Developed in cooperation with the International Baccalaureate (R) Everything you need to deliver a rich, concept-based approach for the new IB Diploma English Language and Literature course. - Navigate seamlessly through all aspects of the syllabus with in-depth coverage of the key concepts underpinning the new course structure and content - Investigate the three areas of exploration in detail and engage with global issues to help students become flexible, critical readers - Provide a variety of texts with a breadth of reading material and forms from a diverse pool of authors - Engaging activities are provided to test understanding of each topic and develop skills - guiding answers are available to check your responses - Identify opportunities to make connections across the syllabus, with explicit reference to TOK, EE and CAS

In "Performance and Femininity, " Arons examines a series of texts by eighteenth-century German women in order to illuminate how women writers of the time used theater and performance both to investigate female subjectivity and to intervene in the dominant cultural discourse of femininity. Arons's study focuses on works featuring heroines who, for the most part--like their authors--lead lives with public dimensions, primarily by working as actresses. The texts she chooses all call attention to the difficulties that the eighteenth-century conception of the self as sincere and antitheatrical presented for women. By highlighting the fact that the social audience that determines a woman's reputation is almost always a fickle and untrustworthy "reader" of female subjectivity, these works expose the untenable position into which the discourse of sincerity placed women, paradoxically requiring them to perform the very "naivete "that was, by definition, not supposed to be performable. Arons's original argument takes an interdisciplinary approach, drawing from the fields of literary criticism, cultural studies, theatre history, and performance studies, and reveals how these women writers exposed ideal femininity as an impossible act, even as they attempted to reproduce that act in their writing and in their lives.

Although portrayed as the 'boozing buffoon' of Blackwood's Edinburgh Magazine, Hogg (both as the celebrated Ettrick Shepherd and anonymously) was a key contributor of songs, narrative poems, tales, and reviews to the liveliest of all early nineteenth-century periodicals. The present volume includes several items hitherto published only in Blackwood's, and ranges from the infamous 'Chaldee Manuscript' to newly-identified items such as a Scottish commemoration of the coronation of George IV. The volume also includes works Hogg intended for Blackwood's but which are now published for the first time. Hogg's work for his favourite periodical is provided in this volume in full cultural context, including detailed annotation and a convenient and complete editorial apparatus. Also included is music for several of the Shepherd's songs.

An introduction to the theatrical art of comic storytelling that originated in the Edo period, Rakugo sheds light on Japanese culture as a whole: its aesthetics, social relations, and learning styles. Enriched with personal anecdotes, Rakugo explicates the art's contemporary performance culture: the image, training and techniques of the storytellers, the venues where they perform, and the role of the audience in sustaining the art. Laurie Brau inquires into how this comic art form participates in the discourse of heritage, serving as a symbol of the Edo culture, while continuing to appeal to Japanese today. Written in an accessible manner, this book is appropriate for all levels of student or researcher.

First published in 1971, this major bibliography devoted to Africa's most populous country - Nigeria - is therefore a timely contribution which must be welcomed by all. The Bibliography of Nigeria contains over 5,400 entries in archaeology, all branches of anthropology, linguistic and relevant historical and sociological studies. Many of the entries carry indicative or informative annotations which have greatly enhanced the usefulness of the work. The history and culture of Africa constitutes a rich area of study and research which is attracting an ever-increasing number of scholars the world over. The new impetus which African studies is receiving in the major centre of learning today has added urgency to the long-neglected problem of bibliographical control of the vast literature. The dearth of bibliographies in the field of African studies has been a main source of frustration to all those working in this area. The book is divided into two parts: part one deals with Nigeria as a whole, and lists general works or those concerned with several regions or several ethnic groups. Part two is devoted to the various ethnic groups. An analytical table of contents, a comprehensive ethnic index, an author index and an index of Islamic studies, together with generous cross-referencing, ensure ready and easy location of individual entries.

How is tonight different from all other nights? For Jacob Rappaport, a Jewish soldier in the Union army during the Civil War, it is a question his commanders have already answered for him-on Passover, 1862, he is ordered to murder his own uncle in New Orleans, who is plotting to assassinate President Lincoln. After this harrowing mission, Jacob is recruited to pursue another enemy agent, the daughter of a Virginia family friend. But this time, his assignment isn't to murder the spy, but to marry her. Their marriage, with its riveting and horrifying consequences, reveals the deep divisions that still haunt American life today. Based on real personalities such as Judah Benjamin, the Confederacy's Jewish secretary of state and spymaster, and on historical facts and events ranging from an African American spy network to the dramatic self-destruction of the city of Richmond, All Other Nights is a gripping and suspenseful story of men and women driven to the extreme limits of loyalty and betrayal. It is also a brilliant parable of the rift in America that lingers a century and a half later: between those who value family and tradition first, and those dedicated, at any cost, to social and racial justice for all. In this eagerly awaited third novel, award-winning author Dara Horn brings us page-turning storytelling at its best. Layered with meaning, All Other Nights reinvents the most American of subjects with originality and insight.

"But when I close my eyes, I first fall as if drowning into the silty waters of the Chari River, which traces the border between Chad and Cameroon, and into which so many men, women and even children were thrown, sometimes still alive, their hands knotted behind their backs, or tied up in a shoulder bag. I sink with them towards the sand and the clay, down amidst the green and the brown, passing purple weeds, shards of pottery, and crocodile scales. My head is heavier than a cannonball and carries me toward the abyss: I dive into a bottomless bag where the letters collide or slip away, call out to or ignore each other, I bathe in an unlimited space free from the constraints of cycles and dates, and I enter into the time of childhood, which indeed has no concept of time. [...] all my memories take flight in the wind of the sands, the past flows in the river, plays out in the branches, explodes in the foliage. The past is all around me now - and I laugh when I say 'the past,' because none of all this is past." Michael Ferrier In 1979, two young boys play Scrabble in a hot, dusty district of N'Djamena, Chad, while around them war rages, apparently destroying all in its path: people, places, and memories. And yet, just as the boys take their letters from the depths of the pouch, so Michael Ferrier draws from the darkness words and images that he reassembles into a beautiful and moving tribute to the city, its people, and the childhood that seemed to end there in those days of chaos and destruction but which he brings miraculously back to life in a defiant, poetic statement on the power of friendship, family, and memory.

This book reveals the sense in which our postmodern societies are characterized by the obscene absence of the intellectual. The modern intellectual--who had once been associated with humanism and enlightenment-has in our day been replaced by media stars, talking heads, and technical experts. At issue is the ongoing crisis of democracy, under the aegis of the societe du spectacle and its vast networks of politically-induced idiocy, industrially-produced biocide, and militarily-provoked genocide. Spectacle fills the resulting moral and intellectual vacuum with electronic technologies of control, punishment, and destruction. This postmodern tyranny reduces intelligence to mechanistic, positivist, and grammatological models of inquiry, while increasing the segmentation, fragmentation, and dissolution of human existence. The apotheosis of the spectacle explains the intellectual void that lies at the heart of our postmodern decadence; it also accounts for the need to recuperate the humanist values of enlightenment promoted by the modern intellectual tradition.

In contrast to traditional Enlightenment studies that focus solely on authors and ideas, Gary Kates' employs a literary lens to offer a wholly original history of the period in Europe from 1699 to 1780. Each chapter is a biography of a book which tells the story of the text from its inception through to the revolutionary era, with wider aspects of the Enlightenment era being revealed through the narrative of the book's publication and reception. Here, Kates joins new approaches to book history with more traditional intellectual history by treating authors, publishers, and readers in a balanced fashion throughout. Using a unique database of 18th-century editions representing 5,000 titles, the book looks at the multifaceted significance of bestsellers from the time. It analyses key works by Voltaire, Adam Smith, Madame de Graffigny, Jean-Jacques Rousseau and David Hume and champions the importance of a crucial innovation of the age: the rise of the 'erudite blockbuster', which for the first time in European history, helped to popularize political theory among a large portion of the middling classes. Kates also highlights how, when, and why some of these books were read in the European colonies, as well as incorporating the responses of both ordinary men and women as part of the reception histories that are so integral to the volume.

In this innovative reading, Irene Eynat-Confino offers an explanation for the higher effectiveness of the fantastic in theatre. Taking Cocteau's masterpiece "The Infernal Machine" as a case study, she also reveals that when the fantastic is introduced within a realistic context, it encodes and conveys unconventional notions. The book addresses such issues as identity, the Oedipus myth and Freud, homosexuality and homophobia, marginality, and the role of the artist in society.

This book addresses print-based modes of adaptation that have not conventionally been theorized as adaptations-such as novelization, illustration, literary maps, pop-up books, and ekphrasis. It discusses a broad range of image and word-based adaptations of popular literary works, among them The Wizard of Oz, Alice in Wonderland, Daisy Miller, The Strange Case of Dr. Jekyll and Mr. Hyde, Moby Dick, and Adventures of Huckleberry Finn. The study reveals that commercial and franchise works and ephemera play a key role in establishing a work's iconography. Newell argues that the cultural knowledge and memory of a work is constructed through reiterative processes and proposes a network-based model of adaptation to explain this. Whereas most adaptation studies prioritize film and television, this book's focus on print invites new entry points for the study of adaptation.

First published in 1971, this major bibliography devoted to Africa's most populous country - Nigeria - is therefore a timely contribution which must be welcomed by all. The Bibliography of Nigeria contains over 5,400 entries in archaeology, all branches of anthropology, linguistic and relevant historical and sociological studies. Many of the entries carry indicative or informative annotations which have greatly enhanced the usefulness of the work. The history and culture of Africa constitutes a rich area of study and research which is attracting an ever-increasing number of scholars the world over. The new impetus which African studies is receiving in the major centre of learning today has added urgency to the long-neglected problem of bibliographical control of the vast literature. The dearth of bibliographies in the field of African studies has been a main source of frustration to all those working in this area. The book is divided into two parts: part one deals with Nigeria as a whole, and lists general works or those concerned with several regions or several ethnic groups. Part two is devoted to the various ethnic groups. An analytical table of contents, a comprehensive ethnic index, an author index and an index of Islamic studies, together with generous cross-referencing, ensure ready and easy location of individual entries.

This book provides a new interpretation of the Northern Irish Troubles. From internment to urban planning, the hunger strikes to post-conflict tourism, it asserts that concepts of capitalism have been consistently deployed to alleviate and exacerbate violence in the North. Through a detailed analysis of the diverse cultural texts, Legg traces the affective energies produced by capitalism's persistent attempt to resolve Northern Ireland's ethnic-national divisions: a process he calls the politics of boredom. Such an approach warrants a reconceptualization of boredom as much as cultural production. In close readings of Derek Mahon's poetry, the photography of Willie Doherty and the female experience of incarceration, Legg argues that cultural texts can delineate a more democratic - less philosophical - conception of ennui. -- .

This state of the art collection offers fresh perspectives on why intersections between literature, religion, and ethics can address the fault lines of modernity and are not necessarily the cause of modernity's 'faults.' From a diverse cohort of scholars from around the world, with appointments in comparative literature and other disciplines, the essays suggest that the imagined hegemony of a Judeo-Christian Western project is neither exclusively true nor productive. However, the essays also suggest that elements of the Western religious traditions are important vectors for understanding modernity's complicated relationship to the past.

The transformations were brought about by events which included a worldwide economic depression, the Second World War, a tumultuous postwar recovery and the birth of a Chinese Communist nation. The Chinese constituted the most populous ethnic group on the island. Before the war, Chinese, who were members of the British empire because they were locally-born, were a minority. To bring both the local-born and China-born Chinese within the pale of British administration and jurisdiction, the authorities relied on intermediaries, that is, men who acted as the channel of communication between the British and the Chinese. This new book, therefore, approaches the topic by focussing on the public service career of Tan Chin Tuan, the highest-ranking non-European government official and spokesman for Chinese economic interests in the Legislative Council until 1955. It is not intended to be a biography of Tan. Instead, the first objective is to analyse the ways in which the colonial authorities tried to maintain law and order in a colony dominated by a migrant population during a period of major political transformations. The second aim is to document and examine the dimensions of Tan's public service career before the colony was granted a measure of self-government in 1955. Through this, a valuable case study is developed of how British colonial power made use of Chinese community leaders to liaise with and promote its rule over the community.

'Gripping, emotional, utterly engrossing' Lisa Ballantyne 'Stunning writing and wonderful nuanced characterisation. I was hooked' Rosamund Lupton A sweeping and turbulent drama about the anxieties of post-war Britain, where one strong and inspirational young woman looks to find her place, no matter the cost... Perfect for fans of Maggie O'Farrell, Celeste Ng and Anne Tyler. 1957: Within a year of arriving at an American airbase in Suffolk, the loving, law-abiding Delaney family is destroyed. Did they know something they weren't allowed to know? Did they find something they weren't supposed to find? Only one girl has the courage to question what really went on behind closed doors . . . Hedy's journey to the truth leads her to read a manuscript that her talented twin brother had started months before he died, a story inspired by an experience in the forest surrounding the airbase perimeter. Only through deciding to finish what her brother started does Hedy begin to piece together what happened to her family. But would she have continued if she'd known then what she knows now? Sometimes, it's safer not to finish what you've started... Praise for Saskia Sarginson: 'An engrossing read with endearing characters thrust into traumatic circumstances. It stayed with me long after the last page' Lisa Ballantyne on How It Ends 'Outstandingly good. Part thriller, part love story, I guarantee you will not be able to put it down' Sun on The Twins 'Atmospheric, readable, beautifully evoked' Sunday Mirror on Without You 'Stunning in its insight and beautifully written' Judy Finnigan on The Twins 'This enthralling read will keep you up long into the night' Ruth Ware on The Other Me 'A stunning writer with deep insight into people, their thoughts and behaviour' NZ Women's Weekly

Translation is a very important tool in our multilingual world. Excellent translation is a sine qua non in the work of the Swedish Academy, responsible for the Nobel Prize in Literature. In order to establish a forum for discussing fundamental aspects of the translation of poetry and poetic prose, a Nobel Symposium on this subject was organized.The list of contributors includes Sture Allen, Jean Boase-Beier, Philippe Bouquet, Anders Cullhed, Gunnel Engwall, Eugene Eoyang, Efim Etkind, Inga-Stina Ewbank, Knut Faldbakken, Seamus Heaney, Lyn Hejinian, Bengt Jangfeldt, Francis R Jones, Elke Liebs, Gunilla Lindberg-Wada, Goeran Malmqvist, Shimon Markish, Margaret Mitsutani, Judith Moffett, Mariya Novykova, Tim Parks, Ulla Roseen, Emmanuela Tandello, Eliot Weinberger, Daniel Weissbort, and Fran(oise Wuilmart.

Thackeray's development as a book reviewer, journalist, art exhibition critic, short story writer, satirical essayist, and novelist--is a development that culminates in the creation of his masterpiece, one of the glories of English imaginative writing: Vanity Fair. Articulating the connections among these vigorous and lively youthful works, and the growth of Thackeray as an increasingly profound participant-observer, Harden reveals the exuberant imaginative growth and deepening understanding of a supremely insightful perceiver and critic of hum social life. Beginning with Thackeray's struggles to discover and define himself as a writer, Harden traces the coming together of Thackeray's scattered articulations of guiding ethical and artistic principles, Thackeray's discovery of his exuberant comic ability, his increased experience of life, his deepening understanding of human folly (his own crucially included), and his brilliant success as a masterful articulator of the ambiguity of our motives and of their archetypal reenactment in human history.

James Baldwin Review (JBR) is an annual journal that brings together a wide array of peer-reviewed critical and creative work on the life, writings, and legacy of James Baldwin. In addition to these cutting-edge contributions, each issue contains a review of recent Baldwin scholarship and an award-winning graduate student essay. James Baldwin Review publishes essays that invigorate scholarship on James Baldwin; catalyze explorations of the literary, political, and cultural influence of Baldwin's writing and political activism; and deepen our understanding and appreciation of this complex and luminary figure. -- .

This book is a study of female virginity loss and its representations in popular Anglophone literatures. It explores dominant cultural narratives around what makes a "good" female virginity loss experience by examining two key forms of popular literature: autobiographical virginity loss stories and popular romance fiction. In particular, this book focuses on how female sexual desire and romantic love have become entangled in the contemporary cultural imagination, leading to the emergence of a dominant paradigm which dictates that for women, sexual desire and love are and should be intrinsically linked together: something which has greatly affected cultural scripts for virginity loss. This book examines the ways in which this paradigm has been negotiated, upheld, subverted, and resisted in depictions of virginity loss in popular literatures, unpacking the romanticisation of the idea of "the right one" and "the right time".