This edited volume presents a collection of stories that experiment with different ways of looking at international law. By using different literary lenses -namely, storytelling, the novel, the drama, the collage, the self-portrait, and the museum- the authors shed light on elements of international law that usually remain unseen or unheard and expose the limits of what international law can do. We inquire into who the storytellers of international law are, the stages on which they tell their stories, and who are absent in these tales. We present it as a collection: a set of different essays that more or less deal with the same subject matter. Alternatively, we would like to call it a potpourri of stories, since the diversity of topics and approaches is eclectic and unconventional. By placing multiple perspectives alongside each other we aim to compare and contrast, to allow for second thoughts, and to rediscover. In doing so, we engage with the ambiguities of international law's characters and spaces, and with the worldviews they reflect and worlds they create.

Popular nonfiction is widely read and is increasingly important to the curriculum. Literature classes examine the literary characteristics of nonfiction writing, while social studies courses turn to popular nonfiction for information about social issues. In addition, public library patrons are often interested in reading nonfiction about particular topics. This guide helps students, teachers, librarians, and general readers identify popular works of nonfiction related to particular themes. The Thematic Guide to Popular Nonfiction provides alphabetically arranged extended entries on 50 themes, including: Adolescent Females American Dream Commerce Environment Genocide Islamic Women Leadership Poverty Race Relations And many others. Each entry defines and discusses the theme and provides a critical analysis of three or four related works of nonfiction. The entries list additional nonfiction for further reading, and the Thematic Guide to Popular Nonfiction closes with lists of additional themes and related works, along with a bibliography of major works on popular nonfiction. Among the 155 titles discussed are: Angela's Ashes Black Elk Speaks Cheaper by the Dozen The Day Lincoln Was Shot Fast Food Nation The Hidden Life of Dogs Manchild in the Promised Land The Perfect Storm Seabiscuit And many more. High school, public, and academic libraries will value this guide as an indispensable companion to popular nonfiction.

This book begins with a reflection on dichotomies in comparative studies of Chinese and Western literature and aesthetics. Critiquing an oppositional paradigm, Ming Dong Gu argues that despite linguistic and cultural differences, the two traditions share much common ground in critical theory, aesthetic thought, metaphysical conception, and reasoning. Focusing on issues of language, writing, and linguistics; metaphor, metonymy, and poetics; mimesis and representation; and lyricism, expressionism, creativity, and aesthetics, Gu demonstrates that though ways of conception and modes of expression may differ, the two traditions have cultivated similar aesthetic feelings and critical ideas capable of fusing critical and aesthetic horizons. With a two-way dialogue, this book covers a broad spectrum of critical discourses and uncovers fascinating connections among a wide range of thinkers, theorists, scholars, and aestheticians, thereby making a significant contribution to bridging the aesthetic divide and envisioning world theory and global aesthetics.

The aim of this monograph is to present the traces of intercultural encounters between Poland and Latin America realized by means of literary translations produced in the post-war period. It considers various aspects of the reception of Polish translations of Spanish American prose in 1945-2005 by examining their presence on the book market in the communist times and after 1990 in free market conditions. The analyses of critical texts show the attitudes of Polish critics towards this prose over the years. Survey research presents motives, behaviours and needs developed in different epochs by Polish readers. The interdisciplinary character of the monograph involves methodology inspired by translation, reception and cultural studies, sociology of literature and intercultural semantics.

Combine Kafka's eerie vision with a soulless world run by computers and the result is this comic nightmare of a play. Strand's play - revolving around a bug in the system - premiered at the Actor's Theatre in Louisville Humana Festival, and has been produced by other theatres across the country.

Traditionally, John the Baptist is seen as little more than an opening act-"the voice crying in the wilderness"-in the great Christian drama. In presenting the epic of John's life, novelist Brooks Hansen draws on an extraordinary array of inspirations, from the works of Caravaggio, Bach, and Oscar Wilde to the histories of Josephus, the canonical gospels, the Gnostic gospels, and the sacred texts of those followers of John who never accepted Jesus as Messiah: the Mandeans.Gripping as literary historical fiction, and fascinating as a diligent exploration of ancient and modern sources, this book brings to eye-opening life the richly textured world-populated by the magnificently sordid, calculating, and reckless Herods, their families, and their courts-into which both John and Jesus were born. John the Baptizer is a captivating tapestry of power and dissent, ambition and self-sacrifice, worldly and otherworldly desire, faith, and doubt.

This book offers a bold new view of the way in which modernist fiction, painting, music, and poetry are interlinked. Dowden shows that modernism, contrary to a longstanding view, did not turn away from mimesis. Rather, modernism operates according to a deepened understanding of what mimesis is and how it works, which in turn occasions a fresh look at other related dimensions of the modernist achievement. Modernism is neither "difficult" nor elitist. Instead, it trends toward simplicity, directness, and common culture. Dowden argues that naivete rather than highbrow sophistication was for the modernists a key artistic principle. He demonstrates that modernism, far from glorifying subjective creativity, directs itself toward healing the split between subject and object. Mimesis closes this gap by resolving representation into play and festivity.

This book explores the idiosyncratic effects generated as fairytale and gothic horror join, clash or merge in cinema. Identifying long-held traditions that have inspired this topical phenomenon, the book features close analysis of classical through to contemporary films. It begins by tracing fairytale and gothic origins and evolutions, examining the diverse ways these have been embraced and developed by cinema horror. It moves on to investigate films close up, locating fairytale horror, motifs and themes and a distinctively cinematic gothic horror. At the book's core are recurring concerns including: the boundaries of the human; rational and irrational forces; fears and dreams; 'the uncanny' and transitions between the wilds and civilization. While chronology shapes the book, it is thematically driven, with an interest in the cultural and political functions of fairytale and gothic horror, and the levels of transgression or social conformity at the heart of the films.

This book is distinctive because it will be a political science oriented introduction to "The Federalist Papers." As most of the editions have introductions by historians, and some of them quite good, there is no readily available edition with a political science focus. Such a focus would not ignore the historical dimensions of the founding and that particular era, but would supplement this historical background with a concentration on the key questions political scientists tend to ask when reading and teaching "The Federalist Papers." Questions of power, separation, blending, federalism, and structural design and how they impact the practice of government, questions we political scientists ask, will be the central feature of this edition. The primary audience for this edition would be courses in American Political Thought, American Government (most of which include components of the Federalist Papers) plus courses on the Presidency, Congress, The Judiciary, and Federalism.

This book is an insightful new biography of Joseph Goebbels, Propaganda Minister of the Third Reich and one of the most important and troubling figures of the twentieth century. The first account to use all of Goebbels' surviving diaries, it sheds new light on his personality, private life and political convictions, as well as his relationship with Hitler.

After forty years of feminism, views of the traditional Jewish family, religion, and gender roles have changed. In the process a new literature has been created, new paradigms born, and many Jewish women writers have been reevaluated, reclaimed, and renamed, with their Jewish heritage often overlooked or misinterpreted." Modern Jewish Women Writers in America "includes groundbreaking essays and interviews with scholars and authors who reveal that despite pressures of assimilation, personal goals, and in some cases, anti-Semitism, they have never been able to divorce their lives or literature from being Jewish.

Franklin Delano Roosevelt had a lifelong love for the United States Navy. Inspired as a youth by the U.S. Fleet's dramatic impact on the global stage, and its use overseas by his illustrious cousin, Theodore Roosevelt, Franklin quite naturally focused his eyes on the sea. FDR and the U.S. Navy presents the work of prominent biographers and historians who analyzed Franklin D. Roosevelt's long, close, and eventful association with the United States Navy, in war and peace, from the turn of the century to the end of World War II. The contributors show how as President during the 1930s, FDR endeavored with naval leaders, not always successfully, to build a combat-capable fleet and to deter the aggressor nations of Europe and Asia. The essays argue that one of Franklin Roosevelt's greatest achievements was his direction as Commander in Chief of the U.S. Navy and the other American armed forces during World War II, when the very survival of the nation was at stake. This book is the product of a day-long conference, entitled "Franklin D. Roosevelt and the U.S. Navy," that was held on October 22, 1996 at the U.S. Navy Memorial Foundation's Heritage Center on Pennsylvania Avenue in Washington, DC. It is both a powerful tribute and an important historical work on FDR.