'One death, in exchange for thousands of lives - it's simple arithmetic!' A new translation of Dostoevsky's epic masterpiece, Crime and Punishment (1866). The impoverished student Raskolnikov decides to free himself from debt by killing an old moneylender, an act he sees as elevating himself above conventional morality. Like Napoleon he will assert his will and his crime will be justified by its elimination of 'vermin' for the sake of the greater good. But Raskolnikov is torn apart by fear, guilt, and a growing conscience under the influence of his love for Sonya. Meanwhile the police detective Porfiry is on his trail. It is a powerfully psychological novel, in which the St Petersburg setting, Dostoevsky's own circumstances, and contemporary social problems all play their part.

First published in 1899, this beautiful, brief  novel so disturbed critics and the public that it  was banished for decades afterward. Now widely read  and admired, The Awakening has  been hailed as an early vision of woman's  emancipation. This sensuous book tells of a woman's  abandonment of her family, her seduction, and her  awakening to desires and passions that threated to  consumer her. Originally entitled "A Solitary  Soul," this portrait of twenty-eight-year-old  Edna Pontellier is a landmark in American fiction,  rooted firmly in the romantic tradition of Herman  Melville and Emily Dickinson. Here, a woman in  search of self-discovery turns away from convention and  society, and toward the primal, from convention  and society, and toward the primal, irresistibly  attracted to nature and the sensesThe  Awakening, Kate Chopin's last novel, has been  praised by Edmund Wilson as "beautifully  written." And Willa Cather described its style as  "exquisite," "sensitive," and  "iridescent." This edition of The  Awakening also includes a selection of  short stories by Kate Chopin.

"This seems to me a  higher order of feminism than repeating the story  of woman as victim... Kate Chopin gives her female  protagonist the central role, normally reserved  for Man, in a meditation on identity and culture,  consciousness and art." -- From the  introduction by Marilynne Robinson.

This book offers insight into the ways students enrolled in European classrooms in higher education come to understand American experience through its literary fiction, which for decades has been a key component of English department offerings and American Studies curricula across the continent and in Great Britain and Ireland. The essays provide an understanding of how post-World War II American writers, some already elevated to 'canonical status' and some not, are represented in European university classrooms and why they have been chosen for inclusion in coursework. The book will be of interest to scholars and teachers of American literature and American studies, and to students in American literature and American studies courses.

Text in Danish.

"A spectre is haunting Europe - the spectre of Communism." So begins one of history's most important documents, a work of such magnitude that it has forever changed not only the scope of world politics, but indeed the course of human civilization. The Communist Manifesto was written in Friedrich Engels's clear, striking prose and declared the earth-shaking ideas of Karl Marx. Upon publication in 1848, it quickly became the credo of the poor and oppressed who longed for a society "in which the free development of each is the condition for the free development of all."
The Communist Manifesto contains the seeds of Marx's more comprehensive philosophy, which continues to inspire influential economic, political, social, and literary theories. But the Manifesto is most valuable as an historical document, one that led to the greatest political upheaveals of the nineteenth and twentieth centuries and to the establishment of the Communist governments that until recently ruled half the globe.
This Bantam Classic edition of The Communist Manifesto includes Marx and Engels's historic 1872 and 1882 prefaces, and Engels's notes and prefaces to the 1883 and 1888 editions.

Can anyone really own a culture? This magnificent account argues that the story of global civilisations is one of mixing, sharing, and borrowing. It shows how art forms have crisscrossed continents over centuries to produce masterpieces. From Nefertiti's lost city and the Islamic Golden Age to twentieth century Nigerian theatre and Modernist poetry, Martin Puchner explores how contact between different peoples has driven artistic innovation in every era - whilst cultural policing and purism have more often undermined the very societies they tried to protect. Travelling through Classical Greece, Ashoka's India, Tang dynasty China, and many other epochs, this triumphal new history reveals the crossing points which have not only inspired the humanities, but which have made us human.

Imitating the habits, chores, beliefs of the Indian culture, it is the dominant form in texts like the Pancatantra, the Jatakas, and the Hitopadesha. It is included at different places in the long narratives of the Mahabharata and the Yogavasishtha, and is disseminated in the form of the various folktales of India. This volume explores the unique tradition of Indian fables to present a theoretical understanding and critical analysis of the various aspects of the Indian fable. The work studies the Indian fables spread across various compositions in the context of the dominant discourses of the narratives, their form and structure and their continuing relevance. It develops an overall understanding of the Indian fables, their philosophy, mutual relationships, proliferation and textual scholarship. It also establishes the chronological development of the fables, right from the earliest utterances found in the Vedas to the epics, the PaA catantra and Buddhist texts. It emphasises the significance of the Indian fable as a discourse, often the narrative becoming subservient to the fable's discursive function. This interesting study will prove useful to scholars and students of Indology, particularly those concerned with Indian culture and literary tradition, as well as general readers interested in fables and stories of the Indian tradition.

This is a dual-language book with the French text on the left side, and the English text on the right side of each spread. The texts are precisely synchronized. See more details about this and other books on French Classics in French and English page on Facebook.

This is a dual-language book with the French text on the left side, and the English text on the right side of each spread. The texts are precisely synchronized. Translated by Charles Kenneth Scott Moncrieff. See more details about this and other books on French Classics in French and English page on Facebook.

Somshuklla has a pure and undefeated poetic heart. Her poems resonate with this quality. Her poems are not constrained due to any so called perspective. As a river flows its own course. Somshuklla's creativity, particularly her language, is spontaneous and original. The most interesting thing about her which touches the readers' mind is her poetic eye---how she observes and interprets her world! What Somshuklla sees in the myriad moments of daily existence, she literally transcreates those visuals. As a reader when we read her poems, she coaxes us to share her journey into her world. We identify ourselves with the contours she etches through her deft interplay of words, and simultaneously we feel that she has compelled

In Kristin Lavransdatter (1920-1922), Sigrid Undset interweaves political, social, and religious history with the daily aspects of family life to create a colorful, richly detailed tapestry of Norway during the fourteenth-century. The trilogy, however, is more than a journey into the past. Undset's own life—her familiarity with Norse sagas and folklore and with a wide range of medieval literature, her experiences as a daughter, wife, and mother, and her deep religious faith—profoundly influenced her writing. Her grasp of the connections between past and present and of human nature itself, combined with the extraordinary quality of her writing, sets her works far above the genre of "historical novels." This new translation by Tina Nunnally—the first English version since Charles Archer's translation in the 1920s—captures Undset's strengths as a stylist. Nunnally, an award-winning translator, retains the natural dialog and lyrical flow of the original Norwegian, with its echoes of Old Norse legends, while deftly avoiding the stilted language and false archaisms of Archer's translation. In addition, she restores key passages left out of that edition.

Undset's ability to present a meticulously accurate historical portrait without sacrificing the poetry and narrative drive of masterful storytelling was particularly significant in her homeland. Granted independence in 1905 after five hundred years of foreign domination, Norway was eager to reclaim its national history and culture. Kristin Lavransdatter became a touchstone for Undset's contemporaries, and continues to be widely read by Norwegians today. In the more than 75 years since it was first published, it has also become a favorite throughout the world.

This comparative study graphs the feminist theological trajectory of the religious writings of four eclectic, but similar, women: Hannah More, Mary Wollstonecraft, Elizabeth Cady Stanton, and Mary Baker Eddy.