Gender in Medieval Culture provides a detailed examination of medieval society's views on both gender and sexuality, and shows how they are inextricably linked. Sex roles were clearly defined in the medieval world although there were exceptions to the rules, and this book examines both the commonplace world view and the exceptions to it. The volume looks not only at the social and economic considerations of gender but also the religious and legal implications, arguing that both ecclesiastical and secular laws governed behaviour. The book covers key topics, including femininity and masculinity and how medieval society constructed these terms; sexuality and sex; transgressive sexualities such as homosexuality, adultery and chastity; and the gendered body of Christ, including the idea of Jesus as mother and affective spirituality. Using a clear chapter structure for easy navigation and categorisation, as well as chapter summaries and a glossary of terms, the book will be a vital resource for students of medieval history.

This collection breaks down the stereotypes often expected of Korean popular culture, specifically examining issues of gender, sexuality, and stereotype in a variety of cultural products including K-pop, K-drama, and cover dancing through the lens of how "Koreanness" can be defined. A diverse range of of contributors showcase how Hallyu, or the Korean Wave, began as a wave rolling across Asia and morphed into a tsunami that has impacted every continent, making Korean popular culture an industry that draws in fans on a global scale. The stereotypes and issues being explored in this collection, contributors argue, are intertwined with how Koreans both at home and in the diaspora portray themselves publicly and consider themselves privately. In tandem with this, international fans of Hallyu take part in the conversation through performance and imitation, either reinforcing or breaking away from these stereotypes. Contributors examine a wide variety of settings to connect the concepts of traditional Korean values to modern Korean society in a symbiotic relationship between these values and cultural content creators. Scholars of media studies, pop culture, gender studies, Asian studies, sociology, and cultural studies will find this book particularly useful.

"Transgressive Transcripts" examines the construction of women's subjectivity and the textual production of Canadian female voices orchestrated in history, culture, ethnicity, and sexuality. The book, stressing the dissemination and re-inscription of femaleness and femininity in Chinese Canadian history, employs critical models that defy the sexual/textual imaginary of the Canadian literary scene. Four fields of study are conjoined: feminist theories of the body, gender and sexuality studies, women's writing, and Asian North Amer-ican studies. Analysing four writers, SKY Lee, Larissa Lai, Lydia Kwa, and Evelyn Lau, the book anchors its thematic and theoretical concern with female sexuality in the context of Chinese Canadian writing. Feminist narratives and gender politics in contemporary Asian North American literature are highlighted via the trope of 'transgression'.

What does the portrayal of gender in film reveal about Spanish society? To what extent and in what ways does cinema contribute to constructions of national and regional identity? How does gender interact with ethnicity, class, politics and history?Gender and Spanish Cinema addresses these questions and more in its examination of twentieth-century film. Defining 'gender' in its broadest sense, the authors discuss topics such as body, performance, desire and fantasy. Gender is not considered in isolation, but is discussed in relation to nationalism, race, memory, psychoanalyisis and historical context. The chapters are wide-ranging, dealing with subjects such as Buuel, cinema under Franco, 1950s melodrama and Pedro Almodvar.Bringing together leading academics from the UK, US and Spain, this volume examines the diversity of gender representation in Spanish cinema through a range of genres. A filmography and illustrations enhance the text.

Author of novels, memoirs, and travel writings, Maria de las Mercedes Santa Cruz y Montalvo, better known as la Condesa de Merlin (1789-1852), is arguably one of Cuba's most engaging authors; yet until now her works have gone largely ignored.

Born in colonial Havana to an aristocratic Creole family, the future countess of Merlin left Cuba for Spain at an early age. Later, her marriage to the French count Antoine Christophe Merlin and the invasion of French Napoleonic troops precipitated another move to France, where she became one of the belle dames of Paris and began her literary career. She returned only once to Cuba after the death of her husband in 1840, a journey that produced "Viaje a la Habana." Upon her return to Paris, Merlin expanded this into "La Havane," an ambitious three-volume account of the political, social, and economic organization of the island.

From the viewpoint of feminist and psychoanalytical theory, "Gender and Nationalism in Colonial Cuba" brilliantly explores the many ways in which issues of gender have contributed to Merlin's virtual absence from the canons of literature and from the discourses on Cuban national identity. Merlin's double identity as both Cuban and French is symbolic of the Cuban exiled condition, a fact taken up by contemporary exiled Cuban writers who see the countess as an alter-ego.

Mendez Rodenas seeks to restore Merlin as the first woman writer in Cuban literary history to articulate a sense of national identity, as well as being Cuba's first female historian. She focuses on Merlin's travel writings because they examine such issues as slavery, independence, nationhood, the role of women, education, and local literature. Together her writings construct an alternative, gendered history of nineteenth-century Cuba that must be acknowledged as both functional and authentic.

By situating Merlin at the intersection of the discourses of gender and nationalism, Mendez Rodenas reveals not only her pioneering role but also the need to expand current critical categories to account for the specificity of the Latin American literary tradition. In the process of restoring Merlin to her appropriate place in the canon of Latin American literature, she broadens our understanding of colonial Cuban history and expands our knowledge of the ways in which travel writing can influence a country's national literature .

This book studies the transformation of work in couples in Germany, the Netherlands, the Flemish part of Belgium, Italy, Spain, Great Britain, the United States, Sweden, Denmark, Poland, Hungary, and China. It provides evidence that gender role change in couples has been slow and asymmetric, and demonstrates the importance of institutional differences among modern societies, determining the timing, speed, and pattern of the transition from male breadwinner to the dual-earner family mode.

"Of Love and War: The Political Voice in the Early Plays of Aphra Behn "is a study which situates Behn's early plays within their historical and political context. Behn (c.1640-1689), the first professional female playwright in England, is a fascinating study, having traveled to Surinam as a young woman, served as a spy for Charles II, and evidently supported her family through her writing, including plays, poetry, fiction, and translation. Her early plays have often been dismissed as romances, largely because they treat such social and/or gender issues as forced marriage and female desire. This study argues that these same social issues frequently serve as tropes for political commentary and propaganda in support of foreign and domestic policies. Behn's plays clearly demonstrate staunch loyalist support of the Stuart government, yet within the dramatic construction, she-like her contemporary male colleagues, offers fascinating covert political criticism.

This study is an effort to reveal how patriarchy is embedded in different societal and state structures, including the economy, juvenile penal justice system, popular culture, economic sphere, ethnic minorities, and social movements in Turkey. All the articles share the common ground that the political and economic sphere, societal values, and culture produce conservatism regenerate patriarchy and hegemonic masculinity in both society and the state sphere. This situation imprisons women within their houses and makes non-heterosexuals invisible in the public sphere, thereby preserving the hegemony of men in the public sphere by which this male-dominated mentality or namely hegemonic masculinity excludes all forms of others and tries to preserve hierarchical structures. In this regard, the citizenship and the gender regime bound to each other function as an exclusion mechanism that prevents tolerance and pluralism in society and the political sphere.

This book explores the fascinating world of sex and gender roles in the classical period. It provides readers with essays that represent a range of perspectives on women, gender and sexuality in the ancient world. They are accessible to general readers whilst also challenging them to confront problems of evidence and interpretation, new theories and methodologies, and contemporary assumptions about gender and sexuality.

The essays cover a broad spectrum of scholarly perspectives, and trace the debates and themes of the field from the late 1960s to the late 1990s. They also address a range of literary and non-literary genres, including some non-canonical sources such as medical writings and inscriptions, to elucidate ancient ideas about sexuality and the discourses that shaped these ideas. The book also provides translations of primary sources to enable readers to confront the evidence for themselves and assess the methodology used by historians. It includes Greek literature and society, Roman culture and the legacy of classical myth for modern feminist scholars. It includes and examines not only women in antiquity but also masculinity and sexuality to provide a comprehensive account of this fascinating topic.

In Private Affairs, Phillip Brian Harper explores the social and cultural significance of the private, proposing that, far from a universal right, privacy is limited by one's racial-and sexual-minority status. Ranging across cinema, literature, sculpture, and lived encounters-from Rodin's "The Kiss "to Jenny Livingston's "Paris is Burning"-Private Affairs demonstrates how the very concept of privacy creates personal and sociopolitical hierarchies in contemporary America.

This book offers a unique perspective on changing gender practices in post-conflict societies, looking at when and how masculinities change after armed conflicts. Building on original research data from Liberia, chapters look at the pathways of change in societal discourses, security sector institutions, and at the level of formatter combatants. Scrutinising the potential of peacebuilding for making conflict-related masculinities change after armed conflicts, the book develops a theoretical model that helps to understand both how violence-centred masculinities change after armed conflicts, and why profound changes of violent gender practices occur only rarely. What this book hopes to show is that masculinities can and do change after armed conflicts. Illuminating the intricate interrelationship between gendered practices within societal discourses, security sector institutions, and at the individual level in post-conflict societies, this book constitutes an invitation to rethinking our understanding of peacebuilding practices and their interconnectedness with gender, violence, and peace.

Fashioning Socialism is the first history of communist fashion in East Germany. Using clothing as a lens to read society, the author unveils wider tensions between the regime and the population and within the regime itself. In telling the surprising - and often bizarre - story of communist haute couture, fashion shows, seasonal clearance sales, the textile and garment industries, and everyday consumer practices, this book explores the paradoxical causes, forms, and consequences of East Germany's attempt to create a communist consumer culture during the Cold War. In attempting to compete with capitalism on the West's terms, East Germany unwittingly bred disgruntled consumers - consumers who ultimately tore down the Wall. Topics covered include gender and consumption, Americanization and Sovietization, women as consumer-citizens, and much more. A rare glimpse into consumerism under state socialism, this book offers unique insights into the Cold War, the dynamics and collapse of communism, and modern consumption.

Drawing on poststructuralist approaches, Craig Martin outlines a theory of discourse, ideology, and domination that can be used by scholars and students to understand these central elements in the study of culture. The book shows how discourses are used to construct social institutions-often classist, sexist, or racist-and that those social institutions always entail a distribution of resources and capital in ways that capacitate some subject positions over others. Such asymmetrical power relations are often obscured by ideologies that offer demonstrably false accounts of why those asymmetries exist or persist. The author provides a method of reading in order to bring matters into relief, and the last chapter provides a case study that applies his theory and method to racist ideologies in the United States, which systematically function to discourage white Americans from sympathizing with poor African Americans, thereby contributing to reinforcing the latter's place at the bottom of a racial hierarchy that has always existed in the US.

A highly informative account of trends, concepts, and problems related to dating and sexuality in the United States, along with thought-provoking coverage of today's most important issues and controversies. A history of dating and sexuality illuminates new trends and problems that were absent just a few decades ago. The most important dating and sexuality issues facing teenagers today are explored, including solutions and implications for educational intervention. The work elucidates how dating unfolds and how sexual attitudes and behaviors impact intimacy. Valuable information about organizations and individuals as well as print and electronic resources are included in this authoritative work. 32 biographical profiles describing the research of respected contributors to the fields of dating, sexuality, adolescent development, and family life A lively and engaging timeline chronicling the historic events that shaped dating and sexuality in America, such as the birth of the drive-in movie theater, the pill, the sexual revolution, MTV, HIV/AIDS, the Internet, and Viagra

Since Toy Story, its first feature in 1995, Pixar Animation Studios has produced a string of commercial and critical successes including Monsters, Inc.; WALL-E; Finding Nemo; The Incredibles; Cars; and Up. In nearly all of these films, male characters are prominently featured, usually as protagonists. Despite obvious surface differences, these figures often follow similar narratives toward domestic fulfillment and civic engagement. However, these characters are also hypermasculine types whose paths lead to postmodern social roles more revelatory of the current "crisis" that sociologists and others have noted in boy culture. In Pixar's Boy Stories: Masculinity in a Postmodern Age, Shannon R. Wooden and Ken Gillam examine how boys become men and how men measure up in films produced by the animation giant. Offering counterintuitive readings of boy culture, this book describes how the films quietly but forcefully reiterate traditional masculine norms in terms of what they praise and what they condemn. Whether toys or ants, monsters or cars, Pixar's males succeed or fail according to the "boy code," the relentlessly policed gender standards rampant in American boyhood. Structured thematically around major issues in contemporary boy culture, the book discusses conformity, hypermasculinity, social hierarchies, disability, bullying, and an implicit critique of postmodern parenting. Unprecedented in its focus on Pixar and boys in its films, this book offers a valuable perspective to current conversations about gender and cinema. Providing a critical discourse about masculine roles in animated features, Pixar's Boy Stories will be of interest to scholars of film, media, and gender studies and to parents.

In Gendering Disgust in Medieval Religious Polemic, Alexandra Cuffel analyzes medieval Jewish, Christian, and Muslim uses of gendered bodily imagery and metaphors of impurity in their visual and verbal polemic against one another. Drawing from a rich array of sources-including medical texts, bestiaries, Muslim apocalyptic texts, midrash, biblical commentaries, kabbalistic literature, Hebrew liturgical poetry, and theological tracts from late antiquity to the mid-fourteenth century-Cuffel examines attitudes toward the corporeal body and its relationship to divinity. She shows that these religious traditions shared notions of the human body as distasteful, with many believers viewing corporeality and communion with the divine as incompatible. In particular, she explores how authors from each religious tradition targeted the woman's body as antithetical to holiness. Foul smell, bodily fluids and states, and animals were employed by these religious communities as powerful tropes, which they used to mark their religious opponents as sinful, filthy, and unacceptable. By defining and denigrating the religious "other," each group wielded bodily insult as a means of resistance, of inciting violence, and of creating community boundaries. Representations of impurity or filth designed to inspire revulsion served also to reassure audiences of their religious and sometimes physical superiority and to encourage oppressive measures toward the minority. Yet, even in the midst of opposing one another, their very polemic demonstrates that Jews, Christians, and Muslims held basic cultural assumptions and symbols in common while inflecting their meanings differently.

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"An important and significant contribution. . . . A study of the social construction of gender and how culture and agency influence the meaning of work . . ., vivid and compelling."
--"American Journal of Sociology"

When most people think of prisons, they imagine chaos, violence, and fundamentally, an atmosphere of overwhelming brute masculinity. But real prisons rarely fit the "Big House" stereotype of popular film and literature. One fifth of all correctional officers are women, and the rate at which women are imprisoned is growing faster than that of men. Yet, despite increasing numbers of women prisoners and officers, ideas about prison life and prison work are sill dominated by an exaggerated image of men's prisons where inmates supposedly struggle for physical dominance.

In a rare comparative analysis of men's and women's prisons, Dana Britton identifies the factors that influence the gendering of the American workplace, a process that often leaves women in lower-paying jobs with less prestige and responsibility.

In interviews with dozens of male and female officers in five prisons, Britton explains how gender shapes their day-to-day work experiences. Combining criminology, penology, and feminist theory, she offers a radical new argument for the persistence of gender inequality in prisons and other organizations. At Work in the Iron Cage demonstrates the importance of the prison as a site of gender relations as well as social control.

"It has long been a belief of the feminist academic community that personal voices and experiences must be validated and heard. This volume succeeds admirably in being true to that tradition."--"Canadia HIV/AIDS Policy and Law Newsletter"

Women now account for the majority of all new HIV/AIDS cases diagnosed in the United States. Yet, the resources allotted to women for research, health services, education, and outreach remain woefully inadequate. The Gender Politics of HIV/AIDS in Women fills crucial gaps in understanding the specific effects of HIV and AIDS on and in women's lives. It takes as its starting point the premise that it is vitally important for researchers, teachers, health service providers, public policy makers, and community-based organizers to begin taking gender-- especially as it intersects with race, class, and sexuality-- into consideration as they work with HIV-infected women.

The first comprehensive, interdisciplinary volume on this topic, The Gender Politics of HIV/AIDS in Women goes beyond tokenism, with a contributor's list made up of approximately 45% people of color, including African Americans, Latinos/as, Asian Americans and Pacific Islanders, and Native Americans. The volume emphasizes marginalized populations such as the homeless, sexworkers, youth, the elderly, intravenous drug users, transgendered people, lesbians, bisexuals, incarcerated women, and victims of sexual abuse and domestic violence.

The contributors, including Evelyn Hammonds, Risa Denenberg, Michelle Murrain, and Paul Farmer, are recognized experts in their diverse fields. From their posts at the center of the pandemic--in the laboratory, the academy, clinics, and communitybased organizations--they criticize blind spots in the recognition and treatment of HIV in women and articulate accessible and practical solutions to specific areas of difficulty.

Discourses on Gender and Sexual Inequality: The Legacy of Sandra L. Bemfocuses on emerging discourses on gender, gender roles, and gender schemas. This collection of essays aims to honor the legacy of Sandra Lipsitz Bem and, particularly, her trail-blazing text, The Lenses of Gender: Transforming the Debate on Sexual Inequality. Long before the terms transgender and cisgender were introduced into mainstream, academic, and activist discourses on gender, Bem was busy interrogating the use of gender as an essential organizing principle in society.Chapters in this volume aim to draw attention to the significance of Bem's research for current debates on gender and gender roles in the social sciences, questioning the ways in which the institution of gender has been, and remains, deeply contested. Contributors examine lived experiences of individuals influenced by institutional constructions of gender and examine practical aspects of gender from the perspectives of social policy.

Drawing on the extensive and underused body of legal records on marriage that exist in Europe's ecclesiastical and secular archives, Marriage in Europe, 1400-1800 examines the institution not just as it was theorized by jurists and theologians, but as it was lived in reality. A comparative history that examines England, France, Spain, Germany, Switzerland, Italy, the Low Countries, and Sweden, this volume features the extensive and meticulous research of twelve leading international experts in the field. Their essays make use of material from thirty-one European archives, as well as a range of canons and decretals, poems, letters, novels, and treatises, to offer a history of marriage, both Catholic and Protestant. Edited by Silvana Seidel Menchi, this collection is an essential resource for those interested in the history of marriage in Christian Europe.

Riley Gaines has been called many things: Collegiate athlete. All-American. Champion. But in 2022, everything changed. The narrative shifted. Now, critics smeared her as: Transphobic. Narrow-minded. Evil.

What changed? Riley gave the truth a voice. She stood up, spoke out, and dared to ask questions -- not just for herself, but for all female athletes who refuse to accept an ideology where "inclusivity" for trans-identifying male athletes now means treating women unfairly.

Riley Gaines is changing minds in the process, and this highly anticipated, fearless, pro-woman book takes on controversial but critical questions we must confront about women (and sports) in America. Can't we embrace policies that give everyone the chance to compete but still protect women and ensure they have a fair shot at success?

In Swimming Against the Current: Fighting for Common Sense in a World That's Lost It's Mind, Riley scrutinizes the perspectives of athletes on the opposing side of this debate, deconstructing their arguments with science, facts, and logic. She also asks what has happened to free speech and dissent in this country, where it now seems nearly impossible to have a well-reasoned debate. And in telling her story, Riley reveals what’s at stake if the truth-seekers remain silent about the injustices women face from radical agendas.

Feminists today are re-imagining nature, biology, and matter in feminist thought and critically addressing new developments in biology, physics, neuroscience, epigenetics and other scientific disciplines. Mattering, edited by noted feminist scholar Victoria Pitts-Taylor, presents contemporary feminist perspectives on the materialist or 'naturalizing' turn in feminist theory, and also represents the newest wave of feminist engagement with science. The volume addresses the relationship between human corporeality and subjectivity, questions and redefines the boundaries of human/non-human and nature/culture, elaborates on the entanglements of matter, knowledge, and practice, and addresses biological materialization as a complex and open process. This volume insists that feminist theory can take matter and biology seriously while also accounting for power, taking materialism as a point of departure to rethink key feminist issues. The contributors, an international group of feminist theorists, scientists and scholars, apply concepts in contemporary materialist feminism to examine an array of topics in science, biotechnology, biopolitics, and bioethics. These include neuralplasticity and the brain-machine interface; the use of biometrical identification technologies for transnational border control; epigenetics and the intergenerational transmission of the health effects of social stigma; ADHD and neuropharmacology; and randomized controlled trials of HIV drugs.A unique and interdisciplinary collection, Mattering presents in grounded, concrete terms the need for rethinking disciplinary boundaries and research methodologies in light of the shifts in feminist theorizing and transformations in the sciences.

Living in a world inundated with sexual images and messages, we're tempted at every turn. While most people are familiar with the Bible's clear admonitions concerning sexual practices such as adultery and fornication, less attention is given to biblical guidance in regard to the sexual activity exercised between husband and wife. What does the Bible have to say about the way we practice our sexuality? "Is God In Your Bedroom? Discovering the Joy of Sanctified Sexuality" is a startling plunge into the Word of God, revealing plain instruction from the Bible concerning God's creative expression of unconditional love toward man-the gift of sexuality. Learn the elements that define sacred sexuality, how to protect your marriage from sinful practices, and strategies to help restore relationships afflicted by infidelity. God created the institution of marriage to be a living, vibrant representation of the unity and oneness of God. Sexuality is a gift stemming from that unity, allowing the sanctity of sexual expression to be expressed within the covenant of marriage. Adhering to the desire and will of God in sexual intimacy, our relationships will bear the mark of God's favor and blessing. Find out how you can experience God's choice blessing for your love life.