections Life Among the Savages and Raising Demons, on Stephen King's "literary friendship" with Jackson, on the little-known film adaptations Lizzie (1957) and Hosszu Alkony (Long Twilight) (1997), and the first-ever extended analysis devoted to Jackson's unpublished satirical cartoon sketches. The collection's five sections focus on Jackson's style, key themes, and influence; her politics and poetics of space; her treatment of the "monstrous" mother and monstrousness of motherhood; her representations of outsiders and minorities; and moving-image adaptations of her work.

In March 1949 the security service MI5 received notice of a suspect person about to enter Britain and went to great pains to keep her under surveillance. This person was the author Doris Lessing. She would eventually go on to win the Nobel Prize for literature as an "epicist ... who with scepticism, fire and visionary power has subjected a divided civilisation to scrutiny". And it was precisely this scrutiny that troubled the guardians of the status quo. Lessing grew up in colonial Rhodesia and hated the scorn with which the colonists treated the native population. She worked tirelessly for a more just society and this drove her into support for communism. But a communist, as one of her fictional characters says, "is hated, despised, feared and hunted". Peter Raina's book, reproducing the secret files kept on Lessing, shows that this was largely true, even though her emphasis in these troubled times was always on Peace. Lessing was eventually disillusioned by communism, and sought a better understanding of human relations than Soviet-conforming cliches could provide. However, her understanding was much enriched by the experiences of her activism and knowledge of the opposition it aroused. The secret files show how strongly Lessing followed her convictions and throw new light on how her perceptions of society evolved. Peter Raina elucidates this in a short Introduction and an Epilogue discussing aspects of her writings.

This book traces the development of literary poetics after postmodernism and outlines the most important features of what is defined here as "post-postmodernism". This new literary form simultaneously recovers the characteristics of the traditional novel and abandons the ironic approach of postmodernism, while also retaining some postmodern narrative devices such as autofiction and metafiction. To render the global dimension of this phenomenon, this book focuses on the theme of the Second World War, an increasingly pivotal subject for historical novels in the twenty-first century worldwide. The study analyses the work of a variety of authors from several national literatures, focusing mainly on Roberto Bolano, William T. Vollmann and Jonathan Littell, and drawing comparison with other authors, such as Rachel Seiffert, Sarah Waters, Laurent Binet, Ian McEwan and Giorgio Falco.

Queer(y)ing Bodily Norms in Francophone Culture questions how a wide selection of restrictive norms come to bear on the body, through a close analysis of a range of texts, media and genres originating from across the francophone world and spanning the twentieth and twenty-first centuries. Each essay troubles hegemonic, monolithic perceptions and portrayals of racial, class, gender, sexual and/or national identity, rethinking bodily norms as portrayed in literature, film, theatre and digital media specifically from a queer and querying perspective. The volume thus takes "queer(y)ing" as its guiding methodology, an approach to culture and society which examines, questions and challenges normativity in all of its guises. The term "queer(y)ing" retains the celebratory tone of the term "queer" but avoids appropriating the identity of the LGBTQ+ community, a group which remains marginalized to this day. The publication reveals that evaluating the bodily norms depicted in francophone culture through a queer and querying lens allows us to fragment often oppressive and restrictive norms, and ultimately transform them.

This book introduces the principles of place and time by discussing the main roles they play in argumentation, unpacking the multifarious meanings of spatiality and temporality. Definitions of kairos are explored to yield suggestions as to how this concept, and that of 'place', can operate in argumentation. The chapters explore various related concepts such as the role of different arguments in different places, and how some places are not intended for argument; argumentation, time and temporality; visual argumentation; the effect of the passage of time on argument evaluation; and the image as a site of discursive production. This collection is of interest to students and researchers in argumentation studies, rhetoric, reasoning, and philosophy. Previously published in Argumentation Volume 34, issue 1, March 2020

Lectures and essays of the well-known literary scholar.

This landmark collection marks the publication of the 100th book in the Reimagining Ireland series. It attempts to provide a "forward look" (as opposed to what Frank O'Connor once referred to as the " backward look") at what Irish Studies might look like in the third millennium. With a Foreword by Declan Kiberd, it also contains essays by several other leading Irish Studies experts on (among other areas) literature and critical theory, sport, the Irish language, food and beverage studies, cinema, women's writing, Brexit, religion, Northern Ireland, the legacy of the Great Famine, Ireland in the French imagination, archival research, musicology, and Irish Studies in North America. The book is a tribute to Irish Studies' foundational commitment to revealing and renewing Irishness within and beyond the national space.