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Books > Social sciences > Sociology, social studies > Anthropology > General
Though many still think that we live in an information economy, Ernest Sternberg asserts that the driving force in 21st-century capitalism is not information, but image. Through studies of food processing, real estate development, tourism, movies, and labor performances, he examines how businesses endow products with evocative meaning. It has become common wisdom that we live in a postindustrial information society in which data and calculation underlie wealth. But now that information is as routinely produced as industrial or agricultural goods, businesses are discovering that they best achieve competitive advantage by producing what consumers most dearly seek--personal meaning. The 21st-century economy produces just that: not merely information, but evocative images; not just commodities, but meaning-laden icons. As Sternberg shows, foods now appeal through their sensuality and nostalgia; houses and stores draw customers through their exoticism; people sell their labor through the deliberate performance of the self for the market; and tourist destinations offer up carefully crafted thematic experiences. Whereas farms, factories, and information processors once stood at the core of the economy, now movie studios do, producing the product valued above all, meaningful content, from which downstream firms acquire the themes that animate desire. Now that meaning pervades production, Sternberg argues, modes of inquiry once reserved for the humanities make sense in the study of the economy. Drawing on art history and aesthetics, he introduces iconography as a mode of cultural analysis adapted to the study of commercial production. Through comparative studies of diverse economic sectors, ranging from food processing to tourism, Sternberg carries out an iconographic analysis of the new economy. This is a provocative study for scholars, students, and professionals dealing with marketing and consumer research, culture and media studies, socio-economics, and economic geography.
Does multiculturalism 'work'? Does multiculturalism policy create social cohesion, or undermine it? Multiculturalism was introduced in Canada in the 1970s and widely adopted internationally, but more recently has been hotly debated, amid new concerns about social, cultural, and political impacts of immigration. Advocates praise multiculturalism for its emphasis on special recognition for cultural minorities as facilitating their social integration, while opponents charge that multiculturalism threatens social cohesion by encouraging social isolation. Multiculturalism is thus rooted in a theory of human behaviour, and this book examines the empirical validity of some of its basic propositions, focusing on Canada as the country for which the most enthusiastic claims for multiculturalism have been made. The analysis draws on the massive national Ethnic Diversity Survey of over 41,000 Canadians in 2002, the most extensive survey yet conducted on this question. The analysis provides a new and more nuanced understanding of the complex relation between multiculturalism and social cohesion, challenging uncritically optimistic or pessimistic views. Ethnic community ties facilitate some aspects of social integration, while discouraging others. For racial minorities, relations within and outside minority communities are greatly complicated by more frequent experiences of discrimination and inequality, slowing processes of social integration. Implications for multicultural policies emphasize that race relations present important challenges across Quebec and the rest of Canada, including for the new religious minorities, and that ethnic community development requires more explicit support for social integration.
* Consolidates a wide range of interdisciplinary research engaged with futures; * Richly illustrated with video stories and future-focused images; * Written accessibly with a student reader in mind by a leading researcher within the field.
Based on archival sources and oral history, this book reconstructs a border-building process in Namibia that spanned more than sixty years. The process commenced with the establishment of a temporary veterinary defence line against rinderpest by the German colonial authorities in the late nineteenth century and ended with the construction of a continuous two-metre-high fence by the South African colonial government sixty years later. This 1250-kilometre fence divides northern from central Namibia even today. The book combines a macro and a micro-perspective and differentiates between cartographic and physical reality. The analysis explores both the colonial state's agency with regard to veterinary and settlement policies and the strategies of Africans and Europeans living close to the border. The analysis also includes the varying perceptions of individuals and populations who lived further north and south of the border and describes their experiences crossing the border as migrant workers, African traders, European settlers and colonial officials. The Red Line's history is understood as a gradual process of segregating livestock and people, and of constructing dichotomies of modern and traditional, healthy and sick, European and African.
This book explores creative interdisciplinary and potentially transformative solutions to the current stalemate in contemporary water policy design. A more open policy conversation about water than exists at present is proposed - one that provides a space for the role of the imagination and is inclusive - of the arts and humanities, relevant stakeholders, including landholders and Indigenous peoples, as well as science, law and economics. Written for a wide audience, including practitioners and professional readers, as well as scholars and students, the book demonstrates the value of multiple disciplines, voices, perspectives, knowledges and different ways of relating to water. It provides a fresh and timely response to the urgent need for water policy that works to achieve sustainability, and may be better able to resolve complex environmental, social and cultural water issues. Utilising a broad range of evidentiary sources and case studies from Australia, New Zealand, Canada and elsewhere, the authors of this edited collection demonstrate how new ways of thinking and imagining water are not only possible but already practised, and growing in saliency and impact. The current dominance of narrower ways of conceptualising our relationship with water is critiqued, including market valuation and water privatisation, and more innovative alternatives are described, including those that recognise the importance of place-based stories and narratives, adopt traditional ecological knowledge and relational water appreciations, and apply cutting-edge behavioural and ecological systems science. The book highlights how innovative approaches drawing on a wide range of views may counter prevailing policy myopia, enable reflexive governance and transform water policy towards addressing water security questions and the broader challenges posed by the Anthropocene and the UN Sustainable Development Goals.
Does contemporary anti-capitalism tend towards, as Slavoj Zizek believes, nihilism, or does it tend towards, as Michael Hardt and Antonio Negri believe, true egalitarian freedom? Within The Cultural Contradictions of Anti-Capitalism, Fletcher presents an answer that manages to tend towards both simultaneously. In entering into contemporary debates on radicalism, this innovative volume proposes a revised conception of Hardt and Negri's philosophy of emancipatory desire. Indeed, Fletcher reassesses Hardt and Negri's history of Western radicalism and challenges their notion of an alter-modernity break from bourgeois modernity. In addition to this, this title proposes the idea of Western anti-capitalism as a spirit within a spirit, exploring how anti-capitalist movements in the West pose a genuine challenge to the capitalist order while remaining dependent on liberalist assumptions about the emancipatory individual. Inspired by post-structuralism and rejecting both revolutionary transcendence and notions of an underlying desiring purity, The Cultural Contradictions of Anti-Capitalism offers new insight into how liberal capitalist society persistently produces its own forms of resistance against itself. This book will appeal to graduate and postgraduate students interested in fields such as: Sociology, Politics, International Relations, Cultural Studies, History, and Philosophy.
There was a time, in this century, when liberals championed the working class, when Democrats were indisputably the party of those who worked rather than invested for a living. Today, however, most Americans have come to see liberals as drifting and aimless, somehow lacking in backbone and moral fiber, beholden to radical ideologies that have little to do with the average American's life. Few incidents cast this phenomenon into greater relief than George Bush's successful tarring of Michael Dukakis as a liberal in 1988--and, tellingly, Dukakis's subsequent flight from the liberal tradition. How has it come to this? Why have liberals allowed themselves to be so portrayed? In this book, Gordon MacInnes--state senator, fiscal conservative, frustrated Democrat, and a man who believes deeply in America's civic culture--reveals how progressive forces have retreated from the battle of ideas, at great cost. Squarely at the nexus of race, poverty, and politics, Wrong for All the Right Reasons charts the sources of liberal decline and the high costs of conservative rule. Tracing the origins of the liberal retreat to the fall-out over Senator Daniel Patrick Moynihan's report on the black family in the 1960s, MacInnes claims that white liberals have somewhere along the way stopped taking black people seriously enough to argue with them. Continuously put on the desfensive, liberals have been unable to forge an aggressive, proactive agenda of that addresses the needs of working-class and poor Americans. This has led to a breakdown of honest dialogue which to this day continues to plague liberal Democrats, as evidenced by Bill Bradley's withdrawal from active party politics last fall. Finding room for optimism in the groundswell of grass-roots progressivism, Wrong for All the Right Reasons is a timely, necessary call to arms for liberal, progressive Democrats, outlining ways in which they can reverse their party's dangerous decline.
The core aim of this book is to determine how anthropology and demography can be used in conjunction in the field of population and development. The boundaries of demography are not as clearly defined or as stable as one might think, especially in view of the tension between a formal demography centered on the core of procedures and references and a more open form of demography, generally referred to as Population Studies. Many rapprochements, missed opportunities and isolated attempts marked the disciplinary history of anthropology and demography, both disciplines being founded on distinct and highly differentiated traditions and practices. Moreover, the role and the place assigned to epistemology differ significantly in ethnology and demography. Yet, anthropology and demography provide complementary models and research instruments and this book shows that neither discipline can afford to overlook their respective contributions. Based on research conducted in West Africa over more than twenty years, it is a defense of field demography that makes case for a continuum ranging from the initial conception of fieldwork and research to its effective implementation and to data analysis. Changes in behaviors relating to fertility, poverty or migration cannot be interpreted without invoking the cultural factor at some stage. Representations in their collective and individual dimensions also fit into the extended explanatory space of demography. "
African children develop aesthetic sensibilities at an early age, roughly from four to fourteen years. By the time they become full-fledged adolescents they may have had up to ten years experience with various art forms--masking, music, costuming, dancing, and performance. Aesthetic learning is vital to their maturation. The contributors to this volume argue that the idea that learning the aesthetics of a culture only occurs after maturity is false, as is the idea that children wearing masks is only play, and is not to be taken seriously. Playful Performers is a study of children's masquerades in Africa. The contributors describe specific cases of young children's masking in the areas of west, central, and southern Africa, which also happen to be the major areas of adult masquerading. The volume reveals the considerable creativity and ingenuity that children exhibit in preparing costumes, masks and musical instruments, and in playing music, dancing, singing, and acting. The book includes over 50 pages of black and white photographs, which illustrate and elaborate upon the authors' main points. The editors describe general categories of children's masquerades. In each of the three masking categories children's relationships to their parents and other adults differ, from a close relationship to some independence to almost complete independence. No other major work has covered this aspect of African children at this age level. The book offers a challenging perspective on young children, seeing them as active agents in their own culture rather than passive recipients of culture as taught by parents and other elders. It will be interesting reading for anthropologists, art historians, educators, and African studies specialists alike.
The name "AIDS" is an accusation. It implies punishment for sin--homosexuality and promiscuity. AIDS is a moral judgement masquerading as a scientific name, which is at the very heart of discrimination against the infected. At the bottom are drug users, victims of the War On Drugs, condemned to contract AIDS by using contaminated syringes necessitated by scarcity resulting from restrictive policies. A rational way to control HIV is to liberalize drug paraphernalia policies as in Europe. The U.S. has not taken this simple step, thus unleashing the AIDS epidemic among drug users, their sexual partners, and neonates. While this policy neglect can be understood in the context of AIDS prevention dominated by moral, political, and religious ideologies rather than epidemiological facts, there are critical racial implications. The ethnic divide separating the white researchers and the infected who belong to minorities has fuelled comparisons of AIDS with the infamous Tuskegee Syphilis Study and some preventive strategies have been called genocidal plots. Recent research indicating the ineffectiveness of bleach to disinfect paraphernalia has exposed the deadly consequences of a nonchalant attitude to research and compromises for political expediency.
Originally published as Negotiating Language, Constructing Race, 1998, in the series titled Contributions to the Sociology of Language, 79, sociologist Nirmala Srirekam PuruShotam discusses language as a social phenomenon, focusing specifically on the configuration of nation in Singapore. Annotat
The third edition of this popular and established core textbook provides an invaluable guide to 24 of the most influential thinkers in Sociology. Written by leading academics in the field, Key Sociological Thinkers provides a clear and contextualised introduction to classical and contemporary theory. Each chapter offers an insightful assessment of a different theorist, exploring their lives, works and legacies, and in a much-valued 'Seeing Things Differently' section authors demonstrate how each thinker's ideas can be used to illuminate aspects of social life in new ways. With frameworks for deep learning around group discussion, this continues be an essential text for undergraduate and postgraduate modules on sociological and social theory. New to this Edition: - Four new chapters, on Mead, Du Bois, Latour and Alexander - Five chapters by new authors on existing key thinkers: Durkheim, Merton, Goffman, Bourdieu, and Giddens - A major new introduction - An updated, structured and annotated 'Further Reading' section for each thinker - Extended accounts of 13 additional thinkers who have influenced, or been influenced by, the key thinkers
Routledge is proud to be re-issuing this landmark series in association with the International African Institute. The series, originally published between 1930 and 1987, provides an invaluable resource for the study of African languages and for critically on reflecting the history of the field. A number of the volumes remain highly relevant today, while others provide a unique snapshot of approaches and findings at the time of their publication. The volumes are supplemented with maps, which will be available to view on https://www.routledge.com/ or available as pdfs from the publishers.
Reviews of Not Saussure and The Explicit Animal: Not Saussure - 'I greatly enjoyed it...' - Bernard Bergonzi 'The Explicit Animal - '...his books are genuine contributions to professional debate...' - Stephen R.L. Clarke, Times Literary Supplement;Newton's Sleep examines the complementary roles of science and art in human life. Science has been criticised for being at best useful but spiritually derelict, and art for attempting to answer the spiritual needs of humankind while ignoring the material needs of millions who live in want. Newton's Sleep deals with the charges that science is spiritually empty and that art fails in its civilising mission by relating these aspects of human culture to the physical and metaphysical hungers of an explicit animal who lives in both the Kingdom of Means and the Kingdom of Ends. 'Tallis can, and frequently does, write extremely well. He also writes with considerable passion...Tallis...is perhaps best seen as an exceptionally interesting and broad-minded heir to Huxley, preaching the cause of the Church Scientific...' Richard Webster
Contemporary accounts of Malay culture that focus on shamanism, dance, medicine and performance reveal only a partial view of Malay mysticism. However, given knowledge of the Malay martial art (silat) a more comprehensive understanding of Malay mysticism, religion, sorcery and magic becomes possible. Recognizing the silat master's (guru silat) role in Malay mysticism recon? gures the social anth- pology of Malay religion, sorcery and magic. Hence this account explores Malay mysticism, shamanism and sorcery from the perspective of silat, which may be considered as a kind of embodied war magic or warrior religion. Shadows of the Prophet: Martial Arts and Su Mysticism is based upon my d- toral dissertation (Farrer 2006b). Part I of the book, re ections, outlines the meth- ological and theoretical base of the research. Chapter 1 outlines the ? eldwork method of performance ethnography used to investigate a transnational silat organization called Seni Silat Haqq Melayu. This group are an offshoot of the Islamic Haqqani- Naqshbandi Su? Order headed internationally by Shaykh Nazim, and led in Sou- east Asia by a Malay Prince; H. R. H. Shaykh Raja Ashman. Readers who prefer to delve directly into the ethnographic materials may skip Chapter 2, which contains an extensive academic literature review of anthropological theories of art, embo- ment, magic, and performance read alongside Malay animism, shamanism, ritual and theatre.
The construction of masculinity is becoming a field of growing interest because it is opening up new and fascinating perspectives, thus adding a further dimension to Gender Studies. However, so far the analysis has focused mostly on homosexuality. By contrast, the author examines social processes and relations that constitute hegemonic masculinity, the central model that attempts to subordinate alternative masculinities, and which is the model of male domination, compulsory monogamy, heterosexuality and reproduction. It is fascinating to follow the author as he gradually unfolds this kind of masculinity in its nearly pure state. Moreover, he involves the reader in his critical reflections on the material and invites him or her to give some thought to such wider questions as whether the hegemonic male is more resistant to change in oral cultures than in urban settings, or up to which point the agents of domination are also its victims. In fact, the author concludes that the hegemonic male is an ideal model practically unattainable by any single man, which exerts over all men a strong controlling power and often forces on them ritualization of everyday behavior that leads to an impoverishment of their lives.
From medieval times until today Germany has been a cocktail of very different peoples and cultural groups. The components of the 'cocktail' have changed, but not Germany's character as such. The many cultural divides have often led to conflict, once even to genocide, but surprisingly often cooperation, or at least peaceful coexistence, has been the characteristic feature. Against the background of a graphic historical survey the author analyzes the factors which have made cooperation possible, or conversely, have produced conflicts.
The Kalahandi district in the state of Odisha in Eastern India is regarded as an iconic region of underdevelopment, and is often perceived to be the 'Somalia' of the country. It is also the site of a large number of governmental interventions. This book focuses on processes of governance in Odisha, and provides an ethnographic account of the changing forms of governmental actions in Kalahandi by analysing the implementation of WORLP (Western Orissa Rural Livelihoods Project), a new generation watershed development project. The book also shows the morphings of the forms of the state on the ground, and the ways in which it is perceived by the agents and objects of statist actions. Arguing that changes in the institutions and practices of the state in India over the last three decades are better understood through the conceptualisation of state-fabrication, rather than of state-formation, the author describes the governmental tactics related to emergent modes of governmental action. The book identifies an increasing convergence in the everyday practices of governmental and non-governmental organisations, and the growth of 'the social' as a terrain and object of governmental actions, as two important effects of the process of deployment of these tactics. It argues that the vernacular sphere of toutary is a key domain of sociality that frames the perceptions and actions of people related to the state in Odisha. As a domain, toutary is populated by social agents, called touters; toutary can be understood as the interstitial zone between state and society shaped by the increasing penetration by the state into society through social technologies. By providing an alternative analysis of state and politics in India, this book adds to the literature surrounding the everyday state by illuminating recent changes in state-society relations. It will be of interest to academics in the field of Political Science, Public Policy, Development Studies, Social Anthropology/Sociology, Social Work, and South Asian studies.
One of the most influential anthropological works of the last two decades, Alfred Gell's Art and Agency is a provocative and ambitious work that both challenged and reshaped anthropological understandings of art, agency, creativity and the social. It has become a touchstone in contemporary artifact-based scholarship. This volume brings together leading anthropologists, archaeologists, art historians and other scholars into an interdisciplinary dialogue with Art and Agency, generating a timely re-engagement with the themes, issues and arguments at the heart of Gell's work, which remains salient, and controversial, in the social sciences and humanities. Extending his theory into new territory - from music to literary technology and ontology to technological change - the contributors do not simply take stock, but also provoke, critically reassessing this important work while using it to challenge conceptual and disciplinary boundaries.
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Precarious office friendships and email romance; delicate status politics; multiple femininities and masculinities; changing employment practices and career pathways; temporal and spatial practices of regulation, detection and slipping free - these analytical themes comprise the core of Tomoko Kurihara's ethnography, "Japanese Corporate Transition in Time and Space." A skillful analysis of the subtleties of language and embodiment discloses the various knowledges and practices that reinforce and subvert ideology and culture within the workplace community. This fieldstudy brings the work of continental theorists Mikhail Bakhtin, Pierre Bourdieu, and Michel de Certeau into conversation with the anthropology of Japan. It is a significant contribution to the new specialist areas in anthropology, of organizations, and of management practices.
Hardbound. Cultural Studies is an interdisciplinary series, drawing on contemporary scholarship in such fields as speech communication, education, anthropology, sociology, history, and English. Papers focus on the intersection of interpretive critical theory, qualitative inquiry, culture, media, history, biography and social structure. This international research publication creates a space for the study of those global cultural practices and cultural forms that shape the meanings of race, ethnicity, class, nationality, and gender in the contemporary world.
This project is an attempt to bring together the many fragments of history concerning the Yoruba religious community and their rise to prominence in Salvador, Bahia, Brazil, from the mid-nineteenth to the late-twentieth centuries. |
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