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Books > Social sciences > Sociology, social studies > Anthropology > Social & cultural anthropology > General
Today, women everywhere clamor for the latest erotic bestselling
novels--their scenes of daring sexual exploits have fired up our
collective imagination. But before we turned to fiction for our
turn-ons, Nancy Friday unleashed a sexual revolution with her
collections of uninhibited writings--the "real "fantasies of "real
"women, in books that broke "all "the rules. . . .
FORBIDDEN FLOWERS
After "My Secret Garden," Nancy Friday's first boundary-shattering
collection, rocked America and freed women to put their most
private longings and secret desires into words for all to read,
hundreds more were inspired to do just that: From the seeds sown in
"My Secret Garden "grew "Forbidden Flowers," an even more explicit
and colorful gathering of daring imaginings, uninhibited dreamings,
and real-life experimental encounters experienced by women just
like you. More fun than fiction, more supremely sexy than you ever
imagined, here are the kinds of fantasies that dare you to cross a
line and pluck some forbidden flowers of your very own.
First published in 1965, "The Indian History of British Columbia"
The Impact of the White Man remains an important book thanks to
Wilson Duff's rigorous scholarship. It is an excellent overview of
the history of the interaction between the First Nations of British
Columbia and the colonial cultures that came to western North
America. In its 30 years in print, this book has sold more than
15,000 copies and continues to reside on the reading lists of many
university and college anthropology courses. Wilson Duff wrote this
book as the first in a series. The second was to be the first book
in a line of "ethnic histories" on specific First Nations; the
third was to cover a thousand or so years before contact with
Euro-Americans. Regrettably, he never finished the other
manuscripts. But "The Impact of the White Man" stands alone and is,
indeed, a mainstay of anthropology and history in British Columbia.
For the first time, this book is issued in a quality paperback size
and a more readable type. The original text is virtually unchanged,
but the publishers have added more photographs, an appendix
updating the names and territories of British Columbia First
Nations, a new list of recommended reading, and an index.
Approaches to Ethnography illustrates the various modes of
representation and analysis that typify participant observation
research. In contrast to the multitude of ethnographic textbooks,
handbooks, and readers on the market, this book is neither a
"how-to" guide nor a catalogue of substantive themes such as race,
community, or space; it also avoids re-hashing epistemological
debates, such as grounded theory versus the extended case method.
Instead, this volume concisely lays out the predominant analytic
lenses that ethnographers use to explain social action-for
instance, whether they privilege micro-interaction or social
structure, people and places or social processes, internal
dispositions or situational contingencies. Each chapter features a
prominent ethnographer delineating a distinct approach to the study
of everyday life and reflecting on how their approach shapes the
way they analyze and represent the field. Taken together, the
collection is a practical guide that spells out how different
styles of ethnography illuminate different dimensions of everyday
social life. As such, Approaches to Ethnography complements and
augments-but not duplicate-existing ethnographic methods and logic
of inquiry texts for undergraduate and graduate courses on
qualitative research methods.
Storytelling has proliferated today, from TED Talks and Humans of
New York to a plethora of story-coaching agencies and consultants.
These narratives are typically heartbreaking accounts of poverty,
mistreatment, and struggle that often move us deeply. But what do
they move us to? And what are the stakes in the crafting and use of
storytelling? In Curated Stories, Sujatha Fernandes considers the
rise of storytelling alongside the broader shift to neoliberal,
free-market economies to argue that stories have been reconfigured
to promote entrepreneurial self-making and restructured as easily
digestible soundbites mobilized toward utilitarian ends. Fernandes
roams the globe and returns with stories from the Afghan Women's
Writing Project, the domestic workers movement and the undocumented
student Dreamer movement in the United States, and the Mision
Cultura project in Venezuela to show how the conditions under which
the stories are told, the tropes through which they are narrated,
and the ways in which they are responded to may actually disguise
the deeper contexts of global inequality. Curated stories shift the
focus away from structural problems and defuse the confrontational
politics of social movements. Not just a critical examination of
contemporary use of narrative and its wider impact on our
collective understanding of pressing social issues, Curated Stories
also explores how storytelling might be reclaimed to allow for the
complexity of experience to be expressed in pursuit of
transformative social change.
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