More than fifty years after the declaration of the state of emergency the significance of Mau Mau is still debated. This collection combines retrospective overviews with research to achieve a multi-layered analysis of this topic. According to Professor Terence Ranger, Emeritus Rhodes Prfessor of Race Relations, University of Oxford: 'In some ways the historiography of Mau Mau is a supreme example not only of ambiguity and complexity but also of redemption of a topic that was once thought incapable of rational analysis.' North America: Ohio U Press; Kenya: EAEP

This powerful collection from an international mix of respected academics, newer voices and political activists explores the place of Israel as a Jewish state in today's modern world-a world in which identifies, citizenship and human rights are defined increasingly cosmopolitan and inclusive ways. Offering compelling and comprehensive arguments as to why Israel falls into the category of an ethnocentric state, the contributions to this volume explore four central themes. They reveal the reality behind Israel's founding myths. They document the experiences of some of those who have fallen victim to this ethnic state. They reveal the reality behind Israel's founding myths. Then, they draw comparisons with other ethnic states, notably South Africa, and finally, they point towards the radical hope of achieving a single nation, united, peaceful and just. Unpacking both Jewish and Palestinian nationalism, the nation-state, and ethnic nationalism, this fascinating collection offers new insights into one of the world's most intractable conflicts. It will appeal not only to scholars and teachers, but to anyone interested in the history, politics, anthropology and legal standing of Palestine-Israel.

In the 1970s the women's movement created tremendous changes in the lives of women throughout the United States. Millions of women participated in a movement that fundamentally altered the country's ideas about how women could and should contribute to American society. "Revolutionizing Expectations" tells the story of some of those women, many of whom took part in the movement in unexpected ways. By looking at feminist activism in Durham, Denver, and Indianapolis, Melissa Estes Blair uncovers not only the workof local chapters but also the feminist activism of Leagues of Women Voters and of women's religious groups in those pivotal cities.
Through her exploration of how women's organizations that were not explicitly feminist became channels for feminism, Blair expands our understanding of who feminists were and what feminist action looked like during the high tide of the women's movement. "Revolutionizing Expectations "looks beyond feminism's intellectual leaders and uncovers a multifaceted women's movement of white, African American, and Hispanic women from a range of political backgrounds and ages who worked together to bring about tremendous changes in their own lives and the lives of generations of women who followed them.

Anthonyas fascinating biography of this aworld citizen in the Black Atlantica sheds a good deal of light on the origins of Yerganas radical engagement in the 1930s and 1940s.a
--"Radical History Review"

aAs the title of this provocative work suggests, Max Yergan certainly is one of the more intriguing figures of the previous century. . . . This biography includes a particularly strong bibliography and a detailed index.a
--Gerald Horne in the "Journal of American History"

"Beautifully written and accessible . . . "Max Yergan" is a remarkable book which reflects prodigious and imaginative research. It is more than a biography; it is a walk through a variety of political and institutional movements that have substantially shaped the history of the black world, from the United States to South Africa."
--Robin D.G. Kelley, author of "Freedom Dreams: The Black Radical Imagination"

aAnthony has done an admirable job making sense of the sometimes contradictory sources related to Yerganas life, and the scope of his research is truly remarkable.a
--Safundi: The Journal of South African and American Studies

"The multiple lives of the man David Anthony explores in these pages are fascinating, tragic, and remarkably little-known. The left-to-right journeys of many white American intellectuals are familiar, but the trajectory of this talented black man seems more dramatic than any of them: from mentor of a key African National Congress leader to enthusiastic backer of apartheid, from friend of Paul Robeson and target of FBI surveillance to someone eulogized in the "National Review," Max Yergan's odyssey through the twentieth century is a prism through which to view anera's dreams and conflicts on four continents."
--Adam Hochschild, author of "King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa"

"David Anthony's biography of Max Yergan and the story of Otto Huiswoud and his comrades by Joyce Moore Turner have provided us with deeper understanding of that complex and often contradictory history that has been the African-American relationship with the communist movement."
--Allen Ruff, "Against the Current"

In his long and fascinating life, black activist and intellectual Max Yergan (1892-1975) traveled on more ground--both literally and figuratively--than any of his impressive contemporaries, which included Adam Clayton Powell, Paul Robeson, W.E.B. Du Bois, and A. Phillip Randolph. Yergan rose through the ranks of the "colored" work department of the YMCA, and was among the first black YMCA missionaries in South Africa. His exposure to the brutality of colonial white rule in South Africa caused him to veer away from mainstream, liberal civil rights organizations, and, by the mid-1930s, into the orbit of the Communist Party. A mere decade later, Cold War hysteria and intimidation pushed Yergan away from progressive politics and increasingly toward conservatism. In his later years he even became an apologist for apartheid.

Drawing on personal interviews and extensive archival research, David H. Anthony has written much more than a biography of this enigmatic leader. In following the winding road of Yergan's life, Anthony offers a tour through the complex and interrelated political and institutional movements that have shaped the history of the black world from the United States to South Africa.

"The American people sees itself advance across the wilderness, draining swamps, straightening rivers, peopling the solitude, and subduing nature," wrote Alexis de Tocqueville in 1835. That's largely how we still think of nineteenth-century America today: a country expanding unstoppably, bending the continent's natural bounty to the national will, heedless of consequence. A country of slavery and of Indian wars. There's much truth in that vision. But if you know where to look, you can uncover a different history, one of vibrant resistance, one that's been mostly forgotten. This Radical Land recovers that story. Daegan Miller is our guide on a beautifully written, revelatory trip across the continent during which we encounter radical thinkers, settlers, and artists who grounded their ideas of freedom, justice, and progress in the very landscapes around them, even as the runaway engine of capitalism sought to steamroll everything in its path. Here we meet Thoreau, the expert surveyor, drawing anticapitalist property maps. We visit a black antislavery community in the Adirondack wilderness of upstate New York. We discover how seemingly commercial photographs of the transcontinental railroad secretly sent subversive messages, and how a band of utopian anarchists among California's sequoias imagined a greener, freer future. At every turn, everyday radicals looked to landscape for the language of their dissentaEURO"drawing crucial early links between the environment and social justice, links we're still struggling to strengthen today. Working in a tradition that stretches from Thoreau to Rebecca Solnit, Miller offers nothing less than a new way of seeing the American past--and of understanding what it can offer us for the present . . . and the future.

The avant garde is dead, or so the story goes for many leftists and capitalists alike. But in an era of neoliberal austerity, neocolonial militarism and ecological crisis, this postmodern view seems increasingly outmoded. Rejecting 'end of ideology' post-politics, Vanguardia delves into the changing praxis of socially engaged art and theory in the age of the Capitalocene. Covering the major events of the last decade, from anti-globalisation protests, Occupy Wall Street, the Maple Spring, Strike Debt and the Anthropocene, to the Black Lives Matter and MeToo campaigns, Vanguardia puts forward a radical leftist commitment to the revolutionary consciousness of avant-garde art and politics. -- .

The suicide attacks of 11 September 2001 originated deep within Islamist circles. One of the prime suspects behind the attack, the Egyptian Ayman al-Zawahiri, was heavily influenced by Egypt's radical movements and by Sayyid Qutb, a Muslim Brother who became a prime advocate of jihad and renewed Islamist thought in the 1950s. Widely considered the heir to this legacy, al-Zawahiri remains a driving force behind al-Qaeda itself. Gilles Kepel, one of the world's leading experts on Islamist movements, was amongst the first to identify Egypt as the cradle of contemporary Islamism. This seminal work, with a new introduction that puts it in perspective, gives a profoundly perceptive account of the foundations of today's radical Islamic organisations, and offers compelling insights into the structure, theory and tactics employed by the various groups as early as the 1970s in Egypt.

Eva McDonald Valesh was one of the Progressive Era's foremost labor publicists. Challenging the narrow confines placed on women, Valesh became a successful investigative journalist, organizer, and public speaker for labor reform.

Valesh was a compatriot of the labor leaders of her day and the "right-hand man" of Samuel Gompers, president of the American Federation of Labor. Events she covered during her colorful, unconventional reporting career included the Populist revolt, the Cuban crisis of the 1890s, and the 1910 Shirtwaistmakers' uprising. She was described as bright, even "comet-like, " by her admirers, but her enemies saw her as "a pest" who took "all the benefit that her sex controls when in argument with a man."

Elizabeth Faue examines the pivotal events that transformed this outspoken daughter of a working-class Scotch-Irish family into a national political figure, interweaving the study of one woman's fascinating life with insightful analysis of the changing character of American labor reform during the period from 1880 to 1920. In her journey through the worlds of labor, journalism, and politics, Faue lays bare the underside of social reform and reveals how front-line workers in labor's political culture -- reporters, investigators, and lecturers -- provoked and informed American society by writing about social wrongs. Compelling, insightful, and at times humorous, Writing the Wrongs is a window on the Progressive Era, on social history and the new journalism, and on women's lives and the meanings of class and gender.

For people of African descent, music constitutes a unique domain of expression. From traditional West African drumming to South African kwaito, from spirituals to hip-hop, Black life and history has been dynamically displayed and contested through sound. Shana Redmond excavates the sonic histories of these communities through a genre emblematic of Black solidarity and citizenship: anthems. An interdisciplinary cultural history, Anthem reveals how this "sound franchise" contributed to the growth and mobilization of the modern, Black citizen. Providing new political frames and aesthetic articulations for protest organizations and activist-musicians, Redmond reveals the anthem as a crucial musical form following World War I. Beginning with the premise that an analysis of the composition, performance, and uses of Black anthems allows for a more complex reading of racial and political formations within the twentieth century, Redmond expands our understanding of how and why diaspora was a formative conceptual and political framework of modern Black identity. By tracing key compositions and performances around the world--from James Weldon Johnson's "Lift Ev'ry Voice and Sing" that mobilized the NAACP to Nina Simone's "To Be Young, Gifted & Black" which became the Black National Anthem of the Congress of Racial Equality (CORE)--Anthem develops a robust recording of Black social movements in the twentieth century that will forever alter the way you hear race and nation.

In the international press, East Africa is depicted as a region mired in civil war, child abduction, rebel militias, Muslim-Christian violence, and grinding poverty. Joseph Kony's Lord's Resistance Army (LRA) of northern Uganda has become a symbol for the troubles of contemporary Africa. Seen from within, however, an altogether different reality is visible-one in which local communities and their leaders work together to resolve conflict and rebuild their communities. Little known beyond northern Uganda, The Acholi Religious Leaders' Peace Initiative (ARLPI) is an inspiring example of one such community organization. The story of ARLPI, examined in this book by philosopher David Hoekema, demonstrates just how much can be accomplished by a small group of dedicated community leaders in a situation where a decade of military force and international pressure have had little discernible effect. Drawing on published sources and interviews with organization leaders and LRA survivors, Hoekema illuminates how both the depredations of the LRA and the healing work of ARLPI are rooted in modern East African history. He documents the courageous work of the Catholic, Protestant, and Muslim leaders who constitute the ARLPI to overcome centuries of mistrust and help bring an end to one of the most horrific conflicts in recent history. Their work, he argues, puts philosophical and theological ideas into practice and in so doing sheds new light on how religion relates to politics, how brutal conflicts can be resolved, and how a community can reclaim its future through locally-initiated initiatives against overwhelming obstacles.

This scholarly work looks at the issue of politics and performance in America today with particular attention paid to performances produced by activists, the NEA Four, and `Miss Saigon'.

The irruption of WikiLeaks, Anonymous, Snowden and other tech-savvy actors onto the global political stage raises urgent questions about the impact of digital activism on political systems around the world. The Rise of Nerd Politics is an anthropological exploration of the role that such actors play in sparking and managing new processes of political change in the digital age. Drawing from long-term ethnographic research in Spain and Indonesia - as well as case studies from the United States, Iceland, Tunisia, Taiwan, Brazil and elsewhere - Postill tracks the rise of techno-political 'nerds' as a new class of political brokers with growing influence. The book identifies and explores four domains of 'nerd politics' that have dramatically expanded since 2010: data activism, digital rights, social protest and formal politics. A lively and engaging intervention at the conjuncture of anthropology, media studies and sociology, The Rise of Nerd Politics offers a pertinent reflection on the future of political change in the digital age.

A significant work by one of anthropology's most important scholars, this book provides an introduction to the Chiapas Mayan community of Mexico, better known for their role in the Zapatista Rebellion. June Nash updates the status of this centuries-old confrontation as well as presenting a fascinating examination of how the Chiapas, as a governing entity, are entering into the New World Order.
Using the Chiapas as a case study of the effects and possibilities of globalization Nash views the Zapatista Rebellion as one expression of the Maya's attempts to remain true to their culture in the face of the extraordinary changes taking place in Mexico today. At issue here are the competing influences of Western modernity and the cultural traditions of the Chiapas-ideas about governing, identity, cultural traditions, and communal obligations are all at stake.
Based on over 40 years studying the Chiapas, Nash argues that this famous indigenous tribe has much to tell us about autonomy, nationality and globalization. Within a global economy, the Chiapas challenge for autonomy can be seen as a model for redefining ethnic group relations and the development process within Mexico, the hemisphere and our global society.

Lady Mary Derby (1824-1900) occupied a pivotal position in Victorian politics, yet her activities have largely been overlooked or ignored. This volume places Mary back into the political position she occupied and offers the first dedicated account of her career. Based on extensive archival research, including hitherto neglected or lost sources, this study reconstructs the political worlds Mary inhabited. Her political landscape was dominated by the machinations and intrigues of high politics and diplomacy. As Jennifer Davey uncovers, Mary's political skill and acumen were highly valued by leading politicians of the day, including Benjamin Disraeli and William Gladstone, and she played a significant role in many of the key events of the mid-Victorian era. This included the passing of the Second Reform Act, the formation of Disraeli's 1874 Government, the Eastern Crisis of 1875-1878, and Gladstone's 1880-1885 Government. By exploring how one woman was able to exercise influence at the heart of Victorian politics, this book considers what Mary's career tells us about the nature of political life in the mid-nineteenth century. It sheds new light on the connections between informal and formal political culture, incorporating the politics of the home, letter-writing, and social relations into a consideration of the politics of Parliament and Government. It provides a rich investigation of how a woman, with few legal or constitutional rights, was able to become a significant figure in mid-Victorian political life.

They make an odd gang: football thugs, gay activists, French celebrities, Jewish academics, uneasy alliances of feminists and conservatives, politicians hungry for power. The only thing they have in common is a belief that Islam will overrun the West. The movement was born with 9/11. As coalition troops invaded Afghanistan and Iraq, iconoclastic journalists like Oriana Fallaci and Melanie Phillips warned that Muslims in the West were a potential enemy within. They got their ideological ammunition from a mysterious woman called Bat Ye'or, a Jewish-Egyptian ideologue with a career on the fringes of academia. An online underground community spread the message. Soon sites like Jihadwatch and Little Green Footballs were warning the world that Islam posed a threat to democracy. In 2007 the Counter-Jihad Conference in Brussels brought activists face-to-face with mentors like Bat Ye'or for the first time. Then British conference attendees hooked up with football hooligans and an Evangelical Christian millionaire to form the English Defence League. Similar anti-Islamic groups blossomed across Europe - until a massacre by Norwegian Anders Breivik disillusioned many. The Arab Spring, a series of Islamist terrorist attacks and the European migrant crisis reinvigorated the movement. By this time prominent American counter-jihad bloggers had jobs writing for Breitbart News, a right-wing news outlet with the ear of a New York billionaire considering a run in the 2016 Presidential election. Donald J. Trump would get elected on a platform of populist nationalism and counter-jihad policies. Far-right movements across Europe took note. Christopher Othen weaves together current events and history into a compelling account of the counter-jihad movement.

A second edition of the classic introduction to arts in social movements, fully updated and now including Black Lives Matter, Occupy Wall Street, and new digital and social media forms of cultural resistanceThe Art of Protest, first published in 2006, was hailed as an "essential"introduction to progressive social movements in the United States and praised for its "fluid writing style"and "well-informed and insightful"contribution (Choice Magazine). Now thoroughly revised and updated, this new edition of T. V. Reed's acclaimed work offers engaging accounts of ten key progressive movements in postwar America, from the African American struggle for civil rights beginning in the 1950s to Occupy Wall Street and Black Lives Matter in the twenty-first century. Reed focuses on the artistic activities of these movements as a lively way to frame progressive social change and its cultural legacies: civil rights freedom songs, the street drama of the Black Panthers, revolutionary murals of the Chicano movement, poetry in women's movements, the American Indian Movement's use of film and video, anti-apartheid rock music, ACT UP's visual art, digital arts in #Occupy, Black Lives Matter rap videos, and more. Through the kaleidoscopic lens of artistic expression, Reed reveals how activism profoundly shapes popular cultural forms. For students and scholars of social change and those seeking to counter reactionary efforts to turn back the clock on social equality and justice, the new edition of The Art of Protest will be both informative and inspiring.

Pamphlets have usually been regarded as ephemeral literature with little permanent impact. This work demonstrates the historical value of this genre of political literature. The propaganda pamphlets help historians place a finger on the pulse of an extraordinarily important historical period when new ideas concerning the nation-state, the rights of the governed and forms of political protest complicated the political scene and opened up new fronts of conflict between the colonial state and the colonized subjects. This study devises innovative approaches to reading these pamphlets and generates new insights into the world of the pamphleteers thus providing the readers with a more nuanced understanding of the politics and political culture of early twentieth-century Bengal. In the process, the book makes an important contribution to the historical controversies that the politics of this period has generated among scholars of Indian nationalism.

This text examines the changing global context for feminist political action, its meaning and its forms. It acknowledges the existence of dissent and debate among feminists, asserting that such debate leads to innovation in theory and practice. This book reaches the conclusion that the future of the women's movement depends upon a dialogue which is unafraid to cut across perceived differences. Focusing on key issues raised by a feministic commitment to global political change, this book covers subjects including: the relevance of contemporary feminist politics for younger women; gendered accounts of genocide and catastrophe; exile, migration and diaspora; gender and the internet; women and the nationalist movement in India; gender issues in Pakistan, Australia, South Africa and the Middle East. Featuring an international panel of cutting-edge feminist thinkers, this work demonstrates the innovative work being undertaken in the academic and professional worlds, as well as in women's activism.;It is an invaluable resource for students in Women's Studies and Development Studies, as well as all those interested in the development of contemporary global feminism.

This book focuses on Kant's analysis of three issues crucial for contemporary politics. Starting from a new reading of Kant's account of our innate right to freedom, it highlights how a Kantian foundation of human rights, properly understood and modified where necessary, appears more promising than the foundational arguments currently offered by philosophers. It then compares Kant's model for peace with the apparently similar model of democratic peace to show that the two are profoundly different in content and in quality. The book concludes in analysis of Kant's controversial view of history to rescue it from the idea that his belief in progress is at best over-optimistic and at worst dogmatic. Congratulations to Professor Luigi Caranti and his book 'Kant's Political Legacy' which has been given a 'honorable mention' by the North American Kant Society in the competition for the best 2018 book on Kant!! http://northamericankantsociety.onefireplace.org/Announcements/6660588

This book explores the literary culture of Britain's radical press from 1880 to 1910, a time that saw a flourishing of radical political activity as well as the emergence of a mass print industry. While Enlightenment radicals and their heirs had seen free print as an agent of revolutionary transformation, socialist, anarchist and other radicals of this later period suspected that a mass public could not exist outside the capitalist system. In response, they purposely reduced the scale of print by appealing to a small, counter-cultural audience. "Slow print," like "slow food" today, actively resisted industrial production and the commercialization of new domains of life.
Drawing on under-studied periodicals and archives, this book uncovers a largely forgotten literary-political context. It looks at the extensive debate within the radical press over how to situate radical values within an evolving media ecology, debates that engaged some of the most famous writers of the era (William Morris and George Bernard Shaw), a host of lesser-known figures (theosophical socialist and birth control reformer Annie Besant, gay rights pioneer Edward Carpenter, and proto-modernist editor Alfred Orage), and countless anonymous others.

Neoliberal capitalism positions us all as consumers in a hypermarket where money talks. For the majority of people around the globe, this translates as precarity and immiseration. But how can we break from this dominant ideological framework? Expose, Oppose, Propose details how, since the mid 1970s, transnational alternative policy groups (TAPGs) have functioned as think tanks of a different sort, generating resources for a globalization from below in dialogue with the critical social movements that are protagonists for global justice. Based on two years of intensive research, William Carroll not only provides a detailed examination of a variety of TAPGs - showing how each group is distinctive and autonomous in its vision, practical priorities, and ways of producing and mobilizing alternative knowledge - but also reveals how TAPGs form a master frame that advocates and envisages global justice and ecological wellbeing.