This collection opens the geospatiality of "Asia" into an environmental framework called "Oceania" and pushes this complex regional multiplicity towards modes of trans-local solidarity, planetary consciousness, multi-sited decentering, and world belonging. At the transdisciplinary core of this "worlding" process lies the multiple spatial and temporal dynamics of an environmental eco-poetics, articulated via thinking and creating both with and beyond the Pacific and Asia imaginary.

This book is a detailed examination of one of the most important works of fantasy literature from the twentieth century. It goes through Mythago Wood by Robert Holdstock considering how it engages with war on a personal and family level, how it plays with ideas of time as something fluid and disturbing, and how it presents mythology as something crude and dangerous. The book places Mythago Wood in the context of Holdstock's other works, noting in part how complex ideas of time have been a consistent element in his fiction. The book also briefly examines how the themes laid out in Mythago Wood are carried through into later books in the sequence as well as the Merlin Codex

The aim of this monograph is to present the traces of intercultural encounters between Poland and Latin America realized by means of literary translations produced in the post-war period. It considers various aspects of the reception of Polish translations of Spanish American prose in 1945-2005 by examining their presence on the book market in the communist times and after 1990 in free market conditions. The analyses of critical texts show the attitudes of Polish critics towards this prose over the years. Survey research presents motives, behaviours and needs developed in different epochs by Polish readers. The interdisciplinary character of the monograph involves methodology inspired by translation, reception and cultural studies, sociology of literature and intercultural semantics.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.

Myth in the Modern Novel: Imagining the Absolute posits a twofold thesis. First, although Modernity is regarded as an era dominated by science and rational thought, it has in fact not relinquished the hold of myth, a more "primitive" form of thought which is difficult to reconcile with modern rationality. Second, some of the most important statements as to the reconcilability of myth and Modernity are found in the work of certain prominent novelists. This book offers a close examination of the work of eleven writers from the late eighteenth century to the beginning of the twenty-first, representing German, French, American, Czech and Swedish literature. The analyses of individual novels reveal a variety of intriguing views of myth in Modernity, and offer an insight into the "modernizing" transformations myth has undergone when applied in the modern novel. The study shows the presence of the "subconscious", the mythic layer, in modern western culture and how this has been dealt with in novelistic literature.

From twice Booker-shortlisted author Deborah Levy, a moving and revelatory collection exploring the muses that have shaped her life and work as a writer

In The Position of Spoons, Deborah Levy invites the reader into the interiors of her world, sharing her most intimate thoughts and experiences, as she traces and measures her life against the backdrop of the literary and artistic muses that have shaped her.

From Marguerite Duras to Colette and Ballard, and from Lee Miller to Francesca Woodman and Paula Rego, we can relish here the richness of their work and, in turn the richness of the author’s own.

Each page draws upon Levy’s life in exalting ways, encapsulating the wonderful precision and astonishing depth of her writing, as she seamlessly shifts between and meditates on questions of mortality, language, suburbia, gender, consumerism and the poetics of every day living. From the child born in South Africa, to her teenage years in Britain, to her travels across the world as a young woman, each page is a beautiful, tender composition of the questioning self: a portrait of Deborah Levy’s writing life and intellectual vitality in all of its dimensions.