The modernist bookshop, best exemplified by Sylvia Beach's Shakespeare & Co. and Harold Monro's Poetry Bookshop, has received scant attention outside these more prominent examples. This writing will review how bookshops like David Archer's on Parton Street (London) in the 1930s were sites of distribution, publication, and networking. Parton Street, which also housed Lawrence & Wishart publishers and a briefly vibrant literary scene, will be approached from several contexts as a way of situating the modernist bookshop within both the book trade and the literary communities which it interacted with and made possible.

One of Ireland's greatest contemporary writers turns her attention to one of the country's greatest novelists: James Joyce - in celebration of the 100th anniversary of the iconic classic ULYSSES. 'As skilful, stylish and pacy as one would expect from so adept a novelist' Sunday Telegraph 'A delight from start to finish . . . achieves the near impossibility of giving a thoroughly fresh view of Joyce' Sunday Times 'Accessible and passionate, it is a book which should bring Joyce in all his glory and agony to a new and very wide audience' Irish Independent Edna O'Brien depicts James Joyce as a man hammered by Church, State and family, yet from such adversities he wrote works 'to bestir the hearts of men and angels'. The journey begins with Joyce the arrogant youth, his lofty courtship of Nora Barnacle, their hectic sexuality, children, wanderings, debt and profligacy, and Joyce's obsession with the city of Dublin, which he would re-render through his words. Nor does Edna O'Brien spare us the anger and isolation of Joyce's later years, when he felt that the world had turned its back on him, and she asks how could it be otherwise for a man who knew that conflict is the source of all creation.

This book is a lively, passionate defence of contemporary work in the humanities, and, beyond that, of the university system that makes such work possible. The book's stark accounts of academic labour, and its proposals for reform of the tenure system, are novel, controversial, timely, and very necessary.

The dream of political satire - to fearlessly speak truth to power - is not matched by its actual effects. This study explores the role of satirical communication in licensing public expression of harsh emotions defined in neuroscience as the CAD (contempt, anger, disgust) triad. The mobilisation of these emotions is a fundamental distinction between satirical and comic laughter. Phiddian pursues this argument particularly through an account of Jonathan Swift and his contemporaries. They played a crucial role in the early eighteenth century to make space in the public sphere for intemperate dissent, an essential condition of free political expression.

Ranging across literature, theater, history, and the visual arts, this collection of essays by leading scholars in the field explores the range of places where British Romantic-period sociability transpired. The book considers how sociability was shaped by place, by the rooms, buildings, landscapes and seascapes where people gathered to converse, to eat and drink, to work and to find entertainment. At the same time, it is clear that sociability shaped place, both in the deliberate construction and configuration of venues for people to gather, and in the way such gatherings transformed how place was experienced and understood. The essays highlight literary and aesthetic experience but also range through popular entertainment and ordinary forms of labor and leisure.

A priest receives an unexpected visitor from his past. A triumphant celebration ends in murder. A doctor tells of an unrequited love that only ended with death. Maupassant's direct treatment of sex and sexuality, and his insistence that the artist's primary duty was faithfulness to his own perceptions, made his work a challenge to many of his nineteenth-century English readers, but in Henry James's view, his vision was, 'altogether of this life'. His stories may have mystified contemporary moralists, but he was championed by writers who admired his resistance to self-censorship and applauded the economy of his style. In this new selection of his best stories, the sensitive and faithful translations of Ada Galsworthy and Elsie Martindale Hueffer show why writers like Conrad (whose preface is included) and Ford Madox Ford revered Maupassant's work.

Four of Schumann's great masterpieces of the 1830s - Carnaval, Fantasiestucke, Kreisleriana and Nachtstucke - are connected to the fiction of E. T. A. Hoffmann. In this book, John MacAuslan traces Schumann's stylistic shifts during this period to offer insights into the expressive musical patterns that give shape, energy and individuality to each work. MacAuslan also relates the works to Schumann's reception of Bach, Beethoven, Novalis and Jean Paul, and focuses on primary sources in his wide-ranging discussion of the broader intellectual and aesthetic contexts. Uncovering lines of influence from Schumann's reading to his writings, and reflecting on how the aesthetic concepts involved might be used today, this book transforms the way Schumann's music and its literary connections can be understood and will be essential reading for musicologists, performers and listeners with an interest in Schumann, early nineteenth-century music and German Romantic culture.

First published in 1899, this beautiful, brief  novel so disturbed critics and the public that it  was banished for decades afterward. Now widely read  and admired, The Awakening has  been hailed as an early vision of woman's  emancipation. This sensuous book tells of a woman's  abandonment of her family, her seduction, and her  awakening to desires and passions that threated to  consumer her. Originally entitled "A Solitary  Soul," this portrait of twenty-eight-year-old  Edna Pontellier is a landmark in American fiction,  rooted firmly in the romantic tradition of Herman  Melville and Emily Dickinson. Here, a woman in  search of self-discovery turns away from convention and  society, and toward the primal, from convention  and society, and toward the primal, irresistibly  attracted to nature and the sensesThe  Awakening, Kate Chopin's last novel, has been  praised by Edmund Wilson as "beautifully  written." And Willa Cather described its style as  "exquisite," "sensitive," and  "iridescent." This edition of The  Awakening also includes a selection of  short stories by Kate Chopin.

"This seems to me a  higher order of feminism than repeating the story  of woman as victim... Kate Chopin gives her female  protagonist the central role, normally reserved  for Man, in a meditation on identity and culture,  consciousness and art." -- From the  introduction by Marilynne Robinson.

Now thoroughly revamped with a diverse selection of poetic voices from the last fifty years, this third edition of Rhian Williams's bestselling book, The Poetry Toolkit guides readers through key terms, genres and concepts that help them to develop a richer, more sophisticated approach to reading, thinking and writing about poetry. Combining an easy-to-use reference format with in-depth practice readings and further exercises, the book helps students master the study of poetry for themselves. As well as featuring more contemporary voices, the 3rd edition of The Poetry Toolkit includes an expanded practical section giving guidance on close reading, comparative reading and advice on writing critically about poetry. In addition, the book is accompanied by a companion website offering audio recordings of poetry readings, weblinks and overviews of key theoretical approaches to support advanced study. Head to bloomsbury.com/Williams-the-poetry-toolkit for a host of additional resources.

The American South received increased attention from national commentators during the interwar era. Beginning in the 1920s, the proliferation of daily book columns and Sunday book supplements in newspapers reflected a growing audience of educated readers and its demand for books and book reviews. This period of intensified scrutiny coincided with a boom in the publishing industry, which, in turn, encouraged newspapers to pay greater attention to the world of books. Reviewing the South shows how northern critics were as much involved in the Southern Literary Renaissance as Southern authors and critics. Southern writing, Gardner argues, served as a litmus to gauge Southern exceptionalism. For critics and their readers, nothing less than the region's ability to contribute to the vibrancy and growth of the nation was at stake.

Cultural Writing. Gay and Lesbian Studies. "I REMEMBER is both uproariously funny and deeply moving. It is also one of the few totally original books I have ever read" -- Paul Auster. "Joe Brainard's memories of growing up in the '40s and '50s have universal appeal. He catalogues his past in terms of fashions and fads, public events and private fantasies, with such honesty and accuracy and in such abundance that, sooner or later, his history coincides with ours and we are hooked" -- The Village Voice.

Writing About American Literature, the latest addition to Karen Gocsik's popular "Writing About" series, is an accessible, step-by-step guide to writing about literature, from active reading to final revisions. The only writing guide created with American literature students in mind, this new text understands that active reading is the first step towards producing quality assignments and sections devoted to reading analytically and interrogating sources provide students with this essential foundation. Tips on reading critically and creatively, generating ideas, narrowing a topic, constructing a thesis, structuring an argument, and revising lead students through the entire arc of the writing process.

Ernest Hemingway: A Literary Life includes new research on the best-known of the posthumous publications: A Moveable Feast, 1964 (and the 2009 A Moveable Feast: The Restored Edition); Islands in the Stream, 1970; and The Garden of Eden, 1986. Linda Wagner-Martin provides background and intertextual readings-particularly of the way Hemingway's unpublished stories ("Phillip Haines was a writer") and his fiction from Men Without Women and Winner Take Nothing interface with the memoir. The revised edition also highlights and provides background on Hemingway's treatment of F. Scott Fitzgerald and Gertrude Stein, his life in Paris in the 1920s, and his connection to the poetry scene there-putting this in conversation with Mary Hemingway's edits of A Moveable Feast. The new chapters also illuminate the reception of Islands in the Stream and a new way of understanding the role of gender and androgyny in The Garden of Eden. On a whole, the book draws from extensive archival research, particularly correspondence of all four of Hemingway's wives.

From Loki to Thor, Ragnarok to Beowulf A gripping and truly mesmerising delve into the Norse legends From bestselling books to blockbusting Hollywood movies, the myths of the Scandinavian gods and heroes are part of the modern day landscape. For over a millennium before the arrival of Christianity, the legends permeated everyday life in Iceland and the northern reaches of Europe. Since that time, they have been perpetuated in literature and the arts in forms as diverse as Tolkien and Wagner, graphic novels to the world of Marvel. This book covers the entire cast of supernatural beings, from gods to trolls, heroes to monsters, and deals with the social and historical background to the myths, topics such as burial rites, sacrificial practices and runes.

In the company of wolves presents further research from the Open Graves, Open Minds Project. It connects together innovative research from a variety of perspectives on the cultural significance of wolves, wild children and werewolves as portrayed in different media and genres. We begin with the wolf itself as it has been interpreted as a cultural symbol and how it figures in contemporary debates about wilderness and nature. Alongside this, we consider eighteenth-century debates about wild children - often thought to have been raised by wolves and other animals - and their role in key questions about the origins of language and society. The collection continues with essays on werewolves and other shapeshifters as depicted in folk tales, literature, film and TV, concluding with the transition from animal to human in contemporary art, poetry and fashion. -- .

In France at the end of the nineteenth century, progress and material prosperity coincided with widespread alarm about disease and decay. The obsessions of our own culture as the twentieth century came to a close resonate strikingly with those of the last fin-de-siecle: crime, pollution, sexually transmitted diseases, gender confusion, moral depravity, alcoholism, and tobacco and drug use were topics of popular discussion then as now.The Decadent Reader is a collection of novels and stories from fin-de-siecle France that celebrate decline, aestheticize decay, and take pleasure in perversity. By embracing the marginal, the unhealthy, and the deviant, the decadent writers attacked bourgeois life, which they perceived to be the chief enemy of art. Barbey d'Aurevilly, Joris-Karl Huysmans, Jean Lorrain, Guy de Maupassant, Villiers de l'Isle-Adam, Catulle Mendes, Rachilde, Jean Moreas, Octave Mirbeau, Josephin Peladan, and Remy de Gourmont looted the riches of their culture for their own purposes. In an age of medicine, they borrowed its occult mysteries rather than its positivism. From its social Darwinism, they found their monsters: sadists, murderers, transvestites, fetishists, prostitutes, nymphomaniacs, and hysterics. And they reveled in them, completely upending the conventions of romance and sentimentality. The Decadent Reader, which includes critical essays on all of the authors, many novels and stories that have never before appeared in English, and familiar works set in a new context, offers a compelling portrait of fin-de-siecle France."

When Ovid, already renowned for his love poetry, the Metamorphoses and other works, was exiled by Augustus to Tomis on the Black Sea in AD 8, he continued to write. After five books of Tristia, he composed a collection of verse letters, the Epistulae ex Ponto, in which he appeals to his friends and supporters in Rome, lamenting his lot and begging for their help in mitigating it. In these epistolary elegies his inventiveness flourishes no less than before and his imaginative self-fashioning is as ingenious and engaging as ever, although in a minor key. This commentary on Book I assists intermediate and advanced students in understanding Ovid's language and style, while guiding them in the appreciation of his poetic art. The introduction examines the literary background of the Epistulae ex Ponto, their relation to Ovid's earlier works, and their special interest and appeal to readers of Augustan poetry.

When Ovid, already renowned for his love poetry, the Metamorphoses and other works, was exiled by Augustus to Tomis on the Black Sea in AD 8, he continued to write. After five books of Tristia, he composed a collection of verse letters, the Epistulae ex Ponto, in which he appeals to his friends and supporters in Rome, lamenting his lot and begging for their help in mitigating it. In these epistolary elegies his inventiveness flourishes no less than before and his imaginative self-fashioning is as ingenious and engaging as ever, although in a minor key. This commentary on Book I assists intermediate and advanced students in understanding Ovid's language and style, while guiding them in the appreciation of his poetic art. The introduction examines the literary background of the Epistulae ex Ponto, their relation to Ovid's earlier works, and their special interest and appeal to readers of Augustan poetry.

Die russischsprachige Satire wird haufig in den Rang einer Schattenliteraturform gedrangt. Dennoch kann sie die Funktion ausuben, die der Satire gemeinhin zugeschrieben wird: auf aggressive Art Missstande in einer Gesellschaft zu kritisieren. Dieser Band enthalt die Vortrage der vom Institut fur Slavistik der Christian-Albrechts-Universitat zu Kiel und der Staatlichen Universitat Irkutsk durchgefuhrten Konferenz "Russische Satire seit der Perestrojka bis in die unmittelbare Gegenwart: Formen und Themen kunstlerischer Auseinandersetzung". Ziel des Austausches war, herauszufinden, welche Mittel, Themen, Strategien und Angriffsobjekte es in der russischen Satire gibt, wie die Rezeption von Satire je nach Herkunft der Referent*innen differiert und welche Moeglichkeiten sich der Satire im "System Putin" bieten. Die Beitrage befassen sich mit der Sprache der Satire, mit neuen satirischen Ausdrucksformen und -medien wie Liedern und Filmen, aber auch mit der klassischen literarischen Satire.