This edited volume focuses on women’s empowerment for a sustainable future. It takes cultural and transcultural and positive psychology perspectives into consideration and explores the topic of women’s empowerment from diverse stances, across social strata, cultural divides as well as economic and political divisions. It addresses the critique of the overly Western focus of positive psychology on this topic by adopting a transnational and transcultural lens, and by taking non-WEIRD (Western, Educated, Industrialized, Rich, Democratic) samples into in-depth consideration. The chapters therefore focus on women from diverse socio-cultural, political, socio-economic backgrounds and discuss their ways of empowering others and being empowered. They also discuss related positive psychology constructs, such as: coping, resilience, transformation, growth, leadership, creativity, identity development, sustainable action, as well as positive socio-economic, political and eco-sustainable thought and action. The volume as a whole looks at women's leadership as a factor of empowerment. A further fundamental assumption is that women’s empowerment is needed to create a sustainable future at micro-, meso- and macro levels, which presumes safety, peace, ecological considerations, and compassionate leadership. 

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""Sexual Rights in America" develops an argument that us useful, timely, well conceived, and will provide a handy primer for courses designed to introduce students to the basics of constitutional privacy."--"Journal of NSRC"

"A fascinating...argument for the inclusion of sexual freedoms among the enumerated rights in the Ninth Amendment"
--"Conscience"

"As the subtitle suggest, the authors want to combine the least specific article of the Bill of Rights with the equally vague, if well-known, phrase from the Declaration of Independence, to make a case for the right of consenting American adults to have sex how, when, and with whom they like....Recommended."
--"Choice"

aI donat normally give astarsa to a history book, but this one deserves a full five- both for its important contribution to the field of Jewish history, and also for Abramas enthralling narrative style that makes this book both a captivating and edifying text to read!a
--"Large Print Reviews"

The Constitution of the United States guarantees all Americans certain rights, such as the freedoms of speech and religious expression. But what guarantees our "sexual" freedoms?

Sexual Rights in America presents a bold and intriguing look at the constitutional basis of sexual rights in America. Resurrecting the "forgotten" Ninth Amendment, which guarantees those fundamental rights not protected elsewhere in the Constitution, Abramson and colleagues argue that the freedom to choose how, when, and with whom we express ourselves sexually is integral to our happiness. Their careful review of the historical record reveals the importance of the "pursuit ofhappiness" in the socio-moral philosophy underpinning the Constitution. Sexual freedoms, they assert, are cut from the same cloth as the other freedoms protected by the Bill of Rights, and therefore, should be covered by the Ninth Amendment.

Using concrete examples such as prostitution and phone sex, Sexual Rights in America illustrates the scope and limitations of Ninth Amendment sexual rights.

The in-depth analyses presented in this book have a dual focus: (1) Social mechanisms through which the gender wage gap, gender inequality in the attainment of managerial positions, and gender segregation of occupations are generated in Japan; and (2) Assessments of the effects of firms' gender-egalitarian personnel policies and work-life balance promotion policies on the gender wage gap and the firms' productivity. In addition, this work reviews and discusses various economic and sociological theories of gender inequality and gender discrimination and considers their consistencies and inconsistencies with the results of the analysis of Japanese data. Furthermore, the book critically reviews and discusses the historical development of the Japanese employment system by juxtaposing rational and cultural explanations. This book is an English translation by the author of a book he first published in Japanese in 2017. The original Japanese-language edition received two major book awards in Japan. One was The Nikkei Economic Book Culture Award, which is given every year by the Nikkei Newspaper Company and the Japan Economic Research Center to a few best books on economy and society. The other was The Showa University's Women's Culture Research Award, which is bestowed annually on a single book of research that promotes gender equality. Kazuo Yamaguchi is the Ralph Lewis Professor of Sociology at the University of Chicago.

Critical stories are more than just anecdotes or tales. They are narratives that raconter, or recount, the author's own experiences, situating them in broader cultural contexts. Just as the autoethnographer situates the self in relation to the "others" of which the self is both a part and from which it is distinct, the critical storyteller situates his or her story of conflict in relation to the broader reality from which the conflict arises. The key is the reality that is being related and the perspective from which it is being shared. In Critical Storytelling in Millennial Times, marginalized, excluded, and oppressed people share insights from their liminality and help readers learn from their perspectives and experiences. Examples of stories in this volume range from undergraduate perspectives on financial aid for college students, to narratives on first-hand police brutality, to heartbreaking tales about addiction, bullying, and the child sex trade in Cambodia. Undergraduate authors relate their stories and pose important questions to the reader about inciting change for the future. Follow along in their journeys and learn what you can do to make a change in your own reality. Contributors are: Ben Brawner, Dwight Brown, Bryce Cherry, Kaytlin Jacoby, Jimmy Kruse, Dean Larrick, Bric Martin, Kara Niles, Claire Parrish, Grace Piper, Claire Prendergast, Alexsenia Ralat, Alec Reyes, Stephanie Simon, S. H. Suits, Katy Swift, Morgan Vogels, and Brittany Walsh.

Women Writing Greece explores images of modern Greece by women who experienced the country as travellers, writers, and scholars, or who journeyed there through the imagination. The essays assembled here consider women's travel narratives, memoirs and novels, ranging from the eighteenth to the late twentieth century, focusing on the role of gender in travel and cross-cultural mediation and challenging stereotypical views of 'the Greek journey', traditionally seen as an antiquarian or Byronic pursuit. This collection aims to cast new light on women's participation in the discourses of Hellenism and Orientalism, examining their ideological rendering of Greece as at once a luminous land and a site crossed by contradictory cultural memories. Arranged chronologically, the essays discuss encounters with Greece by, among others, Lady Elizabeth Craven, Lady Hester Stanhope, Lady Montagu, Lady Morgan, Mary Shelley, Felicia Skene, Emily Pfeiffer, Eva Palmer, Jane Ellen Harrison, Virginia Woolf, Ethel Smyth, Christa Wolf, Penelope Storace and Gillian Bouras, and analyse them through a variety of critical, historical, contextual and theoretical frames.

In Perogies and Politics, Rhonda Hinther explores the twentieth-century history of the Ukrainian left in Canada from the standpoint of the women, men, and children who formed and fostered it. For twentieth-century leftist Ukrainians, culture and politics were inextricably linked. The interaction of Ukrainian socio-cultural identity with Marxist-Leninism resulted in one of the most dynamic national working-class movements Canada has ever known. The Ukrainian left's success lay in its ability to meet the needs of and speak in meaningful, respectful, and empowering ways to its supporters' experiences and interests as individuals and as members of a distinct immigrant working-class community. This offered to Ukrainians a radical social, cultural, and political alternative to the fledgling Ukrainian churches and right-wing Ukrainian nationalist movements. Hinther's colourful and in-depth work reveals how left-wing Ukrainians were affected by changing social, economic, and political forces and how they in turn responded to and challenged these forces.

This study identifies the mechanisms through which women can reach positions of power in public life. The study highlights the processes which may contribute new impulse to the vitality of the industrialized countries, introducing models characterized by flexibility and creativity both in enterprises and politics.

In Gendering Disgust in Medieval Religious Polemic, Alexandra Cuffel analyzes medieval Jewish, Christian, and Muslim uses of gendered bodily imagery and metaphors of impurity in their visual and verbal polemic against one another. Drawing from a rich array of sources-including medical texts, bestiaries, Muslim apocalyptic texts, midrash, biblical commentaries, kabbalistic literature, Hebrew liturgical poetry, and theological tracts from late antiquity to the mid-fourteenth century-Cuffel examines attitudes toward the corporeal body and its relationship to divinity. She shows that these religious traditions shared notions of the human body as distasteful, with many believers viewing corporeality and communion with the divine as incompatible. In particular, she explores how authors from each religious tradition targeted the woman's body as antithetical to holiness. Foul smell, bodily fluids and states, and animals were employed by these religious communities as powerful tropes, which they used to mark their religious opponents as sinful, filthy, and unacceptable. By defining and denigrating the religious "other," each group wielded bodily insult as a means of resistance, of inciting violence, and of creating community boundaries. Representations of impurity or filth designed to inspire revulsion served also to reassure audiences of their religious and sometimes physical superiority and to encourage oppressive measures toward the minority. Yet, even in the midst of opposing one another, their very polemic demonstrates that Jews, Christians, and Muslims held basic cultural assumptions and symbols in common while inflecting their meanings differently.

The authors present a historical picture of gender relations in Highlands New Guinea by exploring domains of imagination as revealed in courting songs, ballads, and folktales from across the Highlands but with particular reference to field areas in the western Highlands. Texts and/or translations are from a rich corpus of materials previously unpublished in English. The examples draw the reader into the imaginative world of the people, while the analytical framework sets the discussion firmly into debates within interpretive anthropology.

The aim is to re-examine the images of gender relations in Highlands New Guinea by revealing the sensuous and emotional modalities of expressive folk genres and their aesthetic qualities. Ideas and practices centered on female spirit entities are shown to be important and pervasive in cult contexts, and these spirits were felt to have a significant influence on relations of courtship, marriage, and reproduction. Both women and men are also shown to have complex expressions of emotional dispositions in the spheres of courting and the choice of marital partners. By entering into these domains, the book modifies earlier analyses that have concentrated on antagonism, behavioral taboos, separation, and domination as themes in gender relations in Highland societies.

This volume brings together an interdisciplinary group of scholars from the United States, the Middle East, and North Africa, to discuss and critically analyze the intersection of gender and human rights laws as applied to individuals of Arab descent. It seeks to raise consciousness at the intersection of gender, identity, and human rights as it relates to Arabs at home and throughout the diaspora. The context of revolution and the destabilizing impact of armed conflicts in the region are used to critique and examine the utility of human rights law to address contemporary human rights issues through extralegal strategies. To this end, the volume seeks to inform, educate, persuade, and facilitate newer or less-heard perspectives related to gender and masculinities theories. It provides readers with new ways of understanding gender and human rights and proposes forward-looking solutions to implementing human rights norms. The goal of this book is to use the context of Arabs at home and throughout the diaspora to critique and examine the utility of human rights norms and laws to diminish human suffering with the goal of transforming the structural, social, and cultural conditions that impede access to human rights. This book will be of interest to a diverse audience of scholars, students, public policy researchers, lawyers and the educated public interested in the fields of human rights law, international studies, gender politics, migration and diaspora, and Middle East and North African politics.

Gender in Medieval Culture provides a detailed examination of medieval society's views on both gender and sexuality, and shows how they are inextricably linked. Sex roles were clearly defined in the medieval world although there were exceptions to the rules, and this book examines both the commonplace world view and the exceptions to it. The volume looks not only at the social and economic considerations of gender but also the religious and legal implications, arguing that both ecclesiastical and secular laws governed behaviour. The book covers key topics, including femininity and masculinity and how medieval society constructed these terms; sexuality and sex; transgressive sexualities such as homosexuality, adultery and chastity; and the gendered body of Christ, including the idea of Jesus as mother and affective spirituality. Using a clear chapter structure for easy navigation and categorisation, as well as chapter summaries and a glossary of terms, the book will be a vital resource for students of medieval history.

"Transgressive Transcripts" examines the construction of women's subjectivity and the textual production of Canadian female voices orchestrated in history, culture, ethnicity, and sexuality. The book, stressing the dissemination and re-inscription of femaleness and femininity in Chinese Canadian history, employs critical models that defy the sexual/textual imaginary of the Canadian literary scene. Four fields of study are conjoined: feminist theories of the body, gender and sexuality studies, women's writing, and Asian North Amer-ican studies. Analysing four writers, SKY Lee, Larissa Lai, Lydia Kwa, and Evelyn Lau, the book anchors its thematic and theoretical concern with female sexuality in the context of Chinese Canadian writing. Feminist narratives and gender politics in contemporary Asian North American literature are highlighted via the trope of 'transgression'.

Riley Gaines has been called many things: Collegiate athlete. All-American. Champion. But in 2022, everything changed. The narrative shifted. Now, critics smeared her as: Transphobic. Narrow-minded. Evil.

What changed? Riley gave the truth a voice. She stood up, spoke out, and dared to ask questions -- not just for herself, but for all female athletes who refuse to accept an ideology where "inclusivity" for trans-identifying male athletes now means treating women unfairly.

Riley Gaines is changing minds in the process, and this highly anticipated, fearless, pro-woman book takes on controversial but critical questions we must confront about women (and sports) in America. Can't we embrace policies that give everyone the chance to compete but still protect women and ensure they have a fair shot at success?

In Swimming Against the Current: Fighting for Common Sense in a World That's Lost It's Mind, Riley scrutinizes the perspectives of athletes on the opposing side of this debate, deconstructing their arguments with science, facts, and logic. She also asks what has happened to free speech and dissent in this country, where it now seems nearly impossible to have a well-reasoned debate. And in telling her story, Riley reveals what’s at stake if the truth-seekers remain silent about the injustices women face from radical agendas.

What does the portrayal of gender in film reveal about Spanish society? To what extent and in what ways does cinema contribute to constructions of national and regional identity? How does gender interact with ethnicity, class, politics and history?Gender and Spanish Cinema addresses these questions and more in its examination of twentieth-century film. Defining 'gender' in its broadest sense, the authors discuss topics such as body, performance, desire and fantasy. Gender is not considered in isolation, but is discussed in relation to nationalism, race, memory, psychoanalyisis and historical context. The chapters are wide-ranging, dealing with subjects such as Buuel, cinema under Franco, 1950s melodrama and Pedro Almodvar.Bringing together leading academics from the UK, US and Spain, this volume examines the diversity of gender representation in Spanish cinema through a range of genres. A filmography and illustrations enhance the text.

Author of novels, memoirs, and travel writings, Maria de las Mercedes Santa Cruz y Montalvo, better known as la Condesa de Merlin (1789-1852), is arguably one of Cuba's most engaging authors; yet until now her works have gone largely ignored.

Born in colonial Havana to an aristocratic Creole family, the future countess of Merlin left Cuba for Spain at an early age. Later, her marriage to the French count Antoine Christophe Merlin and the invasion of French Napoleonic troops precipitated another move to France, where she became one of the belle dames of Paris and began her literary career. She returned only once to Cuba after the death of her husband in 1840, a journey that produced "Viaje a la Habana." Upon her return to Paris, Merlin expanded this into "La Havane," an ambitious three-volume account of the political, social, and economic organization of the island.

From the viewpoint of feminist and psychoanalytical theory, "Gender and Nationalism in Colonial Cuba" brilliantly explores the many ways in which issues of gender have contributed to Merlin's virtual absence from the canons of literature and from the discourses on Cuban national identity. Merlin's double identity as both Cuban and French is symbolic of the Cuban exiled condition, a fact taken up by contemporary exiled Cuban writers who see the countess as an alter-ego.

Mendez Rodenas seeks to restore Merlin as the first woman writer in Cuban literary history to articulate a sense of national identity, as well as being Cuba's first female historian. She focuses on Merlin's travel writings because they examine such issues as slavery, independence, nationhood, the role of women, education, and local literature. Together her writings construct an alternative, gendered history of nineteenth-century Cuba that must be acknowledged as both functional and authentic.

By situating Merlin at the intersection of the discourses of gender and nationalism, Mendez Rodenas reveals not only her pioneering role but also the need to expand current critical categories to account for the specificity of the Latin American literary tradition. In the process of restoring Merlin to her appropriate place in the canon of Latin American literature, she broadens our understanding of colonial Cuban history and expands our knowledge of the ways in which travel writing can influence a country's national literature .

"Of Love and War: The Political Voice in the Early Plays of Aphra Behn "is a study which situates Behn's early plays within their historical and political context. Behn (c.1640-1689), the first professional female playwright in England, is a fascinating study, having traveled to Surinam as a young woman, served as a spy for Charles II, and evidently supported her family through her writing, including plays, poetry, fiction, and translation. Her early plays have often been dismissed as romances, largely because they treat such social and/or gender issues as forced marriage and female desire. This study argues that these same social issues frequently serve as tropes for political commentary and propaganda in support of foreign and domestic policies. Behn's plays clearly demonstrate staunch loyalist support of the Stuart government, yet within the dramatic construction, she-like her contemporary male colleagues, offers fascinating covert political criticism.

This book studies the transformation of work in couples in Germany, the Netherlands, the Flemish part of Belgium, Italy, Spain, Great Britain, the United States, Sweden, Denmark, Poland, Hungary, and China. It provides evidence that gender role change in couples has been slow and asymmetric, and demonstrates the importance of institutional differences among modern societies, determining the timing, speed, and pattern of the transition from male breadwinner to the dual-earner family mode.

This study is an effort to reveal how patriarchy is embedded in different societal and state structures, including the economy, juvenile penal justice system, popular culture, economic sphere, ethnic minorities, and social movements in Turkey. All the articles share the common ground that the political and economic sphere, societal values, and culture produce conservatism regenerate patriarchy and hegemonic masculinity in both society and the state sphere. This situation imprisons women within their houses and makes non-heterosexuals invisible in the public sphere, thereby preserving the hegemony of men in the public sphere by which this male-dominated mentality or namely hegemonic masculinity excludes all forms of others and tries to preserve hierarchical structures. In this regard, the citizenship and the gender regime bound to each other function as an exclusion mechanism that prevents tolerance and pluralism in society and the political sphere.

This book explores the fascinating world of sex and gender roles in the classical period. It provides readers with essays that represent a range of perspectives on women, gender and sexuality in the ancient world. They are accessible to general readers whilst also challenging them to confront problems of evidence and interpretation, new theories and methodologies, and contemporary assumptions about gender and sexuality.

The essays cover a broad spectrum of scholarly perspectives, and trace the debates and themes of the field from the late 1960s to the late 1990s. They also address a range of literary and non-literary genres, including some non-canonical sources such as medical writings and inscriptions, to elucidate ancient ideas about sexuality and the discourses that shaped these ideas. The book also provides translations of primary sources to enable readers to confront the evidence for themselves and assess the methodology used by historians. It includes Greek literature and society, Roman culture and the legacy of classical myth for modern feminist scholars. It includes and examines not only women in antiquity but also masculinity and sexuality to provide a comprehensive account of this fascinating topic.

In Private Affairs, Phillip Brian Harper explores the social and cultural significance of the private, proposing that, far from a universal right, privacy is limited by one's racial-and sexual-minority status. Ranging across cinema, literature, sculpture, and lived encounters-from Rodin's "The Kiss "to Jenny Livingston's "Paris is Burning"-Private Affairs demonstrates how the very concept of privacy creates personal and sociopolitical hierarchies in contemporary America.