'n Seleksie van poesie uit Suid-Afrika en Europa wat aan die Anglo-Boereoorlog gewy is. Die gedigte is so gerangskik dat hulle rofweg die verloop van die oorlog volg, vanaf die begin in 1899 tot aan die einde van die stryd in Mei 1902. Nie net bekende digters soos Leipoldt, Totius of Celliers, Verwey of Boutens het hulle oor die oorlog uitgelaat nie, maar ook ’n groot aantal geleentheidsdigters. Ondanks die subtitel van hierdie bloemlesing is drie Engelse gedigte (duidelik deur Boere geskryf) ook opgeneem.

Packed full of analysis and interpretation, historical background, discussions and commentaries, York Notes will help you get right to the heart of the text you're studying, whether it's poetry, a play or a novel. You'll learn all about the historical context of the piece; find detailed discussions of key passages and characters; learn interesting facts about the text; and discover structures, patterns and themes that you may never have known existed. In the Advanced Notes, specific sections on critical thinking, and advice on how to read critically yourself, enable you to engage with the text in new and different ways. Full glossaries, self-test questions and suggested reading lists will help you fully prepare for your exam, while internet links and references to film, TV, theatre and the arts combine to fully immerse you in your chosen text. York Notes offer an exciting and accessible key to your text, enabling you to develop your ideas and transform your studies!

Packed full of analysis and interpretation, historical background, discussions and commentaries, York Notes will help you get right to the heart of the text you're studying, whether it's poetry, a play or a novel. You'll learn all about the historical context of the piece; find detailed discussions of key passages and characters; learn interesting facts about the text; and discover structures, patterns and themes that you may never have known existed. In the Advanced Notes, specific sections on critical thinking, and advice on how to read critically yourself, enable you to engage with the text in new and different ways. Full glossaries, self-test questions and suggested reading lists will help you fully prepare for your exam, while internet links and references to film, TV, theatre and the arts combine to fully immerse you in your chosen text. York Notes offer an exciting and accessible key to your text, enabling you to develop your ideas and transform your studies!

Percy Bysshe Shelley (1792-1822) wrote two of the best known shorter poems in English, 'Ode to the West Wind' and 'Ozymandias'; a series of ambitious and challenging long poems including Queen Mab and the 'Lyrical Drama' Prometheus Unbound; A Defence of Poetry and other lucid and provocative political and literary works in prose; sonnets, satires, translations, travel-letters. During and after his lifetime controversy was generated by his poetry, radical politics, atheism, vegetarianism and unorthodox relationships. He was the young Robert Browning's 'Sun-Treader' and Matthew Arnold's 'ineffectual angel'; W.B. Yeats said that Shelley 'shaped my life' and F.R. Leavis discouraged people from reading him. The dictionary covers all these areas of interest, as well as Shelley's travels and homes in Britain and Europe, his important personal and literary relationships with Mary Shelley, Byron, Godwin, Keats, Peacock, Coleridge, Wordsworth, his vast reading, European and American reception, representations in fiction, drama, film and portraits, and the sources, publication history, reviews and illustrations of his work.

Packed full of analysis and interpretation, historical background, discussions and commentaries, York Notes will help you get right to the heart of the text you're studying, whether it's poetry, a play or a novel. You'll learn all about the historical context of the piece; find detailed discussions of key passages and characters; learn interesting facts about the text; and discover structures, patterns and themes that you may never have known existed. In the Advanced Notes, specific sections on critical thinking, and advice on how to read critically yourself, enable you to engage with the text in new and different ways. Full glossaries, self-test questions and suggested reading lists will help you fully prepare for your exam, while internet links and references to film, TV, theatre and the arts combine to fully immerse you in your chosen text. York Notes offer an exciting and accessible key to your text, enabling you to develop your ideas and transform your studies!

In this generous anthology, Joel Conarroe has assembled the work of eight poets who have shaped--and to some extent defined--American verse since 1940: Elizabeth Bishop, James Merrill, Sylvia Plath, Allen Ginsberg, Theodore Roethke, John Berryman, Anne Sexton, and Robert Lowell. The 164 selections in Eight American Poets include widely anthologized works like Roethke's "My Papa's Waltz," several of Berryman's "Dream Songs," and Anne Sexton's "Ringing the Bells," as well as poems that are less familiar but just as haunting. Prefaced with a discerning introduction and individual biographical essays.

This book explores key texts - Howards End , The Rainbow , and the poetry of Owen, Sassoon and Edward Thomas - to show the mingled continuation and rejection of convention as their characteristic achievement, exploring features often seen as failures. It also discusses the writing's increasing concern with the inadequacies of language, seeing it within the frame of contemporary society and deconstructive theory, and attempting to locate them in relation to high Modernism.

The first complete edition of the works of Robert Browning with variant readings and annotations contains: 1. The entire contents of the first editions of Browning's work; 2. All prefaces and dedications which Browning wrote for his own works and for those of Elizabeth Barrett Browning and others; 3. The two prose essays: The Essay on Chatterton and The Essay on Shelley; 4. The front matter and tables of contents of each of the collected editions (1849, 1863, 1865, 1868, 1888-1889) which Browning himself saw through the press; 5 Poems by Browning published during his lifetime but not collected by him; 9. Poems not published during Browning's lifetime which have come to light since his death; 7. John Forster's Thomas Wentworth, Earl of Strafford to which Browning contributed significantly, though to what precise extent has not been determined. The edition provides a full apparatus, including variant readings and annotations.

Iseult Gonne, daughter of Maud Gonne and the French politician and journalist Lucien Millevoye, attracted many admirers - among them distinguished authors such as W. B. Yeats, Ezra Pound, Arthur Symms, Lennox Robinson, Francis Stuart and Liam O'Flaherty. Yeats proposed marriage to her, Ezra Pound had a secret, passionate love affair with her and she married Francis Stuart. This book contains her hitherto unpublished letters to Yeats and Pound, edited and annotated by Anna MacBride White (Maud Gonne's granddaughter), Christina Bridgwater (Iseult's granddaughter) and A. Norman Jeffares, the distinguished Yeats scholar.

A poet of the seventeenth century, Milton with his future gaze may prove to be (singularly among the triumvirate of Chaucer, Shakespeare, and Milton) the poet "for" the new millennium--the poet "for" the twenty-first century. Milton will be so to the extent that through him we see the upheavals in the humanities as deriving not from a revision of the canon but rather, as Bill Readings insists in "The University in Ruins, " from "a crisis in the "function" of the canon" and, then, to the extent that Milton shocks us into the recognition that poets sometimes deliver messages at odds with those with which they are credited.

Concentrating on the period 1660-1781, this book explores how the English literary past was made. It charts how antiquarians unearthed the raw materials of the English (or more widely) British tradition; how scholars drafted narratives about the development of native literature; and how critics assigned the leading writers to canons of literary greatness. The author claims that the opening up and ordering of the English literary past occurs earlier than is generally supposed.

Statutes of Liberty (1993) was the first book on The New York School of Poets, and offers the definitive critical account of its key figures: John Ashbery, Frank O'Hara and James Schuyler. This second edition contains up-to-date material on the group and its growing influence on postmodern poetics. A new postscript focuses on the work of Ashbery, currently the most esteemed American poet since Wallace Stevens, and his profile output in the 1990s, including his two hundred page epic poem Flow Chart.

Salvaging Spenser is a major new work of literary revision which places Edmund Spenser's corpus, from The Shepheardes Calender to A View of the Present State of Ireland, within an elaborate cultural and political context. The author refuses to engage in the sterile opposition between apology and attack that has marred studies of Spenser and Ireland, seeking neither to savage nor to save, but rather, in a project of critical recovery, to salvage Spenser from the wreckage of Irish history.

Once celebrated as "the English Sappho," Mary Robinson was a major figure in British Romanticism. This volume offers a comprehensive study of Robinson's achievement as a poet, professional writer, formative influence on the Romantic movement, and a participant in the literary, political, and social scene of the late 1700s.

The British Romantic poets were among the first to realize the centrality of the "Divine Comedy" for the evolution of the European epic. This study explores the significance of Dante for Percy Bysshe Shelley, John Keats, and William Blake. What was their idea of Dante? Why did they feel the need to approach his Christian epic on the afterlife? This study aims to answer these questions by focusing on the three poets' preoccupation with form and language.

This book offers an exciting reassessment of Keats with particular emphasis on gender identity and sexuality. Traditionally, Keats has been more readily associated with the 'feminine' than any other canonical male English poet. This feminization was always likely, given his tragically early death and the mythologizing which took place soon after. In contrast, John Whale explores Keats's writings from the perspective of masculinity and gender by placing them in the context of contemporary friendship groupings and coterie relationships. Whale addresses all the major poems and gives due prominence to the letters. In so doing, he offers a new understanding of Keats's exploration of poetry, gender and desire, and provides an extended analysis of Keats's quest for poetic fame in the face of the often conflicting forces of love and sexuality. Clear, concise and insightful, this is an essential guide to one of the best-known Romantic poets.

Robert Browning both denied and affirmed the value of biography for an understanding of literature. This book narrates the development of his controversial creative life through responses to his work by five key 19th-century figures: John Stuart Mill, William Charles Macready, Thomas Carlyle, John Ruskin, and Matthew Arnold. It also relates Browning's sense of literary vocation to Victorian publishing. Browning emerges as a writer vividly engaged with contemporary assumptions, yet deeply aware of the unaccountability of writing.

Carter explores early modern culture's reception of Ovid through the manipulation of Ovidian myth by Shakespeare, Middleton, Heywood, Marlowe and Marston. With a focus on sexual violence, homosexuality, incest and idolatry, Carter analyses how depictions of mythology represent radical ideas concerning gender and sexuality.

The insights here are of such depth, and contain such beauty in them, that time and again the reader must pause for breath. At last Rilke has met a critic whose insight, courage, and humanity are worthy of his life and work."
--Leslie Epstein Director, Graduate Creative Writing Program, Boston University

" A] well-reasoned, fairly fascinating, and illuminating study which soundly and convincingly applies Freudian and particularly post-Freudian insights into the self, to Rilke's life and work, in a way which enlightens us considerably as to the relationship between life and work in original ways. Kleinbard takes off where Hugo Simenauer's monumental psycho- biography of Rilke (1953) left off. . . . He succeeds in giving us a psychic portrait of the poet which is more illuminating and which . . . does greater justice to its subject than any of his predecessors.. . . . Any reader with strong interest in Rilke would certainly welcome the availability of this study."
--Walter H. Sokel, Commonwealth Professor of German and English Literatures, University of Virginia.

For beauty is nothing but the beginning of terror, which we are just able to bear, and we wonder at it so because it calmly disdainsto destroy us."
--Rilke

Beginning with Rilke's 1910 novel, The Notebooks of Malte Laurids Brigge, "The Beginning of Terror" examines the ways in which the poet mastered the illness that is so frightening and crippling in Malte and made the illness a resource for his art. Kleinbard goes on to explore Rilke's poetry, letters, and non-fiction prose, his childhood and marriage, and the relationship between illness and genius in the poet and his work, a subject to which Rilke returned time and again.

This psychoanalytic study also defines the complex connections between Malte's and Rilke's fantasies of mental and physical fragmentation, and the poet's response to Rodin's disintegrative and re-integrative sculpture during the writing of The Notebooks and New Poems. One point of departure is the poet's sense of the origins of his illness in his childhood and, particularly, in his mother's blind, narcissistic self- absorption and his father's emotional constriction and mental limitations. Kleinbard examines the poet's struggle to purge himself of his deeply felt identification with his mother, even as he fulfilled her hopes that he become a major poet. The book also contains chapters on Rilke's relationships with Lou Andreas Salom and Aguste Rodin, who served as parental surrogates for Rilke.

A psychological portrait of the early twentieth-century German poet, "The Beginning of Terror" explores Rilke's poetry, letters, non-fiction prose, his childhood and marriage. David Kleinbard focuses on the relationship between illness and genius in the poet and his work, a subject to which Rilke returned time and again.

In this book, Tim Fulford examines the male Romantics' versions of poetic authority in the context of their involvement in the political debates of Regency Britain. He argues that their response to Burke's gendered discourse about power effected radical changes in the definitions of masculinity and femininity. Discussing Wollstonecraft, Godwin, Radcliffe, Malthus and Mary Robinson, he offers new perspectives on current critical debates concerning the Gothic, the sublime, and gender.

In God and Elizabeth Bishop Cheryl Walker takes the bold step of looking at the work of Elizabeth Bishop as though it might have something fresh to say about religion and poetry. Going wholly against the tide of recent academic practice, especially as applied to Bishop, she delights in presenting herself as an engaged Christian who nevertheless believes that a skeptical modern poet might feed our spiritual hungers. This is a book that reminds us of the rich tradition of religious poetry written in English, at the same time taking delicious detours into realms of humour, social responsibility, and mysticism.

In this volume, thirteen essays examine the full breadth and variety of Coleridge's afterlives. Topics include philosophy, gender, imagination, American literature, South Asian literature, aesthetics, narrative, and poetry. It offers new research to the scholar, maps complex territory, and spans traditional period barriers in literary studies.