In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism.

The Poetics of Insecurity turns the emerging field of literary security studies upside down. Rather than tying the prevalence of security to a culture of fear, Johannes Voelz shows how American literary writers of the past two hundred years have mobilized insecurity to open unforeseen and uncharted horizons of possibility for individuals and collectives. In a series of close readings of works by Charles Brockden Brown, Harriet Jacobs, Willa Cather, Flannery O'Connor, and Don DeLillo, Voelz brings to light a cultural imaginary in which conventional meanings of security and insecurity are frequently reversed, so that security begins to appear as deadening and insecurity as enlivening. Timely, broad-ranging, and incisive, Johannes Voelz's study intervenes in debates on American literature as well as in the interdisciplinary field of security studies. It fundamentally challenges our existing explanations for the pervasiveness of security in American cultural and political life.

The transformations were brought about by events which included a worldwide economic depression, the Second World War, a tumultuous postwar recovery and the birth of a Chinese Communist nation. The Chinese constituted the most populous ethnic group on the island. Before the war, Chinese, who were members of the British empire because they were locally-born, were a minority. To bring both the local-born and China-born Chinese within the pale of British administration and jurisdiction, the authorities relied on intermediaries, that is, men who acted as the channel of communication between the British and the Chinese. This new book, therefore, approaches the topic by focussing on the public service career of Tan Chin Tuan, the highest-ranking non-European government official and spokesman for Chinese economic interests in the Legislative Council until 1955. It is not intended to be a biography of Tan. Instead, the first objective is to analyse the ways in which the colonial authorities tried to maintain law and order in a colony dominated by a migrant population during a period of major political transformations. The second aim is to document and examine the dimensions of Tan's public service career before the colony was granted a measure of self-government in 1955. Through this, a valuable case study is developed of how British colonial power made use of Chinese community leaders to liaise with and promote its rule over the community.

When the term 'dinosaur' was coined in 1842, it referred to fragmentary British fossils. In subsequent decades, American discoveries-including Brontosaurus and Triceratops-proved that these so-called 'terrible lizards' were in fact hardly lizards at all. By the 1910s 'dinosaur' was a household word. Reimagining Dinosaurs in Late Victorian and Edwardian Literature approaches the hitherto unexplored fiction and popular journalism that made this scientific term a meaningful one to huge transatlantic readerships. Unlike previous scholars, who have focused on displays in American museums, Richard Fallon argues that literature was critical in turning these extinct creatures into cultural icons. Popular authors skilfully related dinosaurs to wider concerns about empire, progress, and faith; some of the most prominent, like Arthur Conan Doyle and Henry Neville Hutchinson, also disparaged elite scientists, undermining distinctions between scientific and imaginative writing. The rise of the dinosaurs thus accompanied fascinating transatlantic controversies about scientific authority.

'Gripping, emotional, utterly engrossing' Lisa Ballantyne 'Stunning writing and wonderful nuanced characterisation. I was hooked' Rosamund Lupton A sweeping and turbulent drama about the anxieties of post-war Britain, where one strong and inspirational young woman looks to find her place, no matter the cost... Perfect for fans of Maggie O'Farrell, Celeste Ng and Anne Tyler. 1957: Within a year of arriving at an American airbase in Suffolk, the loving, law-abiding Delaney family is destroyed. Did they know something they weren't allowed to know? Did they find something they weren't supposed to find? Only one girl has the courage to question what really went on behind closed doors . . . Hedy's journey to the truth leads her to read a manuscript that her talented twin brother had started months before he died, a story inspired by an experience in the forest surrounding the airbase perimeter. Only through deciding to finish what her brother started does Hedy begin to piece together what happened to her family. But would she have continued if she'd known then what she knows now? Sometimes, it's safer not to finish what you've started... Praise for Saskia Sarginson: 'An engrossing read with endearing characters thrust into traumatic circumstances. It stayed with me long after the last page' Lisa Ballantyne on How It Ends 'Outstandingly good. Part thriller, part love story, I guarantee you will not be able to put it down' Sun on The Twins 'Atmospheric, readable, beautifully evoked' Sunday Mirror on Without You 'Stunning in its insight and beautifully written' Judy Finnigan on The Twins 'This enthralling read will keep you up long into the night' Ruth Ware on The Other Me 'A stunning writer with deep insight into people, their thoughts and behaviour' NZ Women's Weekly

Translation is a very important tool in our multilingual world. Excellent translation is a sine qua non in the work of the Swedish Academy, responsible for the Nobel Prize in Literature. In order to establish a forum for discussing fundamental aspects of the translation of poetry and poetic prose, a Nobel Symposium on this subject was organized.The list of contributors includes Sture Allen, Jean Boase-Beier, Philippe Bouquet, Anders Cullhed, Gunnel Engwall, Eugene Eoyang, Efim Etkind, Inga-Stina Ewbank, Knut Faldbakken, Seamus Heaney, Lyn Hejinian, Bengt Jangfeldt, Francis R Jones, Elke Liebs, Gunilla Lindberg-Wada, Goeran Malmqvist, Shimon Markish, Margaret Mitsutani, Judith Moffett, Mariya Novykova, Tim Parks, Ulla Roseen, Emmanuela Tandello, Eliot Weinberger, Daniel Weissbort, and Fran(oise Wuilmart.

This Companion offers a comprehensive and accessible introduction to the environmental humanities, an interdisciplinary movement that responds to a world reconfigured by climate change and its effects, from environmental racism and global migration to resource impoverishment and the importance of the nonhuman world. It addresses the twenty-first century recognition of an environmental crisis - its antecedents, current forms, and future trajectories - as well as possible responses to it. This books foregrounds scholarship from different periods, fields, and global locations, but it is organized to give readers a working context for the foundational debates. Each chapter examines a key topic or theme in Environmental Humanities, shows why that topic emerged as a category of study, explores the different approaches to the topics, suggests future avenues of inquiry, and considers the topic's global implications, especially those that involve environmental justice issues.

This state of the art collection offers fresh perspectives on why intersections between literature, religion, and ethics can address the fault lines of modernity and are not necessarily the cause of modernity's 'faults.' From a diverse cohort of scholars from around the world, with appointments in comparative literature and other disciplines, the essays suggest that the imagined hegemony of a Judeo-Christian Western project is neither exclusively true nor productive. However, the essays also suggest that elements of the Western religious traditions are important vectors for understanding modernity's complicated relationship to the past.

First published in 1971, this major bibliography devoted to Africa's most populous country - Nigeria - is therefore a timely contribution which must be welcomed by all. The Bibliography of Nigeria contains over 5,400 entries in archaeology, all branches of anthropology, linguistic and relevant historical and sociological studies. Many of the entries carry indicative or informative annotations which have greatly enhanced the usefulness of the work. The history and culture of Africa constitutes a rich area of study and research which is attracting an ever-increasing number of scholars the world over. The new impetus which African studies is receiving in the major centre of learning today has added urgency to the long-neglected problem of bibliographical control of the vast literature. The dearth of bibliographies in the field of African studies has been a main source of frustration to all those working in this area. The book is divided into two parts: part one deals with Nigeria as a whole, and lists general works or those concerned with several regions or several ethnic groups. Part two is devoted to the various ethnic groups. An analytical table of contents, a comprehensive ethnic index, an author index and an index of Islamic studies, together with generous cross-referencing, ensure ready and easy location of individual entries.

Beckett and Buddhism undertakes a twenty-first-century reassessment of the Buddhist resonances in Samuel Beckett's writing. These reverberations, as Angela Moorjani demonstrates, originated in his early reading of Schopenhauer. Drawing on letters and archives along with recent studies of Buddhist thought and Schopenhauer's knowledge of it, the book charts the Buddhist concepts circling through Beckett's visions of the 'human predicament' in a blend of tears and laughter. Moorjani offers an in-depth elucidation of texts that are shown to intersect with the negative and paradoxical path of the Buddha, which she sets in dialogue with Western thinking. She brings further perspectives from cognitive philosophy and science to bear on creative emptiness, the illusory 'I', and Beckett's probing of the writing process. Readers will benefit from this far-reaching study of one of the most acclaimed writers of the twentieth century who explored uncharted topologies in his fiction, theatre, and poetry.

James Baldwin Review (JBR) is an annual journal that brings together a wide array of peer-reviewed critical and creative work on the life, writings, and legacy of James Baldwin. In addition to these cutting-edge contributions, each issue contains a review of recent Baldwin scholarship and an award-winning graduate student essay. James Baldwin Review publishes essays that invigorate scholarship on James Baldwin; catalyze explorations of the literary, political, and cultural influence of Baldwin's writing and political activism; and deepen our understanding and appreciation of this complex and luminary figure. -- .

Phonographs, tapes, stereo LPs, digital remix - how did these remarkable technologies impact American writing? This book explores how twentieth-century writers shaped the ways we listen in our multimedia present. Uncovering a rich new archive of materials, this book offers a resonant reading of how writers across several genres, such as John Dos Passos, Langston Hughes, William S. Burroughs, and others, navigated the intermedial spaces between texts and recordings. Numerous scholars have taken up remix - a term co-opted from DJs and sound engineers - as the defining aesthetic of twenty-first century art and literature. Others have examined modernism's debt to the phonograph. But in the gap between these moments, one finds that the reciprocal relationship between the literary arts and sonic technologies continued to evolve over the twentieth century. A mix of American literary history, sound studies, and media archaeology, this interdisciplinary study will appeal to scholars, students, and audiophiles.

This Element describes for the first time the database of peer review reports at PLOS ONE, the largest scientific journal in the world, to which the authors had unique access. Specifically, this Element presents the background contexts and histories of peer review, the data-handling sensitivities of this type of research, the typical properties of reports in the journal to which the authors had access, a taxonomy of the reports, and their sentiment arcs. This unique work thereby yields a compelling and unprecedented set of insights into the evolving state of peer review in the twenty-first century, at a crucial political moment for the transformation of science. It also, though, presents a study in radicalism and the ways in which PLOS's vision for science can be said to have effected change in the ultra-conservative contemporary university. This title is also available as Open Access on Cambridge Core.

It was the storm of the century, boasting waves over one hundred feet high-a tempest created by so rare a combination of factors that meteorologists deemed it "the perfect storm." In a book that has become a classic, Sebastian Junger explores the history of the fishing industry, the science of storms, and the candid accounts of the people whose lives the storm touched. The Perfect Storm is a real-life thriller that makes us feel like we've been caught, helpless, in the grip of a force of nature beyond our understanding or control. Winner of the American Library Association's 1998 Alex Award.

How is tonight different from all other nights? For Jacob Rappaport, a Jewish soldier in the Union army during the Civil War, it is a question his commanders have already answered for him-on Passover, 1862, he is ordered to murder his own uncle in New Orleans, who is plotting to assassinate President Lincoln. After this harrowing mission, Jacob is recruited to pursue another enemy agent, the daughter of a Virginia family friend. But this time, his assignment isn't to murder the spy, but to marry her. Their marriage, with its riveting and horrifying consequences, reveals the deep divisions that still haunt American life today. Based on real personalities such as Judah Benjamin, the Confederacy's Jewish secretary of state and spymaster, and on historical facts and events ranging from an African American spy network to the dramatic self-destruction of the city of Richmond, All Other Nights is a gripping and suspenseful story of men and women driven to the extreme limits of loyalty and betrayal. It is also a brilliant parable of the rift in America that lingers a century and a half later: between those who value family and tradition first, and those dedicated, at any cost, to social and racial justice for all. In this eagerly awaited third novel, award-winning author Dara Horn brings us page-turning storytelling at its best. Layered with meaning, All Other Nights reinvents the most American of subjects with originality and insight.

This book is a study of female virginity loss and its representations in popular Anglophone literatures. It explores dominant cultural narratives around what makes a "good" female virginity loss experience by examining two key forms of popular literature: autobiographical virginity loss stories and popular romance fiction. In particular, this book focuses on how female sexual desire and romantic love have become entangled in the contemporary cultural imagination, leading to the emergence of a dominant paradigm which dictates that for women, sexual desire and love are and should be intrinsically linked together: something which has greatly affected cultural scripts for virginity loss. This book examines the ways in which this paradigm has been negotiated, upheld, subverted, and resisted in depictions of virginity loss in popular literatures, unpacking the romanticisation of the idea of "the right one" and "the right time".

Living on his posh French estate with his elegant heiress wife, Tom Ripley, on the cusp of middle age, is no longer the striving comer of The Talented Mr. Ripley. Having accrued considerable wealth through a long career of crime forgery, extortion, serial murder Ripley still finds his appetite unquenched and longs to get back in the game. In Ripley's Game, first published in 1974, Patricia Highsmith's classic chameleon relishes the opportunity to simultaneously repay an insult and help a friend commit a crime and escape the doldrums of his idyllic retirement. This third novel in Highsmith's series is one of her most psychologically nuanced particularly memorable for its dark, absurd humor and was hailed by critics for its ability to manipulate the tropes of the genre. With the creation of Ripley, one of literature's most seductive sociopaths, Highsmith anticipated the likes of Norman Bates and Hannibal Lecter years before their appearance."

In addition to his own busy career as "one of Europe's most intriguing contemporary writers" (TLS), Javier Marias is also the translator into Spanish of works by Hardy, Stevenson, Conrad, Faulkner, Nabokov, and Laurence Sterne. His love for these authors is the touchstone of Written Lives. Collected here are twenty pieces recounting great writers' lives, "or, more precisely, snippets of writers' lives." Thomas Mann, Rilke, Arthur Conan Doyle, Turgenev, Djuna Barnes, Emily Bronte, Malcolm Lowry, and Kipling appear ("all fairly disastrous individuals"), and "almost nothing" in his stories is invented. Like Isak Dinesen (who "claimed to have poor sight, yet could spot a four-leaf clover in a field from a remarkable distance away"), Marias has a sharp eye. Nabokov is here, making "the highly improbable assertion that he is 'as American as April in Arizona, '" as is Oscar Wilde, who, in debt on his deathbed, ordered up champagne, "remarking cheerfully, 'I am dying beyond my means.'" Faulkner, we find, when fired from his post office job, explained that he was not prepared "to be beholden to any son-of-a-bitch who had two cents to buy a stamp." Affection glows in the pages of Written Lives, evidence, as Marias remarks, that "although I have enjoyed writing all my books, this was the one with which I had the most fun."

This book aims to investigate the process of decision-making in subtitling of feature films and entertainment series. The author uses Relevance Theory (Sperber and Wilson,1986) to argue that the technical, linguistic and translational constraints at work in subtitling result in a curtailed target text, and illustrates this argument by invoking examples drawn from the English-Polish subtitles of films and television series available through the subscription service Netflix. After introducing the current state of research on audiovisual translation within and outside the framework of translation studies, he presents the core concepts underpinning Relevance Theory and explains how it can be used to construct a model of the process of subtitling. This book will be of interest to students and scholars working in the fields of translation studies, audiovisual translation studies, and communication studies.

Southern African Literatures is a major study of the work of writers from South Africa, Zimbabwe, Zambia, Malawi, Angola, Mozambique and Namibia, written at a time of crucial change in the subcontinent. It covers a wide range of work from the storytelling of stone-age Bushmen to modern writing by renowned figures such as Es'kia Mphahlele, Nadine Gordimer and Andr Brink, encompassing traditional, popular and elite writing; literature in translation; and case studies based on topical issues. Michael Chapman argues that literary history in the southern African region is best based on a comparative method which, while respecting differences of language, race and social circumstance, seeks cultural interchange including "translations" of experience across linguistic and ethnic borders. Instead of perpetuating division, the study examines points of common reference, as it asks what makes a literary culture. Who are to be regarded as major and minor authors? What are the strengths and limita